Watched, Read, Reviewed: July 2022

Hello! Things are really shit at the moment. But I’m still watching movies. Because that’s what I do when things are shit!

I’m a bit behind on posting this but here’s what I watched & read in July…

MOVIES WATCHED IN JULY (ranked best to worst):

Stalag 17 – This was really good. I’m still working on an IMDb Top 250 Project based on the 250 films on the list when I started back in 2013. This is one of many classics from the 2013 list to have now disappeared to be replaced with more current movies and far too many superheroes. Frustrating! Things like this should still be in the list.

I knew nothing about this beforehand but I’d have watched it sooner if I’d known it was a bit like The Great Escape. It has a blend of humor along with the dramatic situation these POWs are in and I really liked the two characters providing comedic relief although the humor didn’t fully work at times. The Great Escape is still the superior film with a much more even tone but there was a lot to like about this one too. The characters are strong & William Holden is great as a prisoner who looks out only for himself. Oh, and I really liked the traumatised flute-playing prisoner who needs to be played by Sean Gunn if they ever remake this (which I hope they don’t).

Good stuff. Glad I chose to start the Top 250 Project when it had a better selection of films. – 8/10

Hustle – Why do I absolutely hate sports but pretty much always enjoy a feelgood sports movie? The real-life NBA stars were wasted on me as I didn’t know they were real players until the end credits but I still really liked this simple & admittedly predictable story. I’m not ashamed to admit that I’ve also always liked Sandler & enjoy him in these more serious roles as well as his comedies. He was great as the mentor & his relationship with his recruit, played by Juancho Hernangómez, worked really well. Oh – I also liked Queen Latifah as his wife. Maybe it’s just because I’ve watched so many movies with huge age differences recently (High Noon, Deep Water etc etc) but I’m sick of the wife being a good 20 years younger so hooray for these two being close in age. Felt like a real couple! – 7.5/10

Don’t Make Me Go – I really liked this but I can see some people not liking the turn it takes toward the end. John Cho & Mia Isaac were very good as the father & daughter on a final road trip together. I liked their relationship & cared what would happen to them. That’s three John Cho films I’ve really liked in the past few years (this, Searching, and especially Columbus which I highly recommend). Can’t believe the MILF guy is this great father & father figure in movies now. And he’s kind of a DILF now. – 7.5/10

Beyond The Infinite Two Minutes (ドロステのはてで僕ら) – Glad I checked this out (was on Film4 in the UK). Likeable characters & a fun sci-fi story about seeing two minutes into the future. I have no clue about the scientific accuracy of this film & felt a bit lost just like I did when watching Primer, although this movie is definitely more enjoyable than Primer. It also made me look up the Droste effect. So, hey, I learned something. Movies are educational. Also, not that I don’t like long movies but this movie is only 1 hour & 10 minutes. So check it out! You can squeeze it into your lunch hour. – 7.5/10

But I’m A Cheerleader – Enjoyed this. Not sure why I didn’t see it at the time. Especially liked the use of color & satirical humor. The characters were fun and Natasha Lyonne & Clea DuVall were great together. Would have loved even darker humor but maybe that’s just me as I love stuff like Heathers. But was happy to find this film still had that sort of vibe, which I wasn’t expecting. Good stuff. – 7/10

The Sea Beast – This was fine. Felt too long & had a very slow start but it did get better once the two main characters were alone with the sea beast. And I liked her little “sea pet” (I’m always a sucker for a cute droid or animal sidekick). One of the better straight-to-Netflix animated films with some lovely animation in a few scenes but still not up there with Pixar or Disney on that. Although, story-wise, I enjoyed this more than Luca & Turning Red so am starting to worry about Pixar. – 6.5/10

Incantation – I know that not everyone is a fan of found footage horror but I’d recommend this to those who are as I thought it was a good example of the genre. It’s not the most original idea ever & gives Blair Witch vibes at times but it has a solid story with a slightly unique (but obvious) twist, a cute kid, and some effective creepiness. Was actually glad I watched this in the middle of the day as I think I’d have had the heebie-jeebies watching this one late at night. – 6.5/10

Not OkayNot okay was just okay. I liked the sound of seeing superficial social media twats getting their comeuppance but having to watch a company full of them for a couple of hours was a bit exhausting. This could have been a smart satire with some great dark humor but it didn’t quite work & I’m not sure what point it was trying to make? Mia Isaac was good as a true survivor of tragedy (and the only likeable character). Liked her in that Don’t Make Me Go movie above, which I far preferred to this. Not Okay wasn’t horrible but could have been a lot better. Current stuff like this just make me miss movies like Heathers. – 6/10

Persuasion – First of all, I’m not a Jane Austen fan. I’ve never read anything of hers – how terrible am I?! What can I say? I like sci-fi & horror. So I didn’t have that to “ruin” this story as it was new to me. But I don’t really like Dakota Johnson & don’t understand the obsession with her. I’d say if you’re not precious about the original material being messed with & if you’re one of those who loves Johnson for whatever reason, you’d probably find this a perfectly enjoyable romcom. Johnson looking directly at the camera & saying stupid modern shit in this period drama was mildly irritating but I liked the story well enough to not be too bothered by that. A lot of the modern talk thrown in was a bit vomit-inducing but I feel the same way about the stuff they say in plenty of romcoms. And, man, her sisters were hateful. But Richard E. Grant was fun to watch as always & Henry Golding is adorable. Meh. This film is harmless & somewhat enjoyable but mostly just felt a bit pointless. – 6/10

The Last House On The Left (1972) – I have no clue how to rate or review this. A Nightmare On Elm Street is a big favorite of mine so I’d been meaning to check out Wes Craven’s debut despite hating “rape-exploitation” flicks.

This is pure ‘70’s trash. It’s cruel & the acting is dreadful. It also has weird slapstick comedy bits & smooth easy-listening music playing over scenes of graphic violence, which was bizarre. Well, I’ve seen it now so I guess I can tick it off my watchlist. I’ll give it an extra half a point for (finally) getting onto the revenge I was waiting for & half a point for being so ‘70s it hurts. God I love the look of films from that ugly decade. But I’d never watch this one again. – 5.5/10

See For Me – This wasn’t the greatest. Watched it as I think it was a 2022 U.K. release & I’m just desperate to log some current releases while missing out on going to the cinema.

I liked the simple concept, which is a home invasion while a blind girl is in the house catsitting. Been done before but in this case she has an app she can use, called See For Me, where you’re connected to someone who helps guide you via the camera on your phone. I really liked that idea & the girl who answered the call was good. But this is one of those films where they make the main character too unlikeable. Why do movies do that? Why would I root for someone I don’t like? Not the fault of the person playing the character, though (legally blind in real life from what I read, so did a very good job) – it’s just how this character was written so they could have done a better job with that. At least try to make me care a little bit about the main character!

Oh well. I do still like the idea & did enjoy the use of the app in the movie. The film was enjoyable enough to pass the time, I guess. – 5.5/10

Movies Rewatched In July:

Top Gun – Rewatched this just in case we got a chance to see Maverick (that’s not happened). I grew up in the ‘80s so I of course loved this film as a kid. Still enjoyed it just as much on a rewatch & still desperate to see what Maverick is up to now & if he’s still as cocky. And I still miss Goose. And I miss ‘80s action movie music. Go Kenny Loggins! Of course I had this soundtrack. Good ‘ol cassette tapes… – 8/10

Casablanca – I saw this as a kid & have been meaning to rewatch it for years as I couldn’t remember anything other than the quotable lines that everyone knows. Still great stuff & Ingrid Bergman was lovely. Loved Dooley Wilson as Sam, too. Not sure what all those gorgeous leading ladies saw in Humphrey Bogart in all his movies, though. – 8/10

Documentaries, Shorts, Etc:

The Decline of Western Civilization Part II: The Metal Years – These are my people! Really enjoyed this documentary set during my early high school heavy metal years. Also always wanted to see this as I believe it’s what got Penelope Spheeris the job directing Wayne’s World, which I absolutely adore.

Must admit that I enjoyed this far more than the first The Decline Of Western Civilization, partly because I of course loved the music but I also thought the interviews were much better & it felt like more of a documentary than the first film. Some of the live performances they focused on weren’t the best but the interviews with the masters such as Alice Cooper & my beloved Ozzy Osbourne, calmly making breakfast & dumping orange juice all over the table, more than made up for the cheesier (and sexist) bands in the film. And at least they ended on Megadeth, which is the type of music I still like more than the glam side of things.

Good nostalgic fun. I want Ozzy to make me a heavy metal breakfast. – 7.5/10

BOOKS, TV, MUSIC, MISCELLANEOUS IN JULY

TV SHOWS WATCHED

The Boys: S1 E3-4 – This is really good so far. Glad we decided to check this one out. A much more realistic take than Marvel on what superheroes would actually be like.

Only Murders In The Building: S2 E3-6 – Been a fun show to watch as a family. Still think it has great opening titles & music too.

Grey’s Anatomy: S18 E18-20 – This show is so bloody boring the past few years… But after 18 years I can’t stop watching it now!

TV Specials:

Paul McCartney at Glastonbury – Good stuff! Thought McCartney was great. Especially loved seeing Dave Grohl join him. And the John Lennon duet. Checked out a few other acts but honestly can’t remember who now.

TV Rewatched:

Stranger Things: S1 E1 – Tried to get my daughter into this show. It didn’t happen. Damn. Was hoping to catch up (I didn’t finish season 3) as season 4 actually sounds like it was pretty good? Had good music, at least!

BOOKS READ

Elsewhere by Dean Koontz – Love Dean Koontz even though his stories are all so similar. Some are better than others & this is one of those that I think I’ll have no memory of years from now. Likeable father & daughter, as to be expected of all Koontz main characters, but maybe I’m just kind of bored with multiverse stories after recent Marvel films, especially the Doctor Strange one that I thought was pretty rubbish. – 2.5/5

I’ll end this with a song from Don’t Make Me Go. Gotta love Iggy Pop! Here’s The Passenger:

Drew: The Man Behind The Poster (2013) Review

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Drew: The Man Behind The Poster (2013)

Directed by Erik Sharkey

Starring: Drew Struzan, Dylan Struzan, Harrison Ford, Guillermo del Toro, George Lucas, Michael J. Fox, Thomas Jane

Running time: 97 minutes

Plot Synopsis: (via Wikipedia)
Drew: The Man Behind The Poster is a 2013 documentary film directed by Erik Sharkey about the career of American film poster artist Drew Struzan.

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My Opinion:

I watched this documentary last year and kept meaning to review it. I don’t know how to review documentaries (or books! man I’m behind on book reviews). As a documentary, I suppose it was pretty good. I don’t watch too many of them unless I’m really really interested in the subject, though, and this one was right up my alley. I love movies (obviously) & movie poster art and Drew Struzan has designed some of the greatest & most well known movie posters. So I’ll warn you right now that I may end up talking more about his art than about the actual documentary.

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Personal Life:

What I liked about this documentary, as with any documentary, was finding out more about Struzan’s personal life as well as his work. They talked to him and to his wife a lot and they seemed to have a lovely, very close relationship (I love a good husband & wife team). I’d say Struzan came across as a bit bitter and angry over certain things (he got very screwed over by someone in his career so I can understand that anger). He was the very definition of a “starving artist” in his early days and his wife was always by his side. I think this documentary got the balance right in talking about his personal life as well as his art. I can’t find any photos of his wife (Dylan) in the documentary, which is odd as she’s a very important part of it. But I found the above photo here, on the website of an artist who met Drew. It’s an interesting article if you want to have a look at the link & get an actual artist’s perspective on things (I can’t draw anything other than stick figures. I can’t even paint a wall properly!).

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It’s interesting how artistic types can sometimes be difficult but I liked how Struzan seems to have said “screw it” and lives for his wife & his art now. I’m difficult too but I have zero artistic talent of any sort so I don’t know what my excuse is… 😉 I’m not saying he came across as unlikeable – just that he does what he wants to do now & too bad if others don’t like it. I think more people should be like that, actually. He was far less grumpy than Paul Williams was in the Paul Williams Still Alive documentary that I watched at the same time. I suppose I should do a mini-review of that sometime too… Here’s my review: Paul Williams is a grumpy fart! Lol. Seriously, though, Struzan came across as a private person who’s very passionate about the things he loves and I have a lot of respect for people who are like that.

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Artwork:

First of all, I’ll say they did a good job getting some famous people to talk about Struzan and the work that he did for/with them (I especially loved Michael J. Fox’s enthusiasm for Struzan’s work – you could tell just how much he loved being a part of the Back To The Future posters). Speaking of grumpy famous people, they even got Harrison Ford to talk about Struzan! How cool is that? He must be the actor Struzan has painted more than any other… We also heard from Guillermo del Toro, George Lucas, and Thomas Jane.

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I’m really glad they spoke to Thomas Jane about his part as a movie poster artist in Frank Darabont’s The Mist. For anyone not familiar with the movie, Struzan’s artwork was used in the beginning and Jane’s character is shown painting Struzan’s art for Stephen King’s The Dark Tower (which Struzan painted specifically to be used in The Mist). Three things I love all together: Stephen King, Drew Struzan & Frank Darabont! Wait… Four! Thomas Jane is a hottie. Anyway, Struzan showed Jane how to make it look like he was really an artist doing a painting then, being the perfectionist that he is, later told Jane that he did it completely wrong in the movie. I loved Jane’s re-telling of the story – he had a great sense of humor about it.

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Frank Darabont is clearly a big fan of Struzan’s as he’s had him do art for a lot of his work (The Shawshank Redemption, The Green Mile, The Walking Dead, and of course artwork for & in The Mist). George Lucas is also a huge fan and Struzan has done loads of Star Wars art for books, anniversary editions, etc. There are so many different Struzan Star Wars pieces that it’s hard to choose a favorite. I think it’s between Revenge Of The Jedi & this one, which was a collaboration with artist Charles White III:

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Struzan did the poster art for Hellboy but he also did an amazing piece for Pan’s Labyrinth, which the studio rejected (much to Guillermo del Toro’s anger). But del Toro is very proud to have this hanging in his home – I’d love to have this!:

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I hate how studios so often feel the need to have horrible, boring movie posters just featuring photos of the film’s stars these days. I understand that seeing the stars so prominently displayed convinces some people to watch a movie (I guess?) but it doesn’t work on me. I’m more interested in a film if it has a really interesting, artistic poster (I’m the same way with books. I’m drawn to books with good covers). Struzan paints the film’s stars anyway so I don’t know why anyone would ever choose some crappy photoshopped photo over a painting for a movie poster. I’d much rather see something like this:

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Summary:

I’ve decided to stop here for a couple of reasons. First of all, I sometimes feel ridiculous “reviewing” movies when I know as little about filmmaking as I do about writing. When it comes to art, I have even less experience or knowledge. I just know what I LIKE and I have a passion for film, music, books, and art & love discussing it with all of you in the same way that someone like Struzan has a passion for actually creating that art. Believe me, I’d far rather be creating it but I just don’t have that ability.

Second of all, if I continue I know I’ll just ramble on & on about all my favorite Struzan pieces. So, in the middle of this, I decided to do a separate list of My Top Ten Drew Struzan Movie Art Pieces, which I’ll post tomorrow. I’ve actually not even mentioned a lot of my favorites, including the one that is my favorite Struzan poster, hands down. I’ll just mention this as I decided that my list tomorrow should focus on only his movie art: When watching this documentary, I had NO idea that Struzan had done album covers and that he did one of my all-time favorites for Black Sabbath. How on Earth had I not known that?! The Alice Cooper one is amazing as well:

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Love those! Like I said, I know what I like and I know that seeing Drew Struzan movie art makes me happy. As for this documentary, I really enjoyed it as I find the subject matter fascinating and it was great getting to know a little bit about this private and talented artist.

My Rating: 7.5/10

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We’re Not Worthy!

One of the many classic scenes from Wayne’s World. Love it! 🙂

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Wayne Campbell: So, do you come to Milwaukee often?

Alice Cooper: Well, I’m a regular visitor here, but Milwaukee has certainly had its share of visitors. The French missionaries and explorers were coming here as early as the late 1600s to trade with the Native Americans.

Pete: In fact, isn’t “Milwaukee” an Indian name?

Alice Cooper: Yes, Pete, it is. Actually, it’s pronounced “mill-e-wah-que” which is Algonquin for “the good land.”

Wayne Campbell: I was not aware of that.