Three mega short reviews today. Also pretty pointless reviews as I slept through half of two of these. 🙂
Minions: The Rise Of Gru (2022)
Directed by Kyle Balda
Starring: Steve Carell, Pierre Coffin, Taraji P. Henson, Lucy Lawless, Dolph Lundgren, Danny Trejo, Jean-Claude Van Damme, Julie Andrews, Alan Arkin, Michelle Yeoh
Plot Synopsis: (via Wikipedia) In the film, an eleven-year-old Gru plans to become a supervillain with the help of his Minions, which leads to a showdown with a malevolent team, the Vicious 6.
Not ashamed to admit that I like minions. Those little dudes are fun. But, man, this movie wasn’t very good. I’m a big fan of Despicable Me and think that first film has a lot of heart & is surprisingly as good as some of the Pixar & Disney stuff. But the sequels and now especially these Minions movies are missing what made the first film so great, which was Gru’s growing relationship with those three girls. Minions are still lots of goofy fun but I’m missing the heart of Despicable Me.
Also, I have to admit that I fell asleep for a while in the middle of this but it’s very unlikely I’ll bother to catch up on the bits I missed. Which isn’t saying much as I always try to finish a movie I’ve started.
*Wait… My beloved Jean-Claude Van Damme was in this?! I really must stop sleeping through movies…
My Rating: 6/10
Black Bear (2020)
Directed & Written by Lawrence Michael Levine
Starring: Aubrey Plaza, Christopher Abbott, Sarah Gadon, Paola Lázaro, Grantham Coleman
Plot Synopsis: (via IMDb) A filmmaker at a creative impasse seeks solace from her tumultuous past at a rural retreat, only to find that the woods summon her inner demons in intense and surprising ways.
This started out promising. Atmospheric with an unsettling feel that I appreciated. Liked the first half of the film far more than the second half, though, which really dragged despite a good performance from Aubrey Plaza. Not a bad film, just a “what was the point?” film. Worth watching for Plaza, who is hit or miss for me, but I’d lost interest by the end.
My Rating: 6/10
Bullet Train (2022)
Directed by David Leitch
Starring: Brad Pitt, Joey King, Aaron Taylor-Johnson, Brian Tyree Henry, Andrew Koji, Hiroyuki Sanada, Michael Shannon, Benito A. Martínez Ocasio, Sandra Bullock
Plot Synopsis: (via Wikipedia) Bullet Train stars Brad Pitt as an operative who must battle killers while riding a bullet train.
I fell asleep. I don’t know why I wasn’t feeling this one as there’s certainly plenty of action & I like Brad Pitt & I thought Aaron Taylor-Johnson was good. But I had no clue WTF was going on, not that it mattered as I don’t think the “plot” was important. Think it was just trying too hard to be cool & not living up to Tarantino, John Wick, etc. I’ll attempt to finish it sometime but unlikely my rating will change.
*Wait… Michael Shannon & Sandra Bullock were in this?! I really must stop sleeping through movies…
Four quickies today! One movie I thoroughly enjoyed, one I found disappointing, one full of the most annoying & hateful twats imaginable, and one that was sadly not very good despite the poster & plot synopsis sounding intriguing.
Directed by Scott Mann
Starring: Grace Caroline Currey, Virginia Gardner, Mason Gooding, Jeffrey Dean Morgan, Darrell Dennis
Plot Synopsis: (via Wikipedia) The film is about two women who climb a 2,000 foot (610 m) tall radio tower and become stranded at the top. Dumb bitches! (that dumb bitches part isn’t via Wikipedia – that’s via Me)
This was so dumb and so cheesy and so predictable and I enjoyed it so much more than the vast majority of films I’ve watched in the past year. It was exactly what I was expecting & wanting and you can guarantee I’ll watch the sequel just announced. I have an intense fear of heights so knew I wouldn’t be watching this in the cinema but that I’d watch it on a little screen the second it showed up on services. I do love “how the hell are they gonna get out of this crazy predicament” films. Is there a name for this genre of film?! We need more of them. I want more. Any recommendations for similar films? I’ll watch them all!
Oh. And I just wanted to add that I LOVE Converse & have had a pair in most every color but I fell on my ass on some slightly slippery cobblestones once because Converse are slippery as fuck. Are they really the shoe of choice for expert climbers?! I’m guessing not. But what do I know? Other than the fact that climbing up a tower like this is probably not a good idea, of course.
My Rating: 7.5/10 (I enjoyed this so much I was tempted to give it an 8/10 but it’s not a “good” enough film for an 8)
The Black Phone (2021)
Directed by Scott Derrickson
Based on “The Black Phone” by Joe Hill
Starring: Ethan Hawke, Mason Thames, Madeleine McGraw, Jeremy Davies, James Ransone
Plot Synopsis: (via Wikipedia) In the film, an abducted teenager (Thames) uses a mysterious telephone to communicate with the previous victims of his deranged captor (Hawke).
Been desperate to see this as I’m a big fan of Joe Hill (and his father Stephen King, of course). Was disappointed with this film. While there were some things I really appreciated, such as the great performances from the two main child stars (Mason Thames & Madeleine McGraw – will be on the lookout for them in future projects), the film was just too slow & quite dull considering I thought it was a simple yet brilliant story. It was too obvious that it was a short story stretched into a film. Thought Ethan Hawke was effectively creepy & liked the mask.
The film just didn’t quite work and I can’t figure out exactly why as there are some great elements to it plus I always love a ‘70s or ‘80s setting. As I like the story a lot & was impressed by the performances it was certainly worth the watch. My expectations were maybe just too high as I was hoping to love this.
My Rating: 6.5/10
Bodies Bodies Bodies (2022)
Directed by Halina Reijn
Starring: Amandla Stenberg, Maria Bakalova, Myha’la Herrold, Chase Sui Wonders, Rachel Sennott, Lee Pace, Pete Davidson
Plot Synopsis: (via IMDb) When a group of rich 20-somethings plan a hurricane party at a remote family mansion, a party game turns deadly in this fresh and funny look at backstabbing, fake friends, and one party gone very, very wrong.
Mixed feelings on this. Admit I expected to hate it as I’d heard that the characters were hateful (and, my god, they sure as shit are) and I can’t stand movies filled with nothing but annoying assholes. But that sometimes works for horror as we get to see the fuckers die, right?
I did hate this at first but it kind of grew on me as the death toll mounted and I did really like how it ended. Plus I like shit that glows in the dark. So I initially gave this half a point more but then changed it back after thinking about the movie a bit more. Because, I’m sorry, these assholes were just far too annoying. There’s not a chance in hell that I’d ever sit through this movie a second time. Entertaining enough for a one-off watch, though, and as I said I appreciated its ending. And I did think Maria Bakalova was pretty good. I’ve just come to the conclusion that I’m finally too old for this shit.
My Rating: 6/10
Come True (2020)
Directed by Anthony Scott Burns
Starring: Julia Sarah Stone, Landon Liboiron
Plot Synopsis: (via Wikipedia) The film plot follows a teenage runaway who takes part in a sleep study that becomes a nightmarish descent into the depths of her mind and a frightening examination of the power of dreams.
I love a good obscure sci-fi film with an interesting concept so this sounded right up my alley. Plus the poster was cool. Soon realised that the “slow burn” mentioned in so many reviews was due to nothing happening until the very end. Which can be okay sometimes if that ending is amazing but this one was a let down. Sort of felt like this would’ve been better as a short film as it had a good look & mood but not enough story. But I appreciate that films like this get made and I think this one shows some promise. Am sure it has some fans even though it didn’t really work for me.
I watch a lot of movies like this and sometimes find an absolute gem. This reminded me of a great obscure sci-fi film that did work for me that I’m always recommending & that absolutely no one I know has watched. If you like this kind of thing, check out The Frame (2014).￼
Plot Synopsis: (via IMDb) Following the events at home, the Abbott family now face the terrors of the outside world. Forced to venture into the unknown, they realize the creatures that hunt by sound are not the only threats lurking beyond the sand path.
I liked the first film, A Quiet Place, a lot. It made it into the top twenty of my favorite horror movies of the 21st century so far (it probably deserves to be a little higher). I thought it was a great example of the monster horror genre and very clever & original to have so much of it needing to be silent. It also had acting that seemed far too good for a horror film. Deaf actress Millicent Simmonds was especially good in the role & even better in the sequel where she gets a bigger & more important role, which I really liked.
I liked this sequel a lot too. It had a lot to live up to & horror sequels are often disappointing so I’m very glad that this one wasn’t. We start off right after the end of the first film, which was good as it’s sometimes a bit annoying when they just skip a bunch of time for a sequel. Well, I lie – we actually get a very good flashback first of when this all started and I loved that. A prequel would’ve been great as a third film but the opening scene covers that, at least in this one town, so I’d be perfectly happy with another sequel continuing on after Part II. Actually, Part III would be fine as a “fast forward” to it being five years later or so. Oh man – I really do want this to be a trilogy! Do we know anything about number 3?? All I know is that it’s got a listing on IMDb with an expected release of 2023.
I thought Cillian Murphy was a decent addition to the cast in this one and, as I already said, I really liked Millicent Simmonds having an even bigger role. She had more to do than Emily Blunt in this one but Blunt still had plenty to do too & I liked her scenes as well. It’s one of those stories where we’re following two sets of people doing different things, which I always like. Two stories for the price of one!
This was a good horror sequel. I still really like these characters & want them to destroy all the monsters. I want to see more of their story in Part III. The only thing at all negative that I could say is that, as a sequel, it no longer has that feeling of being this great “all new idea” & it didn’t really add anything that we didn’t see in the first movie other than one more small fact about the alien monster things. So I feel I have to give it half a point less than my rating for Part I (making this only half a point higher than Malignant although I liked this one much more than that. I don’t know how to rate stuff anymore!). But I’m also glad they stayed true to the first film & I wouldn’t have wanted them to stray far from what they gave us in Part I anyway. Oh! And one other thing: This movie actually felt too short. It’s 1 hour 37 minutes so not overly short but it just felt like it needed a bit more. Maybe more time in the place toward the end with Millicent Simmonds? But, hey – a movie feeling too short is better than one that feels like it drags on for far too long! I guess I was just enjoying it & wanted to see more. Can’t wait for Part III now.
I have two posts ready to go for later today (reviews for Society & for Halloween 1-6 which I rewatched this month). But I just recently watched these two horror movies for the first time so figured I better squeeze in quick reviews.
I’ll also say that I spent yesterday & part of today watching classic horror on the Horror Channel in the U.K. I’ve just posted My Top Ten Pre-1970 Horror Movies this week & was saying it’s terrible that I’ve not seen so many of the old classics so it’s great this has given me the chance to see some. It’s a shame it’s unlikely I’ll get around to reviewing them today but, oh well. I guess there’s no law that says I can’t review them after Halloween. Here’s what I’ve seen:
Dracula (1931) – 8/10
Frankenstein (1931) – 7.5/10
Bride Of Frankenstein (1935) – 7/10
The Wolf Man (1941) – 7/10
And I’ll be watching The Invisible Man (1933) today.
Now here are my brief thoughts on these two movies…
Plot Synopsis: (via Wikipedia) The Night House stars Rebecca Hall as a widow who discovers a dark secret about the house her late architect husband built.
Was super excited to see a NEW film on Disney Plus! Well, Disney Star or whatever the grownup bit of Disney Plus is called – I believe America doesn’t get that?? Yay, we have something you don’t for once! And I can count it as a 2021 release as it’s the first time available in the U.K. This follows Disney also getting The Empty Man, which was quite new too. And it’s a supernatural horror where the hubby had some secret his widow now has to discover and that’s SO my type of guilty pleasure horror movie. Plus I thought the poster at the very top of this post looked pretty cool. Oh! And I thought the director’s film The Ritual was pretty good.
This movie was okay but disappointing. It’s the kind of thing I’ll forget in a year but at least the story kept me interested. I didn’t love Rebecca Hall’s character – Something about her was kind of annoying but she did well enough as a newly widowed woman who is grieving & then having weird shit happen to her. I don’t think the story was explored well enough plus we’re kind of just left hanging at the end without a satisfying resolution. Not that horror has that very often anyway! And she of course watched videos of her & the hubby from their wedding, etc, because that’s a requirement in these supernatural stories where someone has just lost their spouse. I did like a couple of creepy shots that were pretty effective in which Hall’s character saw shapes in her house, though. It was also a good setting, in a lovely secluded house on a lake. Cliché again, yes, but that’s because that’s the perfect setting for this type of story.
This was fine. It passed the time one afternoon & is the type of supernatural horror I go for but it could’ve been better.
My Rating: 6/10
Terror Train (1980)
Directed by Roger Spottiswoode
Starring: Ben Johnson, Jamie Lee Curtis, Hart Bochner, Sandee Currie, Timothy Webber, Derek MacKinnon, Anthony Sherwood, Joy Boushel, Vanity, D.D. Winters, Greg Swanson, Howard Busgang, Elizabeth Cholette, David Copperfield
Plot Synopsis: (via IMDb) Three years after a prank went terribly awry, the six college students responsible are targeted by a masked killer at a New Year’s Eve party aboard a moving train.
I’d never heard of this. An ’80s slasher!! I figured now was the perfect time to check it out as it’s October & I’ve also just spent the month rewatching Halloween 1-6, the first two of which obviously also star Jamie Lee Curtis (I’ve done a post reviewing all of those which I’ll post later today). I can see why Terror Train isn’t more well known but it’s not awful.
It starts out with a pretty pathetic prank being played on a fellow medical student at some party but the guy is unstable already, I guess, as it drives him off the deep end & he ends up having to be committed. Three years later, the students are having a party on a train & the bullied boy decides it’s the perfect time for revenge. Is it a Halloween party?! I guess I just assumed that as they’re all dressed up in costumes. And are parties on trains a thing? It looks like fun! Anyway – the bullied boy goes after everyone involved in the prank, including Jamie Lee Curtis who didn’t actually want to be part of the prank & I think didn’t know what they’d actually had planned for the prank so she’s had guilt over it ever since. And she has a much better hairdo than that frizzy hair she had in Halloween.
I liked this fine. It’s actually not overly “bloody” so not sure if it can be considered a slasher. Probably, but the kills are pretty mild (which is fine with me as I’m pretty wussy). And I know nothing whatsoever about filmmaking but I thought this looked quite good for a film from 1980?? It just didn’t have that low budget sort of look like many movies, especially horror movies, from that time. And David Copperfield is in it as a magician, surprisingly, that I guess they’ve hired as their entertainment. Didn’t know he’d ever done any acting? He was pretty good in this – I liked his character. I saw him live once when I was a kid! Got an autograph afterwards. Think I lost it.
This is well worth a watch for fans of ’80s slashers, especially if you like Jamie Lee Curtis. But it’s a bit slow & I wouldn’t recommend it to anyone who isn’t into movies from this era as there are much better ones to check out. Oh – Vanity has a small role in this (she was so pretty). I kind of recognised some other faces, I think, but not well. One of my favorite things about watching ’80s movies I never saw is to see familiar faces. Always love that! So I enjoyed this but I can’t say it’s one I’d have watched over & over again in the ’80s like I did with things such as the Elm Street films. It was worth a one-time watch, though.
A couple of kid-friendly Halloween movies for Horror Month today. Although I’m not sure how kid-friendly those hideous witches in The Witches actually are…
The Witches (2020)
Directed by Robert Zemeckis
Based on The Witches by Roald Dahl
Starring: Anne Hathaway, Octavia Spencer, Stanley Tucci, Jahzir Kadeem Bruno, Chris Rock
Plot Synopsis: (via IMDb) A young boy and his grandmother have a run-in with a coven of witches and their leader.
Okay, I actually thought this movie was bloody terrible but I liked the main kid (Jahzir Bruno) and Octavia Spencer so much that I’m giving this an extra point to make up for the -1,000 points I want to subtract from it for Anne Hathaway’s dreadful performance and those horrible witches that I found far too disturbing for a kids’ film. I know they’re meant to be hideous but bloody hell! And Hathaway was so over-the-top and what in god’s creation was that stupid accent?!
Honestly, the kid and his grandmother were so likeable and the beginning had great Motown music and the whole thing was going far better than I was expecting until those stupid ass witches showed up & ruined the whole film. Kind of important to get the witches right in a movie called The Witches! Disclaimer: I probably have no right to judge this anyway as I never read the Roald Dahl book NOR watched the 1990 film with Anjelica Huston that everyone seems to far prefer.
My Rating: 5.5/10
Hubie Halloween (2020)
Directed by Steven Brill
Written by Tim Herlihy & Adam Sandler
Starring: Adam Sandler, Kevin James, Julie Bowen, Ray Liotta, Rob Schneider, June Squibb, Kenan Thompson, Shaquille O’Neal, Steve Buscemi, Maya Rudolph, Tim Meadows, Karan Brar, Paris Berelc, Noah Schnapp, China Anne McClain, Michael Chiklis
Plot Synopsis: (via Wikipedia) The film follows a Halloween-loving delicatessen worker who must save the town of Salem, Massachusetts, from a kidnapper.
I liked this, although it’s certainly not my favorite Adam Sandler film (I did a top ten of his movies HERE so I suppose I should add this at some point). Not sure where I’d rank this – maybe around 10th place or so. But I’ve seen way more than ten of his movies so I should rank all of them – Hubie Halloween is probably somewhere in the middle.
What I liked about this movie more than anything was 1) the fact that it’s set at Halloween & I want more movies set at Halloween and 2) the inappropriate t-shirts his character’s sweet old mother wears and especially 3) Steve Buscemi. I love Buscemi.
I do like Adam Sandler, unlike some snobby people who refuse to admit to ever liking his films. However, I also fully admit that some of his movies are complete & utter shit. Where Sandler does best is when he finds people who make his movies better. Drew Barrymore & Steve Buscemi elevate the Sandler movies they’re in. Too bad Drew wasn’t in this one! Sandler has great chemistry with Drew & Buscemi has ended up being surprisingly hilarious in all of his small Sandler movie roles. Well, Buscemi was great again & the highlight of this film for me (plus it’s a much bigger role than most of his Sandler cameos). My kid was like “Steve Buscemi!” as soon as he came on screen. How many pre-teens get excited over Steve Buscemi, let alone even know who he is?? I’m a cool movie parent.
Here are a couple of 2020 horror films. Remember 2020? An entire year of horror! So don’t know if these got proper releases while we were all sat at home…
Directed & Written by Gerard Bush & Christopher Renz
Starring: Janelle Monáe, Eric Lange, Jena Malone, Jack Huston, Kiersey Clemons, Gabourey Sidibe
Plot Synopsis: (via Wikipedia) The film follows a 21st century African-American woman who wakes to finds herself mysteriously in a Southern slave plantation from which she must escape.
This was… Okay? I really like Janelle Monáe & she was the main reason I watched this so I wish it had been a better film for her. I think the idea for the story was good enough but the execution was pretty terrible. And Jena Malone was awful – I seem to always really dislike her acting (especially after she screwed the dead person in that stupid The Neon Demon pile of shit). I think her performance, as well as that of all the one-dimensional “baddies”, really hurt this movie.
But more than anything, I think the big twist being SUCH a huge rip-off of a well known director’s movie really didn’t help (don’t want to name the director but you’ll know exactly what movie I mean if you watch this). It just made me think of how well the other director pulled off that twist & that it was a much better film than this one. Disappointing.
My Rating: 6/10
His House (2020)
Directed by Remi Weekes
Starring: Wunmi Mosaku, Sope Dirisu, Matt Smith
Plot Synopsis: (via Wikipedia) The film tells the story of a refugee couple from South Sudan, struggling to adjust to their new life in an English town that has an evil lurking beneath the surface.
This was better than I was expecting. This is the Wikipedia plot synopsis, which makes it obvious what the film is really about: “The film tells the story of a refugee couple from South Sudan, struggling to adjust to their new life in an English town that has an evil lurking beneath the surface.”
But I was hoping for a decent haunted house story as well as I love a good supernatural horror. I did enjoy that, although it took quite a while to get going and wasn’t as creepy or scary as I was hoping from the Netflix image of the face peeking through the hole in the wall. But then the story takes a twist at the end that I wasn’t expecting at all and I liked that a lot. Movies rarely catch me off guard so I’m surprised I didn’t see that coming but I do like when a movie surprises me.
The film could’ve been better overall but at least the ending made up for the slow start. I think most horror movies have terrible endings (why do they never know how to end?!) so it’s nice to see one that ends well.
I’d been contemplating doing October Horror Month again this year. But I’ve just realised it’s October 1st & I have nothing prepared. Well, I’m not sure if I have the energy to post at least one horror review every day of October like I have other years but maybe I’ll give it a try as I’ve watched at least 31 horrors in the past year. So these will be re-posts or re-blogs of reviews I’ve already done. I’ll try! Let’s start with two very short reviews…
The Empty Man (2020)
Directed by David Prior
Based on The Empty Man by Cullen Bunn & Vanesa R. Del Rey
Starring: James Badge Dale, Marin Ireland, Stephen Root, Ron Canada, Robert Aramayo, Joel Courtney, Sasha Frolova
Music by Christopher Young, Lustmord
Plot Synopsis: (via Wikipedia) The Empty Man follows an ex-cop who, upon an investigation into a missing girl, discovers a secret cult.
Hmm. I suppose this was pretty decent for a modern horror film. So many people were going on about it that I decided to check it out on Disney Plus.
I thought it started out pretty great. I really liked the stuff at the start on the mountain & thought it was still pretty good when the teenagers first got involved in the next section of the film. The movie also had a great creepy vibe, partly thanks to the music I think, so I was glad I was watching it alone late at night & getting the heebie jeebies a little as I find so few horror movies to be very creepy. I like being creeped out! Give me a creepy atmospheric supernatural horror over gory stuff.
I’d say one thing in this was too violent for my taste (not sure why that one person had to die so violently?!) but otherwise it wasn’t too over the top. I think it just fell apart for me at the end. It was a decent story & I was certainly intrigued as to what was going on but, I dunno. The ending was okay but I do feel let down by horror movie endings the majority of the time for some reason. I guess I’ve seen far worse endings.
Overall, this was pretty good compared to most the modern horror crap out there. Oh! And I really liked that creepy skeleton in that image. Kind of a spoiler but not really – it’s at the start of the film & is also what convinced me to watch this when someone posted that image on Twitter.
My Rating: 6.5/10
The Most Dangerous Game (1932)
Directed by Irving Pichel & Ernest B. Schoedsack
Based on The Most Dangerous Game by Richard Connell
Starring: Joel McCrea, Fay Wray, Leslie Banks, Robert Armstrong
Plot Synopsis: (via Wikipedia) The plot concerns a big game hunter who deliberately strands a group of luxury yacht passengers on a remote island where he can hunt them for sport.
Saw this pop up on Amazon Prime & was aware of the story by Richard Connell being a classic (inspired by those rich assholes who hunt big game) so thought the 1932 film should be interesting. Plus I really enjoyed the 2020 film The Hunt! Not that they’re at all similar, of course, but the “hunting of humans” idea is the same.
This was good but I wish I’d just looked it up on YouTube (it’s available) as the one on Prime is a horrible colorised version. Why do they do that?! Anyway, it was still a good film even with dodgy coloring. It’s a timeless story & works just as well today. Maybe even more so now, as hunting big game is somehow still a thing. How?!? The thought of the tables being turned is great. This version stars Joel McCrea, Fay Wray and Leslie Banks. Hey! The King Kong actress! I should really watch that version again. Anyway, she was good and far less “damsel in distress” than you’d expect in such an old film. I kept thinking she really looks like Penelope Ann Miller – she could have played her in her life story.
I think this film has actually aged quite well & would recommend watching the black & white version on YouTube.
Starring: Steven Yeun, Han Ye-ri, Alan Kim, Noel Kate Cho, Youn Yuh-jung, Will Patton
Plot Synopsis: (via Wikipdia) A semi-autobiographical take on Chung’s upbringing, the plot follows a family of South Korean immigrants who try to make it in the rural United States during the 1980s.
Was so happy to see this finally pop up on Sky Cinema as it’s one of the Best Picture nominees this year that I’d wanted to see the most. I have to say I enjoyed it much more than winner Nomadland but probably still like Promising Young Woman the most. But Minari would be a close second out of the six nominees I’ve seen.
It’s a simple story about a Korean-American family trying to start a farm in Arkansas in the 1980s. The characters are what make the film work. I’ve liked cute Steven Yeun ever since he was my favorite character Glenn on The Walking Dead and he’s good in this film. It was great seeing him in a major role. But my two favorite characters by far were his adorable young son played by Alan S. Kim and the quirky grandma played by Youn Yuh-jung. She was great & I’m happy with her Best Supporting Actress Oscar for this.
I also loved this little bit of the film: I admit to having a Mountain Dew addiction (for health reasons I can’t drink it right now & it’s killing me!). Anyway – I think everyone knows it’s super high in caffeine & sugar and one of the worst things you can possibly drink so I loved that the family in this were obsessed with Mountain Dew as it’s “Water from the mountains. It’s healthy!“. That was cute. I also just really liked the relationship that forms between the boy & the grandma and also kind of liked their very weird neighbor. I wish more movies focused on having characters you care about like you do for those in Minari. I just wanted this family’s farm to be successful so they could be happy & have an easier life!
Plot Synopsis: (via IMDb) A group of women hatch a plan to disrupt the 1970 Miss World beauty competition in London.
I enjoyed this despite my weird hatred for Keira Knightley. Her acting bothers me yet I seem to watch all her damn movies?! I prefer this longer Wikipedia synopsis to tell you what this is about: “The 1970 Miss World competition took place in London, hosted by the US comedian Bob Hope. At that time Miss World was the most-watched TV show in the world with over 100 million viewers. Arguing that beauty competitions objectify women, the newly formed women’s liberation movement achieved overnight fame by invading the stage and disrupting the live broadcast of the competition.”
This is a true story I knew nothing about but fully support because, let’s face it, beauty pageants are demeaning & sexist. But, yeah, I totally watched them as a kid & thought nothing of them as that’s just how the world was. Hopefully they’ve modernised them a bit nowadays?? I have no clue. But I liked seeing these Women’s Liberation activists disrupt this pageant after its host, Bob Hope, made a sexist joke. As with any film adaptation, though, I’m sure it’s not 100% accurate. Okay – I looked up the real footage and, yes, it was much more dramatic in the film. But Bob Hope certainly made plenty of sexist jokes! Icky. Here’s the footage but you can’t really tell that the women are throwing flour bombs at the stage.
What made the whole thing even more interesting was this (from Wikipedia, but it gives the result away if you don’t want to know that before watching the movie): “Even greater controversy then followed after the result was announced. Jennifer Hosten won becoming the first Black woman to win Miss World and the black contestant from South Africa was placed second.” So they rightly disrupted a very sexist pageant but, at the same time, it was the first of these pageants to give other women these opportunities & the winner was a very intelligent woman with a successful life & career following the pageant (whether or not that was helped by winning I don’t know but I’m sure it helps open some doors). So arguments can be made both for and against these contests but the movie doesn’t explore that quite as much as it could have. There’s also a bit at the end in the dressing room that you just know didn’t happen in real life but that they added just to make things more interesting for the film. That’s fine – I always say that if I want the true story I’ll watch a documentary.
This story is interesting enough that I would watch a documentary too but the movie does a decent enough job of bringing a story that probably isn’t well known to a slightly bigger audience even if the film doesn’t really dig too deeply into its subject matter. But I really enjoyed the movie & everyone did a good job, including annoying Knightley & Jessie Buckley as two of the protesters. I especially liked Gugu Mbatha-Raw as the contestant they focus on the most. Oh, and Greg Kinnear was surprisingly good as the truly smarmy Bob Hope. Was Hope always so smarmy?! Guess I don’t remember that from my childhood – I thought he was an American national treasure. Huh.
My Rating: 7/10
*Here’s a small complaint about the poster for this movie: Jessie Buckley is making that dumb selfie duckface. We didn’t make that stupid face before stupid selfies came along. I’m sure you can find some old pictures – I think Marilyn Monroe will have done “kiss face” type photos. But it’s more of a modern thing. So it’s annoying to see it on someone in a film set in 1970 even though I know she’s making fun of pageants & posing. Dumb complaint, I know, but the duckface annoys the hell out of me & makes me wonder if the people actually know how to genuinely smile anymore.
Two more quickies today for two films that weren’t very good. But one managed to be entertaining while the other was meh. Let’s see which was which…
Directed by Derrick Borte
Starring: Russell Crowe, Caren Pistorius, Gabriel Bateman, Jimmi Simpson, Austin P. McKenzie
Plot Synopsis: (via Wikipedia) It tells the story of a young woman who is terrorized by a seemingly mentally ill stranger following a road rage incident.
Believe it or not, this was the entertaining “not very good” film. Not all films need to be Oscar contenders, though. It’s a psychological thriller/horror about a psycho who terrorizes a woman after she honks at him in traffic. It certainly doesn’t require any Oscar-winning actors. Yet it has one! I respect actors who go from winning Oscars in really good films like Gladiator then say “Screw it – I still want to play a psycho in a silly road rage movie!”.
Not sure if this is an Oscar-worthy performance but Crowe seemed to be enjoying playing someone completely unhinged. Acting should be fun, right?? But I was a bit distracted through all of this by the fact that I kept thinking Caren Pistorius looks SO much like Linda Cardellini. Then I kept thinking how much I loved Freaks And Geeks. Why don’t they make good shows like that anymore?! Then I read at IMDb that the kid playing the 15-year-old son of Caren Pistorius in this is actually only 14 years younger than her in real life & I thought that was hilarious. That’s so Hollywood. Can’t have a mom in a movie actually looking old! Then I also read this trivia at IMDb & it made me think how much I liked Joy Ride (with the dumb name Road Kill in the U.K.): “The candy cane scissors are a nod to the similarly themed Joy Ride (2001), in which the protagonists use the call sign of Candy Cane to anger a homicidal motorist who then terrorizes them.”
Well, I was clearly a bit distracted while watching this if I was reading IMDb trivia & this certainly isn’t as good as Joy Ride but it’s a fun “popcorn movie” that’s a bit of a throwback to the kind of thrillers that they made throughout the ’90s. Sometimes we just wanna see a crazy person lose their shit in a cheesy thriller. Like Single White Female! I’ll always like that one but I know it’s awful. This movie keeps up a good pace through the whole thing so you’re never bored, Caren Pistorius and her “son” Gabriel Bateman who could actually be her brother in real life are both perfectly fine as the two main people Crowe is terrorizing, and we get a pretty fun showdown with a great line from Pistorius. That’s all we really need from this type of movie. Yeah, it could’ve been a better film but it was still a fun watch.
My Rating: 6.5/10
The Woman in the Window (2021)
Directed by Joe Wright
Screenplay by Tracy Letts
Based on The Woman in the Window by A. J. Finn
Starring: Amy Adams, Gary Oldman, Anthony Mackie, Fred Hechinger, Wyatt Russell, Brian Tyree Henry, Jennifer Jason Leigh, Julianne Moore
Music by Danny Elfman
Plot Synopsis: (via Wikipedia) The film follows an agoraphobic woman (Amy Adams) who begins to spy on her new neighbors (Gary Oldman, Fred Hechinger, and Julianne Moore) and is witness to a crime in their apartment.
This was meh. I use the word “meh” on my blog way too much. Unfortunately, it’s just the perfect word for way too many movies these days.
I read this book years ago in preparation for the film adaptation before Covid delayed it for years. I re-posted my old review of the book HERE the other day. The book was also a bit meh but I still had hopes for the movie as it’s the kind of story that can work quite well as a film if done right. Plus I like Amy Adams. Speaking of those cheesy ’90s psychological thrillers, this is another story just like those. But, whereas Single White Female was so cheesy it was fun, I think maybe The Woman In The Window took things a little too seriously? I’m not sure exactly why it didn’t work but the movie was pretty boring. At least I can say Unhinged wasn’t at all boring. And, speaking of Single White Female, I should add that Jennifer Jason Leigh is in this & she’s completely wasted (as is Julianne Moore & Gary Oldman). That’s a lot of big name actors in small roles with very little to do! I mean, my god, Wyatt Russell got more screen time than any of those big names.
I don’t have much more to say about this, to be honest, which is always the case with meh movies. I’ll just say they really glossed over all her conversations with her husband (Anthony Mackie) & their daughter in this and there was way more involving them in the book. Did people watching this movie even notice them or pick up on that story much?! We also didn’t get much of the main character’s love of movies, which I liked in the book. Oh, and not that it matters in the slightest, but the neighborhood in the movie was not at all how I pictured it. And the Amy Adams character was unfortunately a bit unlikeable (but she was that way in the book too so I guess Adams did well). Whatever. I’ve written enough. Watch this if you really want to but go into it with very low expectations. Or just watch the absolutely brilliant Rear Window instead.
Okay, these were two quite bizarre films that I watched recently so I figured I’d post a double review…
Directed & Written by Jon Stevenson
Starring: Wil Wheaton, Brian Landis Folkins, Kathleen Brady, Amy Rutledge, Adrian Egolf
Music by Jimmy Weber
Plot Synopsis: (via IMDb) 1990: David, 40, looks after his dementia mom. He uses a video dating service to no avail. He buys a “Rent-A-Pal” video tape and things change.
This was a weird one (although not nearly as weird as the one I’m gonna review next). As in the plot synopsis above, a lonely guy buys a videotape called “Rent-A-Pal” in which a dude named Andy says he’ll be your friend. This movie was actually quite good! It’s one of those movies that looks like a full-on horror film looking at the poster & images but it isn’t really – it’s more of a psychological thriller following a lonely man’s descent into madness. So not all horror fans are going to go for it but it’s also probably way too strange for a more mainstream audience. If you like fairly low budget indie movies (I’m just assuming it’s both of those) with a strange story, this might be one for you. And be aware that it’s nothing like Ringu before you possibly think that based on the creepy videotape thing.
And now for a confession: Please do NOT let this make you not watch this if you’re interested as he’s great in this but I totally watched this due to my undying love for Wil Wheaton. Yeah! Wil Wheaton! You have no idea how much I adored Stand By Me when I was 12/13 and how many times I watched it (many, many times). I was completely in love with Wil and, of course, River Phoenix. And I continued to be in love with Wil as Wesley Crusher (TNG fans were horrible to poor Wesley. I loved him!!). Well, Wil is the guy in the creepy videotape this lonely dude buys. Wil’s character just “wants to be your friend”. Honestly, he’s so good in this and so creepy.
The main character is played by Brian Landis Folkins & I thought he was terrific as well. He really captured the extreme loneliness of this poor middle-aged man stuck at home having to care for his sick mother & having to rely on a “videotape dating service” to find himself a match to hopefully share his life with. But, in the meantime while waiting for a love match, he buys the “Rent-A-Pal” video and that’s when things start getting nice & weird. I admit it: I love weird movies (which will be obvious when you get to my next review). So I liked this one & it felt like a very original story. I was also surprised at just how good it turned out to be as I wasn’t expecting anything too special since I’d never heard a thing about this whatsoever, not even on Film Twitter. It’s a good character study of someone suffering from extreme loneliness & it has good performances. So, yeah, maybe not the best thing to watch if we go back into a full scale pandemic lockdown! And bear in mind that it does get a bit crazy at the end. Only watch it if you like strange films.
My Rating: 6.5/10
Butt Boy (2019)
Directed by Tyler Cornack
Starring: Tyler Cornack, Tyler Rice, Shelby Dash, Brad Potts, Austin Lewis, Robert Moss, Tyler Dryden, Kai Henderson, Wilky Lau
Plot Synopsis: (via IMDb) Detective Fox loves work and alcohol. After going to AA, his sponsor, Chip, becomes the main suspect in his investigation of a missing kid. Fox also starts to believe that people are disappearing up Chip’s butt.
Hopefully you read the above plot synopsis? Yes, this movie is indeed about people disappearing up a dude’s butt.
As I watch so many movies, I get very bored seeing the same predictable stuff over and over again. Therefore, I do seek out weird movies. I don’t necessarily want to see bad weird movies but seeing a synopsis such as the one above makes me go “Yep, that sounds unique!”. I’d love to make a Top Ten of the weirdest movies I’ve ever seen but think it would be difficult as everyone will have a different definition of weird. Although I think we can all agree on this one being weird! Hmm… What could be in that list? Rubber for sure. Things like Society? Maybe. Possibly some good stuff like the movie Swallow that I watched recently? Not sure if that’s weird enough. Okay, I want to make this list someday! Now onto Butt Boy…
This actually isn’t a bad movie. As far as, I dunno, production values or whatever (I don’t know anything about filmmaking). But it looked good (as in, it didn’t seem really low budget or anything) and I remember thinking the score was interesting & fit this bizarre movie well. The acting was perfectly fine too. And, yeah – I really wanted to know what was happening to everything (and everyone) going up this guy’s butt. I also liked the character of the detective (even though he totally reminded me of an ex-boyfriend). He’s mysterious and you can tell he has some tragic backstory and he’s very determined to prove his theory (that, you know, people are disappearing up that dude’s butt!).
Well, I don’t know what else I can say about this. It’s the type of movie I can’t exactly recommend. You’ll either look at that plot synopsis and go “Hell yeah, I’m watching that!” or “WTF kind of weird ass shit does this chick watch? I’m never reading this blog again”. Seeing as we’re all movie bloggers, though, I’m sure a few of you might check this out (Film Miasma!). Also, I should say that the pay off is pretty good in the end (Haha! In the end! Literally!). This movie builds very slowly and then you get a great END (Ha! I said end again). Well, either it’s a great ending or a horrible ending depending on your opinion of it. A fucked up ending may be a better way of putting it, which is exactly what I wanted from a movie about people disappearing up a guy’s butt. I’m rating this half a point more for the truly original story idea.
My Rating: 6.5/10
**I should add that I looked into the director of this film a bit (Tyler Cornack – he also stars in this as the guy sticking junk up in his trunk). Turns out he has a YouTube channel of all kinds of weird & wonderful very short films (an original short Butt Boy being one of them). I’ve not had a chance to check any out yet but the link is HERE if you’re interested. Actually, I don’t know how to add a link to a channel because I’m an old person but that link brings you to the trailer for the channel & the channel is called Tiny Cinema. I’m intrigued…
Starring: Betty Gilpin, Ike Barinholtz, Amy Madigan, Emma Roberts, Ethan Suplee, Hilary Swank
Plot Synopsis: (via IMDb) Twelve strangers wake up in a clearing. They don’t know where they are, or how they got there. They don’t know they’ve been chosen – for a very specific purpose – The Hunt.
I can’t believe I thoroughly enjoyed two Blumhouse Production films in a row! I reviewed The Invisible Man last week & explained how their films have been very hit or miss for me but I liked The Invisible Man a lot. Well, I liked this one a lot too. I think I actually liked this even more than that one, although I’d say the The Invisible Man is the better “film”.
Now I have to attempt to explain why I liked this but, to be honest, I don’t exactly know why. I’ll see if I can figure it out while I type my random thoughts! But it’s far more violent than I tend to go for (I’m a wuss). It’s very political (I hate politics). There’s loads of gun violence (I hate guns). Most of the characters are hateful except for the main woman (I hate hateful people). Umm. Yeah… What DID I like?!?
I think what I liked, and I may be completely wrong about this, but I felt like the movie didn’t really take sides (well, a little). It’s clearly about how, in America, there’s this huge divide between the left & the right and everyone is so extremely one-sided. There’s no common sense or middle ground. And it’s well-known that Hollywood tends to be quite far left so I was expecting the movie to be very pro-left but it seemed to show both sides as bad. At first I couldn’t figure out who the hunters were & who was being hunted (it was the opposite of what I expected). The movie actually shows the left more as the “bad guys” (but, more specifically, the liberal elite – so they’re having a good dig at most of rich Hollywood). Which is funny as the movie was super controversial & almost wasn’t released & the right misinterpreted it as an anti-right film before even seeing it. Which perfectly proves the film’s point of jumping to conclusions when you just assume someone’s political stance without attempting to find out any actual facts.
Enough about politics. Yuck. Basically, both sides suck. Everyone in this movie sucks. Only one person doesn’t suck, and that’s Betty Gilpin’s badass main character. She’s great in this & I loved her character. And what are HER character’s politics? That’s the best part: We don’t know! Because it doesn’t matter. She’s a mystery. All we know is that she’s being hunted and no one should be hunted like that. She kicks ass and she might have some dodgy past for her to be so capable of fighting back but, in the grand scheme of things, she’s less evil than everyone else. And I feel that’s all we have left in politics these days: doing our best to choose the lesser of two evils.
I think this movie had a great idea to try to be a smart satire on American politics but felt it didn’t quite manage to get its point across. I wish the script was a bit better as I do like this film’s idea & what I think they were trying to achieve. Are they trying to let the left & the right know that they both suck and are both flawed? Not sure. I don’t know exactly what the movie is trying to say but I give it credit for having the balls to try to say something during such unstable times.
Although it may not quite achieve being some super smart satire, it makes up for it by being a very entertaining horror thriller/horror comedy. As mentioned, Betty Gilpin is awesome as the main “hero” of those being hunted. There’s not much character development for anyone but this is a time I’ll let that slide as one point of this movie is to not make assumptions about people & we really know nothing about anyone in this. Doesn’t matter! They still don’t deserve to be murdered. I also thought Hilary Swank was fantastic as the big “baddie”. Swank is an odd one: two-time Oscar winner who seemed to then get ignored by Hollywood & ended up being in some really dodgy and straight-to-Netflix films. But I loved Million Dollar Baby and I liked seeing her in a very different role here & obviously having a lot of fun as an evil bitch. She was cool. Two cool, badass women who get a kick ass showdown. I enjoyed that a lot. Oh! And I also really liked the bits with Amy Madigan & whoever the actor dude was who ran the small gas station (think it was a gas station?). They were fun characters. Oh! And it was weird seeing Ethan Suplee as I’m watching so much My Name Is Earl lately and Randy is my favorite character (but he couldn’t be less like Randy here). So I guess there are quite a few specific things I really enjoyed about this movie even though I always feel uncomfortable “enjoying” a violent film. It helps that it’s satire and some of the violence is done in a comedic way (I think they should have upped the “horror comedy” to make that more obvious).
As I said, the film is still a bit too violent for me and I’d hesitate to recommend it to some who may find it upsetting. It will be uncomfortable for some people as I know the actual delay in releasing this was due to mass shootings that had just occurred in America, making them push the release date back since the film is about people being hunted & killed mostly by guns. How on Earth did it ever get released, then, since mass shootings are a daily occurrence there? Once again typical that a movie is more likely to get banned than the things that actually kill people but, whatever, we won’t go there! And again we also come to the argument of “is violence in film okay if the point of the movie is anti-violence?” Although in this case, I wouldn’t say that’s exactly the message of the film (it’s more of a “FFS, America – try to get along!” message). I thought about the ultra-violent “anti-violence” thing in some films a lot after finally watching and liking Natural Born Killersway more than I was expecting I would. I don’t know the answer. But I prefer violence in movies where there’s a message and it’s a shame that, with movies such as this and Natural Born Killers, some people seem to completely miss the point when it comes to satirical films. Don’t kill people, okay? This movie isn’t telling you to kill people with an opposing political opinion. It’s, like, telling you to NOT do that. Yeah? Okay. Don’t do that.
You know what? This is one of those times where I’ve talked myself into liking a movie even more after writing & thinking about it. I think there’s actually a pretty good film buried in here somewhere. It has a great idea. It just doesn’t do the satire thing as well as it wanted to and I wish it had as I love what (I think?!) its message is and Betty Gilpin is cool as shit and Hilary Swank is a fun ice cold bitch. And it’s also made me think about this movie quite a lot since seeing it and trying to decide what its main message is and that’s more than I can say for the majority of films these days.
Starring: Kristen Stewart, Vincent Cassel, Jessica Henwick, John Gallagher Jr., Mamoudou Athie, T.J. Miller
Plot Synopsis: (via IMDb) A crew of oceanic researchers working for a deep sea drilling company try to get to safety after a mysterious earthquake devastates their deepwater research and drilling facility located at the bottom of the Mariana Trench.
When looking this up I noticed that the writer, Brian Duffield, was also the director of Spontaneous, which I liked a lot. He also wrote Love And Monsters & The Babysitter so he has an interesting list of films. Guess he’s a name to look out for for now! I liked this one a bit less than those but it was still an enjoyable film. I always enjoy these intense deepwater thrillers.
I mentioned in my review for Happiest Season that Kristen Stewart carries this whole movie. She does & she’s good in this but, as some people don’t like her, that may turn them off wanting to watch this as she’s by far the main character and, I’m thinking, in every single scene? Were there any without her? She’s the Ellen Ripley of the deep sea instead of space (but obviously still not nearly as cool as Ripley – no one ever will be). She even runs around in tiny underwear just like Ripley (not sure if that is necessary but I suppose I’d run around in tiny underwear if I had a sexy young body too). This seems a weird role for her after doing so many roles in things such as Personal Shopper. I prefer her in those sort of roles and don’t see her as an action star but she did really well here.
See? Tiny underwear!
I wanted to like this movie a bit more as it’s my type of thing. It’s one of those where I’m not sure why I didn’t like it a bit more. I felt something was missing but can’t for the life of me figure out what. It has good action, pretty good characters (although they all could have used much more development, including Stewart’s), and a cool reason for the earthquake that destroys their underwater facility. I’m staying spoiler-free here as the plot synopsis says nothing about that so I don’t know if it was marketed as a slightly different thing? But it ended up being the type of movie I was hoping for. Hmm. Yeah, all of those things were good. I don’t know – I think it was mainly because we didn’t get to know these characters at all. There are things hinted at, such as with Vincent Cassel’s having a daughter & Stewart having had a boyfriend or fiancé plus we get one couple who are likeable and you want them to survive together but you also don’t know much about them either. It’s one of those movies that dives (ha! dives! because it’s underwater…) straight into the action with no setup of any characters first, which always throws me a bit. And even though the action starts immediately, the movie still takes too long to get to the cool good stuff.
Well, I liked this one just fine. I want to give it a slightly higher rating. I suppose it’s also hurt by the fact that we’ve seen so many films like this & there are better examples of this sort of thing. But Stewart is really good as the movie’s big action hero plus I liked the ending a lot and I’m always picky about movie endings. There’s a great final scene with Stewart. If you’re a big fan of hers, I’d definitely recommend this as I think you’d really enjoy it.
Starring: Kristen Stewart, Mackenzie Davis, Alison Brie, Aubrey Plaza, Dan Levy, Mary Holland,Victor Garber, Mary Steenburgen
Plot Synopsis: (via Wikipedia) The film follows a woman who struggles to come out to her conservative parents while she and her girlfriend visit them during Christmas.
First of all, can I just say that I hate watching Christmas movies during any month other than December?? Seems pointless. At least the U.K. did get this before Christmas (I think??) – I just didn’t have that streaming service at the time. So, I suppose it lost a tiny bit of that special “Christmas feeling” by watching this in May but it’s also not an overly Christmassy film anyway despite being set in that time period. So watch it now if you want! It’s still enjoyable. It looked like it could be decent so I didn’t want to wait until December.
I liked this one. I’m not one of these Kristen Stewart haters but I’m also not of the generation who seem to absolutely love her for some reason. I don’t have much of an opinion on her one way or another but she was good in this (and very good in the film Underwater that I watched the other day & will try to review this week – she carried that whole movie). I liked her relationship with Mackenzie Davis in this and wanted them to live happily ever after & all that but I didn’t really feel they had much chemistry. Stewart’s character was more likeable & sympathetic and I kept thinking she might be better off with Aubrey Plaza. Well, they were still fine as a couple but a lot of the other characters helped to make this a really enjoyable movie. It was a bit slow to start but picked up when the family of the Mackenzie Davis character showed up as well as Dan Levy, as Kristen Stewart’s friend.
Victor Garber & especially Mary Steenburgen were great as the parents of Mackenzie Davis, whose house the couple stay at for several days over Christmas. Steenburgen was hilarious as the type of mother who wants her family to be perfect and is always making snide bitchy comments. Her treatment of the, I think middle?, of the three sisters was especially funny – that poor girl is always pushed aside and never lives up to expectations like the other two sisters do. Besides Stewart, my favorite characters were the middle sister (played by Mary Holland), Steenburgen as the pushy mother, and Dan Levy as Stewart’s friend. Don’t think I’ve seen Levy in anything before (I’ve not seen Schitt’s Creek). He was funny & I was glad he ended up in the movie a bit more by the end. We also had some fun sibling rivalry between Davis and her “bitchy” sister Alison Brie plus Aubrey Plaza, as I mentioned earlier, who plays a family friend & former secret girlfriend of Davis. I find Aubrey Plaza hit or miss but this was a good character for her.
I especially enjoyed this movie because it was “pleasant”. That sounds like a horrible compliment but I do mean it in a good way as there have been FAR too many dreary & depressing drama movies during this pandemic. I think we could all use a break from that! Sometimes you just want a lightweight rom-com with good characters & a fun sense of humor. The characters are what really make this film & it’s great that they had so many good ones. And I want to read the book the middle sister is writing. Her painting was pretty good too. Stop being mean to Jane!
Based on Characters and concepts created by H. G. Wells for The Invisible Man
Starring: Elisabeth Moss, Aldis Hodge, Storm Reid, Harriet Dyer, Michael Dorman, Oliver Jackson-Cohen
Plot Synopsis: (via Wikipedia) It follows a woman who believes she is being stalked and gaslit by her abusive and wealthy boyfriend even after his apparent suicide, and ultimately deduces that he has acquired the ability to become invisible.
I missed out on this one at the time. I think it was because it was at the start of the pandemic so I missed it in the cinema & then didn’t have the streaming service it went to just after that. I wasn’t that bothered anyway as it’s a Leigh Whannell & Blumhouse film and they’re both very hit or miss (but mostly miss, especially with the horror stuff). While I do like the story Whannellwrote for the first Saw movie, I hated the sequels as they became way too gross and it turned me off of liking Saw at all anymore. I’ll never understand that torture porn crap. And I’ve just looked up Blumhouse Productions to see the full list of their films and, wow, the quality is all over the place on those. How can you go from good stuff like Whiplash to a lot of very meh or absolutely rubbish horror such as Unfriended (god I hated that movie). I also have to admit one other thing: I really don’t like Elisabeth Moss, although I have no good explanation for that. So this movie had a lot against it but then Horror Twitter started raving over it. To be fair, Horror Twitter raves over every horror movie so I’ve learned to ignore that but it did make me a little curious.
Damn, I thought this movie was pretty great. At least, it’s pretty damn good when compared to all the rubbish modern horror that gets made and compared to a lot of the other Blumhouse horror output. This is my type of horror: supernatural, psychological, and none of that in-your-face gory crap. It’s pretty intense, as the guy is invisible (obviously!) and you never know when he’s there stalking Elisabeth Moss. That was all very effective with some cool reveals to show his presence. I also thought that using this story in the context of an abusive relationship worked really well without it feeling like it was just trying to be “woke”. Plenty of psychological thrillers have involved abusive relationships & the thought of an abuser having the ability to become invisible is terrifying. But I should admit now that I’ve never seen the first film made & don’t really know the original H. G. Wells Invisible Man story so I’m kind of just assuming it’s not about an abused woman but feel free to correct me if I’m wrong! I’d like to see the 1933 Claude Rains film now.
One other positive about this movie: The characters are pretty good (for a horror film). I even ended up liking Elisabeth Moss okay! It’s one of those movies where no one believes the main character & they think she’s going crazy, of course, which is super cliché in horror but that’s because these kind of stories require that. Of course no one is going to believe that some dude has made himself invisible. So that adds to the character’s feeling of isolation and having to find a way to fight this on her own. Oh! And I loved the ending. I usually hate horror endings! Her detective friend & his daughter were also strong & likeable characters (man, I was so worried about them). The abusive “Invisible Man” himself character was pretty one-dimensional, though – there’s really no character development there to explain why he does this. The character of the sister of Moss was also not great & kind of just there to be a “bitch” for not believing Moss but, hey, in horror I’m happy with three likeable characters and a main character who gets some good development going from an abused woman to someone ready to fight back.
The only slight negative about this movie, besides a pretty one-dimensional baddie (which doesn’t bother me that much – I don’t care to know why a bad guy is bad), is that I have to admit it’s a bit too long & is too slow to really get going. I don’t want to be one of those people who moans about the length of a film, though. I love some very long movies, such as Seven Samurai. This isn’t exactly an epic Kurosawa film though, is it? The Invisible Man is actually only just over two hours long but feels longer due to such a slow start so I think that could have been improved a bit.
The length & early pacing are just minor complaints as, overall, I liked this movie a lot. It won’t be an “all-time favorite” like the ’70s & ’80s horrors I grew up with and it isn’t quite up there with the very few rare modern horrors I loved such as The Babadook & It Follows. But it’s a very good psychological thriller that keeps you on the edge of your seat at times and I really enjoyed it. I’m always happy to see a good horror film. Hubby often asks me why I watch so many crappy horrors. I don’t want to watch crappy horrors – I want to watch good ones. I give them all a chance just in case I luck out & see a good one. The Invisible Man is a good one.
Starring: Katherine Langford, Charlie Plummer, Hayley Law, Piper Perabo, Rob Huebel, Yvonne Orji
Plot Synopsis: (via IMDb): Get ready for the outrageous coming-of-age love story about growing up…and blowing up. When students in their school begin exploding (literally), seniors Mara and Dylan struggle to survive in a world where each moment may be their last.
I really wasn’t expecting to like this movie so much. First of all, I assume this is a YA book? Though I’m not sure as I’ve not read it & know nothing whatsoever about it. I hate to use that Young Adult label as it gets a negative response these days and I thought this was a really good film. This movie gave me a Heathers vibe (come to think of it, I suppose Heathers would be what’s considered YA these days too). And Heathersrules but I really thought that sort of dark humor wouldn’t be allowed anymore. As a big fan of dark humor & a full-on “I trust no one” & “Just leave me the f*^k alone” Gen-Xer, this movie spoke to my teenage self & I’m curious what current teens think of it. If they can find a way to watch it… (It’s rated R in America & 15 in the U.K.). It’s very dark so is certainly only for the late teens into twenties sort of age. It’s extremely bloody, too (though not what I’d call “gory”). Hard to avoid it being bloody since it’s about a class of high school seniors who suddenly start randomly blowing up.
The main girl is Mara, played by Katherine Langford. She’s fantastic & cool as shit. Yeah, she’s kind of the Winona Ryder Veronica in Heathers. I think that if you go for her character, you’ll like this movie. She’s very funny with a very morbid sense of humor. But she’s also not necessarily a very nice or likeable person. I could really relate to her character as she very much has the attitude that I had in my late teens. She manages to be cool and say the perfect bitchy things that I think lot of us wish we could’ve said in high school if we weren’t all so scared of what people would think of us. So she’s kind of that ideal “cool teen” most of us were too scared to be.
After the first exploding teen, a boy named Dylan (played by Charlie Plummer) gets up the nerve to let Mara know that he has a crush on her. He’s most definitely not Christian Slater’s J.D. from Heathers: Dylan is sweet & nerdy and instantly lovable. He also has a quirky sense of humor that goes really well with Mara’s and they end up being one of those movie couples who just work perfectly together. Oh, and he’s a movie nerd & the two of them quote cool movies so obviously that made me like them & root for them even more. These two are really great in this. I know Langford has been in a few things I’ve seen but I’d not really noticed her before & Plummer was in a movie I hated and I didn’t notice him at all. In this, however, they’re fantastic. I’d be a fan of them both right now if I was a teen. Also liked Mara’s best friend, played by Hayley Law. They had a cool friendship (the sort I always wanted in school but girls never liked me).
Besides all the exploding teens & great dark humor, this movie does have a serious sort of undercurrent running through it. I very much disagree with the fairly low rating on IMDb. I’ve only had a brief glance at what people are saying but can’t exactly figure out what the haters don’t like about this movie. Maybe they wanted a straightforward horror comedy? That’s not quite what this is (although it is funny and also horrific). The simple thing would be to say that this movie is a coming of age film and an allegory for their fear and uncertainty at finishing high school and becoming adults. I think it’s way more than that, though. I feel very sorry for teens these days as they’re living in extremely difficult times. I can’t imagine the constant fear of possibly being shot every damn time they go to school (talking about American teens in this case, which is where the movie is based). What kind of life is that? And now they’ve had to deal with Covid too. And I won’t even go into all the other shit as I try to avoid anything political but, man, the the last four years have been a total clusterfuck. Add the social media nightmare into the mix, something Gen X didn’t have to worry about at all, and I honestly don’t know how current teenagers are able to get out of bed each day. I can barely handle any of this shit as an adult (but I’ve never been good at being one of those).
So, yeah – I imagine that being a modern teen must feel like living with the fear that you could spontaneously combust at any moment. I think the movie is telling us that without actually telling us that. Besides having one very obvious message to live each day to the fullest as you never know what might happen, it doesn’t have any other specific messages it’s trying to force on us. The movie is thankfully not at all preachy (which I hate). It doesn’t offer any obvious answers or explanations but I like it being ambiguous as I think the film could mean different things to different people. I think anyone struggling with the many issues related to being a teen nowadays would be able to identify with these characters and their feelings.
Well, I honestly kind of loved this movie. It’s darkly funny and deeply sad and I love that different people will get different meanings from it. The “live life to the fullest” message is maybe a tiny bit simplistic for such dark film but, hell, it’s the exact same message Ferris Bueller gave those of us in Generation X. It may be over 30 years since the John Hughes days but it was hard being a teenager then and it’s sure as shit hard now. I truly am sorry that society has failed to protect these kids & teenagers.
My Rating: 8/10
**Just a note to say that I watched waaaay too many movies in April so I’m going to be very late posting my April roundup as it’ll take forever to write. But a few of the April roundup reviews, like this one, ended up being so long that I decided to post them separately. It also helps that I really enjoyed each of these. I also fully reviewed Promising Young Woman, Swallow & Bloodsport (yes, the Jean-Claude Van Damme movie). Oh, and Sound Of Metal & My Octopus Teacher for the Oscars.
Starring: Carey Mulligan, Bo Burnham, Alison Brie, Clancy Brown, Jennifer Coolidge, Laverne Cox, Connie Britton
Plot Synopsis: (via IMDb) A young woman, traumatized by a tragic event in her past, seeks out vengeance against those who crossed her path.
I honestly wasn’t sure how I’d feel about this film before seeing it. Movies are difficult nowadays. Many films have had strong beliefs throughout the years but I feel those from the past ten years or so (and especially in the past five years) present those beliefs in a very different way. I’ve never been against movies with strong or controversial opinions, even if I don’t agree with them. I’m just very against how forced this feels in so many films now. An important and worthy topic doesn’t automatically make a film “good”. I still want a good script, good characters, a gorgeous score & cinematography, and all that other good shit that makes the very best movies true works of art. It’s great if a film has all of that good shit and also manages to have a really good message. I admit that with Oscar nominees these days I always wonder if I’m going to see a strong message with a mediocre film written around it or a good film that also happens to have a strong message that works well within that film.
I did a horrible job explaining that. What I’m saying is that I wondered if Promising Young Woman would be a full-on “all men are evil and must die” movie. Hey, I’m a woman – I’m not gonna pretend I don’t like a good revenge film. Of course I feel strongly about this topic. I’ve always been uncomfortable with “rape revenge” films, though. Although I try to watch most every type of movie that I possibly can to have a fully informed opinion, this is one subgenre I haven’t explored much. I’m not going to look into it, either, as it’s something I don’t want to go searching for but I do wonder how many of these films were made by women? I admit that I probably watched the worst possible example of this subgenre (the 1978 I Spit On Your Grave), so I didn’t want some gory “kill all the men” bloodbath. Exploitation flicks have their place, I guess, but they’ve been done. And I especially didn’t want an extremely exploitative rape scene as in that film. Women don’t want to see that. Those films are made for the excuse to have a graphic rape scene. No thanks. It’s possible to empathise with the victim & want her to get revenge without seeing in graphic detail what happens to her.
Okay, I don’t want to say the word rape anymore. I hate it. Just trying to explain that I wasn’t sure what this movie was going to be. I liked Promising Young Woman a lot. I may have even kind of loved it a little. I’m still not completely sure of the rating I want to give it, though. I feel it’s one of those that I need to think about for a while before I know how I really feel as I can see my opinion of this either going up a lot or possibly going down ever so slightly. I’m really not sure! I felt this way about Mandy… I knew I liked it a lot after seeing it. But after a few months or so of thinking about it, I realised I loved that crazy ass movie & that it’s easily an absolute favorite from recent years. Anyone else ever feel that way about a movie?? I think it’s because I love a divisive film. They excite me. I see too many bland & totally forgettable movies. I’d rather see a slightly “bad” film that’s maybe a bit weird or has a very memorable scene or two than the hundreds of truly boring duds I’ve seen since starting this blog. (Not that Mandy or Promising Young Woman are bad – I think they’re both very good films that are just unconventional)
Carey Mulligan is great in this. We’re all so used to seeing her in “worthy” Suffragette type roles (although I did like that film). But it was fun seeing her like this & I liked her a lot. Although I don’t know if I exactly liked her character. And that’s what I liked! How many times can I say “like”?! I thought this movie did well with the balance I thought it wouldn’t get right. No, it doesn’t portray men in a great light. But it also didn’t have an “all men are bad & all women are good” message. I hate movies like that (unless you’re talking fun sci-fi or fantasy films – I do want straightforward good vs evil in something like Star Wars). But this movie is dealing with a serious real life issue & real life isn’t so black & white. Mulligan’s character is flawed & damaged. You feel for her and you’re on her side but you also don’t always necessarily agree with her & all her methods. You know what else was good? She wasn’t just some kick-ass bitch. I mean, I love a kick-ass bitch! Ellen Ripley rules. But we already have some great female characters like that to look up to so I liked seeing someone more real in this. It’s more relatable. And even when you think she may take some things a little too far, it’s helped by the fact that she’s avenging her best friend. Also, I loved how she fucked with peoples’ minds. That was great & more fun than some super violent revenge porn.
Mulligan is definitely the best thing about this but I also enjoyed the characters played by Bo Burnham & Laverne Cox and their relationships with Mulligan’s character. Clancy Brown & Jennifer Coolidge were also good as her frustrated parents. I was expecting more dark comedy than we got in this, though. I’d have liked much more of that as what we did get worked pretty well. I’d heard beforehand that this movie is sort of a mix of genres and I loved that (as I said, I like unconventional & unpredictable). It was probably hard to classify this film but I’m not sure if I’d agree with those who have included “comedy” in its description. I think some people were probably expecting something very different and can see some really hating this movie but I was pleasantly surprised with how the story played out & loved that it wasn’t at all predictable. I SO wish I hadn’t had the ending spoiled for me on Twitter. Oh, and I liked her colorful fingernails! I liked the use of girly colors in this film (it reminded me of the end of Waitress, a movie I absolutely love).
Well, I’ve rambled on long enough. I know I must have found this film interesting as I haven’t done one of these long rambling “reviews” where I try to sort out my thoughts on a film in a long time. I think the only long reviews I did in recent years were for Mandy, Midsommar & Deep Red. I really liked this film. I’m still thinking about it three days later, especially its unexpected ending. I keep going back & forth on what I want to rate it. 8 & up means I really loved a movie and/or I thought it was a really good film. Is Promising Young Woman worthy of being a Best Picture Oscar nominee? These days it is. It’s certainly my favorite of those nominees I’ve seen so far. But it wouldn’t have been nominated years ago. I’m curious what I’ll think of this one 20 years from now. I look back at some nominees & think “How the hell did that get nominated?”. Will I think that about this? I don’t think so. I’m glad something a little bit unusual & a film that I actually *wanted* to watch is nominated.
My Rating: 8/10
*I may edit this post later & give it 8/10. I don’t know!
Figured I should review these two films since the Oscars are this weekend & they’re nominated. I also watched a few nominated shorts, so I’ll briefly mention those at the end of this post as well (If Anything Happens I Love You, The Present, A Love Song for Latasha, Burrow & Two Distant Strangers).
Sound Of Metal (2019)
Directed by Darius Marder
Starring: Riz Ahmed, Olivia Cooke, Paul Raci
Plot Synopsis: (via Wikipedia) Sound of Metal is a 2019 American drama film directed and co-written by Darius Marder starring Riz Ahmed as a metal drummer who loses his hearing.
I don’t know how to write a full review anymore. I can’t believe I used to do a full review post for pretty much each & every movie I watched?! I think the monthly roundup posts I do now with just a paragraph or so for each movie works better for me as, especially in the past few years, I just don’t have much to say about most current films. I feel like I’ve seen so many movies now that nothing ever feels new or original. It’s probably why I’m going back to exploring much older films that I haven’t yet seen. Movies used to be so much better than they are now. Or am I just old & bitter?!
Why am I rambling? I think it’s because, despite Sound Of Metal certainly being a good film with good performances, I don’t have much to say about it. I mean, it’s not exactly up there with Oscar winners of the past, is it? It’s not The Sound Of Music or The Bridge On The River Kwai, is it? But I’ve felt this way about the Best Picture nominees for years now. Where are the sweeping epics??? It’s all dreary drama now. It’s all performance based. I can appreciate a good performance but it’s not something I’ve ever cared about too much. I mean, I’d rather have an awesome movie with meh performances than a meh movie with awesome performances. But that may just be me. I wouldn’t say Sound Of Metal is at all meh, of course. I just think it’s one that should be up for the acting awards and not Best Picture. (Though I liked it more than the other Best Picture nominees I’ve seen! The Trial Of The Chicago 7 & Mank – those were pretty meh).
Okay, I feel like I’m being negative about this movie when it’s likely to stay one of the films I liked the most after I see all the Best Picture nominees. I’m just venting my frustration at the lack of truly amazing films nowadays. Paul Raci& especially Riz Ahmed were very good &I’m happy to see them nominated. I think they both don’t stand a chance of winning but I’d like to see Ahmed recognised for his work. Also liked Olivia Cooke as his girlfriend but was disappointed that we didn’t see much of their relationship & saw hardly anything to do with their band & career. And, yes – I wanted more actual metal. I’m a big music fan of all genres (well, other than country) and like a lot of metal. I know the focus of the film is the character’s loss of hearing but I’d still have liked to see a little more to do with his music and with his relationship with his girlfriend. I didn’t feel we got to know them well by the end of the film. Also, we didn’t get to know him well enough beforehand to truly understand his loss and what it meant to him.
Well, I’m just nitpicking now. It’s a good film. It gave a good look into the lives of those who have lost their hearing & I liked how they worked together to live with it. And I hope it wins the Oscar for sound – It would be a worthy winner. I could maybe be convinced to give this half a star more but I’ve ranked it 4th for 2021 U.K. releases & I only gave those above it 7/10. So I better stick with a 7 for now…
My Rating: 7/10
My Octopus Teacher (2020)
Directed by Pippa Ehrlich & James Reed
Starring: Craig Foster, Tom Foster, Octopus (Rosetta), Pyjama Shark
Plot Synopsis: (via Wikipedia) My Octopus Teacher is a 2020 Netflix Original documentary film directed by Pippa Ehrlich and James Reed, which documents a year spent by filmmaker Craig Foster forging a relationship with a wild common octopus in a South African kelp forest.
I’m terrible about watching documentaries. I don’t know why, as I do enjoy the really good ones but I have to force myself to watch them. So I’m rating & ranking documentaries separately from the movies that I watch as it’s hard to compare them. As far as documentaries go, this is easily my favorite that I’ve seen in a long time. I don’t even like octopuses! (Octopi???). Honestly, they’re creepy little things. They’re fascinating but they’re f*^king weird.
I loved this little octopus by the end of this documentary! I wasn’t expecting to like this so much, so they clearly did a great job with the film. Man, I was so stressed whenever the dangerous shark fish thingies that wanted to eat the octopus got anywhere near her. I was all “Oh no! Swim away, little octopus! Hurry!!!” I was extremely concerned about this octopus. It’s amazing that this dude went diving every single day to watch her. You really do feel like you’re on this journey with him & I loved watching the octopus adapt & learn. Who knew octopuses were so smart?? Brilliant creatures. I may become an octopus fan now thanks to this fantastic documentary.
My Rating: 7.5/10
Nominated Shorts I’ve Seen (with super brief thoughts):
– If Anything Happens I Love You – I already reviewed this a little bit in the link so don’t need to say much more than “This is utterly heartbreaking“. A hard one to watch but a powerful animated short with a message that won’t make the slightest bit of difference in America. Things are never going to change there – I lost hope years ago. Would be happy if this won the Oscar.
– The Present – Thought this was a really good short showing the struggles some people face in doing the most basic day to day things in life that those of us in other countries take completely for granted. It’s why I get so annoyed with people constantly whining about the stupidest shit on Twitter. Shut up with your first world problems!
– A Love Song for Latasha – This is a very short film worth checking out on Netflix. Another very heartbreaking short, this is the Wikipedia synopsis for this true story: “Drawing on memories from the subject’s cousin and best friend, the film reimagines the life of Latasha Harlins, a Black Los Angeles girl shot and killed by a convenience store owner in 1991.”
– Burrow – This is a cute Pixar short (well, one of the SparkShorts shorts). It’s not up there in quality with the likes of the other Pixar shorts that were shown in cinemas before films. Enjoyable but forgettable – Pixar has many better shorts than this one.
– Two Distant Strangers – This is a short also on Netflix. It’s another important message but unfortunately not as well done as the other nominees I’ve seen. To be honest, though, I never watch enough of the short films & find them hard to judge as it must be difficult to fully develop your characters & ideas in such a small amount of time. Is the quality of filmmaking here Oscar-worthy? I don’t know but I think it’s common for shorts & documentaries to be nominated more for their message so I suppose it’s good that they get more people watching them thanks to their nominations. The actors did a decent enough job in this with an okay script & one-dimensional characters.
**I’m now able to watch Promising Young Woman, so I’ll try to watch it & get a review posted before the Oscars. I’ll do a post tomorrow with all the nominees & links to my reviews of all the films I’ve managed to see. Disappointing year so far! But I have yet to see a lot of those nominated in the major categories.
What are your favorite Oscar nominees this year & what do you most want to see win?
Hi Again. Today I’m posting my final 2020 Top Ten List.
As always, I’m going by U.K. release dates and a lot of the best released in 2020 here were 2019 in the U.S. It was also a challenge to try to figure out actual release dates this year with so many straight to streaming. I also ignore release dates if they were only at festivals at the start (who actually gets to see those?!). So I’m going by general U.K. release dates. I may have a few of these wrong. Not that it really matters…
As I saw so few, I’ll just rank all 34 that I watched. I also missed a lot that I expect would make my top ten if I’d seen them. Let me know what I should be sure to check out of those I missed.
So here are all the 2020 movies released in the U.K. that I saw, counting down to my top ten:
Special Mention: The Mandalorian: Season 2(This was easily my favorite thing in 2020 & I enjoyed it far more than any recent movies) – 9/10
2020 Movies I Missed That I Desperately Want To See:
Possessor (big fan of his dad David Cronenberg), Swallow, The Invisible Man, The Hunt, The Lighthouse, Portrait Of A Lady On Fire, Vivarium, Fatman, VFW, Promising Young Woman, Peninsula, Relic, The Lodge, Spontaneous
Would also watch these if recommended (but could live without the Netflix ones & the thought of sitting through Mank doesn’t thrill me):
Tenet, Wonder Woman 1984, Unhinged, Proxima, His House, Mank, The Forty-Year-Old Version, Rebecca, The Old Guard, The Babysitter: Killer Queen, The Call, Queen & Slim, On The Rocks, Happiest Season, Underwater, The Rhythm Section, Never Rarely Sometimes Always, Blow The Man Down, King Of Staten Island, Black Bear, Run
Hi again! I see some old faces are back on the blogs again?? Yay! I’ll reply to everyone at the weekend (too busy with work on weekdays). Welcome back! 🙂
Now onto the year-end movie lists I love making every year. Today will be the best older (pre-2020) movies I watched in 2020. These are all first-time watches. I rewatched loads of movies this year thanks to lockdowns. I won’t be putting those in a list as they’re just some old favorites but you can see the full ranked list of absolutely everything I watched HERE if you’re super bored or something. I was clearly super bored as I watched way too many movies…
Tomorrow I’ll post my final list of My Top Ten Movies Released In The U.K. In 2020.
I wish it had been a better year for movies, as I don’t think anything I chose to watch will end up as an all-time favorite film. I still enjoyed some, though. But the 2020 releases were understandably very disappointing.
As I watched so many movies, I’ll actually make this a top 30. So counting down to my top ten, here are My Top 30 Pre-2020 Movies Watched In 2020.
Here’s day 2 of my year-end top ten lists. Onto the fun movie lists starting tomorrow! But I realised I watched more TV shows than usual in 2020 plus the top two are SO good that I decided these were worthy of a list this year even though I prefer watching movies. But I enjoyed The Mandalorian far more than any movies I’ve seen in the past several years.
I’m cheating a bit as I’ve only seen a few episodes of some of these. But, based on what I’ve seen so far, this is how I’d rank them. And god Grey’s Anatomy annoys me but I’ve been watching it for over a decade so I must like something about it. By the way – are we ever going to get to see the newest series in the U.K.??
Tomorrow I’ll be posting My Top Ten TV Shows Watched In 2020 followed by My Top Ten Older Movies Watched In 2020 then finally My Top Ten 2020 U.K. Movie Releases. Very disappointed with the movies I saw in 2020! But it’s obviously been a strange year.
I’m going to finish out the year by posting my monthly roundup of what I watched & read in December. I’ll then try to post some 2020 Top Ten Lists the rest of this week, although that’s been weird to put together this time & to try to figure out which movies were actually released in 2020 in the U.K. (a lot in my list were 2019 in the U.S.). It’s also been a terrible year for movies – I think it’s the first time there were no movies I rated above 7.5/10 all year. Very disappointing, even including the older films I chose to watch. I’ll miss doing the Blind Spot project, as that always meant I saw at least a few excellent films each year.
But first, here’s my month of December 2020…
*Edited to add two things I forgot I watched. How could I forget Wolfwalkers?! That was pretty good.
MOVIES WATCHED IN DECEMBER (ranked best to worst):
– Calamity Jane – Caught this on TV & thoroughly enjoyed it. Was surprised it’s now one of my favorites this year. Hubby thought it was crazy I’d never seen it but I’d barely even heard of it. I sometimes wonder if certain films ended up slightly more popular in the U.K. than in the U.S.? Like, maybe they were shown on TV a lot more when people were growing up here. Anyway – I think it’s also my first Doris Day movie too (not counting that Hitchcock movie since I’ve of course watched his biggest films). Day is great in this! I liked the character a lot. She’s feisty & funny. And it’s proof there were strong female lead roles, even back in 1953. The only slight negative I’d say is that none of the songs stuck with me (I can’t remember any of them at the moment). Wasn’t sure whether to rank this above or below Meet Me In St. Louis (also a first-time watch this year). I’d probably put it just below it, as I remember two songs very well from that one & The Trolley Song is a classic plus I really like Judy Garland. However, I have to say I enjoyed the overall story & especially the main character in Calamity Jane more plus it had some great humor. A truly fun musical. – 7.5/10
– Soul – Trying to figure out how to review this one. I think I’m tougher on Pixar movies as I hold them to a higher standard. They’ve made movies I consider all-time classics up there with any of the non-animated films considered by many to be masterpieces. So, even when I’m disappointed with a Pixar movie, it’s still usually a much better film than movies made by other animation studios. Soul is like that. As a Pixar movie, I’m a little disappointed. But it’s still a gorgeous piece of animation & still far better than the type of stuff we get from the likes of DreamWorks.
I think, mainly, I felt let down by the ending. It didn’t fully tie things up the way I expect from a Pixar film. It didn’t feel like the fully rounded sort of story we always get from the studio. What becomes of both of them? Has he really learned his lesson? Too many things still felt unresolved at the end (and one specific thing was hinted at early in the film & nothing comes of it in the end so what was the point?). I don’t know. I always hate being so picky with Pixar but that’s just because they have several truly brilliant films. And as a music lover, I think I was hoping to enjoy and feel more of a love for music in Soul as well. But in the end, it’s not really about music at all (sorry – spoiler sort of). And then the actual score was something I sadly didn’t even notice. When I think of Inside Out, I immediately think of that amazing Michael Giacchino score. That’s one of the finest scores of the past 20 years. It’s gorgeous. Same with the scores forWALL-E& Finding Nemo. Pixar have had many great scores so, for a movie whose main character is obsessed with music, I was hoping for more from the score.
Well, Soul is still a lovely film even if it didn’t live up to Pixar’s very best for me. I think it didn’t help that, unfortunately, our two main characters are… Unlikeable? Yeah, a bit. Which is fine for a story where the whole point is to become a better person. Hell, that’s the moral of the story in most every movie that gets made, isn’t it?? But, in this case, we didn’t get enough of a pay off at the end to make up for that. I honestly thought, at the very least, there’d be an end credits scene which would show us more of the end result. I think just one additional short scene like that would have really added to the story & I’d be rating it more highly instead of feeling unsatisfied. The barbershop scene was good – It would’ve been good to see more of his life as the “living people” bits were better than the little blue “soul people” bits. I didn’t feel like I got to know his character. And I think the story just ended up too convoluted to really get its point across to the audience. Inside Out also dealt with very complex themes but in a much more coherent way with a satisfying ending. – 7/10
– Wolfwalkers – This was a really lovely film. I love the artwork. I felt the same way about Tomm Moore’s Song Of The Sea. Gorgeous. (I’ve not seen The Secret Of Kells). But, for whatever reason, I didn’t love either of these movies although they’re both very good. I slightly preferred Song Of The Sea, which was quite bittersweet. Both movies had good stories that I just didn’t fully connect with despite the girls in Wolfwalkers being good characters and the wolfwalker girl especially being feisty & fun. I think the movies themselves just don’t quite live up to the great visuals. But I’d happily stick images from these movies up on a wall. They feel almost more like pieces of art than films. – 7/10
– The Midnight Sky – Sci-fi is a favorite genre of mine so I rarely dislike movies like this. I liked this one but would have to say it’s not for everyone. It has an extremely slow pace, so I can see those who aren’t big sci-fi fans not necessarily having the patience for this one. Loving ’70s sci-fi, I’m fine with loooong & drawn-out sci-fi films as so many old ones are like that. To be honest, I don’t think The Midnight Sky is “good enough” to have had a cinema release (don’t know if that was the plan?) but as a “straight to Netflix” film it’s fine. It’s a good sci-fi film with a predictable but decent twist. I liked it. – 7/10
– The Trial Of The Chicago 7 – I’m not really a fan of courtroom dramas & this one started out VERY slow. I also have zero knowledge when it comes to history so knew nothing about this story. What didn’t help was that the first half of the movie doesn’t tell you what the hell actually happened. It’s not until about halfway through that they show you the actual incident that took place to lead to the trial. Then it got good – the second half of this was far better than the start. I thought Sacha Baron Cohen was especially good as Abbie Hoffman but all the acting was pretty top-notch. And, hey – the real-life guy played by Eddie Redmayne ended up marrying Jane Fonda (thanks, Wikipedia). I think this is just a very interesting real-life story that we didn’t get to actually see as the focus was on the trial. I’d rather have seen this story play out from the start with the trial at the end of the movie. And each of the 7 characters (well, 8 – one was falsely accused) are worthy of their own separate movies focusing on them. I’d rather watch those movies if they got made. – 7/10
– Babyteeth – This was good and is the type of thing I often like so was hoping to like it more than I did. It’s about a teenage schoolgirl with cancer who falls in love with an early twenty-something drug dealer. All performances in this were good, especially from our two main characters above & the girl’s parents. It’s an odd film. I think I couldn’t really relate to it as everyone’s behavior was so bizarre. Especially the drug dealer (as to be expected, I suppose). But I really didn’t understand his behavior at the end of the movie & why he reacted the way he did (avoiding spoilers, obviously). Well, it’s a decent film with very good performances and a bit of the quirky indie thing I like. I did still appreciate the movie even if I couldn’t relate to the characters. – 7/10
– Santa Claus: The Movie – I still can’t believe there’s an ’80s movie, especially a Christmas one that will have been shown many Decembers of my life, that I never saw. I liked this. Yeah, it’s a bit cheesy & a little dated but I think it still stands up today. I know I’d appreciate it more if I’d actually grown up with it but I’d happily watch it again some other Christmas. Oh, and Burgess Meredith has a small but cool role in this too. Love him. – 7/10
– Hillbilly Elegy – This Ron Howard movie was fine. I’m wondering if these Netflix movies were meant to actually be 2020 cinema releases? Because this is another one that doesn’t feel good enough for cinemas despite its big name stars. It’s a decent enough story with good acting but feels like a TV movie (not that there’s anything wrong with TV movies). It’s just a very straightforward “person makes it despite bad childhood” storyline. I love Amy Adams and she was good as always as the drug addict mother but the performance felt a bit phoned in. Glenn Close was also good as her mother but I thought Haley Bennett especially stood out in her role as daughter of Adams. Gabriel Basso (had to look him up) was also good as the son & main character. Good. Yeah. The movie is just… kind of good. But nothing we haven’t seen before. – 6.5/10
– Ma Rainey’s Black Bottom – Was disappointed with this but think that was mainly because I didn’t know beforehand that it’s a play & that the movie would very much be like a play & mainly in only one setting as they record an album. The play format occasionally works in movies but is not usually my type of thing. I think it depends on the characters. Unfortunately, I don’t think most of them get as much development as I’d have liked. Besides Ma Rainey (Viola Davis) and Levee (lovely Chadwick Boseman – R.I.P.) who get plenty of screen time but I didn’t feel we really even learned enough about Ma Rainey. But both were very good in their roles, especially Boseman. He seemed like a lovely guy & had such a great presence in films – he will be very sadly missed. Was not happy with how his character ended up in this movie, however. Wasn’t expecting that. Why?!?! Again – average movie but good performances. – 6.5/10
– Wild Child – Hey, I gotta watch these teen chick flicks with the kid sometimes. Even as an old lady, I still enjoy teen movies. What can I say? I grew up in the John Hughes era! Not that this is anywhere near as good as a John Hughes movie. It’s silly & predictable in every way but it’s also more fun than I was expecting. There are several different fun characters in the group of girls at the snobby English school the bitchy California rich girl (Emma Roberts) gets shipped off to. Does she learn to not be such a bitch by the end?! Duh! Of COURSE. Who cares? That’s the point of these movies. I want predictable with something like this. Happily ever after & all that shit. There’s even a fun makeover/clothes shopping bit. That was fun. I can be girly sometimes! And I swear I’ve visited wherever they did that clothes shopping – that English street looked very familiar. – 6/10
– The Princess Switch: Switched Again – Ugh. Not good. The first film was fine. Throwaway Hallmark-type of feelgood movie. This one was too silly with a ridiculous “villain” thrown in. I guess it’s worth a watch if you really loved the first movie but lower your expectations for this one. – 5/10
– A Chinese Ghost Story – I can’t fairly review this 1987 Hong Kong film as I ended up not fully paying attention to it. I was bored. Think I saw someone mention it on Twitter & decided to watch it as it sounded fun & had a good IMDb rating. It’s… Strange. I didn’t like it but it’s weird enough that I guess I can see why it would have some fans (think it has a cult following). Here’s the plot synopsis from IMDb: “After a string of bad luck, a debt collector has no other choice than to spend the night in a haunted temple, where he encounters a ravishing female ghost and later battles to save her soul from the control of a wicked tree demon.” – 5.5/10
– If Anything Happens I Love You – My god, this was absolutely soul destroying! I hated it, in a way. It’s very good but also way too emotional. It’s a topic I can’t stand the thought of and one very big reason I’m glad to not live in America at the moment. Would like to think someone with the right connections would watch this animated short on Netflix & be moved to make some sort of difference to the laws in America. But let’s be honest – that will never happen. Hard to know what to rate this as it’s good & very moving but I never ever ever want to see it again. Only one small complaint I hate to bring up but the song in it threw me out of it a bit. Bad song. Would’ve been even more emotional if it had just stayed as an instrumental score (although I don’t think I could’ve handled it being even more emotional). – 7/10
– Death To 2020 – This was fine but a little underwhelming. I did get a few giggles out of it but think I’ll have forgotten most of it in a few months. They did seem to tread very lightly (I suppose you have to be super careful to offend no one these days). I was happy to find that they made fun of both sides politically (a bit), as I expected this to be very far left. Meh. It was okay but it took no risks. Come on – we’re all used to South Park now! But I always love Samuel L. Jackson so he was fun & Hugh Grant seems to have become surprisingly funny with this & in The Gentlemen. – 6/10
– Whip It – I adore Drew Barrymore & I love this movie she directed about a bunch of badass roller derby girls. I desperately wanted to be an old badass roller derby girl like Juliette Lewis after watching this movie but I’m too much of a wuss. Anyway, I rewatched this with the kid & she loved it too. This is more my kind of chick flick. I want badass chicks in my chick flicks! Still love this movie. – 8/10
– Scrooged – I ranked this as my number one Christmas movie once (HERE). It maybe still is but I change my mind on my top five a lot. Well, I’ll always love the Christmas Carol story & love that there are so many clever adaptations of it. This one will always be my favorite modern adaptation. – 8/10
– Miracle On 34th Street (1947) – Finally got my kid to watch another Christmas favorite of mine with me this year! I think she enjoyed it. When Santa sings in another language for that girl is one of my absolute favorite Christmas movie moments. Love it. He’s my favorite movie Santa & Natalie Wood is so good as the girl doubting him. Will always be a favorite of mine. – 7.5/10
– Crocodile Dundee – Ha! Introduced the kid to this silly classic ’80s movie too. I’d actually not seen it in years myself so was expecting it to have not aged well. Surprisingly, I think it has aged quite well. Kid liked it more than I expected. For a movie I can’t exactly say is “good“, I think there’s just something really likeable about it. Probably why it has managed to be fairly popular for so many years. – 7/10
– Deadpool – Rewatched this. I’m starting to question my memory as I had this all mixed up in my mind with Deadpool 2. Enjoyed this again but am thinking the sequel really upped the humor? Need to rewatch that one too. Still love the foul-mouthed naughty humor. More fun than most the superhero movies, which were getting a bit boring… – 7/10
– The Holiday – This isn’t a favorite of mine, although a lot of girls seem to love it. It’s not really for me but I do love Jack Black. The movie is fine. Predictable & cheesy but a nice enough rom-com. I personally relate most to Jack Black’s movie score loving character & liked his job as composer (is it weird I often relate to dudes more in movies?!? Lol). Honestly, though – I couldn’t be less like Cameron Diaz’s character. Mainly I was just like “How much f*^king money do these people MAKE?!” when watching this. Their beautiful homes had to cost absolute fortunes. The movie is okay but, my god, I can’t relate to all that privilege. – 6.5/10
BOOKS, TV, MUSIC, MISCELLANEOUS THIS MONTH
– Jeff Wayne’s The War Of The Worlds – Watched this musical performance & really liked it. Already knew & liked a couple of the songs. They’re obviously the best songs but I’d happily listen to this full album again. I sooooo miss the ’70s and the big concept albums! Why do we never get cool stuff like that anymore??
– Eleanor Oliphant Is Completely Fine by Gail Honeyman – Took a little while to get into this one but then I really liked it. The main character sold it to me. She’s damaged & extremely socially awkward & so likeable in her own strange way by the end. She reminded me a bit of Holly Gibney, a character Stephen King created in Mr. Mercedes and has used in a few books since. I like her in the same way. I think maybe I just relate to socially awkward people. Hooray for the socially awkward! My kind of people. This book is funny at times but also heartbreaking & serious. It’s not a “lightweight” book, which I was thinking it might be. It’s a good book with good characters. I liked it. – 3.5/5
– Looking For Alaska by John Green – This is the third John Green book I’ve read now since The Fault In Our Stars & I have to say this and the other one (Paper Towns) were very disappointing after TFIOS. It’s better than Paper Towns but, like that one, the main male character is in love with a somewhat unlikeable Manic Pixie Dream Girl. The girl in this is luckily not as utterly hateful as the one in Paper Towns and I liked the overall story & other characters okay. But that’s two in a row where Green has written an annoying girl who is the exact definition of Manic Pixie Dream Girl. Please tell me I just got unlucky reading these two in a row? Because I’d read another book of his if more like The Fault In Our Stars. – 3/5
TV SHOWS WATCHED
– The Mandalorian – Season 2 – My god. THAT FINAL EPISODE. I loved it so much. Soooo much! That episode made me far happier than any movie has in the past several years. It certainly filled me with more joy than any of the sequel trilogy films. Look how easy it was to please Star Wars fans! How did the sequel trilogy movies get things so wrong?? I have to say I also loved watching the many reaction videos online of people watching that final episode for the first time. So much pure joy (and lots of tears too). Love it. I felt the same way. I won’t “review” The Mandalorian as I don’t really review TV anyway but I think the entire thing has been absolutely brilliant from start to finish. And, like most people, I’m utterly & completely in love with that adorable little green puppet. Greatest character creation in years. Greatest Star Wars character since the original trilogy characters. He’s perfection. And his cuteness will never be topped. Maximum cuteness has now been achieved! Love him. Love this show. Love that some of us had something to help get us through this shitty year. Yes, it’s just a TV show but seeing those reaction videos shows you just how much it helped to lift peoples’ spirits. That’s brilliant filmmaking (TV-making??). I don’t rate TV but, if I did, my overall score would be 9.5/10 for this show so far. It’s THAT good.
– The Crown – Season 2 – Not quite as good as season one but I’m still really enjoying this show despite this not normally being my type of thing. It’s very good. Talked a tiny bit more about it HERE.
God I love that cute little face
BLOG PLANS FOR THE COMING MONTH
I only plan to post my 2020 Top Ten lists & then take a blog break. But I’ll try todo these monthly roundup posts.
Movies I Want To See:
Am very annoyed to have missed so many 2020 UK releases that I really wanted to see. So none of these will be included in my 2020 Top Ten Lists (if they’d make the ten). But these are the movies I still want to see the most of what I missed:
Possessor (big fan of his dad David Cronenberg)
The Invisible Man
Portrait Of A Lady On Fire
Promising Young Woman
Would also watch these if recommended (but could live without the Netflix ones & the thought of sitting through Mank doesn’t thrill me):
Tenet, Wonder Woman 1984, Unhinged, Proxima, His House, Mank, The Forty-Year-Old Version, Rebecca, The Old Guard, The Babysitter: Killer Queen, The Call, Queen & Slim, On The Rocks, Happiest Season, Underwater, The Rhythm Section, Never Rarely Sometimes Always, Blow The Man Down, King Of Staten Island, Black Bear, Run
Any other movies that I missed? Any recommendations from the above lists?
Am very out of touch with movie releases lately! Also find it very hard to keep track of where each of these can be seen thanks to so many streaming services & the U.K. not having access to many of them. I can’t afford multiple services. Do really hate the way things are going when it comes to accessing movies but I suppose that was going to change with the times eventually anyway. But I’m finding it harder & harder to watch the slightly weird & less mainstream stuff I like. It’s kind of destroying my love of film, making it hard to find the energy to run a blog to discuss nothing but a bunch of very “Meh” straight-to-Netflix movies.
Okay, I’ll quit whining about movies. There are far bigger problems in the world now! I just like having the distraction & it’s always been my main hobby but it’s very hard to enjoy anything at the moment with everything going to shit for everyone (except the rich). I hope everyone is staying safe & well in these crazy times. Here’s to a happier 2021. 🙂
Gotta end with a spoiler-free clip of this little guy. So many favorite moments to choose from! Here’s a favorite bit from Season 2. 🥰
2020 is almost over! But apparently Nostradamus predicted an even worse 2021?? Wonderful! Looking forward to that zombie apocalypse…
Here’s what I watched in November.
MOVIES WATCHED IN NOVEMBER (ranked best to worst):
– A Whisker Away – Enjoyed this anime film on Netflix, although it clearly wants to be a Ghibli film. Nothing wrong with that, though – who wouldn’t want their film to be as good as Studio Ghibli?? It’s about a girl who switches places with a cat sometimes, enabling her to be close to and get to know the boy she has a crush on. It’s a decent story even if it’s somewhat predictable (at least as far as anime movies go – maybe not so predictable if you haven’t seen a lot of anime). I’d probably have liked it more if it wasn’t a bit similar to the Ghibli film The Cat Returns, which I’d recommend before this but both were enjoyable & worth a watch. I have to say, though, why the hell are teenage girls in Japanese anime romance movies so damn emotional?? Good god – they’re high maintenance! Not really complaining, though, as I’m used to that now & find it kind of endearing. The girl in this is likeable in that noisy & dramatic anime-teen kind of way. Cute film. I liked it. Is it as good as Ghibli or a film by Mamoru Hosoda or Makoto Shinkai? Of course not, but I’d watch more from the makers of A Whisker Away. – 7/10
– Color Out Of Space – Not sure how to review this. I’m a very big fan of Richard Stanley’s Hardware (I never shut up about it – my review is HERE). So I was very excited about this one, especially as it looked weird & beautiful and Nicolas Cage is finally growing on me thanks to the wonderfully batshit Mandy and it’s based on a short story by H.P. Lovecraft. It sounded like it would be right up my alley! Suppose I was hoping for some kind of Hardware crossed with Mandy crossed with Re-Animator film with this one. It’s nothing like them other than it being weird as shit. Yay! I love weird as shit! Not entirely sure what was going on here. Is it about how we’re ruining the environment? Maybe. I guess there’s some sort of message. Wanted to love this one like Mandy & Hardware but it wasn’t as good as I was hoping. It starts out veeeery slow until finally going WHAT THE FUCK near the end. Then it got good. Enjoyed the final bit of the movie even though I’m not entirely sure what point the film was trying to make. And I loved the pinky purple colors I’d seen in all the images of this movie – it was lovely and I wanted more of it. I… think I liked this movie? Even if I didn’t love it. But I think it’ll grow on me, just like Mandy did – I started out not sure how I felt about Mandy but now consider one of my favorites of the past decade. As I always say, I watch way too many movies & far too many are boring & forgettable. I like when a movie is unpredictable or shocking. I’m not sure if I can say Color Out Of Space is a good movie, but I’ll certainly never forget it. I appreciate that. – 7/10
– Dark Waters – Good film about an EVIL CORPORATION. I hate EVIL CORPORATIONS!! Here’s the Wikipedia plot synopsis: “The story dramatizes Robert Bilott’s case against the chemical manufacturing corporation DuPont after they contaminated a town with unregulated chemicals.” So, yeah, they poisoned an entire town & loads of people got ill and some died and it’s a true story & I hate that money has power & is valued more than human life & I hate EVIL CORPORATIONS! I don’t tend to watch true story court room dramas much because, yeah, real life shit like this pisses me off so this isn’t my favorite genre. Good story. Decent acting. EVIL FUCKING CORPORATION. – 7/10
– Begin Again – Why do I watch so many Keira Knightley movies? She annoys the hell out of me. That’s maybe unfair… I blame her annoying character in Love Actually! Ugh. Anyway – when she’s not doing her usual period dramas, she usually makes the kind of chick flicks I don’t mind. This one was fine. Mark Ruffalo plays a bitter record exec whose interest in his career is magically renewed when he hears Knightley singing some boring singer songwriter bullshit song in some club. The movie is pretty predictable, as most romcoms are, but the ending was somewhat unexpected so that was nice. With these movies, it’s more about the characters and if you buy into them and they were fine in this. I also liked how they decided to go about recording an album, even if it was a little cheesy. Um. Yeah. Pleasant enough romcom but I’ll probably forget most of it in a year. – 6.5/10
– The Hurt Locker – Watched this only to get another Best Picture Oscar Winner crossed off my Watchlist. I’ll add it to my full ranked list HERE at some point but it’ll be near the bottom. Meh. It was okay. War movies are admittedly not my favorite but I always end up really liking them when they’re truly good (Full Metal Jacket, The Bridge On The River Kwai, The Great Escape, etc). Those are classics & truly Oscar-worthy types of films. I’ve found so few modern Oscar winners to be the epic classics that the winners from the past were. And as far as war movies go, there are just so many better than The Hurt Locker yet it’s a Best Picture winner? Nah. It’s okay but not the hard-hitting emotional drama I expect from a war film. And Jeremy Renner’s character is an unlikeable asshole. As it’s dealing with a bomb squad, however, it did have some tense scenes that were probably quite stressful to watch in a cinema. So I’ll give it that. Wish I’d cared about the characters… – 6.5/10
– Enola Holmes – This was disappointing. It had some fun moments but I wish it had been better. And is it just me or is Millie Bobby Brown getting a little obnoxious? That’s mean… she’s young. She seems talented so I hope she gets to be in better movies than this one. She did well as its big star, though. Think I’m just maaaaaaybe finally getting bored with the “girl power” thing. It used to be cool. I wanted to be Ellen Ripley! It’s so forced now. Bored with it. Kind of already barely remember this besides Helena Bonham Carter being great as always. Speaking of which, she’s a Suffragette in this and it made me think of her in the film Suffragette. Much better movie. I think, if you have a young daughter, Enola Holmes is a good place to start to get them interested in this sort of thing. I’m sure girls would like Brown’s character. But I think Suffragette would be a great follow-up film. I plan to now watch that one with my daughter as well so she can know a bit more about what it was like for women in that time. – 6/10
– Frequencies (aka OXV: The Manual) – I watched this as I loved the sound of the plot (from IMDb): “In an alternate reality, children learn how lucky they will be (their “frequency”), knowledge which shapes their destiny. The unluckiest boy must parse the mysteries of free will in order to pursue his forbidden love of the luckiest girl.” Wish this had been better & that the characters were more likeable. I suppose that’s hard to achieve, though, in a film where the “luckiest girl” and all the lucky people apparently lack emotions for some reason. I admit I got a little confused by the end, so maybe I’m just not smart enough for this movie. But it also felt like a movie that thinks it’s smarter than it actually is. It was a bit boring but I do appreciate the effort put into an ambitious story on a low budget. – 5.5/10
– Noelle – Ugh. Was hoping this would be a fun new Christmas movie along the lines of Elf. This makes Elf look like a masterpiece. This was actually embarrassingly bad. How are such rubbish movies with such big name stars being made now?? Shirley MacLaine was in this. How do you go from The Apartment to this?!?! Wow – I’m in a bitchy mood today. As if silly, cheerful Christmas movies need to be Oscar-worthy?? I guess you’ll like this fine if you like Anna Kendrick when she plays her usual sort of chipper character. She’s exactly how you’d expect her to be in this one. I’ll be nice & give it an extra half a point for managing to get MacLaine into this. But go watch A Simple Favor instead if you like Kendrick. Her typical chipper character actually worked brilliantly in a dark comedy. – 5/10
– The Martian – Enjoyed this even more on a rewatch. I really liked the book so think I was a tad harsh on the film just because, well, the movies are rarely as good as the books. But this is a very good film with some great edge-of-your-seat stuff & a character you really want to see survive. Not knowing the ending beforehand must have made this a very exciting watch for others. Has definitely gone up in my estimation. – 7.5/10
– Ever After – Yes, I love Drew Barrymore. I grew up with her & try to watch everything she’s in. So I may rate her movies slightly high sometimes but I do think this is a really good variation on the Cinderella story. Still like this one a lot. – 7.5/10
BOOKS, TV, MUSIC, MISCELLANEOUS IN NOVEMBER
TV SHOWS WATCHED
– The Mandalorian: Season 2 – Think November was up to the Ahsoka episode? God I loved that episode! It was brilliant. And it was only the second best episode this season. Not sure if I’m going to do a full review of The Mandalorian in my December roundup as I don’t think I can put into words how much I’ve loved this show. I’ve enjoyed it far more than any movies in the past couple of years. WHY couldn’t they make the sequel trilogies this good??? Look how easy it was to actually please Star Wars fans! Now even more amazed that they managed to make such a mess of the movies.
– The Crown: Season 1 – I admit it – I paid zero attention to the hype around The Crown until I’d heard they started the Diana years. Then I wanted to see it. Didn’t know they’d cover the Princess Diana stuff! Anyway, this show really is very good. Historical dramas aren’t normally my type of thing but I do enjoy them when they’re as good as this. And I think Claire Foy is great as Queen Elizabeth – am not looking forward to whenever it is that they change actresses. Well, I’m someone who is terrible when it comes to history. Always hated the topic for some reason & my knowledge is terrible on anything to do with the Royal family (to be fair, it’s not like I grew up in the U.K. so I can maybe be excused for knowing so little). But it means I’m thoroughly enjoying watching this story. Even though I know there’s a bunch of made-up shit but, hey – they gotta make stuff exciting for viewers…
– Avatar: The Last Airbender – The daughter suddenly decided she wanted to watch this as I think a friend at school is a big fan. Never mind that I’ve been telling her for ages that I’d heard it was very good & that we should check it out. Kids! I’m a cool mom, dammit. As if I’d recommend bad stuff! 😉 Anyway, it’s quite good but I’ve stopped fully watching as I don’t have the time to devote to it. I watch an episode here & there when the kid does but she’s devouring it! I can’t keep up. She loves it. I’ll say the characters are strong & very likeable plus it’s an interesting story so I can see why it has devoted fans.
Well, I can keep this brief as I didn’t really read anything in November other than several short stories in an Edgar Allan Poe collection I have. I absolutely loved The Masque Of The Red Death when I read it a couple years ago, so have been meaning to read more of his work:
– The Facts In The Case Of M. Valdemar – This was a bit morbid. I like! – 3.5/5
– A Descent Into The Maelström – Like The Masque Of The Red Death, this was very descriptive & an enjoyable read. – 3.5/5
– The Gold Bug – A fun little treasure hunt story but could have been a bit shorter. And the language used will be considered problematic now so I’m glad I have a copy from before it gets banned or something. – 3/5
– MS. Found In A Bottle – A fun pirate ghost story. Did he have a thing for pirates?? Wasn’t expecting two pirate stories from Poe. I prefer the gothic creepy stuff. – 3/5
BLOG PLANS FOR THE COMING MONTH
Will try to post my December roundup either end of this week or Monday & then my year-end top ten lists.
Hello Everyone! Another year of blogging. Why am I still here?!? No one else is. Oh well – I have to keep this movie diary going. If I didn’t spend time making lists, I don’t know what the hell I’d do with myself. Work, eat, sleep, repeat. Avoid people. (And that was before lockdown…)
What can I say? 2020 has been a terrible year for the whole world. So I just keep watching movies & reading books as usual. And that’s all I write about on this blog so I’ll shut up now & just stick to that. 🙂
As the year is almost over, here are my current Top Ten Movie Lists For 2020 So Far. Very awkward doing a “2020 Releases” list this year as I always go by U.K. cinema release date. But as so many went straight to streaming services, it was harder to determine which movies “became available to watch in the U.K. in the year 2020”. I ignored festival release dates. I may be wrong on some of these. Oh, who the hell cares what list they end up on?!
My Top Ten Movies Released To U.K. Cinemas Or Streaming Services In 2020 So Far: