A Star Is Born (2018) Review

A Star Is Born (2018)

Directed by Bradley Cooper

Based on A Star Is Born by William A. Wellman, Robert Carson, Dorothy Parker & Alan Campbell

Starring: Bradley Cooper, Lady Gaga, Andrew Dice Clay, Dave Chappelle, Sam Elliott

Plot Synopsis: (via Wikipedia)
A Star Is Born follows a hard-drinking musician (Cooper) who discovers and falls in love with a young singer (Gaga).

My Opinion:

I’m way behind on reviewing 2018 movie releases I’ve seen (I have 9 more to go!). So I’ll post a bunch of quickies this week, starting with this one since you know it’ll be up for shitloads of Oscars. Is it Oscar-worthy? I’d say that the performances definitely are although the story itself is one we’ve seen loads of times. The characters are very strong in this film, though, which kept me fully interested for its 2 hour 16 minute running time despite the fact that dreary dramas aren’t at all my type of thing.

It was good seeing this after watching Bette Midler in The Rose a few months ago. Milder was great but that movie seems to have been forgotten even though she was nominated for an Oscar. It’s a similar story of a rock star in a downward spiral and also well worth a watch if A Star Is Born is your type of thing. As I said, though, this story has been done many times so it was important to get the characters right. I was surprised at how “real” Cooper & Gaga felt, especially when it came to their relationship and how they felt about each other. I’m not at all a fan of either of them, which is why I didn’t rush out to see this one. But by the end, I just wanted them to live happily ever after and make great music together (their characters, not them – Lady Gaga isn’t my type of music). And… Sam Elliott!!! Loved him as Cooper’s brother. Who doesn’t love that stud? I’ll forever love him thanks to Mask & Road House. The most surprising thing, though, was seeing Andrew Dice Clay’s name in the credits at the end and actually having to Google him to see who the hell he played. Her father?! That was a big role! That was him? He was… good. Huh.

Is this film good enough to possibly win Best Picture? It’s certainly not up there with some of the absolute Oscar classics but at least it’s not one I’d be annoyed to see win. At the very least, it does deserve Oscars in the acting categories. What it doesn’t deserve is some of the weird backlash it’s had. I had to read these words (which annoy the fuck out of me) too many times when seeing people discuss this movie on Twitter: “toxic masculinity“. Seriously? Fuck off with that phrase. Cooper is great in this film and his character is broken and he needs help. I didn’t find anything at all toxic about him or their relationship. They both fully supported each other’s careers (he only criticized hers a little when he felt she wasn’t being true to herself anymore). They never stopped loving each other despite their problems. How was he toxic? Had their characters’ roles been reversed, no one would be calling Gaga’s character “toxic”. No one called Midler “toxic” in The Rose. Sorry for the rant – I just get sick of self-righteous bullshit phrases being thrown around online these days. Guess I’m just old since I found this to be a strong love story and pretty damn heartbreaking. And it’s so not my usual type of film.

My Rating: 8/10

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Pretty In Pink (1986) Review

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Pretty In Pink (1986) by Me! Cinema Parrot Disco finally wrote another review for this blogathon!

Directed by Howard Deutch

Written by John Hughes

Starring:
Molly Ringwald
Harry Dean Stanton
Jon Cryer
Annie Potts
James Spader
Andrew McCarthy
Kate Vernon
Andrew Dice Clay
Kristy Swanson
Alexa Kenin
Dweezil Zappa
Gina Gershon

Plot Synopsis:
Romeo And Juliet. With 80’s Hipsters.

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My Opinion:

You all know I love my John Hughes teen films but I’ve never loved Pretty In Pink QUITE to the same degree as The Breakfast Club or Sixteen Candles (my review for that HERE). I re-watched this a few days ago for the first time in years to see if my opinion would change. It didn’t, really, but I still appreciate two of the best characters that John Hughes created (Jon Cryer’s Duckie & Annie Potts’ Iona). And, as usual, some classic quotable lines that Hughes always did so well.

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I think the main problem is that I never could fully relate to these characters. The main theme here, “rich vs poor”, isn’t something I really experienced in my extremely tiny Midwest American town. The (three!) families in town who had a bit of money still weren’t exactly rich by big city standards. High school popularity was based, mainly, on things like being good at sports. And I suppose sluttiness. So… I really had no chance at popularity either way. 😉

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As for the “original hipster” look of Andie & Duckie’s clothes… Again, I couldn’t relate. I’d like to say I had the balls to dress like that back in high school (well, except for her ugly ass prom dress at the end) but dressing like that in my little farming community would have made me an outcast. Individuality wasn’t considered a good thing! For today’s teenagers, however, I’d want them to watch something like Pretty In Pink & realize that being a “Duckie” really is the way to be. Don’t conform, teeny boppers! Did I just say teeny boppers?? God I’m old…

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Molly Ringwald is okay here, even if I can’t fully relate to her. If I had to choose the Hughes Ringwald character I was most like as a teen, it would be the socially awkward Samantha in Sixteen Candles. But at least in this one she’s possibly the strongest character in that she does stand up a bit to the rich bitches (but still gets too silly over a boy). And she’s not an annoying popular snob like in The Breakfast Club (who can relate to that??). But, as mentioned before, it’s Duckie & Iona who really make this a better film overall. Unfortunately, for me, the biggest thing that doesn’t work in Pretty In Pink is the romance.

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I mean… Andrew McCarthy?? Reaaaaaally? I’ve never understood having a thing for him. Give me Jake Ryan any day! Plus Ringwald & McCarthy just have zero chemistry here. Unlike with Duckie. So… Okay – everyone knows the ending to this but I still feel like I shouldn’t come right out & say it. But I think it’s pretty widely known that most people weren’t happy with the ending. Well, that’s why Hughes went on to make (the Pretty In Pink remake, basically) Some Kind Of Wonderful which I think isn’t quite as good of a film but I still prefer in many ways. I’ll review that next week. As for Pretty In Pink, I do still like it A LOT as it’s typical of the Hughes way of writing that I loved so much but the overall story & the romance just don’t quite speak to me in the way they did in his other teen films. Oh, and great use of things like New Order. As always, John Hughes knew how to choose the right music for his movies!

My Rating: 8/10

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