Three more quickie horror reviews. Well, none of them are actually “horror” films. Two thrillers & one pretentious bore…
A Ghost Story (2017)
Directed & Written by David Lowery
Starring: Casey Affleck, Rooney Mara
Plot Synopsis: (via Wikipedia)
Affleck plays a man who becomes a ghost and remains in the house he shares with his wife (Mara).
My Brief Opinion:
What a load of pretentious twaddle. I was all prepared to like this, too, since I like Rooney Mara for some reason (even though she displays zero emotion in everything I’ve ever seen her in). To be fair, I can appreciate what this story was trying to achieve (does life have meaning or will we all just die and fade away and be forgotten blah blah blah). It’s actually quite a depressing film but do we really need to be reminded that life sucks, especially with the current state of the world?? Here’s my Twitter “tweet review” of this movie: Well. That was tedious. #AGhostStory ✨🏠👫🎹🎧🚗 💢 💀👻🙍🏻♀️🥧👩👧👦👻🍽💢😱🏚🏗🏙👩🏼🌾👻💀💀💀🏠👫👻👻📜🕳✨
My Rating: 6/10
Berlin Syndrome (2017)
Directed by Cate Shortland
Based on Berlin Syndrome by Melanie Joosten
Starring: Teresa Palmer, Max Riemelt
Plot Synopsis: (via Wikipedia)
The film tells about a young photographer Clare, going to Germany, where she meets an attractive guy Andi. Waking up after a stormy night of passion, Clare realizes that Andi locked her in the apartment and is not going to let her go.
My Brief Opinion:
I actually thought this was a decent psychological thriller. Starring Teresa Palmer & Max Riemelt, this is the IMDb synopsis: A passionate holiday romance leads to an obsessive relationship, when an Australian photojournalist wakes one morning in a Berlin apartment and is unable to leave. I’m always interested to see how a character will behave in this sort of situation (Teresa Palmer is the one being kept locked up in the apartment belonging to a stranger she’s slept with while on holiday). It’s strange to see him go about his daily life as normal each day while keeping her imprisoned and to see the “relationship” develop between them (he sees her as his girlfriend, of sorts, in his messed up mind). And she of course depends on him for food, etc, to survive. It’s based on a book so I’d be interested to know more about the characters’ feelings & motivations as I think the movie doesn’t explore this well enough. Maybe I’ll read the novel sometime.
My Rating: 6.5/10
The Little Girl Who Lives Down The Lane (1976)
Directed by Nicolas Gessner
Based on The Little Girl Who Lives Down the Lane by Laird Koenig
Starring: Jodie Foster, Martin Sheen, Alexis Smith, Mort Shuman, Scott Jacoby
Plot Synopsis: (via Wikipedia)
The plot focuses on 13-year-old Rynn Jacobs (Foster), a child whose absent poet father and secretive behaviours prod the suspicions of her conservative small-town Maine neighbours.
My Brief Opinion:
I watched this odd 1976 Jodie Foster film partly because I was sick of seeing it in my Netflix Watchlist (it’s been on there for years). I think I was under the impression that it was a straightforward horror but it’s more of a drama that almost feels like a play. Actually, the story would work quite well as a play (maybe it was a play – I’m too lazy to look into it). It drags & I found it a bit underwhelming but the young Foster did a good job as the mysterious 13-year-old who seems to live in a house all on her own.
My Rating: 5.5/10
I far preferred the Jodie Foster film Bugsy Malone, which I watched for the first time last year but never got around to reviewing. Seems to be a bit of a cult classic in the U.K. but barely even known in the U.S.
Cinema Parrot Disco 