Watched, Read, Reviewed: October 2022

Guess I better post my October roundup before it’s time to post my November one.

I don’t know if many people are still around on WordPress but I’ve set up a new Mastodon account here. I don’t plan to give up this blog – just going through a tough time. Am still on Twitter as well for now as @tableninemutant but am most active here on Letterbxd as it’s just so easy to log movies there. Re-posting all my October Letterbxd reviews below…

MOVIES WATCHED IN OCTOBER (ranked best to worst):

Memories Of Murder – Was very happy to see this on Film4. I’d been wanting to watch it even though I’ve never absolutely loved one of Bong Joon-ho‘s films. I do think Parasite is very good & I really like The Host so I was willing to give more of his work a try despite not liking Snowpiercer & Okja. I’m also not a fan of true-crime-inspired murder films, especially involving sexual violence as well, but this was very gripping & I thought it was damn good despite being a genre I often avoid. Due to the subject matter it again won’t exactly be a favorite of mine but it easily ranks just a fraction below Parasite for me. I think it maybe just takes a bit of getting used to his flawed & not always likeable characters to appreciate his films more. His type of characters worked perfectly in this & in Parasite so I can see why they seem to be the most popular of his films. I feel I have a slightly better understanding of his work now since watching this & Barking Dogs Never Bite (also on Film4 & also worth a watch). – 8/10

Rhapsody In August – I can’t believe I accidentally watched an Akira Kurosawa film. Absolutely love his films Seven Samurai, Ikiru, Rashômon & Yojimbo so have had all the rest of his biggest films on my watchlist for a long time now. I liked the sound of this 1991 Japanese film with Richard Gere, which focuses on the effects of the atomic bomb on three generations of a family, so I started watching it before even realising it was a Kurosawa. It’s a lovely film & I really liked the grandmother and her relationship with the grandkids she’s looking after while their parents are visiting family in America. Definitely worth a watch, especially for Kurosawa fans. Currently on services in the U.K. – 7.5/10

Mr. Harrigan’s Phone – I’m a huge Stephen King fan & try to watch every adaptation of his work (I ranked them all here). Really liked this novella from the recent If It Bleeds collection & literally started watching this the second it appeared on Netflix. So I’m obviously going to be overly positive as I tend to like even the bad King adaptations (and there are many bad ones) but I thought this was good & faithful to the book. Jaeden Martell, who was also in the fantastic 2017 version of It, and Donald Sutherland were very good together & I especially liked Kirby Howell-Baptiste as the helpful teacher. This is more of a thriller than a horror so it may not be what some are expecting if they’ve not read the story but it’s still very “King”. I enjoyed it. One of the better straight-to-streaming movies this year. – 7.5/10

Everything Everywhere All At Once – Was very eager to get to finally see this after all the hype & seeing it at the top of so many 2022 movie lists. It looked like it could very much be my type of thing & I do love a good “weird” film. Wow – what a massive disappointment. Am I just getting too picky in my old age or is everyone else getting less picky? I’ve been very disappointed with the most hyped films the past few years but was really hoping this one would be different.

Don’t get me wrong – I did get some enjoyment out of this & always appreciate when something is unique & unpredictable. I always prefer a memorable film, even when bad, to the many bland movies which I can’t even remember a year later. Michelle Yeoh was great and there were many memorable moments that the hubby & I have already referenced a few times since watching this. It was certainly weird, which I like, but I found the story & message to be such a convoluted mess overall that it started to feel like a chore just to make it through to the end. It’s a film I’m glad I watched & experienced to see what all the fuss was about but I’d have no desire to ever watch it again. – 6.5/10

Barking Dogs Never Bite – Watched this just after Memories Of Murder & think I’m starting to appreciate Bong Joon-ho‘s work a little more now. While this one isn’t nearly as good as Memories Of Murder, it still has his typical sort of flawed characters that work so well in (most of) his movies. The only times I’ve not liked his films were when the characters were too over-the-top in Snowpiercer & Okja but this film is much more subtle. Probably not one I’d watch again but certainly worth a one-time watch to see his early work. – 6.5/10

The Company Of Wolves – RIP to the fantastic Angela Lansbury. Always loved her & managed to finally see this one just before her death. She’s perfect as Granny. This is a very odd film & I’m not sure it has aged well but I enjoyed it & can see why it will have fans who saw this one back in the ‘80s when they were kids. Am sure I’d appreciate it more if I’d seen it then. It’s slow & dated but has some fun dream sequences & special effects & creepy horniness. Worth finally seeing but don’t think it’ll be a horror favorite of mine now. – 6.5/10

Catherine Called Birdy – Well this was far more enjoyable than I was expecting. Bella Ramsey aka GoT’s Lyanna Mormont absolutely steals the show as a medieval teenager trying to avoid being married off by her father. It’s a fun coming of age story for girls with a funny & relatable teenage character as well as plenty of humor to be appreciated by adults seeing this too. Worth a watch. And for fans, I believe there are at least five Game Of Thrones actors in this (or more if I missed any). – 6.5/10

The Unbearable Weight Of Massive Talent – Like Everything Everywhere All At Once, this was a big disappointment after a fair amount of hype. Both films were… Just okay? I think you do have to be a Nicolas Cage fan to fully appreciate this one. I’d say I neither like nor dislike him but do like his film choices, such as the brilliant Mandy. So I did enjoy some of the film references but thought the plot wasn’t nearly as clever as Being John Malkovich and I got a bit bored. I also found his talking to one of his movie characters really stupid – It seems like that should have worked but it didn’t. And that dumb kiss. I think the movie tries a bit too hard at times & not hard enough at other times. Hell, if you’re gonna do a movie like this that’s clearly for big Nicolas Cage fans, you might as well go all out with even more fan service than what they had (which was still plenty). With Cage being known for being the crazy dude in so many movies, it was kind of disappointing that this movie wasn’t as weird and over-the-top as I was expecting. – 6.5/10

X – Not sure how I feel about Ti West. I’ve liked but never loved his films. Thought The House Of The Devil was the best & captured that era well. Didn’t think that worked as well with this one trying for a late ‘70s porn vibe. Guess people just liked watching the porn sex?? I thought the story was ridiculously dumb & I didn’t care about any of the characters. Mia Goth did well in her dual role, I guess. Pearl looks like it may be a little more interesting since we got absolutely zero character development in this film. X isn’t terrible but I’d have no desire to ever watch it again. Easily my least favorite Ti West film. – 6/10

Pinocchio (2022) – Yeah… This is pretty bad but I’d had such extremely low expectations that I kind of didn’t hate it. Honestly, I hated the live action Beauty And The Beast much more. Maybe because I really love that animated film but Pinocchio isn’t a big favorite? But I like the story & the overall story is still the same, so… I don’t know what else to say. What’s the point?? These live action Disney remakes are just so bloody pointless. I liked the blatant Disney cuckoo clocks, though. Pathetic, I know. But I want some of those. – 5.5/10

Matriarch – This was pretty bad. It’s one of those horror movies that might be a bit better if every single character wasn’t so damn hateful. Why would I care what happens to the horrible woman in this? I’ll give it this: It gets pretty f*^king weird at the end & I appreciated the Society vibes. But what started out as a fairly creepy film became silly at the end as it got too ridiculous. – 5/10

Blonde – This movie looks nice & Ana de Armas is good at being pretty & tortured but what is the point of this story? I admit I know almost nothing about Marilyn Monroe’s life so I should have just avoided this but I had to see why everyone was so outraged. Why take a real person & make up a bunch of stuff? Why not just create a fictional character & make your rape, abuse & forced-abortion movie without using a dead iconic movie star’s name? Oh yeah – because no one would watch that movie. And I hate people saying “But it’s fictional!”. Yes, us obsessive film fans know that. We look into this kind of info. But the casual movie-watching audience don’t. So there will be plenty of people who saw this & now will think this is her true life story.

I only fairly recently started exploring Monroe’s work & she really had that special something that a lot of the old classic movie stars had that so few have today. Which I guess is why there’s still such an obsession with her all these years later but, FFS, let the woman rest in peace. She deserves better than this. Just watch her movies instead of Blonde. I saw something on Twitter about Blonde’s director trashing Gentlemen Prefer Blondes? Gentlemen Prefer Blondes is an absolutely delightful film so I assume that statement was made just to cause further outrage. I’m annoyed that I fell for all the controversy that was clearly stirred up on purpose just to get us all to watch this. Sorry, Marilyn! – 4.5/10

Rewatched In October:

Final Destination – Still think this movie had a great & original idea, which is something I’d like a lot more of in horror. First rewatch in many years & I think it still stands up very well. Easily my favorite of those I’ve seen (1, 2 & 3). I can see why they kept using this idea over & over again even though horror sequels get tiresome. The next two were okay, though. – 7.5/10

Don’t Tell Mom The Babysitter’s Dead – This movie is silly but it came out when I was in high school so I liked it. It so clearly wanted to be Adventures In Babysitting from a few years before but it pales in comparison to that masterpiece (yes, I adore that movie). This is still a fun but dated comedy. The daughter seemed to enjoy it. – 6.5/10

BOOKS, TV, MUSIC, MISCELLANEOUS THIS MONTH

TV SHOWS WATCHED

House Of The Dragon: S1 E1-7 – Enjoyed this (finished it in November). But! It’s certainly no Game Of Thrones when that was at its best in the early seasons. The characters aren’t nearly as likeable nor as interesting as they were in GoT but, hell, not many shows can beat a character as good as Tyrion Lannister. Or a family as cool as the Starks. Will say a bit more about this show in the November Roundup post. Maybe. I’ll just say this: I far preferred the younger Rhaenyra, Milly Alcock, to the older one played by Emma D’Arcy. But I often hate changes in actors, such as when everyone got replaced in The Crown. Both Alicents were good, though, and Paddy Considine was great. But, again, I can’t keep these millions of characters straight, just as with GoT. And the fuckers in this one all have such similar names, which really didn’t help either.

Andor: S1 E5-8 – Forget which episode was which as I’ve now seen more than just these. I’ll say this show started strong, then I got a tiny bit bored, then the stuff in the prison was great & I’m really enjoying it again. It’s a very strong Star Wars entry (and I still think it’s better than The Book Of Boba Fett & Obi-Wan Kenobi, probably because it isn’t messing with beloved OT characters in the same way).

It’s Okay To Not Be Okay: S1 E1-3 – An intriguing South Korean show I’m in the middle of watching with my daughter (a rewatch for her – she loves it).

She-Hulk: Attorney At Law: S1 E8 – Said a lot about this in last month’s roundup so I’ll just say again that I enjoyed this show. Was a good bit of lightweight fun. And I liked the final episode, especially when she asked about the X-Men.

BOOKS READ

Have a collection of horror short stories from various authors so read the 3 Stephen King shorts in it. Think I’d read two of them in other collections:

Reploids – Don’t think I’d read this before. Fun story but ended SO abruptly…

Dedication – One of King’s more fucked-up stories but still, um, intriguing I guess. Leave it up to King to think this one up. Also saw a quite good short film of this as part of his “Dollar Babies” deal. Kudos to the actress willing to play this role.

Sneakers – Enjoyable story about a ghost haunting a recording studio

Can’t remember any good songs from the movies I saw in October so I’ll end instead with the real Marilyn Monroe’s iconic Diamonds Are A Girl’s Best Friend from the delightful Gentlemen Prefer Blondes:

Knives Out (2019) Review

Knives Out (2019)

Directed & Written by Rian Johnson

Starring: Daniel Craig, Chris Evans, Ana de Armas, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, Lakeith Stanfield, Katherine Langford, Jaeden Martell, Christopher Plummer, Frank Oz

Plot Synopsis: (via Wikipedia)
Described as a modern take on the whodunit, the film follows a family gathering gone awry, after the family patriarch’s death leads a master detective to investigate.

My Opinion:

I’m waaaaay behind on reviewing the 2019 releases that I’ve seen so I’ll try to catch up on reviewing them over the next few days. So here’s a quickie for Knives Out, which was a thoroughly enjoyable film. I don’t have a lot to say about it, though. It’s a really fun take on an Agatha Christie-style murder mystery but it’s exactly what I expected. I remember taking a special trip into London to see Rian Johnson’s Brick when it came out so knew he was capable of an intriguing story in this genre.

I loved the “star power” in this. What a cast! Being an old fucker myself, I appreciated the fact that so many older actors were used. Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette & Frank Oz were all great. For the younger crowd, they got to lust over Chris Evans in sweaters. He was good as well, although his role was smaller than I expected. Daniel Craig was good as the detective too but he had a weird accent that got a little annoying. The two best performances, however, were from Christopher Plummer & from Ana de Armas as the breakout star of the film. Damn – I thought she was just a pretty face after Blade Runner 2049 but she’s fantastic in this film.

The strong characters are what really make this movie, and that’s the main thing I care about, but the story was damn good as well. Who doesn’t like a murder mystery? I personally don’t like intense murder mystery dramas, though. I’m not a gritty “true crime” thriller fan (in fact, it’s probably my least favorite genre – I started watching Zodiac recently and have yet to bother finishing it). Knives Out isn’t like that. It has a lighthearted approach & a sense of humor & brilliant characters. In fact, as I write this I’m starting to like it even more. I don’t think it quite lives up to the massive amount of hype (it’s currently in the IMDb Top 250, which is ridiculous) but I really appreciated seeing an original story for a change as I’m so sick of sequels, remakes. reboots & superheroes. Hey Hollywood – Can we please have more movies like this one?

My Rating: 7.5/10

Blade Runner 2049 (2017) Review

Blade Runner 2049 (2017)

Directed by Denis Villeneuve

Based on Characters from Do Androids Dream of Electric Sheep? by Philip K. Dick

Starring: Ryan Gosling, Harrison Ford, Ana de Armas, Sylvia Hoeks, Robin Wright, Mackenzie Davis, Carla Juri, Lennie James, Dave Bautista, Jared Leto

Music by Hans Zimmer & Benjamin Wallfisch (Blade Runner themes composed by Vangelis)

Cinematography Roger Deakins

Plot Synopsis: (via Wikipedia)
A young blade runner’s discovery of a long-buried secret leads him to track down former blade runner Rick Deckard, who’s been missing for thirty years.

My Opinion:

I don’t know how to go about reviewing this film plus there are loads of excellent reviews from actual writers already so I’ll try to keep this one short. Blade Runner 2049 is a brilliant film that will be (and, for many, already is) considered a classic years from now. Like the first film from 1982, it’s sadly a bit of a flop at the box office so far. And like that one, it will forever be revered by fans of serious, hardcore science fiction. If you haven’t seen or don’t like the first film, don’t bother watching this one. You won’t like it. If you’re a big fan of the first film, you’ll be very happy with this one (but I don’t need to tell you that since the hardcore fans have seen the sequel by now).

I do love serious sci-fi although I won’t admit to always understanding it. Science fiction is my favorite genre and the more it makes me think, the more I like it. Usually. Except with Primer… I don’t understand what the HELL was going on in that movie! But back to Blade Runner: The themes associated with artificial intelligence and “the Singularity” are always a favorite of mine within this genre so I do love the original. And I love Ex Machina. And I love WALL-E. And I love The Terminator. Hell, I even like stuff like Bicentennial Man. The thought of artificial intelligence developing human emotions and/or the thought of it far surpassing what the actual human brain could ever be capable of is both fascinating & scary as shit. Well, more scary as shit than fascinating – I think a Terminator future is more likely than a lovable robot WALL-E future. I just read that it’s been predicted that the Singularity will occur by 2045. Shit! That’s not that far away. I may still be alive! This was meant to be after I was long gone. I don’t want the machines to take over!

Holy shit – I’ve gotten very off track. Blade Runner isn’t even really about that. Well, sort of. Not really. God I hate reviewing thinky sci-fi. As I said, I do love the original film (Whichever of the 28 different versions I actually saw. I could do with rewatching it again but knowing which definitive version to watch sucks my will to live). But the Roy Batty “Tears in Rain” monologue is in all versions as far as I’m aware and I love it. It’s one of the all-time greatest cinematic scenes. I wouldn’t say any one scene in the sequel quite matches the emotion or intensity of the “Tears in Rain” scene but several come damn close. I still prefer the 1982 film overall but this is a fantastic sequel that poses even further questions on the issues of morality that are raised in the first film. It’s an impressive film and quite a feat to make a classic such as Blade Runner even better with the addition of a sequel. I mean, look at those Matrix sequels. I hated those & they ruined the first movie for me. Very few sequels make the first film even better so I’m very happy that Blade Runner 2049 managed to do exactly that.

I don’t want to ramble on incoherently for much longer so I’ll just finish by saying what else I loved about this movie besides its overall story & themes. First of all, it’s gorgeous. Director Denis Villeneuve & cinematographer Roger Deakins are in danger of becoming favorites of mine after this and the equally brilliant Arrival (which wasn’t Deakins) and Sicario (which was Deakins). Actually, they already are favorites of mine. Those guys kick ass! Arrival especially – that was a masterpiece in my opinion. Is Blade Runner 2049 as good as Arrival? Hmm… I wouldn’t say I loved it to the same degree and I certainly didn’t have the same emotional response that I did with Arrival but I think I’ll grow to like Blade Runner 2049 even more with time. It’s a grower. I’d like to see how I feel about it in a year but I can see it only going up in people’s estimations over time. Oh, and the effects are amazing. Amazing as in: “I didn’t notice any special effects so they must have been amazing as I’m sure there were shitloads of effects going on“. I know nothing about special effects – I just know that I find dodgy CGI really distracting and that never happened in this film, which meant I was never “thrown out” of the gorgeous world created by these filmmakers. And that sex scene was very well done. I can say that without sounding like a perv since I’m a girl. Bet guys loved that scene, though. Kinky.

Finally, the performances in Blade Runner 2049 are great & far better than I had expected. I admit I can be very fickle about actors – I went from totally loving Ryan Gosling around the time of Drive to becoming a bit bored with him & not really giving him much thought in the past few years. I think my crush is back! I loved him in this. He’s easily the best one in this film (luckily, as he’s in it far more than anyone else). His subtle sort of style works perfectly for his character in the same way I think Harrison Ford was perfectly suited to play Rick Deckard.

Speaking of Ford, he’s the best he’s been in a long time. I love Ford. He’s freaking HAN SOLO. But he’s been in some less than stellar films and, sometimes, well… He just seems bored in some of his movies. He’s very good in Blade Runner 2049. Phew. Yay for that! (He’s barely in it, though). Everyone did a very good job in this so I won’t go into each performance but the one other one that deserves a special mention is Ana de Armas as Joi. It’s an unusual role and she does an amazing job with it (I know everyone who’s going to see this probably already has but I’m still avoiding spoilers). And she’s pretty. Too pretty. Like Alicia Vikander in Ex Machina. It’s not fair.


Wait, I forgot about Jared Leto! How could I forget Leto?! He gets on my nerves sometimes and I hated him in Suicide Squad. He’s tolerable in this, I guess. Still a bit over-the-top but at least he’s not in loads of scenes. So, besides Leto being slightly annoying and the running time of 2 hours & 44 minutes admittedly being a little longer than necessary, I can’t really think of anything negative to say about Blade Runner 2049. But I still liked Arrival slightly more. If a third Blade Runner film manages to make the entire series even better as a whole in the same way that this sequel has made me even further appreciate the 1982 film, we may have a science fiction trilogy masterpiece.

My Rating: 9/10