John Wick: Chapter 2 (2017) Review

John Wick: Chapter 2 (2017)

Directed by Chad Stahelski

Starring: Keanu Reeves, Common, Laurence Fishburne, Riccardo Scamarcio, Ruby Rose, John Leguizamo, Ian McShane, Lance Reddick

Plot Synopsis: (via IMDB)
After returning to the criminal underworld to repay a debt, John Wick discovers that a large bounty has been put on his life.

My Opinion:

I think these John Wick films could grow on me if they keep making them. Although, having said that, I also hope they stop and make it only a trilogy to avoid overkill (Ha! Literally, since there’s a lot of killing in these!!!! Holy hell).

I reviewed the first John Wick HERE last week & gave it a sort of “meh” review. I’ve felt kind of bad about that ever since. It was a fun action film. If you don’t take it too seriously, you should enjoy it. I was possibly going to wait for the sequel to come to Netflix but an opportunity arose for me to go see it over the weekend so I did. I’m glad I did. This is one of those instances where the sequel has actually made me like the original film even more. Things are coming together and I think this becoming a trilogy will be perfect. We’re leaning more about John Wick and this crazy secret society of hitmen with their strict rules of conduct. But, at the same time, it maintains the air of mystery from the first film which at first slightly annoyed me but now makes more sense as I realize that maybe we shouldn’t know absolutely everything about the character of John Wick. We don’t need to. He’s an ex-killer. No… He’s had a change of heart but he’s still a killer. He’s far from perfect. But none of that really matters. We just want to see him kick ass. We still want to see him kick ass because THAT PUPPY WAS SO DAMN CUTE.

I’m going to keep this review short as I think I spent long enough explaining my feelings in my review of the first film. I want to love these movies as much as everyone else seems to but they still don’t quite resonate with me. I stand by my opinion that, when comparing Keanu Reeves action flicks, the John Wicks come nowhere near the awesomeness of Point Break. They also don’t manage to match up to Speed or The Matrix. However, I’ll give them this: John Wick: Chapter 2 is a very strong sequel that actually manages to elevate the first one whereas the Speed & Matrix sequels were so bad that they almost managed to completely destroy the original films.

These John Wick films are definitely headed in the right direction and I’m now looking forward to the next film much more than I’d expected. This sequel is even more slick & stylish than the first and the scenes in Rome plus an action-packed scene in a mirrored art installation were a joy to watch. And with so many exceptionally strong supporting characters (I’ve especially liked Willem Dafoe & Ian McShane but I could go on & on listing all the great characters), I can’t wait to see everyone again. The characters who are still alive, that is… 😉 Plus you know they’ll get just as many impressive actors for the next film as well since someone clearly has great Hollywood connections. Maybe Keanu is just friends with everyone in Hollywood. Who doesn’t love Keanu, right?

Oh! One last thought that I had in the middle of watching Chapter 2. Maybe this is why these films are subconsciously growing on me? In a youth-obsessed Hollywood, it suddenly occurred to me just how old the majority of the main cast in both John Wick films are. Keanu himself is (a very hot) 52! McShane (74), Dafoe (61), Fishburne (55), Leguizamo (52). Even the dead-flashback-wife is age-appropriate to her husband instead of being 20 years younger (Bridget Moynahan – 45). Wick 2 also has a very memorable scene proving that 45 can be sexy with a great performance from 45-year-old actress Claudia Gerini. And Common is as handsome as always in this sequel (I loved that he had such a big role) – It’s just funny to think that he’s kind of a youngster in comparison to everyone else (only 44!).


Anyway, this won’t seem like a big deal to twentysomethings but it was kind of awesome when I thought about it. These super violent, action-packed, stylish, well-acted, kick-ass John Wick movies star people old enough to be your parents & grandparents! And I’m thinking it doesn’t matter to the younger audience anyway, judging from the wide twentysomething to sixtysomething gender mix of those watching this in my cinema. They’ve managed to appeal to all ages & genders with these films, which is quite an accomplishment for action movies. I do get their appeal. They’re growing on me. I promise. I’ve upped my John Wick 1 rating (to the same as my rating for this one). If the next movie is just as good, I’ll up them all to 7.5. I promise. Let’s hope these films continue on this upward trajectory. Yeah, they might already deserve a 7.5. I may change my mind. I do that a lot. 😉 But for now…

My Rating: 7/10

I’m already thinking 7/10 may be a little low. FYI: This movie was FAR more violent than I expected based on its 15 rating in the UK. Just a warning for those with kids in the 15 age range. It was almost Tarantino-level violence. It was actually a bit much for me. (I’m a wuss). I’m a bit shocked that it’s not rated 18…

Watership Down (1978) Blind Spot Review

Watership Down (1978)

Directed by Martin Rosen & John Hubley

Based on Watership Down by Richard Adams

Starring: John Hurt, Richard Briers, Michael Graham Cox, Roy Kinnear, Simon Cadell, Harry Andrews, Zero Mostel

Plot Synopsis: (via IMDB)
A group of rabbits flee their doomed warren and face many dangers to find and protect their new home.

My Opinion:

This is my second Blind Spot movie of 2017 after watching & reviewing The Hustler in January. I’ve never read the Watership Down book by Richard Adams and have managed to avoid spoilers for years. I’d only ever heard that the movie is “sad” so I will of course avoid giving any major spoilers in this review.

I’m still not quite sure what to think of this film. I watched it over a month ago & it goes up in my estimation the more I think about it. It was very good & I liked it but know it’s one that would grow on me after multiple watches. I have to say that I wish I’d grown up with it as that would make me appreciate it in a different sort of way. I also very much want to read the book now as I think it would make more sense of the story (I was extremely tired the night I watched this. As usual). I want the kid to read more classics so I have a feeling she’ll be getting this book as a gift from mommy so we can read it together when she’s older. It’ll prepare her for the movie, which I wouldn’t allow her to watch yet. Yes, this film is indeed extremely violent for an animated “family” film. I’ll come back to that topic in a bit…

Watership Down is very different from modern-day animated films. I mean that in a good way, though. It has the soul & bravery that a lot of classic kids’ stories had in the 1970s but which have been sucked out of the sanitized & meaningless “Happy Meal toy seller” movies pumped out by Hollywood nowadays. To quote two bits of trivia at IMDB, Watership Down is “considered to be the most violent animated PG-rated film ever made.” Also, “The British Board of Film Classification is still receiving complaints about this film after it was made almost 40 years ago.

It’s funny to think that, although I didn’t see this as a kid, I’d have probably seen it by the age of six or seven and my parents would’ve thought nothing of it whereas no one would let a kid that age watch this film now. I just find it amusing what people protect their kids from nowadays. They’ll shield them from an allegorical classic such as this but will think nothing of letting them have unmonitored Internet & social media access. They’ll think nothing of letting them do so many things that are far more psychologically damaging than watching Watership Down. Don’t worry – I’m not getting on my soapbox since, even though I know I’d have seen this by the time I was my kid’s age if I’d had the opportunity, there’s no WAY I’d let her watch this! Lol. 😉 Not yet. I’ll check out the book first as that seems like the better introduction but, to give a slight spoiler warning, this movie goes full-on “Bunny Road House at the end! I expected a polar bear to fall on someone. I expected Sam Elliott (stud) to show up & help guide the bunnies to safety. Be nice until it’s time to not be nice, little bunnies!

I often say “I’m now interested in reading the book” after watching a movie that I liked but I rarely do it as I don’t like doing it that way around (I try to always read the book before the movie adaptation if it’s something that interests me). I mean it this time, however. It strikes me as one that will go far deeper in the book as the rabbits have their entirely own culture, belief system, language, etc. The movie touches on this very well and I loved the look and animation style used at the start of the film to help explain their culture but would assume, as is usually the case, that the book will explain even more. The story being an allegory of many things, but mainly humanity in general, I’d like to read the book to more easily draw the parallels.

Finally, for those interested in the book or movie, I’ll say that it follows the classic Joseph Campbell “hero’s journey” sort of theme, which always makes for a great story. The epic journey and mythological themes also reminded me of just how much I loved The Warriors. Yes, that’s right! I did indeed just compare Watership Down to The Warriors & Road House. That’s a massive compliment because those movies are awesome. Okay – I’ve talked myself into it now: I really really liked Watership Down. It’s a fantastically epic allegorical journey worthy of its “classic” status. And Road House Bunny Warriors kick ass.

To end this review, I thought I better make mention of the book’s author (Richard Adams) and the voice our main character Hazel (brilliantly done by John Hurt). Both sadly passed away very recently and it’s just a coincidence that I chose this as a Blind Spot movie as I’d been wanting to see it for years. So, in their honor, I’m happy to say that Watership Down is a wonderful story and I’m very glad to have added another John Hurt classic to my recent list of My Top Ten John Hurt Movies (a list which is still sadly missing a few big films I have yet to see). I’ve now updated that list & Watership Down is very high (ain’t nothing gonna beat Alien, though! EVER). I hadn’t realized just how many voices Hurt had done for animated films and, based on how great he was in this, I’m now moving Ralph Bakshi’s The Lord Of The Rings (in which he voices Aragorn) much further up my “To Watch” list. So far, I’m very happy with my 2017 Blind Spot choices.

My Rating: 8/10

Here’s Art Garfunkel doing the Bright Eyes song from Watership Down. The song is actually only very briefly featured in the film – I expected to hear the whole thing…

**FYI: Netflix & the BBC are making a new Watership Down mini-series with a pretty impressive cast (James McAvoy, John Boyega, Nicholas Hoult, Ben Kingsley, and Gemma Arterton to name a few). This will apparently air sometime this year. I can’t find more current information on it but you can read an old article about it HERE at Variety.com. Will be interesting to see but I’ll read the book first. I’m sure this version will be a watered-down Watership Down… 

Oh, I actually managed to go to a movie over the weekend! And it was almost as violent as Watership Down. See you tomorrow with my review of John Wick: Chapter 2. 

Artist Jordan Bolton Puts Objects From Studio Ghibli Films Into Movie Poster Form

It’s Studio Ghibli-related movie art so you know I have to post this… 🙂

I noticed an article about artist Jordan Bolton HERE at creators.vice.com because of my love of anything Studio Ghibli-related. You can see a couple more of his Ghibli object posters at my link to that article.

I then discovered that he’s done of bunch of these movie prop posters for a wide variety of films such as The Shawshank Redemption, Pulp Fiction, Her, and Breakfast At Tiffany’s. Very cool stuff! Bolton calls this series of movie prop posters Objects and you can see them (plus other great movie & music art) on his Tumblr and Etsy pages.

**I’ve managed to finally write my February Blind Spot review! See you tomorrow with my review of my February Blind Spot choice: Watership Down. 

My Oscar Picks For The 89th Annual Academy Awards

I say this pretty much every year lately but I really don’t care about the Oscar nominees & winners anymore. The Academy is so out of touch with the general public’s opinion. Okay – I admit to being a film snob so, when I say “general public”, I mean us crazy fans of cinema. I mean people like you guys, my fellow movie bloggers. We should be the Oscar voters! 😉 If we left it up to only the general public & box office take, Oscars would go to shit like Fifty Shades. But that would still almost be better than going to undeserving movies that usually win because of behind the scenes Hollywood politics.

I’ll still watch the show, though, like I have for many many years now. I even continued watching it after moving to the UK, even though it means I have to stay up all night since it’s on in the middle of the night here. Why do I do it?! I dunno. Tradition, I guess.

I also do this post every year although, once again, I’ve seen hardly any of the nominees. Only two of the Best Picture nominees! Out of eight?? That’s pathetic, I know. To be fair, we were once again a bit screwed over in the UK. Hidden Figures & Moonlight have only been out for a week here and I’ve not had a chance to go to them. I badly wanted to see Manchester By The Sea & wanted to see Portman in Jackie but they had limited showings at a time I was too busy. As always, these Oscar-worthy films get pretty quickly replaced by more mainstream films so, if you don’t get to them right away, you’re out of luck. I like the sound of Lion so will watch it eventually and I’m kind of kicking myself for not watching Hell Or High Water after the hubby went to it & said it was really good. I may have the evening to myself so am tempted to rent it tonight…

I’ll give a quick list of links to my reviews of all the nominated movies that I’ve actually seen. Haha! Looking at it now, it’s a funny list. How obvious is it that, if you have kids, they rule your life?? And I wouldn’t change that for the world! 🙂 It just means that I’ve seen pretty much every kids’ film nomininated for anything. Including that stupid Trolls movie. Yeah. Trolls is up for an Oscar but Amy Adams isn’t. Screw you, Academy!

After that, I’ll list all the nominees for each category and what I WANT to win each Oscar and what I think WILL win each Oscar. And I’m certainly making no bets this year – I’m completely clueless and uninformed. Again, though, I just do this out of tradition I guess. And, as always, I pick my favorite sounding title from things like the documentaries & shorts because I know NOTHING about any of them. 😉 Especially this year. Yep – I fully admit it. If the Oscar clips make them look good, though, I’ll then look into them.

Here we go! And I’m happy to hear opinions from those of you who watched more than just kids’ films last year. 😉 And if Arrival wins EVERYTHING like it should, I may take back all my bitchy comments about The Academy. (It won’t)

All The Nominees I’ve Seen:

Arrival
La La Land
Nocturnal Animals
Rogue One: A Star Wars Story
Zootopia
Kubo and the Two Strings
Moana
Trolls
Fantastic Beasts and Where to Find Them
The Jungle Book
Piper

NOMINEES:

Best Picture:
Arrival (WANT!!!!!)
Fences
Hacksaw Ridge
Hell or High Water
Hidden Figures
La La Land (WILL)
Lion
Manchester by the Sea
Moonlight

Best Director:
Damien Chazelle, La La Land (WILL)
Barry Jenkins, Moonlight
Kenneth Lonergan, Manchester by the Sea
Denis Villeneuve, Arrival (WANT!!!)
Mel Gibson, Hacksaw Ridge

Best Actor:
Casey Affleck, Manchester by the Sea (WANT & WILL)
Denzel Washington, Fences
Ryan Gosling, La La Land
Andrew Garfield, Hacksaw Ridge
Viggo Mortensen, Captain Fantastic

Best Actress:
Emma Stone, La La Land
Natalie Portman, Jackie (WANT & hopefully WILL)
Meryl Streep, Florence Foster Jenkins
Isabelle Huppert, Elle
Ruth Negga, Loving

Best Supporting Actor:
Mahershala Ali, Moonlight
Jeff Bridges, Hell or High Water
Dev Patel, Lion (WILL)
Lucas Hedges, Manchester by the Sea
Michael Shannon, Nocturnal Animals (WANT)

Best Supporting Actress:
Viola Davis, Fences (WILL)
Michelle Williams, Manchester by the Sea (WANT)
Naomie Harris, Moonlight
Nicole Kidman, Lion
Octavia Spencer, Hidden Figures

Best Adapted Screenplay:
Moonlight
Arrival (WANT & hopefully WILL)
Fences
Lion
Hidden Figures

Best Original Screenplay:
Manchester by the Sea (WILL)
La La Land
Hell or High Water (WANT)
The Lobster
20th Century Women

Best Foreign Language Film:
Toni Erdmann (WANT & WILL)
The Salesman
Land of Mine
Tanna
A Man Called Ove

Best Documentary Feature:
O.J.: Made in America
13th
Fire at Sea
I Am Not Your Negro
Life Animated (WANT & WILL. Why? I like the name the most. I don’t know what any of these are about. Although I assume the first one is about O.J. Simpson??)

Best Animated Feature:
Zootopia (If this wins, I’m gonna throw something at the TV)
Kubo and the Two Strings (WANT)
The Red Turtle
My Life As a Zucchini
Moana (WILL)

Best Film Editing:
La La Land (WILL)
Moonlight
Arrival (WANT)
Hacksaw Ridge
Hell or High Water

Best Original Song:
“City of Stars,” La La Land (WILL)
“Audition (The Fools Who Dream),” La La Land
“How Far I’ll Go,” Moana
“Can’t Stop the Feeling,” Trolls (WANT, although the movie sucks ass)
“The Empty Chair,” Jim: The James Foley Story

Best Original Score:
La La Land (WILL)
Lion
Jackie
Moonlight
Passengers (WANT. Not seen it but Thomas Newman deserves an Oscar.)

Best Cinematography:
La La Land
Moonlight
Arrival (WANT & hopefully WILL)
Silence
Lion

Best Costume Design:
Florence Foster Jenkins
La La Land
Fantastic Beasts and Where to Find Them
Allied
Jackie (WANT & WILL)

Best Makeup and Hairstyling:
Star Trek Beyond
A Man Called Ove
Suicide Squad (WANT & WILL)

Best Production Design:
La La Land (WILL)
Fantastic Beasts and Where to Find Them
Hail, Caesar!
Arrival (WANT)
Passengers

Best Sound Editing:
Hacksaw Ridge
Arrival (WANT & WILL)
Deepwater Horizon
La La Land
Sully

Best Sound Mixing:
Rogue One: A Star Wars Story
Hacksaw Ridge
La La Land
Arrival (WANT & WILL)
13 Hours: The Secret Soldiers of Benghazi

Best Visual Effects:
The Jungle Book (WILL)
Rogue One: A Star Wars Story (WANT)
Kubo and the Two Strings (Also Want)
Doctor Strange
Deepwater Horizon

Best Short Film, Live Action:
Timecode (WANT & WILL. Yeah, I’ve just chosen the most interesting sounding title again.)
Silent Nights
La Femme et le TGV
Ennemis Interieurs
Sing

Best Short Film, Animated:
Piper (WANT & WILL) (Very unlikely it will but it’s the only one I’ve seen & it’s adorable.)
Pearl
Borrowed Time
Blind Vaysha
Pear Cider and Cigarettes

Best Documentary, Short Subject:
Joe’s Violin
The White Helmets
Extremis (WANT & WILL. And, again, I’ve just chosen a title I like…)
Watani: My Homeland
4.1 Miles

My Top Ten Emily Blunt Movies

Happy Birthday to Emily Blunt, who turns 34 today!

Yesterday I reviewed Sicario so I figured I’d do a list of My Top Ten Emily Blunt Movies since it’s her birthday today. And she’s a current favorite actress of mine (along with Amy Adams – how cool that they play sisters in one of the movies below?). Love these two and also love that they’re getting to play especially strong female characters in the past few years.

I’ve seen JUST enough Emily Blunt movies to make this list… I’ve seen 11 if I include two animated films she did voices for, including one that was an English dubbed version of a Japanese film. Know what? I’m going to TOTALLY CHEAT as I’ve not actually watched that dubbed version since I’m not a fan of English dubbing but I’m going to include the film on the list. Why? Because I HATED Into The Woods! I refuse to put it into a Top Ten! Plus the Japanese anime is a fantastic film (of course – it’s a Studio Ghibli). But I did still like Blunt in Into The Woods – she was one of the very few good things about it.

Here we go! Counting down to my favorite movie, not role, these are My Top Ten Emily Blunt Movies. Although my favorite role of hers is also in my favorite movie of hers…

**Updated March 12th 2017 to add The Jane Austen Book Club. It doesn’t make the Top Ten.**

11. The Jane Austen Book Club

TOP TEN:

10. Gnomeo & Juliet

9. Wind Chill

8. The Muppets

7. The Devil Wears Prada

6. Sunshine Cleaning

5. The Wind Rises

4. Looper

3. Sicario

2. The Adjustment Bureau

1. Edge Of Tomorrow

Some I’ve Not Seen (quite a few!):

My Summer Of Love
Charlie Wilson’s War
Dan In Real Life
The Young Victoria
The Five-Year Engagement
The Huntsman: Winter’s War
The Girl On The Train (I’ll watch this even though I pretty much hated the book)

Sicario (2015) Review

Sicario (2015)

Directed by Denis Villeneuve

Starring: Emily Blunt, Benicio del Toro, Josh Brolin, Daniel Kaluuya, Maximiliano Hernández, Victor Garber, Jon Bernthal, Jeffrey Donovan, Raoul Trujillo, Julio Cedillo, Hank Rogerson, Bernardo Saracino

Music by Jóhann Jóhannsson

Cinematography by Roger Deakins

Plot Synopsis: (via Wikipedia)
The film is about a principled FBI agent who is enlisted by a government task force to bring down the leader of a powerful and brutal Mexican drug cartel.

My Opinion:

Ohhh… This movie was GOOD. And to think I wasn’t even necessarily planning on ever watching it! I never really like the crime drama type of genre so, no, this will never exactly be a personal favorite film of mine whereas I LOVE Villeneuve’s Arrival (It’s my favorite genre – So glad he’s going in a sci-fi direction with his movie choices now!!!). But it’s a damn good film even if it’s not usually my sort of thing.

It wasn’t until loving Arrival that I started taking a bit more notice of Villeneuve’s work. It’s why I finally decided to watch Sicario last month (my girl crush on Emily Blunt helped too). I’d already seen a couple of his films and I thought they were pretty good and beautifully filmed but they weren’t really my type of thing either. Wait – I take that back… Enemy was totally my type of thing. I wanted to like that one more than I did. I did appreciate it and think I’d like it more on a re-watch but it was a very slow film & it took a while to get into it. I preferred it to Prisoners, however, but that’s again probably due to me not liking the crime genre. I now really want his Incendies to be one of the next films that I watch for my IMDB Top 250 Project (it’s at #146). With his current popularity I’m hoping it’ll pop up on Netflix or something.

So! Here we are with Sicario – easily my second favorite Villeneuve film I’ve seen so far. I know nothing about filmmaking but this film was beautiful. Those shots of the landscape! It’s a shame that I saw this one on a TV instead of in the cinema. The cinematography & the score created such a rich atmosphere. This combination almost gave me the same sort of feeling as I had while watching Sergio Leone’s Spaghetti Western epics (I liked the Dollars Trilogy & Once Upon A Time In The West WAY more than I ever expected to, especially having no prior Western movie experience).

I can definitely say that I intend to watch everything made by Villeneuve from now on. This is what I like: Movies that feel like true art. It feels like we don’t get enough “epics” nowadays. And they don’t all have to be artsy fartsy – I’d call Mad Max: Fury Road epic & it’ll still be loved & respected years from now. I blame the general public for the lack of very few all-time great films now, though, not the filmmakers. The majority of people wouldn’t have the patience for a Leone film now – they’d rather go to the next Fifty Shades movie. The next Fast & Furious film will make more money than most of the Best Picture nominees put together (Maybe. I dunno. I’m pulling that statistic out of my ass). Sicario isn’t quite up there with the Leone films but it’s getting close. Arrival is at that level (for me, at least). Both Sicario & Arrival will be seen as all-time classics 20 years from now, which can’t be said of many current films. But the Leone films didn’t really get any respect until years later, right? I think these two Villeneuve films, though respected by the filmmaking community right now, will get more recognition in the future. Arrival won’t win Best Picture and, years from now, people will be all “Why didn’t Arrival win Best Picture that year?!”. Oh well – The Academy never gets it right anymore.

I’m rambling, as usual, so I’ll wrap this up by saying a bit more than “This film is pretty & has a great mood!”. I’m one of those weirdos who cares more about a movie’s director than its stars. If the director is awesome and the story is good, the actors probably won’t f*^k up the film. I mean, I suppose a good director isn’t going to let crappy actors be in their film anyway. However, some credit has to be given to the actors in Sicario. Emily Blunt & Benicio del Toro are especially strong in bringing these characters to life.

Blunt, who kicked ass in Edge Of Tomorrow, again plays a great “tough chick” with a believable vulnerability. Her character isn’t perfect, she doesn’t make all the right decisions, she’s not a machine, she does have emotions, but she stays true to her beliefs to the very end. This is actually a very similar character, belief-wise, to the one in Edge Of Tomorrow and I think Blunt plays these “strong yet vulnerable” roles perfectly. Can we have more roles like these for women, please??? Thank you, Villeneuve, for these strong & believable female roles (Btw – I’ll say it again – Amy Adams was ROBBED of an Oscar nomination for Arrival! Grr).

Benicio del Toro also gives his best performance since the dog-faced boy in Big Top Pee-wee (he must get so sick of people saying that). Seriously, though – I’ve always known he was a good actor but I’ve not paid much attention to him. He’s fantastic in this, especially at the end. He kind of blew me away. He plays this thoroughly complex character with such chilling subtlety. Josh Brolin & Daniel Kaluuya also do brilliantly in supporting roles and I loved how the film captured the strong bonds and sense of extreme loyalty between FBI partners.

Sicario’s slow & deliberate build-up of tension and the reveal of character motivations made for one of the most intense final acts I’ve seen in a while. I admit that it took me a while to get into the film as it’s a topic I certainly can’t relate to and a genre I don’t often choose to watch but it’s so well-made with such rich characters & performances and an ending that had me on the edge of my seat (well, couch). This is damn good filmmaking. I want more of this. Please let Blade Runner 2049 be at least this good!

My Rating: 8/10

**Speaking of the lovely Emily Blunt, it’s her 34th birthday tomorrow so I’ll be posting a list of My Top Ten Emily Blunt Movies. 🙂

Big Little Lies by Liane Moriarty (Book Review)

Big Little Lies is a seven-episode series starring Reese Witherspoon, Nicole Kidman & Shailene Woodley. It’s airing on HBO in America this Sunday (19th of February) and looks like it will air on Sky Atlantic in the UK sometime in March.

Based on the novel of the same name by Liane Moriarty, the show was created by David E Kelley & directed by Jean-Marc Vallée (director of films such as Wild & Dallas Buyers Club). Having just read the book, I figured it was time I do a quick book review for anyone who may be interested in either the novel or the TV show…

Big Little Lies by Liane Moriarty

What It’s About: (via Amazon)
Perfect family, perfect house, perfect life; Jane, Madeline and Celeste have it all . . . or do they? They are about to find out just how easy it is for one little lie to spiral out of control.

My Thoughts:

I was very surprised by how much I enjoyed this book as it’s certainly not my usual sort of genre (give me Stephen King, fantasy, dystopian, or post-apocalyptic!). Is it chick lit? I hate that term – It’s so condescending. And I hate the so-called chick lit genre as it tends to be the “silly” books that are given this label. I suppose it’s certainly aimed at female readers, though.

I haven’t read reviews at all but I would assume the main comparison being used to describe this book’s story & overall feel is Desperate Housewives, which would be extremely accurate. I have a confession: I’m not a girly girl & watch very few girly things but I watched all of Desperate Housewives (despite its AWFUL title, which almost made me not watch it in the first place). But then the opening DH scene started with a tragic death and a woman who then happily realized that it meant she wouldn’t have to return (some kitchen appliance she’d borrowed – can’t remember) to the now-dead woman. And I was hooked! Well-written dark humor with rich characters is something I can get behind. Who cares what label you give it? I don’t think Big Little Lies is quite as good as that first season of Desperate Housewives (as with all shows, DH went badly downhill in later years) and it doesn’t have as much of that darkly humorous streak but it’s a fun satire on parents, particularly mothers, and the crazy world of school politics.

Big Little Lies starts with a tragic & unexplained death on the night of the adult-only trivia fundraiser taking place at the novel’s school. Our three main characters, Jane, Madeline & Celeste, each have five-year-olds attending their first year of school. This is a fairly long book that I found a very quick read thanks to the way it was broken up into so many chapters & the way most chapters ended with statements from witnesses who were there on the trivia night. After the opening chapter in which someone has died, the novel then goes back to the beginning of the school year to introduce us to all our main potential victims and murderers. I loved not even knowing who ends up the victim, which kept me reading as I was anxious to find out. The witness statements at the end of the chapters give us little clues along the way as to what may have happened.

Big Little Lies isn’t exactly some piece of “worthy literature” but it was a light & entertaining read and should make for an enjoyable TV series. I’d actually like to see them up the dark humor for the show if they can. The book sounds more shallow than it actually is – It tackles some heavy issues, especially at the end, but it could’ve done with sticking more to its sassy satire we mainly glimpse in the witness statements and through the character of Madeline. Speaking of Madeline, the casting of Reese Witherspoon for this role is absolute perfection – I can totally see her as this outwardly superficial character with the deep down heart of gold. I can also see Woodley & Kidman as Jane & Celeste now even though Celeste won’t be how I pictured looks-wise but Kidman definitely has the right sort of personality & manner to suit the role well. With a lot of big names involved, including Jean-Marc Vallée as the director, I think the show is in good hands & I’m looking forward to seeing how they adapt the book.

My Rating: 3.5/5

Here’s the UK trailer for the TV show. I think they’ve upped the drama! Hope the show doesn’t take itself too seriously…

John Wick (2014) & The Neon Demon (2016) Movie Reviews

With John Wick: Chapter 2 coming out, I figured I better review the first film (which I finally watched a few months ago). So I wrote the below review. After writing it, I then watched The Neon Demon. I must say that John Wick has gone up in my estimation since seeing The Neon Demon. Every movie EVER MADE has now gone up in my estimation since seeing The Neon F*%#ing Demon!!!!! Let’s talk about these, shall we…?

John Wick (2014)

Directed by Chad Stahelski & David Leitch

Starring: Keanu Reeves, Michael Nyqvist, Alfie Allen, Adrianne Palicki, Bridget Moynahan, Dean Winters, Ian McShane, John Leguizamo, Willem Dafoe

Plot Synopsis: (via IMDB)
An ex-hitman comes out of retirement to track down the gangsters that took everything from him.

My Opinion:

I love Keanu Reeves. And, apparently, I’m not alone. I was very surprised when a list I did last year of My Top Ten Keanu Reeves Movies was one of my most viewed & most shared posts. Yay! Everyone loves Keanu! I honestly didn’t realize he was so popular.

So I made that list having not yet seen John Wick or The Neon Demon and figured I could update it once I’ve watched them. Well, I’ve now updated the list. I can tell you that The Neon Demon sure as SHIT doesn’t make the top ten (it’s atrocious). Unfortunately, John Wick doesn’t quite manage to break into my top ten either. It’s very close! I’ve put it at 12 but it’s probably hovering around the 10, 11 or 12 range depending on my mood… So there you go – I’m sure you were all dying to know my final official ranking of Keanu Reeves films! 😉

John Wick is a really fun action film. It was what I expected in being all style over substance so that didn’t bother me at all. We all need to turn off our brains sometimes & just watch a fun action flick! I think I was just disappointed that it wasn’t as much fun or as stylish as I’d been expecting in order for it to make up for that lack of substance. It’s an okay film but comes absolutely nowhere near Keanu’s best. This is no The Matrix or Speed and it’s especially no Point Break (Point Break rules!). Damn. But, man, I loved that puppy. Cutest puppy EVER! I’m giving this movie a slightly higher rating simply because of the puppy. A BEAGLE. A SNOOPY puppy!!!!!


Wook at that wittle face!

I do know how to enjoy a fun “popcorn” movie and, no, I wasn’t expecting Oscar-quality writing or acting in John Wick. However, I needed to know the character of John Wick a little better in order to care about him & his quest for vengeance. We get some flashbacks of his wife and, of course, we meet his adorable puppy. However, we didn’t get much of his backstory. I felt like I didn’t know a thing about him by the end other than that he was sad about his dead wife (not a spoiler – she’s already dead at the beginning of the movie). I mean, he’s a (former) killer. Right? How is he any better than the many, many (many) people he proceeds to kill throughout this film? Because a cute puppy licked his face & he loved his pretty wife?

Okayyyy – I fully admit to falling asleep in the middle of this like I often do during films at home so maybe I missed something (I’m a parent. I’m exhausted). 😉 Why did he retire? For love? Or because he developed a conscience? I hope that was the reason… The only way I can describe it is this: I sometimes watch a movie and feel like I’ve jumped right into the middle of it and missed a bunch of the beginning where they’ve set up the characters & the story. I felt that way 30 minutes into John Wick despite missing absolutely nothing from the start. I almost cared more about Willem Dafoe’s character (a great character, from the very little we get to know him – I’d love to know more about his previous relationship with Wick as well). Well, maybe we’ll find out more in the sequel? As fun as it is to watch some shoot-em-up non-stop action sometimes, I still want to know a little about the main character at the very least. If I care about him, I’ll get more enjoyment from his revenge. I do love a really good revenge movie! I liked John Wick well enough to watch the sequel but it’s a “wait for it to show up on Netflix” movie for me. (Although, initial reviews of the sequel are very good so maybe I can be talked into making a trip to the cinema for it. But the sequel puppy isn’t nearly as cute…!!!)

My Rating: 7/10

**SPOILERS. Kind of.**

The Neon Demon (2016)

Directed by Nicolas Winding Refn

Starring: Elle Fanning, Karl Glusman, Jena Malone, Bella Heathcote, Abbey Lee, Christina Hendricks, Keanu Reeves

Plot Synopsis: Guy succeeds in making a decent film called Drive, which then gives him the freedom to make the biggest pile of shit I’ve seen since similar success for another writer led to the creation of the atrocious Jennifer’s Body. The Neon Demon makes Jennifer’s Body look good. 

My Opinion:

I called a movie that I reviewed last week a “load of pretentious bullshit” (the movie Comet). I now apologize profusely to that movie. I’d rather be strapped to a chair “Clockwork Orange-style” & forced to watch Comet 100 times than to ever have to even THINK about The Neon Demon again. I want to wipe this movie from my memory “Eternal Sunshine Of The Spotless Mind-style“. I want to go back in time and, “Marty McFly-style”, tell myself it’s my destiny (density!) to NEVER watch The Neon Demon. I want to take a flame thrower to this movie “Ellen Ripley-style“. I want to get medieval on this movie’s ass “Marsellus Wallace- style“. I want to stick this movie’s head in a box “Gwyneth Paltrow-style“. I want to banish this movie to the cornfield “Twilight Zone-style“. I want this movie to eat itself, to puke itself up, to re-eat itself, to piss itself out, and to f*%k its own corpse “The Neon Demon-style“.

I can’t truly put into words just how much I hated The Neon Demon and its fake, derivative, shallow, pointless, pretentious aping of artistic masters such as Jodorowsky, Buñuel, Argento, von Trier, Cronenberg, Lynch, etc etc. Not everyone will be a fan of all of those I’ve named (I’m not even saying that I like them all myself) but, like their work or not, at least they did their own thing instead of making superficial & inferior copies of their influences.

I’ll give this movie an extra point for Elle Fanning, though, as I thought she did a decent job for her young age. Other than Fanning, everyone in this is now slightly ruined for me the next time I see them in other films (even Keanu, dammit). Still love him, though, so I’ll try to put this movie out of my mind. But I hope to never see Jena Malone in anything ever again so am very glad that I wasn’t a fan of hers in the first place. More than anything, I’m annoyed that this has tainted the movie Drive and especially that it has ruined Drive’s soundtrack for me, which I liked even more than the film. I’ve hated plenty of movies over the years but I don’t think there’s ever been one that I actually regretted seeing. The Neon Demon may very well be the first. In that regard, I suppose you at least have to give Nicolas Winding Refn credit for creating a film that generated some strong reactions from its’ viewers. I don’t mind movies with some shock value (of those I mentioned above, I do love a lot of Cronenberg’s work) but, to quote my husband, “The Neon Demon thinks it’s art when it’s merely just artifice”.

My Rating: 2/10

The Most Popular Rom-Com In Every State

Happy Valentine’s Day, everyone! I’m not big on romantic comedies. In fact, the majority make me want to barf. I do like the occasional rom-com, though, as long as they’re actually good. The Princess Bride, Say Anything, and the little-known In Your Eyes are favorites of mine. Okay, I probably like more romantic comedies than I’d ever admit… I just have to be in the right mood for them.

I found the above map fascinating, which shows state by state which rom-com comes up in the most internet searches. I was quite shocked that Pretty In Pink is overwhelmingly the top-searched rom-com in the United States according to Google trends. Being a big Hughes fan (I did a big ‘ol John Hughes Blogathon back in my blogging heyday), I was super happy to see that it still remains so popular. I had no idea! Pretty In Pink (which I reviewed HERE) isn’t my absolute favorite Hughes film (I prefer Some Kind Of Wonderful, which I reviewed HERE) but knowing that my home state apparently still loves it to this day warms my tiny little frozen heart. Idaho has the best taste, though… Yay, Idahoians! As you wish! I don’t know anyone from Idaho. You too, North Dakota! *high five* Give me your heart & I’ll give you a pen!

You can see the article about the above map HERE at the Mental_Floss website, which also contains a link to a bigger image of the map.

Wait… Maybe Americans just really love The Psychedelic Furs???

By the way, if you’re going to a movie with your loved one tonight, I highly recommend The LEGO Batman Movie… 😉

The LEGO Batman Movie (2017) Review

The LEGO Batman Movie (2017)

Directed by Chris McKay

Starring: Will Arnett, Zach Galifianakis, Michael Cera, Rosario Dawson, Ralph Fiennes

Plot Synopsis: (via IMDB)
Bruce Wayne must not only deal with the criminals of Gotham City, but also the responsibility of raising a boy he adopted.

My Opinion:

The LEGO Batman Movie is easily my favorite 2017 UK release so far! Well, okay – it’s only February and I’ve only seen three other movies (La La Land, T2 Trainspotting & Split). But I’m sure it’ll be in my top ten at the end of the year. It really cheered me up after a crappy day at work – it’s lots of fun and the humor is genuinely funny. And I mean an “all ages” funny – this is one of those movies I’m sure plenty of adults without kids are wanting to see as well. Go to it! You’ll like it no matter what your age, especially if you’re a superhero fan. Although you don’t really have to be a superhero fan, either – I’m a very mild one. In fact, I’m so superheroed-out that I went to, I think, only one of the superhero movies released last year. I didn’t go to that Batman/Superman thingy! I’m pretty sure The LEGO Batman Movie is superior to that anyway from what I’ve read.

I absolutely loved the first The Lego Movie, which I re-watched with the kid again this week. I thought that was one of the best family movies in recent times and it somehow actually manages to still go up slightly in my estimation anytime I see it. This LEGO Batman “sequel” follows a similar sort of hero’s journey narrative and delivers another great message in a thoroughly entertaining, funny, and non-preachy way. I still adore the message from the first film and, while this second film is much more obvious with its straightforward message and the story isn’t quite as “deep” or as uniquely told as in the first film, it’s still a wonderfully written film and so much better than the majority of mindless kids’ films that get made with only cheap laughs and cheap toys in mind. Crap like Trolls! What’s the message in that? Be happy no matter what! Tra la la, stupid happy songs, don’t think for yourself, don’t have emotions…

I also want to emphasize the “non-preachy” message thing, as I get so thoroughly annoyed by preachy kids’ films (I seem to have a very unpopular opinion on Zootopia but I sincerely felt that it rammed its message down our throats. Plus, the film was just boring so that didn’t help). These LEGO movies, like the Pixar films and most (not all) Disney films, get the perfect balance. It feels like the focus is first & foremost on telling a good and entertaining story, which ultimately does a better job in getting its point across anyway since any message it may have doesn’t feel forced.

I suppose I should end this review by actually talking about the movie in some way?? I don’t do that a lot anyway since I like to avoid spoilers and prefer to just discuss my feelings about a movie. What can I say? I thought the jokes in this were genuinely funny (almost as funny as in the first film). “Clever” funny. I’m very picky on comedy and like very few adult films in the comedy genre. Why is the best, most well-written comedy in films nowadays in these so-called kids’ movies? The LEGO movies (and everything made by my beloved Pixar) put all the immature, silly, live-action “adult” comedy to shame. Are adults idiots or something? Considering that our cinema screen was nearly empty when we went to see this while queues were going out the door for that new Fifty Shades movie, I’m thinking that must be the case.

I can’t help but compare this to the first LEGO movie, of course, but to say it’s not quite as good as that one isn’t really an insult as that’s a hard one to live up to. Batman himself is great but the rest of the characters are a bit weak in comparison. The focus is on Batman’s relationship with each of these people, though, and this is done really well. You gets loads of fun pop culture cameos (Gremlins & a Twilight Zone reference put a big goofy grin on my face) and I know there are plenty of superhero in-jokes that I’ll have missed but that hardcore fans will love. I saw so many “dads” alone with their kids at this one and I’m sure they loved it as much if not more than their kids. I like to pretend that those dads’ wives weren’t next door at Fifty Shades… This is why I don’t get along with many other women! Do any girl bloggers out there who prefer LEGO Batman to Fifty Shades want to be my friend??. 😉

The story itself is, well, a pretty standard superhero storyline. But better. I wish more live-action superhero movies were half as good as The LEGO Batman Movie. This film is more lighthearted and “fun” than the first one but it still has a fantastic message and put as big of a smile on my face as on my husband’s and, most importantly, our daughter’s. Well, maybe slightly bigger smiles on ours. But her generation of kids are gonna be great adults thanks to growing up on good movies like these and like those made by Pixar. This generation of kids are gonna save the world! They’re gonna be better adults than all the current idiot grown-ups! If we all live that long. Hmm. This review took a dark turn. Kind of like the death metal songs written by LEGO Batman.

My Rating: 8/10

Dope, Comet & Me And Earl And The Dying Girl Movie Reviews

Three mega quickies for three movies I watched last year. I have a lot of these old reviews to catch up on so I’m going to keep these threesomes short. Here we go!

Dope (2015)

Directed by Rick Famuyiwa

Starring: Shameik Moore, Tony Revolori, Kiersey Clemons, Kimberly Elise, Chanel Iman, Tyga, Blake Anderson, Zoë Kravitz, A$AP Rocky

Plot Synopsis: (via IMDB)
Life changes for Malcolm, a geek who’s surviving life in a tough neighborhood, after a chance invitation to an underground party leads him and his friends into a Los Angeles adventure.

My Opinion:

I couldn’t wait to see this and the hubby & I immediately watched it the second it turned up on Netflix (or whichever service it was) instead of our usual “What should we watch?” deliberation which goes on for so long that we could watch an entire movie in the time we spend deciding what to watch. Probably one of the biggest disappointments that I’ve watched recently, I enjoyed very little about the movie Dope other than the fantastic soundtrack (which was great but also more predictable than I was hoping for). I think I’m just finally getting too old for certain teenage/twentysomething shit? Especially the quirky “indie-type” ones that try too hard (the next two are even more guilty of that than Dope).

I didn’t exactly hate this movie but no matter how many great artists you use in a film (Public Enemy! A Tribe Called Quest! Eric B. & Rakim!) it can’t disguise the fact that the story is weak & silly and only a couple of characters are likable. Shameik Moore is easily the best thing about the movie (after the music) so at least there was one character I cared about. Zoë Kravitz is also a decent character (with a much smaller role than I thought she’d have). Unfortunately, everyone else is an obnoxious asshole and the two “funny” best friends just annoyed me. Also, I suppose I’m showing my age & small town hickness but the only teenage parties I knew in the Eighties were, to quote Heathers, “keggers with kids”. Give me cheap beer in a field & some cow tipping! I can’t relate to you kids & your weird drugs. Okay – I’ve never actually tipped a cow. That seems cruel. Skip this movie & buy the soundtrack if you don’t already know all the songs. BUY the soundtrack. With actual money. That’s also how we did things in the old days!

My Rating: 6/10

Comet (2014)

Directed & Written by Sam Esmail

Starring: Emmy Rossum & Justin Long

Plot Synopsis: (from IMDB)
Set in a parallel universe, Comet bounces back and forth over the course of an unlikely but perfectly paired couple’s six-year relationship.

My Opinion:

What a load of pretentious bullshit. Feel free to give this one a go if you want to spend an hour & a half watching millennials whining about their first world relationship problems. Oh! And if you like that sort of thing, you’re really in for a treat since we get to see this couple whining in several slightly different scenarios since their relationship is shown in alternate realities. So clever!

I admit that I fell for the “parallel universe” thing in the synopsis so I put this on since I’m a sci-fi nerd. Don’t be fooled like I was! AVOID!!!!!! Do yourself a favor and go watch Arrival if you’re wanting a proper sci-fi drama. Or go watch anything other than this. Hell, just go watch a Nicholas Sparks movie if you’re wanting a bullshit melodramatic romance. At least you know what you’re gonna get with Nicholas Sparks movies since they don’t pretend to be anything other than silly & predictable. Hell, at least Nicholas Sparks characters usually have some goddamn chemistry unlike the two boring fuckers in Comet. And, most importantly, Nicholas Sparks movies know they’re stupid. Comet thinks it’s smart. You’re not smart just because you throw a “parallel universe” angle into a film to try to make it less boring. Comet is just a Nicholas Sparks movie minus any chemistry whatsoever between the characters and minus any good sex scenes.

My Rating: 4/10

Me And Earl And The Dying Girl (2015)

Directed by Alfonso Gomez-Rejon

Based on Me and Earl and the Dying Girl by Jesse Andrews

Starring: Thomas Mann, Olivia Cooke, RJ Cyler, Nick Offerman, Molly Shannon, Jon Bernthal, Connie Britton

Plot Synopsis: (via IMDB)
High schooler Greg, who spends most of his time making parodies of classic movies with his co-worker Earl, finds his outlook forever altered after befriending a classmate who has just been diagnosed with cancer.

My Opinion:

I’m sorry this threesome is turning into a bitchathon. I’m also sorry to say that I was very disappointed with Me and Earl and the Dying Girl. But, this time, I’m not exactly sure why since this is the type of movie that’s usually my sort of thing.

I like plenty of indie movies (whether they’re the true definition of indie or just the hundreds of wannabe indies nowadays – I’m too lazy to look into whether this was an actual independent film or not). But they can either be brilliant or they can cross that line into pretentious bullshit (like the movie Comet, which stays over that line the entire time). I think the problem with MAEATDG (stupid long title) is that it crosses that line just a little too much for me to have truly bought into it. It tries just a little too hard to be unique. And, once again, I found that I just didn’t like the characters very much. Why is it so difficult to make likable or, at least, interesting and/or memorable characters? With the sad setup to this story, I expected to feel at least a slight emotional attachment to someone. At least the dying girl, right?? We didn’t seem to get to know her well – we mostly spent time with the mopey boy who’s at first pretty much forced to befriend her when she’s diagnosed with cancer. We did have the added bonus of the two boys making amateur films, which is a big YES to us movie nerds watching. It was indeed fun to see bits & pieces of their spoofs of classic films but it didn’t make up for the fact that I didn’t really care about anyone and just found the film surprisingly slow & unengaging. There’s a slight redemption at the end as I liked the presentation of the final film made by our main character and the overall movie itself ended well (as in, it ended how I expected it to and I think it was handled well). MAEATDG was certainly not a bad film. I have respect for everyone involved in its making & can understand why it would have fans. Unfortunately, for whatever reason, it just didn’t resonate with me. And I actually feel kind of bad about that! I’m sorry I didn’t like it that much.

My Rating: 6/10

Finders Keepers by Stephen King (Book Review)

Finders Keepers by Stephen King

What It’s About: (via Wikipedia)
Finders Keepers is the second volume in a trilogy focusing on Detective Bill Hodges, following Mr. Mercedes. The book is about the murder of reclusive writer John Rothstein (an amalgamation of John Updike, Philip Roth, and J. D. Salinger), his missing notebooks and the release of his killer from prison after 35 years.

My Thoughts:

I found the first book in this trilogy, Mr Mercedes, very enjoyable (I reviewed it HERE). Stephen King managed to create some of his most likable characters in that book so I can see why it became a trilogy as I was, and I’m sure a lot of people were, happy to continue reading about retired detective Bill Hodges and his odd assortment of friends & now colleagues. I’ve heard good things about the final book and someone hinted that it goes a bit more supernatural, which is much more my kind of thing than a straightforward crime novel, so I’m really looking forward to reading it this year. However, I found this second book quite weak compared to the first one and slightly disappointing overall for a King novel.

I’m not going to do an in-depth review since one of my blog goals this year is to keep my book reviews short. King is easily my favorite author so, when I find a book of his slightly disappointing, it’s still likely that I enjoyed it more than a lot of books that I’ve read from other authors. That’s the case this time – I enjoyed the book but it’s certainly not as good as Mr Mercedes and is one of the more forgettable King novels compared to his other work.

I found I didn’t care about the characters in this one (a young boy, who finds the notebooks & money stolen from a murdered author, and that boy’s family). The boy’s family is struggling with money thanks to the dad being hurt by the Mercedes Killer in the first book. The Finders Keepers murderer himself is uninteresting and it takes quite a long time for Bill Hodges & his friends from the first book to even make an appearance. I kept reading & thinking “When do we get to see the Mr Mercedes characters?!”. I did like the idea of a famous author having so much material hidden away from the world and it may have been nice to actually learn a little more about this author before he was murdered at the very beginning of this novel. He seemed more interesting than the other new characters in this book.

Oh well – it’s a decent story, we get to see Bill Hodges & his friends again, and we get to now move on to the final book (which I’m hoping will be as good as the first one and doesn’t make the mistake of straying from our favorite characters too much).

My Rating: 3/5

T2 Trainspotting (2017) Review

T2 Trainspotting (2017)

Directed by Danny Boyle

Based on Trainspotting and Porno by Irvine Welsh

Starring: Ewan McGregor, Ewen Bremner, Jonny Lee Miller, Robert Carlyle, Kelly Macdonald, Anjela Nedyalkova, Shirley Henderson, Irvine Welsh

Plot Synopsis: (via Wikipedia)
20 years after the previous film, Mark Renton (Ewan McGregor) returns to Scotland to make amends with his friends, Daniel “Spud” Murphy (Ewen Bremner) and Simon “Sick Boy” Williamson (Jonny Lee Miller), whilst avoiding the psychopathic Francis “Franco” Begbie (Robert Carlyle).

My Opinion:

I enjoyed this sequel more than I thought I would and it was better than I expected. It’s interesting that just last week I reviewed The Hustler (1961) and its sequel The Color Of Money (1986). It doesn’t always work to revisit characters with films that are 20+ years apart. However, in the case of both The Color Of Money & T2, I did thoroughly enjoy seeing what our much older characters are now up to and I don’t think either film ruined its (admittedly superior) predecessor.

Let’s face it – the Trainspotting sequel was never going to be better than the original. Trainspotting was so of its time and it captured a mood, time & place in a way I don’t think could ever be replicated now. All I wanted was a sequel that wasn’t embarrassing & didn’t ruin the characters as we remember them and I think Danny Boyle has managed to deliver this to Trainspotting fans. I’ve actually been extremely disappointed with some of his films I’ve watched lately (Trance, Slumdog Millionaire) so am very happy to say that this sequel met & even exceeded my expectations. I still like these characters. (Other than Begbie, of course… What an asshole!)

I really like the first film and think it deserves its acclaim for being something quite unique. When I first saw it years ago, it was when I was first starting to really get into films and it was unlike anything I’d ever seen before (and probably one of the most shocking I’d seen at that point in my life). I was also still in America at that point so I suppose it was very foreign to me as well. I’ve only watched it once more since (just after moving to the UK over a decade ago) so, while I think it’s a very good film, I’m not one of its obsessive fans and had even forgotten bits & pieces of it. More than anything, it was the soundtrack from the original that stuck with me (Excellent soundtrack!). I probably could’ve done with re-watching the first before the sequel but, with the help of some flashbacks which I thought were well done, it filled in a few blanks in my mind.

My point is this: I’m no expert or obsessive Trainspotting fan and I’ve never read the books so I don’t feel very qualified in reviewing this sequel. I know I personally enjoyed it and it was great revisiting the characters and seeing them together again (especially Renton & Spud. I’d forgotten how likable Spud was – he’s easily my favorite character in the sequel). This is a more grown-up film and certainly not as intense as the original but it feels “right“. These guys are 20 years older – they’re not going to be exactly the same. However, they still stay true to their characters and, though older and supposedly wiser, still make bad decisions and mistakes.

Immediately after watching this, I was mostly curious what fellow blogger Mark of Marked Movies thought of it as I know he’s a big fan of the original (and he’s from Scotland, I should add). He kindly reviewed the original a couple of years ago for my IMDB Top 250 Project HERE (Thanks again, Mark!). I figure that his opinion on this sequel is far more relevant than mine so, if you’d also like the opinion of a big Trainspotting fan, you can read his review of the sequel HERE. It looks like we both feel quite similar about the sequel so Boyle seems to have done a good job keeping loyal fans (as well as casual fans such as myself) happy. Oh yeah – The soundtrack is also okay but it’s not as awesome as the first film’s!

My Rating: 7.5/10

The Color Of Money (1986) Review

Yesterday would’ve been Paul Newman’s birthday so I decided to kick off January with my Blind Spot review of The Hustler (review HERE). And since I’m a completist, I naturally had to watch the 1986 sequel directed by Martin Scorsese. Let’s have a look at Newman 25 years older as Edward “Fast Eddie” Felson in The Color Of Money

The Color Of Money (1986)

Directed by Martin Scorsese

Based on The Color of Money by Walter Tevis

Starring: Paul Newman, Tom Cruise, Mary Elizabeth Mastrantonio, Helen Shaver, John Turturro

Plot Synopsis: (via Wikipedia)
The film continues the story of pool hustler and stakehorse Edward “Fast Eddie” Felson from Tevis’ first novel, The Hustler (1959), with Newman reprising his role from the 1961 film adaptation. The film begins more than 25 years after the events of the previous film, with Eddie retired from the pool circuit.

My Opinion:

This was a fun film but certainly not on the same level as the 1961 classic The Hustler plus it also suffers a tiny bit from that “dated 80’s movie” feel. This is unfortunate. However, if you’ve watched & liked The Hustler, I’d still recommend giving this one a go to see what Newman’s “Fast Eddie” is up to 25 years after the events of the first film.

The one thing I found interesting is that Newman is the true star of this movie. Well, of course he is but what I mean is that he so massively outshines Tom Cruise. I find this interesting as this film came out the same year as Top Gun but Cruise seems much younger and less experienced in this one. In my review of The Hustler, I mentioned how Newman had that special “something” that only certain actors have & it gave him a presence and a star quality that is lacking in Cruise in this film. Cruise often does have that movie star quality, though (such as in Top Gun). But I’ve clearly aged as I found the 60-year-old Newman far more attractive than the 20-something Cruise in this. Hmm! Showing my age again (I’d just like to point out that I’m younger than Cruise currently is, at least).

Newman is very good in this & actually won the Best Actor Oscar for his performance. Well, I think the Academy was clearly just making it up to him as it was his role in The Hustler that should’ve won instead. That’s The Academy for you, though! They realize their mistakes then reward someone another time instead. Glad he won one, though.

This isn’t as hard-hitting as The Hustler and doesn’t have the intense relationships that made that film so highly regarded. Cruise’s character comes across as an immature child (I think that’s the point) but it doesn’t make for a story that is as interesting to watch as the first film. He doesn’t have the same sort of chemistry with Newman as those in the first film had. I was never really a fan of Mary Elizabeth Mastrantonio but she’s good in this (and was also Oscar-nominated, unlike Cruise) and there’s some decent sexual tension between her & Newman.

The first half of the movie, which focuses on Cruise & Mastrantonio teaming up with Newman, was missing something due to this lack of chemistry between our male leads (and also due to me knowing that the first movie was so strong on its focus on human interaction). However, the second half does pick up as Newman’s character goes on a journey of self-discovery type of thing and he starts to feel more like the complex & somewhat broken “Fast Eddie” from The Hustler. I did enjoy this movie overall and liked revisiting Newman’s character. And it’s reminded me once again that I have to seek out more of Paul Newman’s work. Especially his older films… What a hunk.

Oh yeah – and I had to keep reminding myself that this was a Martin Scorsese movie so I’ve now added another one to my list of Scorsese films seen. I’ve already done My Top Ten Martin Scorsese Movies (list HERE) and The Color Of Money would break into my Top Ten (probably at, hmm… 8 or 9).

My Rating: 7/10

Oh, shit! I totally forgot to add that Iggy Pop has a small role in this! That was an awesome surprise. Check him out:

Also, I’ve know for years that Eric Clapton’s It’s In The Way That You Use It was in this since it had one of those videos with clips from the movie. Here you go! I’m not a big fan of solo Clapton but I like this song okay:

The Hustler (1961) Blind Spot Review

Today would have been Paul Newman’s birthday, so I’m reviewing his film The Hustler for my Blind Spot 2017 Series as well as my IMDB Top 250 Project. Like many classics, this was in the Top 250 when I started the project on 01/01/13 but is currently not on the list.

Let’s see what I thought of The Hustler (as well as its 1986 sequel The Color Of Money, which I’m reviewing tomorrow)…

The Hustler (1961)

Directed by Robert Rossen

Based on The Hustler by Walter Tevis

Starring: Paul Newman, Jackie Gleason, Piper Laurie, George C. Scott, Myron McCormick, Murray Hamilton, Michael Constantine, Stefan Gierasch, Clifford Pellow, Jake LaMotta

IMDB Rank: 197 out of 250 (as of 01/01/13)

Plot Synopsis: (via Wikipedia)
The Hustler tells the story of small-time pool hustler “Fast Eddie” Felson and his desire to break into the “major league” of professional hustling and high-stakes wagering by high-rollers that follows it. He throws his raw talent and ambition up against the best player in the country; seeking to best the legendary pool player “Minnesota Fats.”

My Opinion:

Paul Newman was so damn hot. What a hunk. I lusted after him through this whole movie. It’s quite disappointing that it’s in black & white because I like seeing those baby blue eyes of his in color. But even in black & white, he’s still dreamy. *sigh*

The Hustler is very good and I can see why it’s a classic and it totally sucks that current films keep knocking old films such as this one out of the IMDB Top 250. I can sort of understand why, though, as I’m guilty myself of not exploring many movies that are pre-1970 or so but it does annoy me that most young people want to watch nothing but current stuff these days. Anyway, I enjoyed The Hustler and the acting is phenomenal, which I think it what makes this one such a classic. Surprisingly, though, it was Piper Laurie who stole the show. Wow. More about her later…

Newman was his usual self: Full of charm & charisma. He was such a great actor and one of only a handful over the years who I feel had that extra “something” that made him my definition of a true movie star. You know that “something” that’s hard to explain? I feel that “something” is missing from most artists nowadays (especially within the music industry – even more so than in film). I haven’t explored as much of Newman’s work as I’d like but I can now say that The Hustler is a must-see for anyone wanting to see him in his best roles. There’s more than just his usual charm & charisma here – he’s a lonely, complex character and the movie truly comes alive when he becomes involved with Piper Laurie’s similarly lost soul.

Newman is fantastic and it’s a shame he didn’t win the Oscar but Laurie is stunning. I’m glad, like Newman, that she also got a nomination but it’s a shame that she hasn’t gotten more recognition for this role. I’ll be honest – I didn’t even know she was in The Hustler! I’ll also be totally honest & admit that I’ve never really known her as anything other than Margaret White in Carrie. I LOVE her in Carrie (she easily topped my list of My Top Ten Crazy Ladies In Movies). Who knew she could play a disturbed character with such sympathetic subtlety in The Hustler just as well as she did full-on batshit crazy in Carrie?? I love her in both roles but have a new respect for her – I’m very glad I got to see this performance.

Clearly the relationship between Newman & Laurie is what I latched onto and what made the movie for me but there are of course some other important characters and, yes – plenty of pool. The two really worth mentioning are Jackie Gleason as “Minnesota Fats”, a brilliant pool-playing rival to Newman, and George C. Scott as an evil, greedy bastard. Seriously – what a dick. I wanted to punch him in the face. Therefore, I guess he played his role well!

Summary:

The Hustler is worthy of its status as a classic and it’s a great way to kick off my choice of 2017 Blind Spot films. I admit, however, that it did drag for me at times in a way that older movies often do for those who have mostly watched post-1970 movies (like me). I have zero interest whatsoever in pool and, while this movie is not actually about pool and more about human interaction, there’s still plenty of pool. Some will of course love the actual pool scenes but the final game of pool is the only one that really matters and the one that fully held my attention. The movie is a little slow-going at first but the phenomenal performances from all involved, especially from Newman & Laurie, make the second half of the film intense & gripping. The Hustler is well worth your time if you have an interest in old Hollywood classics.

My Rating: 8/10

La La Land (2016) Review

La La Land (2016)

Directed & Written by Damien Chazelle

Starring: Ryan Gosling, Emma Stone, John Legend, Rosemarie DeWitt

Music by Justin Hurwitz

Plot Synopsis: (via IMDB)
A jazz pianist falls for an aspiring actress in Los Angeles.

My Opinion:

So, this movie got a record 1,582 Oscar nominations yesterday (roughly). I finally saw it over the weekend & knew instantly that it would get loads of Oscar noms as this is the type of movie that’s SO right up the Academy voters’ street (and butt). Don’t worry – I’m not going to be all “this is overrated!”. Those people who go around shouting “this is overrated!” are so overrated. This is a lovely film. It’s a good film. It’s not, in my opinion, up there with the all-time musical greats such as The Sound Of Music, The Wizard Of Oz, Singin’ In The Rain, etc etc etc. It’s good! I enjoyed it and really liked Gosling & especially Stone, who are as great together as always. But I think people will realize ten years from now that La La Land doesn’t come close to touching the all-time classic musicals. (It’s also far less of a “musical” than I was expecting!)

I found the movie a little uneven. It starts out with a big musical number that has such a different sound & vibe from the rest of the film that it feels like it’s from a different movie. It’s an okay number (not my favorite & I can’t even remember the music from it right now) but it sets things up to be this epic musical when all we get are a few more “big” song & dance numbers (I did really like two of these) and several smaller-scale musical scenes. I felt bad thinking that this movie was overlong and could’ve had at least 20 minutes shaved off of it (it’s 2 hours 8 minutes) but I don’t think I’d have been checking my watch if they’d had more scenes like the musical number with Gosling & Stone in the observatory. That one was lovely & it was one of the only times I thought the film came close to the standard I expect from a really good musical.

This movie didn’t seem to have a clear overall goal or, shit, I dunno… a clear aesthetic? Don’t get me wrong – I loved the bold, primary colors and I’m still trying to decide which dress of Stone’s I liked the most (probably the green dress in the above photo). But this didn’t always fit with the other imagery or with the music when the movie tried to be more “classic Hollywood” or tried to go with a jazz vibe. Damien Chazelle was possibly trying to cram in too many different artistic & musical styles he likes instead of sticking to one main theme or at least trying to make these different styles mesh together a bit better. Being a lover of film & classic Hollywood, I was naturally more attracted to the scenes such as the lovely observatory number that attempted to imitate this (although some of the classic Hollywood scenes were somewhat derivative) than I was to the brightly colored musical numbers that felt like some 1990’s Gap ad. Or, as my hubby put it, a Feist video. 

I think what’s possibly my biggest problem with the movie (this may get me into trouble to say but, hey, no one is reading this, right?) – La La Land is a bit too “Millennial Musical” for me to really see it as all-time classic. I can’t see me wanting to watch this 52 years from now the way I’ll still happily watch all 3 hours of The Sound Of Music. FYI – I did the math to find out that The Sound Of Music is 52 years old. Then I realized that I’m sounding like the grumpy old person that I am so I did some more math and realized that I’ll most likely be dead in 52 years anyway, so… Okay, I guess if you really love La La Land & I’ve offended you with my “Millennial Musical” statement, you’ll get the last laugh when I die of old age soon. 😉

Summary:

La La Land is a good film with Stone & Gosling just as lovable together as always. I’m very happy for their Acting Oscar nominations and think they’re well deserved. I know I often come across as negative but I’m perfectly fine with all the nominations this film has received as I do think it’s a very good and, at times, almost fantastic film. It’s not like I could make a better movie! What do I make? Stupid spreadsheets! (Although I do make them almost as colorful as La La Land).

I just feel like some absolute masterpieces have actually been made in the past few years with little or no rewards while La La Land will likely win all it’s up for mainly because it’s the Academy voters’ type of “thing”. They love a musical and anything that celebrates their way of life. I truly wanted to love this movie. I wanted to be moved by a film that celebrates a “love of cinema & the arts” the way I was by Cinema Paradiso. Or perhaps The Artist or Hugo – these three films capture the filmmakers’ love of cinema in a way that La La Land never quite manages. I wanted the powerful emotional response I had to Arrival & to Room (btw – Amy Adams was ROBBED!!!). For whatever reason, though, La La Land didn’t strike a chord with me. It’s a lovely movie to take your mind off the rest of the world for a couple of hours but I didn’t walk out of it with that feeling of elation that I (and other movie nerds) get from only the truly best pieces of filmmaking.

My Rating: 7.5/10

Here’s that Feist video. La La Land is an enjoyable film but if you really don’t fancy it, I suppose you can just watch this video to get a feel for one of the three main vibes going on in it.

Plus this Gap ad:

And this is easily my favorite theme from La La Land. I do think this is beautiful and wish all the music in the film was as simple & elegant as this piece. THIS feels timeless:

Split (2016) Review

**SPOILER-FREE (and meaningless rambling) REVIEW**

Split (2016)

Directed & Written by M. Night Shyamalan

Starring: James McAvoy, Anya Taylor-Joy, Betty Buckley, Haley Lu Richardson, Jessica Sula, Brad William Henke, Sebastian Arcelus, Neal Huff

Plot Synopsis: (via IMDB)
After three girls are kidnapped by a man with 24 distinct personalities they must find some of the different personalities that can help them while running away and staying alive from the others.

My Opinion:

This is one of those movies where I walked out of the cinema not entirely sure how I felt about it. At first, I mainly thought it was just okay. But the more I thought about it, the more I disliked it. Now, writing this a day after seeing it, I think my main feeling for Split is disappointment. I didn’t hate it. I certainly didn’t love it. A return to form for M. Night Shyamalan? Possibly. But it’s mainly a return to his ability to make movies I’m really interested in seeing as I love the setups and I do enjoy them when I’m in the middle of watching them but, thinking about them later on, I realize they’re not actually very good films (other than The Sixth Sense, to which I still remain faithful).

I think I feel quite similar about Split as I do The Visit (which I reviewed HERE), although they’re very different. I don’t think either is a horrible film and they’re indeed much better than some of M. Night’s huge stinkers in recent years but both are still extremely flawed, especially in their final acts. Split is probably the “better” film in that it’s played straight with some acting that’s of a higher standard than you expect in the horror genre while The Visit is so over-the-top silly that I’m still convinced it’s a horror comedy despite not being labelled as such. But I think Split has made me like The Visit a fraction more in that the latter was a more enjoyable film to sit through despite its silliness. Let’s face it – M. Night’s ideas are silly. Perhaps he should do them in a more comedic fashion as he did in The Visit?? Split takes itself too seriously. The characters are unlikable whereas those in The Visit are so goofily f*%ked-up that you can’t help but kind of like them. Does that make sense?? I’m rambling. Here are all the Shyamalan films I’ve seen ranked from worst to best according to how much I liked them (including one he only wrote):

Lady In The Water
The Happening
Devil
Split
The Visit
Signs
Unbreakable
The Village
The Sixth Sense

Shut up and talk about the movie, right? You know how hard it is to discuss this dude’s films in a spoiler-free fashion! One thing I’ll say for his movies is this: The majority of them have pretty big name stars and some quality acting despite the horror genre and the often outrageous storylines. I think this has helped to give Shyamalan’s films a bit more credibility than is actually deserved?

As I said, I stand by my opinion that The Sixth Sense is a good piece of filmmaking although people are sometimes negative about it now since the ending is so well known. But everyone involved acted their asses off for that “horror” film (don’t forget that Collette & Osment were up for Acting Oscars as well as Shyamalan for Director & Screenplay and the whole thing for Best Picture!). I don’t think Split’s acting is Oscar calibre but it’s still very good for its kind of film. McAvoy is of course the standout having to play various personalities but I also thought his psychiatrist, Betty Buckley, was very good as was young Anya Taylor-Joy (this is her first film I’ve seen). Oh! And I loved finding out that Betty Buckley was the nice gym teacher in the original Carrie – I didn’t know that until I looked her up just now:

So, bravo to the actors who once again help to elevate an M. Night Shyamalan film. Without them, I think this would be very much in danger of being a bargain bin straight-to-video horror (okay – it’s not straight to “video” anymore, I suppose. Showing my age!). Thanks to the success of The Sixth Sense, I think Shyamalan has been able to continue making films that are just good enough to keep him in the game. I want to like his movies more. I like his ideas but rarely like his execution. I want one of his movies to fully reach its potential (funny, as I do believe this is a line quite often uttered by McAvoy’s character). I also want to stick to my 2017 blog resolution of not writing long, rambling reviews! Let’s wrap this up.

Summary:

Split isn’t horrible and has some very good performances but is as ultimately disappointing overall as I’ve now come to expect from M. Night Shyamalan’s films. I can see why it has a fairly high IMDB user rating so far as this will either be due to a) loyal fans who’ve watched all his films as he has a surprise in store for them OR b) full-on “horror” fans as this is the most straightforward horror film that Shyamalan has made. It’s more straightforward horror than I like, personally, so perhaps that’s partly why I was disappointed. I prefer bizarre & supernatural, which is why I’ve put up with a lot of the silly shit he’s come up with. So, in some ways, I do agree that this film is a better film than a lot of his work but I personally didn’t like it that much.

Also, two things quite bothered me. The main thing was that I didn’t like some of the treatment of the kidnapped teenage girls. Shyamalan mostly makes “PG-13 horror”. That’s its rating in the U.S. but I wouldn’t let a 13-year-old watch this (it’s rated 15 in the UK). Obviously I want to avoid spoilers but there are sexual themes that I don’t think are necessarily handled that well considering the film’s low rating & young-looking actresses. There’s also an implication that two of the girls “deserve” what terrible fate may await them because, I dunno… They’re popular? They don’t come across as really mean girls or anything.

The other thing is more minor but it just annoyed me. There’s an extra bit tacked onto the VERY end of the movie, as the credits have started to roll with the final scene still going, and it feels extremely out of place. This bit should’ve been a mid or end credits scene. This extra bit is for loyal fans and some of you will love it. Half those in my cinema walked out the second the credits started rolling despite the scene clearly still continuing (why the hell do people do that?!) so those type of people clearly don’t care about this small extra bit anyway. Hey, Mr. Shyamalan! Stick something like that halfway through the credits next time to reward those who stick around! (FYI – I rolled my eyes a bit at this tacked-on scene but also admit I kind of like Shyamalan’s obvious future plan…. Why do I never give up on his films?!)

My Rating: 6/10

My Top Ten John Hurt Movies

Happy Birthday (soon!) to John Hurt, who will be 77 on Sunday, January 22nd.

Wow – I didn’t realize just how much Hurt has starred in until I looked him up for this list. So this will be yet another Top Ten where at the end I’ll have to list some of his biggest films that I’ve not yet seen. But I won’t list everything since he’s been in 207 things!!! So here we go… Here are My Top Ten John Hurt Movies (as opposed to performances) counting down to my favorite (which is one of the greatest movies EVER):

Honorable Mentions:

14. Hellboy
13. Indiana Jones And The Kingdom Of The Crystal Skull (Nuke the fridge!)
12. Thumbelina
11. The Skeleton Key (I actually quite liked this stupid movie)

10. The Black Cauldron

9. The Harry Potter Movies

8. I, Claudius

7. 1984

6. Contact

5. Melancholia

4. V For Vendetta

3. TIE: Spaceballs & Watership Down

2. The Elephant Man

1. Alien

I Saw These But Don’t Really Remember Them:

– King Ralph
– Lost Souls

Some I’ve Still Not Seen:

– The Lord Of The Rings (animated) (This is on my list to watch soon)
– Midnight Express (I’ve been meaning to watch this for years… Maybe it can be a 2018 Blind Spot!)
– Rob Roy
– Captain Corelli’s Mandolin
– Dogville
– Perfume: The Story Of A Murderer
– The Oxford Murders
– Brighton Rock
– Tinker Tailor Soldier Spy
– Sightseers
– Only Lovers Left Alive (I keep asking the hubby to watch this with me, dammit! I want to see it!)
– Snowpiercer (This never did get a proper release in the UK. Still want to see)
– Jackie

**Post updated 26th of February 2017 to include Watership Down…

Sound City (2013) Review

Yesterday, to celebrate tomorrow’s birthday of the lovely Dave Grohl, I posted a list of My Top Ten Foo Fighters Songs. Today I’m reblogging my review of Grohl’s fascinating documentary about Sound City recording studio. Well worth checking out if you’re a music fan! 🙂

Cinema Parrot Disco

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Sound City (2013)

Directed by Dave Grohl

Plot Synopsis: (via Wikipedia)
The film tells the story of Sound City Studios from its early days in 1969 until its closing in 2011. It then follows Dave Grohl’s purchase of the studio’s custom analog Neve console, which he moved to his personal studio, Studio 606. Famous musicians who recorded at Sound City reunite at Studio 606 for a jam session and to make an album of “all-new all-original songs, each one composed and recorded exclusively for the film within its own 24-hour session on that console.”

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Artists Featured: (also via Wikipedia because I’m lazy today)

The documentary features interviews conducted by Grohl of artists associated with the studio:

Vinny Appice
Frank Black
Lindsey Buckingham
Johnny Cash (archival)
Kurt Cobain (archival)
Kevin Cronin
Rivers Cuomo
Mick Fleetwood
Neil Giraldo
Josh Homme
Alain Johannes
Jim Keltner
Paul McCartney
Barry Manilow
Rupert Neve
Stevie…

View original post 436 more words

My Top Ten Foo Fighters Songs 

Happy (early) birthday to Dave Grohl, who’s turning 48 on Saturday. Who doesn’t love Dave Grohl? If you hate Dave Grohl, we can’t be friends. I’m allowed to marry Dave Grohl, if he’ll have me. My hubby agreed to that once. What do you say, Dave??? 😉

I’ve always had a thing for talented music dudes & Grohl is one of the best. He’s consistently made brilliant music with various bands but it’s his Foo Fighters stuff that I like the most. I’ve lost touch with music in the past several years where life has gotten too busy plus I suppose I spend any free time I do get on this blog & on movies instead of music. So I admittedly only know the singles from recent albums. It was fun putting this list together, though, as I hadn’t listened to a lot of these songs in a long time. I need to get back to listening to music more often – I don’t do it enough these days. I envy people who to get to listen to music all day while they work.

It wasn’t easy to decide on the order for this list but the top two are definite and I can’t see that ever changing – I adore those songs. As for the rest, they’re all so good that I couldn’t leave them out so I’ll count down from 20. They’ve never had a bad song, which can’t be said of many bands. Here are My Top Ten Foo Fighters Songs:

Honorable Mentions:

20. Walk
19. Walking After You
18. Stacked Actors
17. Next Year
16. I’ll Stick Around
15. The One
14. Best Of You
13. This Is A Call
12. These Days
11. Rope

TOP TEN:

10. TIE: Arlandria & Breakout

9. The Pretender

8. Big Me

7. Times Like These

6. My Hero

5. Learn To Fly

4. All My Life

3. Something From Nothing

2. Everlong

1. Monkey Wrench

My 2017 Blind Spot Choices


Last year I really enjoyed joining in on the Blind Spot series so many bloggers choose to do each year. You can see my final ranked list & review links to my 12 Blind Spot Movies Of 2016 HERE. I won’t be doing quite as much on this blog this year but I do like the thought of at least selecting another 12 films that I’ve been wanting to watch & finally making myself get around to watching them. So here are my choices for 2017:

Wolf Children

Jackie Brown

The Hustler

Watership Down

The Raid

Rocky

Fritz The Cat

The Last Temptation Of Christ

The King And I

The Girl Who Leapt Through Time

Zodiac

House (Hausu)

Some Alternates (depending upon availability of the above & free time):

El Topo
The City Of Lost Children
Tetsuo (1989)
Solaris (1972)
Altered States
Ghost In The Shell
The Untouchables
Gandhi
The Right Stuff
Once Upon A Time In America

My 2017 Blog Resolutions 

Happy New Year, everyone! I hope you’re all having a good 2017 so far. (Okay – it’s the 10th of January. I’m done saying “Happy New Year”). 😉

Like most people, I’ve made my own personal resolutions for 2017. I won’t share those here but they’re my main priority. However, I don’t want to abandon my “online movie diary” completely so I’ve decided on some things I’ll focus on this year in order to keep this blog going. Here are my 2017 Blog Resolutions:

Keep It Short

I ramble on too much (probably because I’m not a writer & I suck with words!). This has kept me from reviewing a lot of the (79!) movies I watched at home last year. This year, I’ll keep any reviews of non-current, meh movies very brief.

One Or Two Posts A Week

Simple: I’ll do a minimum of one or two posts a week. Some weeks there will be more but I won’t stress if I only manage one. I’ll mainly post Tuesdays, Wednesdays, and/or Thursdays.

Blind Spot Movie Reviews

The one blog commitment I didn’t come to regret in 2016 was watching & reviewing the 12 Blind Spot Movies that I chose last January. This is one of my main blog resolutions that I plan to stick to again this year. I’ll be posting my 2017 Blind Spot Choices tomorrow.

Reviews Of New Releases

I’ll again do my best to at least review all the current movie releases that I go to see this year. I’m always pretty good about keeping on top of this so it’s my other main commitment along with doing Blind Spot reviews.

IMDB Top 250 Project

This has been almost entirely on hold for the past couple of years. I no longer want any guest reviews as some became too much of a headache. But I do, from the bottom of my heart, thank those of you who fulfilled your guest review commitments at least once. Sincerely. *Hugssssss!* I got a lot of excellent classics reviewed on my blog thanks to you guys (and it gave me the opportunity to be very lazy for over a year with a guaranteed weekly post I didn’t have to write). 😉 I’m now going to go back to doing this on my own but I’m in no rush. By now, I’ve watched the majority of the Top 250 films that I actually WANT to watch. So I’ll make my goal, hmm… To watch & review four IMDB Top 250 Movies this year. Think I can manage that!

Top Ten Lists

I’ll still do these but not on a regular basis. When I do, I’ll probably continue to post them on a Thursday.

Books & Reviews

I tend to read about one book per month & I kept on top of reviewing them all in 2016. I’ll continue to try to do this but I’ll make my book reviews very brief as well. 

Themed Weeks/Months

I enjoy doing themed weeks and/or months on my blog but I won’t commit to definitely doing any this year. If I’m in the mood & if I have the time, these are the ones I keep toying with:

Studio Ghibli Week: I already devoted all of January 2015 to Studio Ghibli but have since been working my way through the non-Miyazaki films as well. I’ve watched five already so I’ll review them all one week. Probably. I already started 2017 by watching Arrietty. 🙂

Akira Kurosawa Week: I keep putting this off as I don’t know how to go about reviewing these fantastic films (I’ve only watched three so far). But I’ve just bought myself a lovely blu-ray set of five of his samurai films (it was cheap!) so, maybe one week by the year 2021, I’ll actually review all the Kurosawa films that I’ve watched.

John Carpenter Week: Another thing I’ve been putting off for two years! I have, however, watched plenty of his movies in preparation. One of these weeks…. BAM! I’ll suddenly review them all. Maybe. We’ll see.

New York City Week: I’ve watched so many movies based in NYC in the past year & have saved them up to devote a week to reviewing them. 

Rocky Week: To kill two birds with one stone, I’m putting the IMDB Top 250 film Rocky on my Blind Spot list. But, as the hubby keeps telling me how good Creed was, I figure I better watch all the Rocky movies first, right?? Ugh. Are there seven? Well, I’ll try! I do have them all available so I might as well. Considering how much I ended up enjoying Clint Eastwood Week last year, I’m bizarrely looking forward to watching all the Rocky “guy” movies. I’m a weird chick…

Non-Disney, Non-Pixar, Non-Ghibli Animation Month: One thing I really want to focus on is watching more animated films that aren’t necessarily “kids’ films” (although some will be). I’m talking about things such as Ralph Bakshi movies & non-Ghibli Japanese anime. There are also some movies that I’ve been meaning to watch for years, such as Watership Down. I have quite a long list, however, so it’s likely that I’ll watch what I can this year but not review anything until 2018. Hmm… 2018 resolution?! I’ve not even had a chance to break all my 2017 ones yet!

Well. That’s it. So much for my “Keep It Short” resolution!!! There – I’ve broken one already… See you tomorrow with my Blind Spot Choices. 🙂

A Recap Of My 2016 Top Ten Lists

I hope you’re all having a wonderful 2017 so far! 🙂 While I try to get back into the swing of things on this blog, I thought I’d do a quick recap post with links to my 2016 End-Of-Year Top Ten Lists which I posted during the week after Christmas. Here are the links:

My Top Ten Movies Of 2016 (released in 2016)
My Top Ten Movies Watched At Home In 2016 (not released in 2016)
My 2016 Blind Spot Movies: Ranked
My Top Ten Books Read In 2016

I took a blog break through December & have only just caught up on replying to comments over the weekend. Thanks to those of you who have stuck around despite my absence – I really do appreciate the comments and do love to have a chat. I’ll be posting less & hopefully reading more over the next few weeks. I really want to see all your End-Of-Year Lists as well so feel free to add links to them in the comments as I know I’ve probably missed out on most of them by now!

I’ll be posting some “blog resolutions” tomorrow, in which I’ll discuss some of my blog plans for 2017. Then I’ll be posting my 2017 Blind Spot Choices on Wednesday, which I’m really looking forward to doing again (I’ve already watched my January Blind Spot film). So, once again, a final Happy New Year to you all! I’ll do my best to not take a month to reply to your comments in 2017… 😉

My Top Ten Robert Duvall Movies

Happy Birthday to Robert Duvall, who turns 86 today!

Robert Duvall has been in a lot of big films but he seems to be an actor who is often overlooked. To be fair, when I decided to do this Top Ten after watching THX 1138, I couldn’t have instantly named all the movies he’s been in & was like “Oh yeah – he was in that one too!” when looking him up at IMDB & seeing his full list of films. I think some of the films in this list are overlooked as well (I actually really like Falling Down, Colors & Deep Impact, which is why I have them fairly high & will probably be moaned at for having them above a couple of classics). 😉

As always, I’ve ranked these according to how much I personally like these movies (Not according to Duvall’s individual performances in each. But he’s good in them all!). Here are My Top Ten Robert Duvall Movies:

10. Network

9. Apocalypse Now

8. Crazy Heart

7. Deep Impact

6. Colors

5. Falling Down

4. To Kill A Mockingbird

3. THX 1138

2. The Godfather: Part II

1. The Godfather

The Rest That I’ve Seen:
Days Of Thunder
Four Christmases
Phenomenon
Gone In 60 Seconds

Saw These But No Longer Remember Them (sorry!):
The Natural
The Paper
M.A.S.H.

I Like These But His Role Was Uncredited (so I didn’t count them):
The Conversation
Invasion Of The Body Snatchers

A Few Big Ones I’ve Not Seen:
Bullitt
True Grit
The Apostle
The Road

My Top Ten Movies Of 2016

Here’s my last post of this unbelievably insane & cruel year. Goodbye & good riddance, 2016! You’ve robbed us of far too many kind & talented people and left us under the care of far too many people full of pure evil & hate. I’d like to think that mankind deserves better than this. But do we?

Well, let’s lighten the mood slightly as I started this movie blog for one reason only: to discuss movies. Because I love them. In this fucked up world, we can turn to them and find a beauty that so often seems to be lacking in the “real world” (especially in 2016). I find it interesting that, as the world is getting worse & worse these past several years, we’ve also had some truly beautiful films that have displayed human kindness in a way that is so hard to capture onscreen without becoming overly sappy & sentimental. So, there must be some good people left? To be able to create art as powerful as in things such as the top two films on my list, there must be some good left in the world. Right?? All I know right now is that I wish Arrival was a true story. We need some aliens to visit us & give humanity a much needed kick up the ass!

A quick note that, as always, I go by the UK release dates for these end-of-year lists. Too damn confusing otherwise! I’m aware that my number 1 is a 2015 film in the U.S. (Which will still be pointed out by those who don’t read these intros). 😉

Here we go! My Top Ten Movies Released In The UK In 2016 (that I’ve managed to see – you can see my entire, ranked list of all 38 HERE). Counting down to my favorite & with links to my full reviews, these are ranked on my own personal taste as opposed to “worthiness”. But in my opinion, the top two are damn near masterpieces in a league of their own.

Honorable Mentions:

15. Kubo And The Two Strings
14. Everybody Wants Some!!
13. Captain America: Civil War
12. Deadpool
11. Midnight Special

Top Ten:

10. Moana

9. The Edge Of Seventeen

8. Rogue One: A Star Wars Story

7. Nocturnal Animals

6. The Purge: Election Year

5. The Girl With All The Gifts

4. Your Name

3. Sing Street

2. Arrival

1. Room

My Other End-Of-Year Lists:

My Top Ten Books Read In 2016
My 2016 Blind Spot Movies: Ranked
My Top Ten Movies Watched At Home In 2016 (not released in 2016)

I’m now taking a much needed break from posting anything for a while & instead catching up on reading other blogs and all of your end-of-year lists. So, for now, I wish you all a Happy New Year! See you sometime in 2017. 🙂