Starring: Simone Signoret, Véra Clouzot, Paul Meurisse, Charles Vanel
Plot Synopsis: (via IMDb) The wife and mistress of a loathed school principal plan to murder him with what they believe is the perfect alibi.
My Opinion:
I unfortunately saw the terrible 1996 remake of this starring Sharon Stone years ago. Rubbish! I thought I’d managed to completely put it out of my mind until halfway through this original French film, when I suddenly remembered the whole story. Damn. Well, it’s still a fantastic murder-plot-mystery thriller and I’d highly recommend the original film, directed by Henri-Georges Clouzot, to anyone who likes this sort of genre. (Seriously, do NOT watch the 1996 remake. Ugh.)
The wife & the mistress of the same abusive asshole plot to murder him & make it look like an accident. But many weird & inexplicable things happen as the story unfolds. The actresses in this (Simone Signoret & Véra Clouzot) are fantastic and you are rooting for them (especially the poor wife) through the whole film. And do you know what happened when the credits came up at the end of this 1955 movie?! A warning to not spoil the ending of the film for others so that they could enjoy it too! Funny. So people were dicks about spoiling movies in 1955 just like they are in 2021. At least they could avoid Twitter in 1955.
My Rating: 7.5/10
In Fabric (2018)
Directed & Written by Peter Strickland
Starring: Marianne Jean-Baptiste, Hayley Squires, Leo Bill, Julian Barratt, Steve Oram, Gwendoline Christie, Barry Adamson, Jaygann Ayeh, Richard Bremmer, Terry Bird, Fatma Mohamed
Plot Synopsis: (via Wikipedia) The film follows a haunted red dress as it torments various owners.
My Opinion:
This was bizarre. I was very excited to see this on BBC iPlayer as it looked like just my type of thing. I like to watch these “Giallo-inspired” movies. But then they end up being really shit & I think I’d have been better off just watching an actual Italian horror from the ’70s instead of a very poor imitation. Hated that Suspiria remake too! What was the point of that?? Well, at least this was an original story instead of a remake, I guess.
I did like director Peter Strickland’s Berberian Sound Studio okay but this one didn’t really work. I’d say there were certain things I liked about it, though. The score & the look were fine (even though it’s ripping off the Giallo style – Again, I should have just checked out another Dario Argento film even though I know none are as good as Deep Red or Suspiria). There are also two stories in this weird “killer dress” movie & the second one sucks. The first one, starring Marianne Jean-Baptiste & Gwendoline Christie, actually wasn’t too bad & I’d be giving the film a higher rating if it had ended there. Why did they feel the need to add the second? Also, the movie is veeeeery slow & the first story dragged on for far longer than it needed to.
I think this may have actually been a decent horror anthology instead with four or five stories involving the killer dress. I’d watch several really good stories about a killer dress! Why do one okay story & one completely rubbish one?? Well, I don’t recommend this unless you like slightly boring modern movies that poorly rip off ’70s horror classics (if you liked The Love Witch, which I thought was terrible, you’d probably like In Fabric).
Starring: Scarlett Johansson, Adam Driver, Laura Dern, Alan Alda, Ray Liotta, Julie Hagerty, Merritt Wever
Music by Randy Newman
Plot Synopsis: (via Wikipedia) The film follows a married couple (Johansson and Driver) going through a coast-to-coast divorce.
My Opinion:
I honestly don’t get the hype over this movie. And I’ve never understood the love for Adam Driver – that gross guy who had gross sex with gross Lena Dunham in gross Girls?! I just feel very out of touch with people the past several years. I see people raving about movies on Twitter so I watch those movies and end up extremely underwhelmed. Is it just me? Why do these same films fail to move me? Because I felt NOTHING while watching this. I didn’t feel that this couple had any sort of meaningful connection or any chemistry whatsoever so found it very hard to feel upset over the breakdown of a marriage that we saw so little of and didn’t get to witness developing in any way. We’re suddenly thrown in at the end of the marriage when they apparently don’t like each other anymore.
I think Driver & Johansson are okay actors (Johansson more than Driver). But they felt like actors in this movie. I felt like I was watching a play that was almost as boring as the ones directed by Driver’s “brilliant” character in this movie. And Johansson’s character was of course an actress. Despite Noah Baumbach sticking to that rule of “write what you know” and clearly writing about his own lifestyle, this movie somehow managed to make these characters feel anything but real to me. It was just odd as one of the main things I saw on Twitter was “This movie is so real!”. Seriously? Am I just dead inside? All I saw were two bland and self-absorbed people not loving OR hating each other enough to build up to that “I wish you were dead!” (or whatever he said) scene. We saw so little of their marriage anyway that I didn’t give a shit when they finally had a damn fight like normal couples do.
I don’t know. Maybe it is just me. I don’t blame either Driver or Johansson, though, as I think the writing here is the problem. This movie is just not my sort of thing. It’s the pretentious & self-indulgent side of “indie” that I can’t stand. It crosses that indie line for me (I don’t know if it fits the indie definition but, who cares, it’s still indie as hell). I either love or hate these types of films. On the right side of the line we have films such as the Richard Linklater ones with brilliant dialogue and characters who are intriguing and fun to watch. Then we cross the line into Wes Anderson movies and, based on the two films I’ve now seen, Noah Baumbach movies. Self-absorbed characters in movies that think they’re much more important & intelligent than they actually are. Marriage Story isn’t awful it just isn’t anything groundbreaking and I didn’t care about the characters. I’ve seen this story plenty of times before but with characters who were much more believable & sympathetic. And don’t even get me started on the kid in this movie! Bloody hell – he’s eight (or so I read) but written like a thoroughly annoying four-year-old. Sorry but no eight-year-old acts like this idiot kid. Was he written by someone who has never been around children? I didn’t expect to hate the poor kid in this movie. Wow. Hey, Hollywood – learn how to write child characters!
Plot Synopsis: (via Wikipedia) The film follows an overweight woman in New York City who sets out to lose weight and train for the city’s annual marathon.
My Opinion:
This is based on a true story and I do respect anyone who runs a marathon. I will never ever ever do that – I’m far too lazy. So I don’t want to say anything too bad since this is a real person. Yay for her! She turned her life around. But the movie did NOT manage to make her very likeable. In fact, she was downright horrible to those around her who were only trying to help & support her. And we’re supposed to root for her? I always struggle with movies with hateful main characters. I avoid hateful people as much as possible in real life – why would I want to watch a movie about hateful people? At least make them entertaining if they’re awful people (I admit to really enjoying The Wolf Of Wall Street and he was an enormous asshole). Jillian Bell’s character was just so damn boring. This is considered a comedy drama but there’s no comedy, which I was expecting as Bell normally does comedy. This was fine as I’m not a big comedy fan anyway but a little disappointing as I wasn’t expecting an uninspiring drama. You also don’t get the uplifting payoff at the end of this since you kind of don’t feel the character has fully earned any success due to her behavior. I’m sounding very negative in these reviews! That’s why I’ve put off reviewing them. Oh well. Like Marriage Story, this film isn’t awful. I just found them both very bland but the actors themselves were okay and I guess they did what they could with weak material.
My Rating: 5/10
Support The Girls (2018)
Directed & Written by Andrew Bujalski
Starring: Regina Hall, Haley Lu Richardson, James LeGros, AJ Michalka, Dylan Gelula, Shayna McHayle, Lea DeLaria, Jana Kramer, Brooklyn Decker
Plot Synopsis: (via IMDb) The general manager at a highway-side “sports bar with curves” has her incurable optimism and faith, in her girls, her customers, and herself, tested over the course of a long, strange day.
My Opinion:
I didn’t hate this movie. Yay! It was… Fine. An okay movie that I enjoyed while watching it but will never watch again. That’s most movies these days – Perfectly pleasant but a bit forgettable. At least, unlike with Marriage Story & Brittany Runs A Marathon, there are likeable characters in this one. Regina Hall was very good as the manager at the sports bar/restaurant and as a mother-figure to the waitresses. It’s very much a “day in the life” movie and I enjoyed the different personalities of the characters. It’s a little bit “quirky indie”, which doesn’t always work but did in this case. I liked it. See? I like movies sometimes.
Happy Halloween Horror Month 2019! Today I’m reposting my mini-review of (well, it’s more of a rant about) the pointless 2018 remake of Italian horror classic Suspiria…
Suspiria (2018)
Directed by Luca Guadagnino
Based on Suspiria by Dario Argento & Daria Nicolodi
Starring: Dakota Johnson, Tilda Swinton, Mia Goth, Angela Winkler, Alek Wek, Ingrid Caven, Elena Fokina, Sylvie Testud, Renée Soutendijk, Christine LeBoutte, Fabrizia Sacchi, Małgosia Bela, Jessica Harper, Chloë Grace Moretz
Music by Thom Yorke
Plot Synopsis: (via Wikipedia) Suspiria is a 2018 supernatural horror art film directed by Luca Guadagnino with a screenplay by David Kajganich, inspired by the 1977 Italian film of the same title directed by Dario Argento. Guadagnino’s film, which is set in 1977, stars Dakota Johnson as an American woman who enrolls at a prestigious dance academy in Berlin run by a coven of witches.
My Opinion:
What. The. Actual. Fuck. Okay, I admit I’ve only seen the original Suspiria once and don’t remember much other than the Goblin score, which I fricking love and listen to regularly. I know I liked the overall vibe. I really should watch the film again. Italian horror is one of the very few genres I’ve not yet really explored. This remake is an incoherent mess. It’s laughable, especially in the final half hour. At least I was “rewarded” with a good laugh over the ending’s absolute ridiculousness after suffering through this otherwise boring thing for HOURS (2 hours & 32 fucking minutes!!!).
Why do they keep remaking films that are considered classics?! WHY?!? I don’t get it. I understand that there are fans of the giallo horror thing but don’t understand why, if people want a 2018 giallo movie, filmmakers can’t just make an original film with the same characteristics???? I’d totally watch that. Why shit on a classic’s legacy?
I think this was also disappointing as the trailer and especially the above poster (which is great!) almost made this look promising despite it starring Dakota Johnson. As much as remakes & reboots piss me off, I admit that they occasionally work and have even liked a few. I’m a fan of 2004’s Dawn Of The Dead even though the 1978 film is one of my all-time favorite movies, probably because it wasn’t a straight remake but more of a respectful & enjoyable reimagining. It almost felt as if 2018 Suspiria had zero regard for what made the original such a beloved classic for many horror fans.
I’ve read no reviews of this version but am *assuming* that those who love the original hated this and those who loved this hated or probably didn’t even see the original. I’d like to hear from anyone who loves both versions of Suspiria – I’d love to know the reasons why. I saw so many people on Horror Twitter raving about this remake so I’m actually quite confused as I thought it was a dreadful mess. Give me Mandy instead of 2018 Suspiria! It’s hard to not compare the two as they’re both pretentious artsy horror films that came out the same year and are both extremely divisive. Mandy is weird as hell but has originality and style. Suspiria tries too hard and just comes across as desperate and phoney.
I should say something nice… Um. I think Thom Yorke was a great choice to do the music for this and was one of the reasons I wanted to watch the film. The music starts out promising in the very beginning but then I no longer noticed it. I don’t know if there was less music in the second half or if I just no longer noticed it as I slowly lost the will to live. But nothing will EVER beat the original’s Goblin score anyway so why bother.
For October Horror Month, I’ll be re-posting some mini-reviews of horror movies that I watched in the past year. Here are my reviews for thrillers (okay, not exactly “horrors“!) Breaking In & Searching…
Breaking In (2018)
Directed by James McTeigue
Starring: Gabrielle Union, Billy Burke, Richard Cabral, Ajiona Alexus, Levi Meaden, Seth Carr, Mark Furze, Jason George, Christa Miller, Damien Leake
Plot Synopsis: (via Wikipedia) The film follows a mother who must protect her children after the mansion of her recently deceased father is invaded by burglars.
My Brief Opinion:
This film wasn’t too bad as far as lightweight “PG-13-Style” home invasion movies go. Is it a bit cheesy? Of course! But is the family likable and do you want them to survive? Yep! Good enough. What more do you need from this sort of movie? I wasn’t expecting something Oscar-worthy here. Gabrielle Union was good and I loved that she was pretty kick-ass for a mother but also not unrealistically so. I actually hate movies like this where a character makes no mistakes whatsoever – that’s unrealistic as we’d all fuck things up in this sort of situation in real life. Wow – Union looks young, though. I had to look up her age and she’s actually a bit older than me. Damn. Lucky her! Well. I don’t know what else to say. This movie is flawed. It’s ridiculous at times. It’s far from perfect. But I liked it. It’s the sort genre we saw a lot more of in the 80’s & 90’s. I miss this kind of straightforward cheesy thriller sometimes. It’s not trying to be anything more than that.
My Rating: 6/10
Searching (2018)
Directed by Aneesh Chaganty
Starring: John Cho, Debra Messing, Michelle La, Kya Dawn Lau, Megan Liu, Alex Jayne Go, Sara Sohn, Joseph Lee, Steven Michael Eich, Ric Sarabia, Sean O’Bryan, Colin Woodell
Plot Synopsis: (via Wikipedia) Set entirely on computer screens and smartphones, the film follows a father (John Cho) trying to find his missing 16-year-old daughter (Michelle La) with the help of a police detective (Debra Messing).
My Brief Opinion:
I enjoyed this way more than I was expecting for a movie that’s all seen through a computer screen via Skype, social media posts, websites, videos, etc. I didn’t think the gimmick would work but the mystery of the daughter’s disappearance was intriguing enough to keep you interested the whole time. The story worked well, the father & daughter had good character development (making up for other characters having very little), and the gimmick didn’t end up being a distraction from the story like I feared it might. The pacing was also really good – these mystery thrillers can drag a bit sometimes but this was fast-paced and very engaging the entire time. I feel like I’m hyping this too much… It’s not exactly Oscar-worthy material but I’m impressed that its gimmick worked so surprisingly well.
For October Horror Month, I’ll be re-posting some mini-reviews of horror movies that I watched in the past year. Here are my reviews for Cam & The Love Witch…
The Love Witch (2016)
Directed & Written by Anna Biller
Starring: Samantha Robinson, Gian Keys, Laura Waddell, Jeffrey Vincent Parise, Jared Sanford, Robert Seeley, Jennifer Ingrum
Plot Synopsis: (via Wikipedia) The film stars Samantha Robinson as Elaine, a modern-day witch who uses spells and magic to get men to fall in love with her with disastrous results.
My Brief Opinion:
Like American Mary, this was on Film 4 the other week and I was really happy as I’d been intrigued by the look of this one since it first came out. Damn – this was a huge disappointment. While I did indeed love the look of it, I can’t say that I thought the film was good. Film critics will say something about this exploring gender roles or some shit but I thought the film was all style & no substance. However, I appreciate the effort it made on its 60’s aesthetic and the lead actress is definitely beautiful (and half naked quite often, which may be why the positive reviews I’ve seen have mostly been from dudes. Hmm). As a woman, I was hoping to like this a lot more as it’s from a female director and has a strong female role. It’s artsy and pleasing to the eye but the intentionally bad acting and the slow pace made it a chore to even finish it. Still, it has fans and I can see why it would as it’s a unique film. It just didn’t work for me personally, so don’t let my unenthusiastic review keep you from watching it if you like the look of it.
My Rating: 5.5/10
Honestly, this chick is gorgeous. As if she’d need to use spells to get guys to fuck her.
Cam (2018)
Directed by Daniel Goldhaber
Starring: Madeline Brewer, Patch Darragh, Melora Walters, Devin Druid, Imani Hakim, Michael Dempsey
Plot Synopsis: (via IMDb) Alice, an ambitious camgirl, wakes up one day to discover she’s been replaced on her show with an exact replica of herself.
My Brief Opinion:
I really need to stop trusting tweets from Twitter’s “horror community”. I’ve realized that they rave about every horror movie no matter how good or bad it really is. Cam is yet another Netflix film that everyone thinks is great, probably because they get to watch it at home as part of their subscription, which is a lot easier than dragging your butt off the couch to go the cinema to watch something that’s actually good. Netflix is the new equivalent of “straight to video” in the Eighties. Anyway, after all my bitching I can see why this would have some fans (especially horny guys). And, yes – it’s an original story so I definitely give it credit for that in this day & age of sequels and reboots. It’s a good concept but having a thoroughly annoying character as its focus didn’t really work. I don’t want to hate all the characters in a movie – it just means that I don’t care what happens to them. To be fair, this movie did have a good idea and I think I’d have liked it okay if they’d gone about it differently. Plus the porn thing didn’t work for me, I suppose, since I’m a girl. Hey – whatever happened to Babestation in the UK? Is that still around?? I haven’t been channel surfing at 3am in recent years…
For October Horror Month, I’ll be re-posting some mini-reviews of horror movies that I watched in the past year. Here are my reviews for the rubbish films Bird Box & Winchester…
Bird Box (2018)
Directed by Susanne Bier
Based on Bird Box by Josh Malerman
Starring: Sandra Bullock, Trevante Rhodes, John Malkovich, Danielle Macdonald, Sarah Paulson
Music by Trent Reznor & Atticus Ross
Plot Synopsis: (via Wikipedia) The film follows a woman, played by Sandra Bullock, as she tries to protect herself and two children from malevolent supernatural entities that make people who look at them go insane and commit suicide.
My Brief Opinion:
Ugh. I read the book by Josh Malerman (review HERE) and enjoyed it. Really good story only let down slightly by unlikable characters. I like Bullock but she was so wrong for this role. Not that it matters, I suppose, but the character in the book is half her age. Then the film changed the story so much until the very end. I don’t understand why films make changes when completely unnecessary and when it actually makes the story worse. This does pick up a little toward the end when the focus is on Bullock and the kids (and when it also isn’t straying so far from the book).Dreadful acting in this film, as well. Just read the book.
My Rating: 5/10
Winchester (2018)
Directed by The Spierig Brothers
Starring: Helen Mirren, Jason Clarke, Sarah Snook
Plot Synopsis: (via Wikipedia) The film stars Helen Mirren as heiress Sarah Winchester, with Jason Clarke and Sarah Snook, and follows Winchester as she is haunted by spirits inside her San Jose mansion in 1906.
My Brief Opinion:
Bloody hell. Modern horror really does suck. What an utter snoozefest this was. Again, it sounded so good on IMDb: “Ensconced in her sprawling California mansion, eccentric firearm heiress Sarah Winchester believes she is haunted by the souls of people killed by the Winchester repeating rifle.” How did they manage to make an intriguing story so damn boring? And what a waste of Helen Mirren (I like that saucy lady) and Sarah Snook (absolutely brilliant in the fantastic Predestination). To be fair, I was paying zero attention by the end since I was playing on my phone out of sheer boredom. Maybe I missed something that made this good? Unlikely since it was up for a bunch of Razzie Awards, I guess.
For October Horror Month, I’ll be re-posting some mini-reviews of horror movies that I watched in the past year. Well, these two are more thriller than horror… Here are my reviews for Single White Female & Unsane.
Single White Female (1992)
Directed by Barbet Schroeder
Based on SWF Seeks Same by John Lutz
Starring: Bridget Fonda, Jennifer Jason Leigh, Steven Weber, Peter Friedman
Plot Synopsis: (via IMDb) A woman advertising for a new roommate finds that something very strange is going on with the tenant who decides to move in.
My Brief Opinion:
God, this movie is so shit. The acting is atrocious. Goddamn I thoroughly enjoyed re-watching this pile of shit all these years later while stuck in a hotel with nothing else to watch. This is the kind of cheesy thriller I was talking about in my Breaking In review. We had so many films like these in the 80’s and especially the early 90’s. I kind of miss these shitty thrillers with bad acting! Remember the movie Malice with Nicole Kidman & Alec Baldwin? That was early 90’s too. I loved that movie for some odd reason. Oh! And how about The Hand That Rocks The Cradle?! I kind of liked that piece of shit too. Man, early 90’s movies were crap. Anyway – Single White Female is kind of in the “So bad it’s good” territory. I love Jennifer Jason Leigh and her overacting here and Bridget Fonda’s, I dunno, underacting? Does she have any emotions at all? And how crap is this movie title? And who the hell doesn’t remember the high heels in this film?! Classic cheese. I kind of feel like giving this a slightly higher rating but can’t in good conscience do that…
Plot Synopsis: (via Wikipedia) Unsane follows a woman confined to a mental institution after she is pursued by a stalker. The film was shot entirely on the iPhone 7 Plus.
My Brief Opinion:
This is that Steven Soderbergh movie he filmed on an iPhone. The gimmick doesn’t really work if the movie is boring, though. I wasn’t distracted by the iPhone thing but the story and characters were very weak for a Soderbergh film. He’s not a favorite of mine but this film is certainly no Out Of Sight or Ocean’s Eleven. Sex, Lies, And Videotape had far more interesting characters & dialogueand, for a film of his with a somewhat similar theme, I’d definitely recommend Side Effects over this. This is the first thing I’ve seen Claire Foy in and everyone raves about her but I can’t see why based on this film. That’s probably the fault of the film, though. I didn’t care about her character and whether or not she was crazy. But, hey – Juno Temple rips her tampon out in this & chucks it at Claire Foy so I guess it at least deserves an honorable mention on My Top Ten Period Dramas list…
For October Horror Month, I’ll be re-posting some mini-reviews of horror movies that I watched in the past year. Here are my reviews for Truth Or Dare & American Mary…
Plot Synopsis: (via Wikipedia) Truth Or Dare follows a group of college students who play a game of truth or dare while on vacation in Mexico, only to realize it has deadly consequences if they don’t follow through on their tasks.
My Brief Opinion:
I did NOT expect to like this AT ALL. Why do I watch so many horror movies I expect to be shitty?! Oh yeah – because my husband doesn’t get mad at me when I watch shitty movies without him. 😉 Anyway, this is a pretty typical cheesy slasher film filled with twenty-something twats. But as far as that sort of thing goes, I actually thought this was fairly decent example of the genre. A good bad horror movie! I’m a sucker for supernatural horror so was happy about that aspect of the film but know this doesn’t work for everyone. The story actually gave me a Final Destination vibe as this “curse” comes after these characters one by one and there’s seemingly no way out as they are forced to play along or die. The characters were somewhat better than your usual twenty-something horror twats, too. Most were even likable! Only two were assholes. I want to want characters to survive and will never understand why horror films often make absolutely everyone hateful. The overall story is a little predictable and it doesn’t exactly feel like we’re seeing anything new here. However, some of the truths & dares were fairly original and I had a decent enough time watching this knowing it’s slightly silly. The ending was also a bit stupid but, hell, what movie like this doesn’t have a stupid ending?! I’ve seen plenty of twenty-something twat supernatural horrors far worse than this one.
My Rating: 6/10
American Mary (2012)
Directed & Written by Jen and Sylvia Soska
Starring: Katharine Isabelle, Antonio Cupo, Tristan Risk, David Lovgren, Paula Lindberg, Clay St. Thomas, John Emmet Tracy, Twan Holliday
Plot Synopsis: (via Wikipedia) Isabelle plays a medical student desperate for money who begins taking clients from the extreme body modification community in an effort to solve her financial troubles.
My Brief Opinion:
This was pretty hardcore. I’d been meaning to watch this film for a while now to see if it would be a contender for My Top Ten Body Horror Movies list. I’m afraid to say I didn’t love the film but thought Katharine Isabelle did a good job in this crazy role. I thought the film started out pretty strong but it loses its way when Isabelle’s character goes so extreme. She starts out quite innocent (although practising surgery on turkey carcasses while wearing sexy lingerie was odd) but then she goes completely batshit crazy and it just didn’t feel realistic after she was set up as this poor, struggling student who loves her sweet grandmother. I have to say, though, that she seemed to have enough money for lingerie for someone so poor! Lingerie is expensive. If you’re poor, surely you should buy clothes that keep you warm?! But I guess she needed the lingerie for turkey surgery. Anyway! There’s a bit of a revenge plot going on in this film and I did enjoy that because I love some good vengeance. And this was some fucked-up vengeance! I just wish the final half of the film hadn’t fallen apart. We start out on Mary’s side but can’t relate to her anymore by the end (at least, I hope no one can relate to her at the end). Oh well. It’s certainly a memorable film! I give it credit for that. I far prefer a memorable film to something so bland that I won’t remember it in a year.
I managed to see four 2019 UK cinema releases while on planes to and from America in August (I realize they were 2018 releases in the US). I’d not flown anywhere for years – When did the movie selection get so good & recent?? I figured I’d give these quickie reviews since I try to review all UK film releases each year. I’ll start with the best and end with the worst…
Green Book (2018)
Directed by Peter Farrelly
Starring: Viggo Mortensen, Mahershala Ali, Linda Cardellini
Plot Synopsis: (via Wikipedia) Set in 1962, the film is inspired by the true story of a tour of the Deep South by African American classical and jazz pianist Don Shirley (Mahershala Ali) and Italian American bouncer Frank “Tony Lip” Vallelonga (Viggo Mortensen) who served as Shirley’s driver and bodyguard.
My Opinion:
I’m glad I managed to catch up on seeing this controversial Best Picture Oscar winner. I enjoyed it. I know there’s a lot of hate for this one but I thought the performances were strong and I always like stories involving an unlikely friendship between two very different personalities. I thought Mahershala Ali was great in Moonlight and, at the time, was hoping he’d get more roles so I’m happy that’s happening (and that he keeps winning Oscars). I thought his character & Viggo Mortensen’s worked well together and it felt realistic in that the friendship was often awkward and grew very slowly as they were so different.
Is it true to their real life story? I think some of the controversy comes from Don Shirley’s family saying the two weren’t friends at all (the film was co-written by Frank Vallelonga’s son) but interviews with Shirley himself say differently. Who knows? That’s just what I read at Wikipedia to try to find out what caused the controversy surrounding this movie but I’ve read no more than that. I love movies for their escapism so don’t often go for the “true story” films anyway. I like to think it’s all true but know that movies always play up the feelgood factor. As long as it doesn’t feel too over the top & phony, I’m happy enough with a little bit of feelgood cheese.
At least Green Book keeps it fairly real as things are far from perfect during their journey but I’d have liked a tiny bit more focus on the history of the actual Green Book itself (but that would easily make for another whole separate movie). The focus here is on the friendship between the two men and, as far as roadtrip friendship movies go, I found Green Book enjoyable despite any issues surrounding it.
My Rating: 7.5/10
Instant Family (2018)
Directed by Sean Anders
Starring: Mark Wahlberg, Rose Byrne, Isabela Moner, Tig Notaro, Margo Martindale, Julie Hagerty, Octavia Spencer
Plot Synopsis: (via IMDb) A couple find themselves in over their heads when they foster three children.
My Opinion:
This movie was fine. It actually had a great IMDb rating when it came out in the U.K. and I’d really wanted to see it but the feelgood cheese (as I mentioned in my Green Book review) was a little too much at times in this one.
Tobe fair, though, this movie was marketed as a comedy drama so it kept things fairly light instead of being a hard-hitting drama at all times (which isn’t my thing anyway – real life is depressing enough!). I just think that this situation in real life would probably be far more challenging than depicted and, for whatever reason, I never felt a strong connection between the couple and the foster kids although the actors all did a perfectly fine job.
The strongest performance was from Isabela Moner as the headstrong and challenging teenager. She was tough but not totally hateful, which is often a danger with teenage characters. The relationship between her character & Rose Byrne’s felt the most realistic and it was nice seeing those two grow closer. Overall, Instant Family was a nice and somewhat safe film that was at times a tiny bit contrived but, oh well – A feelgood film never killed anyone.
My Rating: 6.5/10
Can You Ever Forgive Me? (2018)
Directed by Marielle Heller
Based on Can You Ever Forgive Me? by Lee Israel
Starring: Melissa McCarthy, Richard E. Grant
Plot Synopsis: (via Wikipedia) Can You Ever Forgive Me? is a biographical film based on the confessional memoir of the same name by Lee Israel. Melissa McCarthy stars as Israel, and the story follows her attempts to revitalize her failing writing career by forging letters from deceased authors and playwrights.
My Opinion:
This was a pretty typical movie with Oscar nominationsfor acting: The acting was fantastic but the movie was just okay. The true story is actually pretty interesting but I guess it didn’t translate well to film as I was a bit bored throughout the movie. However, Melissa McCarthy & Richard E. Grant were so great and such entertaining characters that this one was still well worth a watch to see their Oscar-nominated performances. I think both of them haven’t gotten enough credit over the years (Yes, even McCarthy, whose brand of humor isn’t my thing for the most part but I can see why she has fans). It’s great that they got recognition for their parts in this film as they’re what made it enjoyable and they had really good chemistry. I’ll keep this short, though, as I honestly have nothing else to say about this movie. Good story, a little slow & boring at times, but fantastic performances and interesting characters.
Plot Synopsis: (via Wikipedia) The coming-of-age story follows the life and struggles of an eighth-grader, played by Elsie Fisher, during her last week of classes before graduating to high school. She struggles with social anxiety but produces vlogs giving life advice.
My Opinion:
This came out aaaaages ago in America but was only finally released in the UK in April this year. It got brilliant reviews from “Film Twitter” people and, even though I’m an old lady, I’m still always up for a really good coming of age film ever since falling in love with Stand By Me during my own coming of age years. Plus, I can relate to the whole socially awkward thing since I’m still awkward as shit.
Well, damn – This movie was very disappointing. I’ll say that the actress, Elsie Fisher, did a good job and felt very real (she seems sweet – I have nothing bad to say about the actress). She also did the socially awkward thing extremely well so, in that regard, I identified with her (even though she was actually far more awkward than I ever was!). However, I couldn’t relate to the character in any other way whatsoever. I know that pre & early teens can be annoying as hell but her character really was a bit too hateful for me to care at all what would happen to her. And her dad just put up with her whiny bullshit and her being a bitch to him and he didn’t monitor her time spent online AT ALL.
Yeah, yeah – I know I’m sounding old. But, seriously – keep your kids away from all forms of social media as long as fucking possible! It’s dangerous. And if you can’t do that for some reason, monitor what the hell they’re doing! FYI – the girl is a vlogger and this movie is NOT about the dangers of living a phony online existence – It’s just about not fitting in during the most awkward time of life. I’m simply having my own personal rant because seeing young girls living out their lives online and pretending to be something they’re not breaks my damn heart. Do we seriously need a whole generation of superficial KardashiJenners?! I can’t stand that fake bullshit and don’t want real-life girls like this character committing suicide when they can’t live up to the impossible standards set by “influencers” and people with an unlimited supply of money.
No, this movie isn’t about suicide or depression or anything like that – It’s a “comedy” drama, supposedly. Maybe I just AM too old for teen movies now as I found Booksmart disappointing as well. However, I thought The Edge Of Seventeen was very good and a more realistic portrayal of being a teen. I don’t know – I just think Eighth Grade would’ve been better with a more likeable and therefore more sympathetic main character. And possibly with “comedy” that was actually funny – I had to double check to see if this was actually considered a comedy. It also felt like it dragged on forever, despite being a short film. It has one of those typical meandering indie movie storylines that doesn’t go anywhere – I don’t know how I managed to stay awake watching this one on the plane. I suppose that reading all the hype for this one while waiting at least a year for it to come out in the UK didn’t help either as my expectations were probably way too high. What a massive disappointment.
– Wind River – This was really good. This was directed & written by Taylor Sheridan, who also wrote the brilliant Sicario and Hell Or High Water. Here’s the IMDb plot synopsis: “A veteran hunter helps an FBI agent investigate the murder of a young woman on a Wyoming Native American reservation.” As someone who isn’t normally a fan of “crime dramas”, I loved all three of these films. I think this is probably thanks to Sheridan’s writing as the characters are so strong and so real. You can feel the grief of the parents of the murdered girl and the conversations, especially between Renner’s character & the murdered girl’s father, come across as very genuine. I often find that movie dialogue feels phoney so I love that Sheridan’s characters in these three films feel so natural & are so well-developed. And, yeah, it was kind of fun seeing Hawkeye & Scarlet Witch together in this. I highly recommend this movie if you like a serious crime drama that takes its time focusing on the characters, which is always important to me. If you liked either of the other two Sheridan films I mentioned, you should like Wind River too. – 7.5/10
– The Hunt (Jagten) – Finally got around to watching this as I wanted to see Mads Mikkelsen‘s performance plus the film was nominated for a Best Foreign Film Oscar and is in the IMDb Top 250. It’s not a topic I’m comfortable with but it was handled well & Mikkelsen was fantastic. It takes place in a small community and focuses on how a little lie/misunderstanding goes too far & completely destroys Mikkelsen’s life. It’s a good film with great performances and I’d recommend it but you have to be in the mood for a serious drama. – 7.5/10
– Cold War – This was a very good but not a great film. I was hoping for a bit more when people raved about this last year (it was up for the Best Foreign Film Oscar along with Roma & Shoplifters (which is the one I want to see the most). Here’s the IMDb plot synopsis: “In the 1950s, a music director falls in love with a singer and tries to persuade her to flee communist Poland for France.” I did enjoy the story and the look of the film plus I love when a storyline spans so many years (especially when it involves lovers separated & reunited over those years). I think the biggest problem for me was that, unfortunately, I didn’t like the female character. She was very hard to like and I didn’t understand why she did what she did (I’ll leave it at that as I’m obviously avoiding spoilers). I at first liked how headstrong she was but it was frustrating as her personality caused so much pain by the end. It was still a good film and I did like the male lead – I was just hoping to like them both and to want them together. Oh well – At least Cold War was much better than that snoozefest winner Roma… – 7/10
– Repulsion – This film deserves to be higher on the list. It’s artsy fartsy & “worthy” but I can’t say I exactly enjoyed it. However, Catherine Deneuve was very good & it’s worth watching for her performance. I decided to watch this Roman Polanski film after liking Deneuve in a somewhat similar role in Belle de Jour. I haven’t seen her in much – I don’t know why she played a sexually repressed woman in both of these but she handles this type of character well. Here’s the IMDb plot synopsis if you don’t know anything about Repulsion: “A sex-repulsed woman who disapproves of her sister’s boyfriend sinks into depression and has horrific visions of rape and violence.” Obviously, having come out in 1965, it seems tame now but I would imagine this was a very shocking film at the time. The pacing is very slow & it does take a long time before much of anything happens, so bear that in mind if you choose to watch it. I have to say I preferred Belle de Jour. I was hoping this would be much weirder, based on that image I used at the top of this post of Deneuve in the hallway with all the hands coming out of the walls. It’s not, though – it’s a pretty straightforward story of a woman who may have experienced sexual abuse in the past (I think this is implied), which eventually drives her insane. Deneuve is great in these films, though, and I’d watch her in other movies based on what I’ve seen so far. – 7/10
– Eddie The Eagle – This was fine. It’s a pretty typical British feel-good family movie. I didn’t know a thing about the real life guy or his story so I found it interesting. He was certainly a character. The film itself is just okay, though. Yeah, it’s a little cheesy and I’d say the performances are a bit phoned-in but, hell, who cares? It’s a nice story and we could use more nice stories nowadays. If you liked Cool Runnings, it’s very likely you’d enjoy this one as well. And the final half hour makes up for the film being somewhat slow to get going. – 6/10
– Black Snake Moan – I’ve been on a Samuel L. Jackson kick lately. Love him! So I figured I’d finally check this one out. Well, this was an odd one. And, man, I didn’t think I’d ever see Christina Ricci naked, which was disturbing as she’ll always be a little kid to me (despite not being TOO much younger than me). I’m not sure what to say about this film. At least it wasn’t boring? It was hard to like the characters to begin with but Jackson’s & even Ricci’s do grow on you, especially as you get to know why Ricci’s is as messed-up as she is. I liked the strange friendship between these two and you do want everyone to find happiness at the end. Also, the music was really good. Was that Jackson really singing?! That was a treat. Overall, I did like the film and enjoyed that it was so “different”. But I can’t say it’s one I’d have the desire to watch a second time. – 6/10
– Must Love Dogs – This was dull. A lifeless & predictable rom-com. To be fair, this isn’t exactly a favorite genre of mine so I may not be the best judge. I tend to watch movies like these if I like the stars and I love both Diane Lane & John Cusack, although I’ve gone off of him slightly in recent years. I think I’ll always just see him as perfect boyfriend Lloyd Dobler in Say Anything. Anyway. Hmm. What can I say? The story goes exactly as you’d expect. What was disappointing was that Lane & Cusack had ZERO chemistry. Think this was more Cusack’s fault as he seemed bored while Lane was as charming as she usually is, even though she’s seriously typecast in this genre. Oh! And there weren’t enough dogs. Must Love DOGS. Where were the loads of cute fucking dogs?! False advertising! Meh. Whatever. I’ll forget this movie in a year. Oh – Stockard Channing was quite enjoyable in this, though. – 5.5/10
– Suspiria (2018) – What. The. Actual. Fuck. Okay, I admit I’ve only seen the original Suspiria once and don’t remember much other than the Goblin score, which I fricking love and listen to regularly. I know I liked the overall vibe. I really should watch the film again. Italian horror is one of the very few genres I’ve not yet really explored. This remake is an incoherent mess. It’s laughable, especially in the final half hour. At least I was “rewarded” with a good laugh over the ending’s absolute ridiculousness after suffering through this otherwise boring thing for HOURS (2 hours & 32 fucking minutes!!!).
Why do they keep remaking films that are considered classics?! WHY?!? I don’t get it. I understand that there are fans of the giallo horror thing but don’t understand why, if people want a 2018 giallo movie, filmmakers can’t just make an original film with the same characteristics???? I’d totally watch that. Why shit on a classic’s legacy? I think this was also disappointing as the trailer and especially the poster (which is great!) almost made this look promising despite it starring Dakota Johnson. As much as remakes & reboots piss me off, I admit that they occasionally work and have even liked a few. I’m a fan of 2004’s Dawn Of The Dead even though the 1978 film is one of my all-time favorite movies, probably because it wasn’t a straight remake but more of a respectful & enjoyable reimagining. It almost felt as if 2018 Suspiria had zero regard for what made the original such a beloved classic for many horror fans.
I’ve read no reviews of this version but am *assuming* that those who love the original hated this and those who loved this hated or probably didn’t even see the original. I’d like to hear from anyone who loves both versions of Suspiria – I’d love to know the reasons why. I saw so many people on Horror Twitter raving about this remake so I’m actually quite confused as I thought it was a dreadful mess. Give me Mandy instead of 2018 Suspiria! It’s hard to not compare the two as they’re both pretentious artsy horror films that came out the same year and are both extremely divisive. Mandy is weird as hell but has originality and style. Suspiria tries too hard and just comes across as desperate and phoney.
I should say something nice… Um. I think Thom Yorke was a great choice to do the music for this and was one of the reasons I wanted to watch the film. The music starts out promising in the very beginning but then I no longer noticed it. I don’t know if there was less music in the second half or if I just no longer noticed it as I slowly lost the will to live. But nothing will EVER beat the original’s Goblin score anyway so why bother. – 4.5/10
– The Grand Budapest Hotel – This is an IMDb Top 250 film so I might review it at some point with the others I’ve watched this year. I hated it. I got sick of people telling me I should watch it so I finally did. Just trust me when I say I hate Wes Anderson films! 😉 – 5/10
– Barely Lethal – Like Black Snake Moan, I mainly watched this because of Samuel L. Jackson. Also, the IMDb plot synopsis sounds quite fun: “A teenage special ops agent coveting a “normal” adolescence fakes her own death and enrolls in a suburban high school. She quickly learns that surviving the treacherous waters of high school is more challenging than international espionage.” See? That sounds like a great setup! Unfortunately, the movie is a bore. It could’ve been a great teen flick with dark humor but it’s unfunny with underdeveloped characters you don’t give a shit about. Whatever. I have no energy left to write about this and the next two films after my lengthy Suspiria rant. Let’s just say that it’s pretty bad that I have several films ranked BELOW Suspiria. At least parts of Suspiria were memorable. There! I said another nice thing about Suspiria! I’ve just said the word Suspiria way too many times. Anyway – I always prefer memorable, even when I hate a film, to one that’s just plain dull. – 5/10
– The Spy Who Dumped Me – Ugh. Not sure why I watched this as I hate the majority of modern comedies. I like the two actresses, though, and often find Kate McKinnon funny so gave it a chance. She’s funny at times but the film is so fucking bad that it didn’t matter. What a waste of time. Maybe I need a new hobby. – 4/10
– Baywatch – Good Lord. I can’t do this. I’m too tired for another rant. This is quite possibly the biggest pile of shit I’ve seen since Jennifer’s Body. It may even be worse than Jug Face. I’ve never seen a less funny “comedy”. I think I need to stop watching movies. Maybe I’ll become a food blog. I hate cooking and I hate food but I hate that shit like this gets made and widely distributed while indie & foreign films with rave reviews that I desperately want to see don’t show anywhere near me and often don’t show up on any of the many services I can’t afford but pay for anyway just to stand a chance of seeing ONE decent fucking film once in a blue moon!!!! – 2/10
Re-Watched:
– Save The Last Dance – I love that the kid is getting older and liking more films such as Save The Last Dance. We’ll be onto teen movies before too long. Can’t wait to start on the introduction of John Hughes movies! Okay – she’ll probably hate those since most teens seem to hate those these days. Oh well. I enjoyed watching Save The Last Dance again as I’d not seen it in years. It’s not my era (I’m clearly an 80s/early 90s teen) but it’s an enjoyable teen dance flick (the kid loves Honey as well). It’s a bit dated & cheesy but I’m sure it’s a favorite for many girls who were teenagers in 2001. I kind of miss the teen dance flick genre… – 6.5/10
Fell Asleep During:
– Dog Days – I think I need a new section for “Movies I can’t review because I slept through them“. This happens a lot. I’m old and I’m tired. I slept off and on through Dog Days. It seemed to be a perfectly fine, bland, wholesome family film. Needed more dogs. I might have stayed awake for a load of cute puppies. But at least it had way more dogs than Must Love Dogs!!!! I didn’t feel as cheated by a misleading title this time.
BOOKS, TV, MUSIC, MISCELLANEOUS THIS MONTH
BOOKS READ
Been too busy so haven’t been reading as much. Have started The Talisman by Stephen King & Peter Straub. Really good so far! Not sure why I never read this King novel as I try to read everything he writes…
TV SHOWS WATCHED
– Game Of Thrones – *Sigh*
This post is so damn long. I’m tired. I don’t have the energy to get into what a massive disappointment the final season of Game Of Thrones has been so far. I’m writing this after seeing the first four episodes of the final season so a lot has happened but it all feels very rushed. It feels like the writers said “Let’s just get this fucking thing over with”. Screw it – I’ll wait & maybe write more in next month’s post after the series has finished. Maybe the final episodes will turn everything around & make this show good again.
– Tales Of The Unexpected – Just after moving to the UK, I discovered Tales Of The Unexpected. As my favorite TV show EVER is The Twilight Zone, imagine my delight to discover a British show with similar weird stories & good twists. Years ago they did a marathon of these shows on New Year’s Eve into New Year’s Day & I spent hours watching them. Do I know how to party or WHAT?! My all-nighters tend to involve watching weird shit. Anyway – I noticed this was on Now TV so I’ve been watching these episodes off & on again. They’re good to stick on while using the exercise bike. I still love the show. Good job, Roald Dahl! Here’s the IMDb link to Tales Of The Unexpected for any Americans who may not know what the hell I’m talking about…
BLOG PLANS FOR THE COMING MONTH
No plans! Too busy. As always, I’ll try to review what I see in the cinema.
May Movie Releases I Might Watch:
– The Curse Of La Llorona – Will wait for Netflix like I do with most shitty horror. I watch too much shitty horror.
– Long Shot – Looks like a decent enough but probably predictable Seth Rogen rom-com. Might try to check it out (after payday – I’m broke!).
– Tolkien – Am interested in this as love Tolkien’s writing but will wait for Netflix. I’m not that into biographies.
– Vox Lux – Liked the sound of this Natalie Portman movie but reviews aren’t great. Damn. Will skip for now. As I said, I’m broke!
– A Dog’s Journey – I actually liked A Dog’s Purpose quite a bit (and it had lots of DOGS in it!!!) so I do want to see this sequel.
– High Life – Like Mandy & Suspiria, this sounds like another extremely divisive, artsy fartsy, highly pretentious film. PLUS it’s sci-fi, my favorite genre?! This is SO the type of thing I’ll watch and either love to death or hate with the same passion as Suspiria. Can’t wait!!!
– Pokémon Detective Pikachu – Saw this already. It’s, um… Well, it’s a Pokémon movie. I think you need to be a serious Pokémon fan to truly like this one. I fully admit to loving Pikachu, though. Pikachu is adorable and a great character.
– The Hustle – Nah. Fuck this. I’ve been burned by too many shitty comedies. I may never watch another modern “comedy” thanks to Baywatch.
– Destination Wedding – Keanu Reeves & Winona Ryder!!! You’d have to pay me to NOT watch this.
– John Wick: Chapter 3 – Parabellum – Keanu Reeves again!!! Love him so will of course watch this, despite these films not actually being favorites of mine. Oh that adorable dog from the first one!!!! I might cry now. Why have I mentioned dogs so much in this post?! I don’t even have a dog. I want a John Wick beagle…
– Aladdin – No. Fuck off with these live-action Disney remakes. I said Dumbo would be my last one & meant it. And this one looks awful from the trailer! Looks like a low budget straight-to-DVD mess.
– Rocketman – Yep. Will check this one out as I love a music biopic, even when I don’t necessarily love the artist. Would anyone admit to liking Elton John’s music?? It’s old fart music (I can say that since I’m an old fart). I think his life story will be fascinating, though.
– Booksmart – This sounds like it could be a fun teen flick.
– Godzilla: King Of The Monsters – Have there been trailers for this?? I’m very out of the loop at the moment. Hope this is a kick-ass blockbuster.
– Ma – This could be fun or utterly ridiculous. Will wait for reviews.
Here’s the brilliant Goblin theme music from the only version of Suspiria that should be watched…
Starring: Isabelle Huppert, Chloë Grace Moretz, Maika Monroe, Colm Feore, Stephen Rea
Plot Synopsis: (via Wikipedia) Greta follows a young woman as she befriends a lonely widow who becomes disturbingly obsessed with her.
My Opinion:
I recently re-watched the delightfully “so bad it’s good” Single White Female while stuck in a hotel & mentioned in my review (HERE) that we don’t get enough of those cheesy psychological thrillers anymore that were so common in the 80s & 90s. Thank you, Greta! This is exactly the type of cheesy thriller that I was talking about. Is it a good film? Oh hell no! Is it a fun film? Oh hell yes!
First of all, we have the sexy Isabelle Huppertplaying one of my favorite types of characters: A Batshit Crazy Lady. Fuck it. I’m a lady (well, a female). I’m not offended by women so often being portrayed as unhinged in movies. In fact, I did a list of My Top Ten Crazy Ladies In MoviesHERE. These movies are meant to be over-the-top fun. Unfortunately, Huppertwasn’t as batshit as I was hoping. She’s a psycho, yes, but can’t really compare with people like Carrie’s mother in Carrie (I love Piper Laurie in that). She’s clearly having fun with the role, though. I’ve been wanting to explore more of her work since developing a slight girl crush on her after seeing Elle. She’s certainly the one who made me choose to go to this instead of waiting for Netflix, although I don’t mind Chloë Grace Moretz. I also like Maika Monroe as an actress but Huppert is the true star of this film. She has a presence that the two younger actresses lack.
Speaking of Chloë Grace Moretz (and Maika Monroe, who plays her best friend & roommate): I love how many things these two fuck up. Love it! I love how the people being terrorized in these types of movies do so many thoroughly predictable & ridiculous things. There are so many overused tropes in this film! That’s normally something that annoys me, especially in horror films, but it’s what I actually WANT to see in a cheesy psychological thriller. The more clichés the better for this genre! It actually made me smile when Moretz did stupid shit. And the “making cookies” scene was awesome. God Moretz was an idiot following that bit. To do something so cool and then to be so dumb… She reallyis the Bridget Fonda character from Single White Female. Those two naive morons would get along great. And that ending that we ALL saw coming from a mile away! Hilarious. So bad. So goodbad.
Well. That’s it. What else can I say? This movie was exactly what I was hoping it would be: Cheesy & cliché with predictable idiots, a predictable crazy lady, and overacting without being really bad overacting that throws you out of the film. Greta is not a great film. Thank god! I don’t want Oscar-worthiness ruining a perfectly good cheesy thriller with a batshit crazy lady.
My Rating: 6.5/10
**Single White Female still wins, though. High heel scene beats cookie-making scene…
I’ve decided that I’ll try to post some horror movie reviews this October after all. As I gave very brief opinions of every horror film I’ve watched in 2018 so far in my monthly recap posts, I’ll re-post those mini-reviews each weekday until Halloween. They’re VERY brief. Which is better than when I blather on for ages about a movie anyway. Here’s what I thought of The Nun…
The Nun (2018)
Directed by Corin Hardy
Story by James Wan & Gary Dauberman
Starring:Demián Bichir, Taissa Farmiga, Jonas Bloquet
Plot Synopsis: (via Wikipedia) A spin-off of 2016’s The Conjuring 2, and the fifth installment in The Conjuring Universe, the film stars Demián Bichir, Taissa Farmiga, and Jonas Bloquet. The plot follows a Roman Catholic priest and a nun in her novitiate as they uncover an unholy secret in 1952 Romania.
My Brief Opinion:
Meh. I don’t know. This was actually a bit better than the terrible reviews would suggest. I thought it was far better than those idiotic Annabelle movies but far worse than the first Conjuring film. I thought the characters were all fairly strong (as far as horrors go) and I really liked the setting of the secluded old convent or castle or whatever it was. It was fairly creepy & atmospheric and, hell, I think I’m talking myself into liking this one a little more than I thought. I do love a good bit of Satanic horror but there are far better films in that sub-genre.
Also, I didn’t say it in my original mini-review but I can’t really find a nun who looks like Marilyn Manson all that scary. To be honest, she’s barely in the film (which annoyed most fans). In my opinion, it was better that we didn’t get to see that much of her.
My Rating: 5.5/10
I’ve realized that I’ve watched all of the Conjuring Universe films so far despite not being a huge fan. Here are my reviews & ratings:
Cinema Parrot Disco 