Watched, Read, Reviewed: December 2022

Happy New Year, Everyone! I’m really hoping that 2023 is going to be a much better year than 2022. I kept on top of my Letterboxd reviews so here are all the reviews of everything I watched in December. There are a lot as I was trying to finish watching the 2022 releases that are on services but there are still loads more that I’ve missed…

MOVIES WATCHED (ranked best to worst):

Millennium Actress – Thoroughly enjoyed this story of a legendary film actress discussing her life with two documentary filmmakers. Always like films exploring the lives of those involved in filmmaking & loved how her life story was told through her film roles. This is my third & I think probably now my favorite Satoshi Kon film. I’d highly recommend this as well as his films Tokyo Godfathers & the trippy Paprika. Will definitely be checking out Perfect Blue at some point too… – 8/10

Only Yesterday – Had to get at least one Studio Ghibli movie watched before the end of this year. I adore Ghibli but am running out of ones to watch. Think I only have five left! What will I do after that?! (I’ve ranked all I’ve seen here)

This one, of course, isn’t up there with the Hayao Miyazaki Ghiblis but is still a great film worthy of the studio. It’s a very grownup story and follows a young woman as her trip to the countryside brings back strong memories from when she was a fifth grade schoolgirl. I thought it portrayed very well how strong nostalgia can be and how our experiences while young can have such a strong influence on who we become as adults. Something that can seem insignificant to an adult may be something that a child coming of age will never forget. Enjoyed the scenes when she was a child the most and they gave me my own happy & sad memories from when I was that same age. Especially liked how the boys behaved & how awkward the boys & girls were around each other. The 1966 Japanese schoolkids in this behaved exactly the same as my American classmates did in the mid-80s, which put a smile on my face.

Another great film from Studio Ghibli & one of my favorite films I saw for the first time in 2022. – 8/10

Guillermo del Toro’s Pinocchio – This was a very good adaptation with stunning stop-motion animation. I like the tale of Pinocchio & enjoyed getting much more of a story here than Disney gave us plus this film has a lot more heart & emotion than recent Disney movies & certainly much more than their live action Tom Hanks Pinocchio. But I’m probably in the minority in still liking Disney’s 1940 version the most as nothing can top the old Disney classics & songs such as When You Wish Upon A Star for me. With so many current movies being new adaptations or reboots or sequels of existing stories I already know, I get a little bored. I don’t want to take away from how good Guillermo del Toro‘s Pinocchio is, though. It’s great! I just always crave new-to-me stories.

Besides the amazing animation & strong characters, this also had a great main theme to its score which stayed with me for days & a good score always gives a movie bonus points for me. Also appreciated the del Toro style in so much of this, especially The Wood Sprite & her sister Death as they reminded me the most of Pan’s Labyrinth (still brilliant & easily his best film). Also really liked the look of Pinocchio himself, which put the live-action Disney version to shame. At the moment I think I can only recall one song but that’s fine since you’re not gonna beat the Disney Pinocchio songs. I preferred that the songs in this were unobtrusive & didn’t take away from the emotion of the story. Leave the big musical numbers to Disney as they know their stuff on that.

Still trying to decide where I’ll place this in my 2022 movie release rankings but it should easily be in the top five. It won’t be an all-time favorite film of mine but it’s certainly one of the better movies released in the past few disappointing years. – 7.5/10

The Banshees Of Inisherin – Tried to end the year on a good 2022 film as I’ve been very disappointed with most of the movies released this year. I can’t say this lived up to my expectations based on the rave reviews but I did like it. It might just squeak into my top ten for the year. 

Colin Farrell, Brendan Gleeson & Kerry Condon are all very good in this & I can see them all being nominated for Oscars. The acting nominations would be well deserved. The film itself didn’t quite live up to the performances for me but I did like the story and the beautiful setting and that adorable donkey. I never thought I’d want a little donkey to live in my house & keep me company but I totally want that now.  

I’m adding my review now as the year is over & I just want to get this posted but I’ve not fully sorted out my feelings on this movie yet. I wanted to like it more but it’s one I think could grow on me. I liked the dark humor & the characters & not knowing where the story was going to end up. Finally something unpredictable in 2022! But it’s also a slow film & not one I think I’d watch again even though I sometimes love a depressing film. It’s just so deeply sad & I felt awful for Farrell‘s character and I’m not sure I’d want to watch him go through all that again. I’ve been dumped by friends too. It sucks. I need a donkey. 

I think In Bruges is still Martin McDonagh’s best and seeing this made me really want to rewatch that. Think this one may be just behind Three Billboards for me (they’re close) but I definitely preferred this to Seven Psychopaths. I’ll think about it a bit more. I think this may go up in my estimation but, man, it made me sad. – 7.5/10

After Yang – Was looking forward to this as I really loved Kogonada‘s film Columbus. This one isn’t as good but I still liked it as I always love slow, thinky sci-fi and never tire of the exploration of life, death & what makes us human even though that’s been done to death in this genre. After Yang doesn’t really give us anything new on those themes but, like Columbus, it’s lovely to look at & I appreciated the score from the brilliant Ryuichi Sakamoto. I’m still working on my year-end movie rankings but this will rank highly for me as it’s right up my alley. I’m sure many would find this film far too slow with very little happening but I would definitely watch any further films from Kogonada based on what I’ve seen so far. – 7.5/10

The Lodge – Really liked this slow burn psychological horror (but it’s exactly the type of thing I always enjoy). Good story and even better characters & performances. Really appreciated that the younger characters, played by Jaeden Martell & Lia McHugh, felt very real especially in their grief. Riley Keough was also great as the new fiancée the kids don’t trust. And I always love a slightly creepy doll or dollhouse. – 7/10

Men – I was interested in seeing “Alex Garland does body horror” as I’ve really liked his work and love a good old school body horror. I liked this for the most part but can see why some hated it. I loved the overall look, especially of the green forest outside that lovely English village that looks nothing like where I live (I must have moved to the wrong part of England). And the tunnel scene was a great bit of cinema. Jessie Buckley & Rory Kinnear give good performances & I liked the atmosphere of the first half of the film. The story was also fine but all the symbolism & the film being so extremely blatant in making its point was a bit much. Then, finally, came the batshit crazy Cronenbergian ending I’d been waiting for and I guess I wasn’t disappointed as it was what I expected. I found it hilarious. Not sure if it was intentionally funny as I can’t say I laughed at any Cronenberg films but, either way, I was entertained. 

Not sure what to rate this as I think it’s very flawed & weak in comparison to Garland’s other work. I think he was just trying too hard with this one. But I’m also extremely sick of all the bland & forgettable films which seem to be the majority of what’s getting pumped out these days. I’ll always take a memorable bad film over an okay boring film so at least I can say that I appreciate Men for being an unforgettable experience. It’s probably going to rank pretty highly on my year end 2022 list despite me finding it silly & pretentious & it’s unlikely that I’d ever watch it again. But I don’t need to watch it again since it’s going to stay with me more than most everything else released in 2022. – 7/10

Scream (2022) – Thought this was one of the better recent horror, um, reboots/sequels/reimaginings/requels?? But maybe my standards are just very low as I think the majority are utter shit. It might help that, while I think the first Scream is great & a horror classic, I now don’t have much memory of any of its sequels & overall just never loved Scream to the same degree as A Nightmare On Elm Street (I’m old). So I didn’t mind seeing another Scream film setting up new characters & enjoyed this much more than other recent reboots or whatever-the-hell-they-are such as Halloween & Texas Chainsaw Massacre. The killer reveal wasn’t at all surprising & the movie is pretty much just a rehash of the original Scream film but does it really matter? The new characters were fine & it will probably get a new generation into this series. I’ll certainly watch the next one but it would be great if it tried to do something a little less predictable. 

And I agree with the Jenna Ortega character’s horror movie taste. I love The Babadook too. 7/10

Studio 666 – This looked like it would be bad bad instead of good bad so I had low expectations even though I love Dave Grohl & heavy metal & horror comedies. This movie was a blast. It’s not GREAT bad, like Road House, but it’s pure cheesy horror comedy fun. The acting was gloriously atrocious and you could tell that these guys must have had so many laughs while making this. It was also great seeing Taylor Hawkins (RIP) goofing off with Dave once again. A couple of the kills were hilariously inventive and I loved the movie band Dream Widow’s music (recorded by Grohl as a whole metal album because there’s nothing that dude can’t do). – 7/10

Troll – This film follows every monster movie cliché imaginable… Which is EXACTLY what I want from a monster movie. It also has really likeable characters, funny nerds, a cute military guy and, most importantly, Norwegians & a massive troll. Therefore, I enjoyed it much more than most current Hollywood monster movies. – 7/10

Glass Onion: A Knives Out Mystery – Enjoyed this but Knives Out was far superior so I did find it disappointing. It felt like it was trying too hard to be “wacky” and was just a bit too silly for me. The mystery also felt like an afterthought as the focus was more on how many big name stars they could get to play caricatures. This is sounding way more negative than it should… Glass Onion was fine. It was fun. It was just a little too goofy. I’d happily watch another Knives Out Mystery, though. I just want the next one to be more like the first film. – 6.5/10

Marry Me – I liked this fine. Was better than I was expecting considering I didn’t even know it existed. Why have romcoms like this completely disappeared from cinemas? Not my favorite genre but I do miss these kind of movies from when they were mainstream & had big stars like in this one. Jennifer Lopez is good as a famous pop star (okay, not much of a stretch) who decides to marry random dude Owen Wilson in the audience at one of her concerts. The relationship is believable enough and they have surprisingly decent chemistry even though Lopez is entirely out of Wilson’s league. Still like Maid In Manhattan more but this was an enjoyably predictable romcom that I shouldn’t have discovered buried on one of my streaming services. – 6.5/10

A Christmas Story Christmas – Being an American of a certain age, A Christmas Story is a Christmas Classic to me. I still clearly remember going to see it in the cinema when it was released & remember how much my dad & the audience were loving it. Was a little heartbroken when I moved to the U.K. and found that no one here likes it or even knows of it (my hubby hates it). So I was kind of excited to see a sequel all these years later but of course also very nervous as it had the potential to go very wrong. 

I’d say it hasn’t done any damage to the original but, as with most of these sort of sequels, it also didn’t feel necessary. It was nice seeing so many of the original cast again in the same roles. Julie Hagerty replacing Melinda Dillon threw me out of things a bit, though. She was fine – I just hate different actors playing the same character. I had enough of that in American soap operas. The fan service scenes, and there were a lot, were fine by me. It’s a Christmas favorite & people just want to see the same thing again. To do anything too different from the original is too much of a risk with something like this so they played it very safe. It makes it a little boring, though. It’s pleasant & heartwarming & of course Christmassy but I’d feel no need to watch it again. I’ll stick with rewatching the original if I want to get into the Christmas spirit. – 6.5/10

Good Luck To You, Leo Grande – I wish Emma Thompson’s character in Love Actually could have had a Leo Grande. Thompson & Daryl McCormack are great together in this and he’s so damn handsome. A pleasurable film. Yes. Yes. Oh yes. – 7/10

Barbarian – Damn. Another big 2022 disappointment. This was an odd one. I wanted to love it as I liked the look of that cool red poster, it sounded like it would be the weird & unpredictable sort of horror I love, and Bill Skarsgård is my new favorite Skarsgård. The film started out great. It was unsettling & I was intrigued as to what might be going on plus Georgina Campbell & Bill Skarsgård were both really good in this. I liked it a lot & was really digging its vibe. And then Justin Long’s annoying character showed up & the entire thing went completely off the rails until that absolute train wreck of an ending. 

I’m struggling with what to rate this one as I’m honestly not sure if I absolutely hated this movie or if I actually kind of liked it for indeed being slightly weird & unpredictable. I’m always complaining that too many horror movies are boring & unoriginal so I have to give this one credit for being a bit different. But it really feels like two or three movies spliced up & stuck together and I so wish the whole film had managed to live up to its start. At the very least, I’ll say I’d certainly watch another movie from Zach Cregger as I’d be interested to see what else he has to offer. – 6/10

Shiva Baby – Another movie that didn’t live up to its cool poster. I do like dark comedy revolving around awkward social situations as I can always relate to being socially awkward so I enjoyed some of that here & really liked the parents. But I do struggle with characters who are just a little too unlikeable & self-absorbed so that was a bit frustrating. Rachel Sennott was very good in this, though – I’d be interested in seeing her in another role. I thought the film was well acted, it portrayed the pressure so often put on us by friends & family accurately, and it had an interesting score from what I can remember. It’s the type of film I can say I appreciated more than actually enjoyed. A “worth a one-time watch” movie for me. – 6.5/10

Your Christmas Or Mine? – Wow, I didn’t realise there were so many Christmas romance movies. This one was cute enough, with a young couple deciding last minute to each go to the other person’s house for Christmas & then getting stranded & having to spend it with people they’d not yet met. Hilarity ensues! The girl’s family were really likeable & the story was extremely predictable but that’s what you want from a Christmas romcom, right? Worth watching once to get into the Christmas spirit but not one I’d add to my list of movies to watch every December. 6/10

Uncharted – An inoffensive & forgettable Indiana Jones crossed with The Goonies. But, you know, not nearly as good or as enjoyable as either of those. It passed the time. I saw it about a week ago & I’m already forgetting what happened in it besides some really dodgy OTT action shit involving planes & flying ships. – 6/10

My Father’s Dragon – This was fine. It’s very “cute” and aimed quite young, which is a shame as it won’t appeal to all ages as much. I found the story a bit messy. The dragon was funny but in that borderline annoying kind of way (reminded me of Olaf from Frozen). Didn’t realize until finishing that it was a Cartoon Saloon film. It has some nice animation but it’s not in the same league as others from the studio such as The Secret Of Kells & Wolfwalkers. – 6/10

The Bad Guys – Shouldn’t say much about this as I had it on while wrapping some gifts so admit I wasn’t paying much attention. It seemed like a decent enough heist movie with an extremely predictable story & villain but was probably fun for kids while also being fairly entertaining for their parents. Can’t say it made me want to stop what I was doing to fully watch it or to bother rewatching it at any point. I liked the snake dressed like he was in Fear And Loathing In Las Vegas, though. – 6/10

About Fate – A romcom as predictable as expected but the setup at the start of the movie was cute enough. The characters had okay chemistry but the Emma Roberts character was too flaky for me to like and everyone kept making annoyingly bad decisions. There’s also a hateful influencer but at least she’s seen as the shallow baddie. The coat story was nice, though. I’ve seen worse. – 5.5/10

Rosaline – I’ve clearly been trying to watch what I can of 2022 releases on services before this year ends. This was fine but yet another film I only watched as it’s a 2022 film on services & I’m not going to the cinema anymore to see what I most want to see. I’ve watched way too many movies that I wouldn’t have even bothered watching in the cinema. Depressing.

I appreciated the story in this, though. At least it felt original, which I can’t say of many current films. But I found most the characters slightly annoying including Kaitlyn Dever’s, who was fine in the role, but I’m not really a fan of any of her work that I’ve seen. To be fair, as I was watching this to “cross it off a list” at the last minute before the New Year, I probably didn’t give it much of a chance & wasn’t giving it my full attention. I just wish I could’ve seen more of the movies I really wanted to see in 2022. – 5.5/10

The Northman – Tweeted five minutes into watching this thing that “I don’t have the patience for this shit”. And now I don’t have the patience for this review. That’s three Robert Eggers films I’ve suffered through now & I still can’t figure out what everyone sees in them. But I’ve decided that Bill Skarsgård is my favorite Skarsgård. – 5/10

Zola – Knew this was based on a Twitter thread so figured it must be a fascinating story to have been made into a movie. I was bored & the characters were annoying as hell. I’ve read many Twitter threads that were far more interesting than this story. It felt like this wanted to be a “smart” Spring Breakers (which I enjoyed for some bizarre reason) but this just felt even more shallow & pointless. To sound less negative, I’ll say that Taylour Paige & Riley Keough were good in the roles. But I couldn’t wait for the film to end. And then it didn’t even give us a proper ending anyway… – 5/10

White Noise – I’ve not logged this film on Letterboxd as I didn’t watch it but it’s worth a mention here. I’ll watch any old shit & in my desperation to see more 2022 releases that I can watch at home, I put this on despite already knowing I tend to hate Noah Baumbach films. Think I managed maybe fifteen minutes? Good Lord, this thing was fucking unwatchable. Absolute torture. It’s not often that I completely give up on a movie so it’s getting the first ever Cinema Parrot Disco zero rating – 0/10

Shorts & Specials Watched In December:

Who Killed Santa? A Murderville Murder Mystery – This was pretty dumb.

Rewatched some of my usual Christmas favorites: Rudolph The Red-Nosed Reindeer, How The Grinch Stole Christmas, Elf, The Muppet Christmas Carol & Home Alone.

BOOKS, TV, MUSIC, MISCELLANEOUS IN DECEMBER

TV SHOWS WATCHED

Alice In Borderland: S2 – I complained a bit about season 1 of this as, while it started out very strong, I didn’t like the final few episodes when the focus was no longer on the games & they spent far too long on unimportant & annoying characters. But this show really picked up again in season two & I ended up liking this entire show a lot. In fact, we’ve started rewatching it again from the start as it’s the kind of story where, once you get the full explanation (which you luckily DO), it’s good to rewatch from the start with a new perspective. Good stuff. Glad season two got back to the games, some of which were really cool, and back to characters we actually care about. Highly recommend if you liked Squid Game (but that one is still superior).

The White Lotus: S2 E6-7 – Really enjoyed both seasons of this. I think the first season was a bit better but this one was still good too & the characters were great. Loved Jennifer Coolidge in both of these. Hope we get another season…

Wednesday: S1 E2-8 – Liked this show just fine. Daughter was very into it. I’d watch more if they did another season. I saw way too much of Jenna Ortega in December, though.

Cabinet Of Curiosities: S1 E1-2 – First two episodes were okay but I wasn’t blown away. Will watch the rest when I get time.

It’s Okay To Not Be Okay: S1 E4-5 – Still working my way through this. Really like the two brothers but the girl is such an odd character.

The Peripheral: S1 E1 – Forgot I’d watched this. I’m intrigued but hope it gets better?

BOOKS READ

I’ll Give You The Sun by Jandy Nelson – Okay, I read another YA book but I don’t care – I like them. And I really liked this one & thought it was one of the better YA books I’ve read in quite a while. The twins were great & complex characters and I like how the story was told from their perspectives at different points in their lives. Good stuff. Here’s the synopsis from Amazon: “Jude and her twin Noah were incredibly close – until a tragedy drove them apart, and now they are barely speaking. Then Jude meets a cocky, broken, beautiful boy as well as a captivating new mentor, both of whom may just need her as much as she needs them. What the twins don’t realize is that each of them has only half the story and if they can just find their way back to one another, they have a chance to remake their world.” – 4/5

I’m currently halfway through Fairy Tale by Stephen King & really enjoying it.

Blog Plans For The Coming Month:

Will try to post all my year end ranked lists this week if I have the energy. Very disappointing year for new movies.

I feel like I should end this post with something from the Studio 666 band Dream Widow. Happy New Year!

Men (2022) Review

I’m going to end 2022 with a quickie review today & tomorrow of two horror films I found disappointing but interesting. And I always appreciate interesting, even if the film isn’t great…

Men (2022)

Directed & Written by Alex Garland

Starring: Jessie Buckley, Rory Kinnear, Paapa Essiedu, Gayle Rankin

Plot Synopsis: (via Wikipedia)
Men stars Jessie Buckley as a widowed woman who travels on holiday to a countryside village but becomes disturbed and tormented by the strange men in the village, all portrayed by Rory Kinnear.

My Opinion:

I was interested in seeing “Alex Garland does body horror” as I’ve really liked his work and love a good old school body horror.

I liked this for the most part but can see why some hated it. I loved the overall look, especially of the green forest outside that lovely English village that looks nothing like where I live (I must have moved to the wrong part of England). And the tunnel scene was a great bit of cinema. Jessie Buckley & Rory Kinnear give good performances & I liked the atmosphere of the first half of the film. The story was also fine but all the symbolism & the film being so extremely blatant in making its point was a bit much. Then, finally, came the batshit crazy Cronenbergian ending I’d been waiting for and I guess I wasn’t disappointed as it was what I expected. I found it hilarious. Not sure if it was intentionally funny as I can’t say I laughed at any Cronenberg films but, either way, I was entertained.

Not sure what to rate this as I think it’s very flawed & weak in comparison to Garland’s other work. I think he was just trying too hard with this one. But I’m also extremely sick of all the bland & forgettable films which seem to be the majority of what’s getting pumped out these days. I’ll always take a memorable bad film over an okay boring film so at least I can say that I appreciate Men for being an unforgettable experience. It’s probably going to rank pretty highly on my year end 2022 list despite me finding it silly & pretentious & it’s unlikely that I’d ever watch it again. But I don’t need to watch it again since it’s going to stay with me more than most everything else released in 2022.

My Rating: 7/10

*this rating is probably far too generous*

Annihilation (2018) Review

Annihilation (2018)

Directed by Alex Garland

Based on Annihilation by Jeff VanderMeer

Starring: Natalie Portman, Jennifer Jason Leigh, Gina Rodriguez, Tessa Thompson, Tuva Novotny, Oscar Isaac

Plot Synopsis: (via Wikipedia)
Annihilation follows a group of military scientists who enter “The Shimmer”, a mysterious quarantined zone full of mutating landscapes and creatures.

My Opinion:

I’m really glad this got rave reviews. I love a good sci-fi film. It’s great that there seems to have been a resurgence of hard sci-fi in the past few years with things such as Arrival, Blade Runner 2049, and Alex Garland’s directorial debut Ex Machina. However, I seem to be one of the very few who found Annihilation a bit of a disappointment.

I’m definitely a Garland fan. Besides Ex Machina, which I thought was absolutely brilliant, he wrote the screenplays for 28 Days Later…., Sunshine, and Dredd. I love all those, so maybe that’s why Annihilation was disappointing? That may be part of it but I think the biggest problem was that I read the book first (by Jeff VanderMeer) and I liked it a lot.

The movie follows the book quite closely to begin with but then goes off the rails. I do wonder how I’d feel if I’d not read the book? I’d probably have loved how utterly bizarre the film becomes at the end (I love weird shit). But you know what? The book is even more crazy. I really wanted to review the book as I enjoyed it so much but never did as I had no clue how to describe it. The novel perfectly conveyed this overall eerie feeling that stayed with me long after reading it. Unfortunately, my favorite parts (and the creepiest) were completely left out of the film. I can kind of understand why as it would’ve been hard to translate to film without it looking cheesy, but… Shit. I was so looking forward to seeing how those parts would be handled. In the book, there was a mysterious underground structure that seemed somehow linked to the lighthouse but was far more disturbing. The film kind of combined the two places a little bit but I still feel cheated.

Okay, I’ll try to focus on the positive now because I do still think this is a good sci-fi movie even though it doesn’t quite live up to the novel. I loved the look of this film and the gorgeous “Shimmer” they enter. The world inside The Shimmer looked as strange & beautful as how I’d imagined it. The ending involving the lighthouse was enjoyable even though it was completely different to what I was expecting. And, yes, I liked it being a group of women but this is the same as in the book anyway. To be honest, I’m giving less and less of a shit about who stars in a film as long as the story is good and the acting doesn’t totally suck.


The characters aren’t that well developed but I can’t complain as that’s the same in the book as well. We actually get far more backstory involving Portman’s hubby, played by Oscar Isaac, and the rest of the women than we did in the book. The book is truly only about its story, which was fine since it’s a strong one. Adding more to the characters for the film was a smart move as I think connecting with the characters is more necessary when it comes to film. I didn’t think any of the acting really stood out, though. Tessa Thompson was possibly the strongest but it’s not a huge role. I love Jennifer Jason Leigh but she’s not much different from usual in this. Sadly, I’d probably say the same of Portman. This was another thing a little disappointing as I thought the acting was so strong in Ex Machina (especially Vikander). I’m not saying anyone did a bad job, though. They’re all good actors but are just a bit MEH in this. And I found the final predictable scene in this a little too cheesy and “Hollywood” after watching this great bizarre story that can’t be easily explained.

So. I dunno. Maybe I should stop trying to read every single book before its film adaptation! My true love is film and I know this is a case where I definitely liked the film less than I would’ve if I hadn’t read the novel. However, it’s a damn good book so I’m still glad I read it and I highly recommend it to hard sci-fi fans. I guess I better read the rest of the Southern Reach Trilogy now (Annihilation is Book 1). I was waiting to see the film before continuing but now I wish I’d finished all three first. I can say I’m still an Alex Garland fan, though. I eagerly await his next project and hope he continues in this genre.

My Rating: 6.5/10

Dredd (2012) Review

Dredd (2012)

Directed by Pete Travis

Screenplay by Alex Garland

Based on Judge Dredd by John Wagner & Carlos Ezquerra

Starring: Karl Urban, Olivia Thirlby, Wood Harris, Lena Headey, Domhnall Gleeson

Plot Synopsis: (via Wikipedia)
Karl Urban stars as Judge Dredd, a law enforcer given the power of judge, jury and executioner in a vast, dystopic metropolis called Mega-City One that lies in a post-apocalyptic wasteland. Dredd and his apprentice partner, Judge Anderson (Olivia Thirlby), are forced to bring order to a 200-storey high-rise block of flats and deal with its resident drug lord, Ma-Ma (Lena Headey).

My Opinion:

I finally watched this movie for three reasons:

1) I loved Alex Garland’s Ex Machina and noticed after seeing it that he’d also written the screenplay for Dredd (as well as two other favorites, 28 Days Later & Sunshine)

2) I’m a big fan of a little movie called Hardware (as some of you well know) which, like Judge Dredd, comes from the comic book 2000 AD and

3) I was also a big fan of Anthrax in my teen years and they had a song about Judge Dredd (called I Am The Law) so I was always curious about the character as Anthrax always sang about cool shit.

Oh – and before I start this review, I better give a shout-out to Mike of Screenkicker for finally doing as I said and watching Hardware the other night. Thanks for the running commentary on Twitter as you watched my awesome recommendation, Mike! 😉

I’ve been getting a little sick of all the comic book movies in recent years. I go to them, yes, and I’ve enjoyed the majority of them. They always make for good “popcorn” movies but I can’t say they ever really end up being all-time favorites of mine (although I did love Guardians Of The Galaxy). I even get a little bored with the Avengers, especially when they stick them all in one movie together. Superhero overload!

However, this I quite liked. The dystopian setting and the ultra-violence in Dredd is such a far cry from the likes of the glossy & pretty Marvel films (and Thor’s beautiful hair. and non-hairy butt). It’s weird as I don’t normally like extreme violence but, sometimes, I can stomach it if I think it suits a film and its mood. In the case of Dredd, it works. I hated Sin City. I hated Kick-Ass. I liked Dredd.

As usual with these kind of films, I have ZERO knowledge of the comic book so I can’t compare them but I do know that fans were a million times happier with this version than with the 1995 Sylvester Stallone film (which I have no interest in ever seeing as it looks cheesy as hell). I can’t say I fully bought into the character of Judge Dredd in this, though, as it was more the overall look & mood of the film that worked for me. But this movie does have me interested in knowing more about Dredd’s world as well as knowing more about Judge Dredd himself since there’s unfortunately very little development of the title character.

My favorite bits of the film were the “Slo-Mo” sequences in which we saw the action & excessive violence in slow motion (the way in which those who take the hallucinogenic Slo-Mo drug in the film would see things). These scenes were quite beautiful in a way & I liked that they looked like comic book panels (such as in the above photo). From what I read, Alex Garland helped work on these scenes and spent a very long time getting them just right. It’s unlikely that we’ll see a sequel as Dredd did poorly at the box office but, after proving himself with Ex Machina, I’d love to see a Dredd sequel directed by Garland.

Obviously, I did really enjoy Dredd but I can’t pretend that it doesn’t have its issues. It’s a very flawed film in some ways. I know they chose to focus on just one story instead of an origin story or one that’s more about Judge Dredd himself and, while I did like the Slo-Mo/Ma-Ma drug lord story, I certainly can’t say I know much more about the character of Dredd or his world after this film. Heck, I’d say I don’t know any more about Judge Dredd now than I already knew from that Anthrax song I mentioned.

As I said above, there’s also very little character development of not only Dredd but of all the characters so it was hard to care about any of them. I did like Dredd’s female partner in this but she’s not given a lot to do and ends up a bit too “damsel in distress” for my liking. Things like Mad Max: Fury Road have proven that you can have women who kick ass! Lena Headey is fine as a fairly predictable victim turned villain while Karl Urban is also a decent enough Dredd but, to be honest, someone else could’ve played the character and it wouldn’t have made much difference to this film (except Stallone!). The most sympathetic character was the one played by Domhnall Gleeson (below), who is used very cruelly by Ma-Ma. And I have to say I had no clue that was Domhnall Gleeson until the end credits. Guess his Garland connection landed him the role in Ex Machina! (And I’ll be seeing Gleeson later tonight in…. what’s it called again? Oh yeah – The Force Awakens?) 😉

Summary:

I enjoyed Dredd quite a bit despite its flaws. It’s far from perfect but if you just want a kick-ass, ultra-violent action movie with some style, you won’t be disappointed. If you want something deep or strong characters you’ll buy into, this may not be the film for you. I have to say that my husband and I like a lot of the same movies but when we disagree, we really disagree, and he was very disappointed with this film. I do think you’d either love this one or hate it.

I love anything post-apocalyptic and/or dystopian so this movie’s world suits me just fine. The only comics/graphic novels that I’ve ever read are Watchmen & Tank Girl plus I really liked the V For Vendetta film (although I’ve not read that). I guess I’m just more of a fan of dystopian British sci-fi comics than the slick & glossy American ones. Maybe I just need to get more sun? That’s why the British dystopian thing works so well – the writers aren’t getting any sun! Because, seriously – England is dreary. I can’t imagine someone being able to create Judge Dredd in California!

As for movies based on stories in 2000 AD, however, I have to say that Hardware did it better than Dredd did and on a FAR smaller budget. I liked Dredd a lot and would love to see a sequel where we learn much more about the character but I do wish the film was a little better overall. It does kick ass, though. 

My Rating: 7.5/10

**Stay tuned tomorrow for my review of The Force Awakens! Hopefully. I’ll be very very tired….. 🙂

Ex Machina (2015) Review

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Ex Machina (2015)

Directed by Alex Garland

Starring:
Domhnall Gleeson
Oscar Isaac
Alicia Vikander

Running time: 108 minutes

Plot Synopsis: (via IMDB)
A young programmer is selected to participate in a breakthrough experiment in artificial intelligence by evaluating the human qualities of a breathtaking female A.I.

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My Opinion:

Ex Machina was one of my most anticipated movies for this year. Sci-fi is my favorite genre and Ex Machina certainly didn’t disappoint in that department. It even makes up for the inferior Interstellar, which I found to be a pretty big disappointment. Ex Machina doesn’t really give us anything new as far as the exploration of artificial intelligence or “the singularity” but it’s a topic I’ve always found fascinating (such as in the obscure Electroma, which I reviewed HERE) and I think it does a decent job with a popular sci-fi concept.

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First of all, I have to mention that it was good to be able to see Domhnall Gleeson & Oscar Isaac together in a movie before we see them again in Star Wars The Force Awakens & it’s probably helping Ex Machina to get more attention than it otherwise would, which I see as a good thing. This is Alex Garland’s first time directing after being a writer & I was excited to see how he’d do as I’ve really enjoyed his movies. He wrote The Beach novel, 28 Days Later & Sunshine plus the scripts for Never Let Me Go & Dredd. Okay, I’ve not seen Dredd but people really seem to like it so I’m eager to finally see that one now as well. Apparently, based on Ex Machina, there’s now talk of him directing Star Wars IX. I’m happy to see someone who seems very talented getting some recognition.

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I thought Gleeson was very good in this and the right choice for his role. Isaac was good but it kind of felt like a role that could have been played by most anyone & I thought he paled in comparison to Gleeson & Alicia Vikander. Vikander as the female A.I. was probably the best thing about Ex Machina but may not get as much attention as the male leads, which would be a shame. She is, of course, lovely & her sad brown eyes alone displayed so much emotion (or DID they?). Yeah, she’s gorgeous… I hate her a little.

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As I said above, the story itself doesn’t really do anything “new”. We’ve seen the dangers & morality issues associated with artificial intelligence explored in a wide variety of sci-fi movies such as Blade Runner, The Terminator, Westworld, etc. Oh, and of course D.A.R.Y.L. & Short Circuit… (had to get those in here!). I loved the look & feel of Ex Machina but can’t say the story is totally original. It doesn’t really delve as deep into the moral issues as I was hoping it would but it’s still far from “shallow”. I really liked that it didn’t feel the need to throw in a bunch of technobabble, however, which made it feel far less phoney than Interstellar as that tried too hard to impress. Garland tells this story in a pretty straightforward way & does leave you with something to think about once the film ends. It also looks quite beautiful (its style reminded me of Oblivion) and Alicia Vikander as A.I. Ava looked amazing. It wasn’t a case of style over substance, however – I just wish they’d had a little more to say about the moral issues involved in creating advanced artificial intelligence. I liked Ex Machina a lot & think it’s a worthy addition to the sci-fi genre.

My Rating: 8/10

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Question Of The Month At Oracle Of Film

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I’ve participated in yet another Question Of The Month for the amazing Luke over at Oracle Of Film. This month’s question was “What Upcoming Movie Are You Most Anticipating Right Now?”. You can view my reply (which may be obvious from the above photo) and a bunch of other great answers HERE. 🙂

Now, since answering that I’ve read about and seen a trailer for two pretty damn cool looking movies. One is called Ex Machina and it’s been directed by Alex Garland, the guy responsible for writing things like 28 Days Later & Sunshine and it sounds like the kind of sci-fi I love. Here’s a short plot synopsis from IndieWire (and you can read more at the link):

Ex Machina is an intense psychological thriller, played out in a love triangle between two men and a beautiful robot girl. It explores big ideas about the nature of consciousness, emotion, sexuality, truth and lies.

Then I saw the below trailer for Autómata and, damn – that looks good too! I do love sci-fi more than anything – Can’t wait to see all of these!