Directed by Fritz Lang
Based on Metropolis (1925 novel) by Thea von Harbou
Starring: Alfred Abel, Brigitte Helm, Gustav Fröhlich, Rudolf Klein-Rogge
IMDB Top 250 Rank: 89 as of 01/01/13
Plot Synopsis: (via IMDb)
In a futuristic city sharply divided between the working class and the city planners, the son of the city’s mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
First, these are the 2018 Blind Spot films I managed to watch this year, from my least favorite to favorite:
Well, I didn’t manage to watch my 12 Blind Spot choices this year as life got too busy but at least I watched eight. Better than nothing! And five of them were well worth the time and definitely worthy Blind Spot picks. The best was indeed Metropolis, which I’ve weirdly been putting off seeing for years despite loving the look of it and liking plenty of silent films. I watched it months ago but also put off reviewing it as it’s one of those where I don’t feel I have enough knowledge to do it any sort of justice. What can I say about it that hasn’t been said? It’s a brilliant, gorgeous film and so eerily ahead of its time. Oh, and yes I loved Enter The Dragon so I have it at number one in the above list. Of course Metropolis is the superior film but I always rank according to what I enjoyed the most and I had more fun with Enter The Dragon. I also absolutely adored Splendor In The Grass and did have that at number two until now as it moved me in a way that Metropolis didn’t but putting Metropolis below it just didn’t seem right as it’s a damn masterpiece. But I may change my mind & switch the order again. I’m like that. (I’ll try to review Splendor In The Grass tomorrow)
Metropolis of course also counts as part of my IMDb Top 250 Project. As I started that in 2013, I’m still working off that list. It breaks my heart to see old films slowly being knocked off that list & replaced with modern ones. Since 2013, Metropolis has dropped from 89 to 110. I just looked now to see what’s higher and got thoroughly annoyed at six Christopher Nolan movies having higher ratings than Metropolis. No way! Am I seriously the only person who thinks Nolan is massively overrated? I’ve only truly liked one of his movies (The Prestige). And Avengers: Infinity War is a fun film but it sure as shit isn’t Top 250 material. Okay – I’ll shut the hell up since I’ve ranked Enter The Dragon above Metropolis so I guess people just like what they like.
What I find interesting is that Fritz Lang’s film M, which I reviewed HERE, is actually higher in the list than Metropolis. Although it’s also a visual masterpiece and a brilliant example of filmmaking done right, I don’t think it’s the better film of the two. I can see why it’s higher, though, as it’s a more “accessible” film for a modern audience. It’s not silent, which I know puts some people off. It’s also a fantastic crime thriller, which is a genre with lots of fans. It’s a genre I rarely like, though. Give me sci-fi and fantasy. Metropolis is right up my alley but I can fully understand why some would find it overlong and probably even boring, although that makes me a little sad. I mean, look at these amazing images! Look! WOW. This is from 1927! Did this not blow people’s minds back then?? It must have. Although, in reading about it, it had some very negative reviews at the time.
The most negative review I saw on Wikipedia was from H.G. Wells, “who accused it of “foolishness, cliché, platitude, and muddlement about mechanical progress and progress in general.” He faulted Metropolis for its premise that automation created drudgery rather than relieving it, wondered who was buying the machines’ output if not the workers, and found parts of the story derivative of Shelley’s Frankenstein.” A lot of reviewers at the time called the story silly & simplistic. I think it has stood the test of time pretty well, especially considering how long ago it was made, but it’s not as scarily prophetic as some later sci-fi films exploring similar themes and ideas involving the future of mankind. There’s still a huge divide between the rich and the poor but our world looks very different from Lang’s vision and he never could have predicted today’s technology and the way in which it controls us mentally more than physically. We’re living in a dystopian future as predicted but it’s a very different dystopia than Lang predicted. So, while this film is stunningly beautiful, I can’t say I connected with it quite as much as some other sci-fi classics when it came to the overall story.
Before I end this so called review, I figured I should also mention The Cabinet Of Dr Caligari as it’s another example of German Expressionism in film. That’s two silent German Expressionist movies I’ve seen! I’m, like, an expert now! Okay – I have zero knowledge on this topic. All I know is that it looks cool as shit and I could spend all day looking at the type of imagery used in these two films. It’s stark and haunting and a little bit creepy and I love it. I like my art a little bit creepy (H.R. Giger is the best). So, again, this is my type of thing but won’t be to everyone’s taste. I admit to being a sucker for great visuals in a film. Give me great imagery & cinematography and I’m happy. Add a beautiful score as well and I’m over the damn moon, such as in a Sergio Leone/Ennio Morricone Spaghetti Western. That’s epic filmmaking. That’s the type of thing I expect when I think “Top 250 Films Of All Time”. Metropolis is iconic, beautiful, and epic. To me, at least. To others, it’s probably boring as shit. Story-wise, it’s not perfect. It’s a little bit messy and I can see how those at the time probably found it pretentious. Would I stick a Metropolis poster up in my cinema room (if I was rich & had such a thing)? Hell Yeah! The film is a work of art. Is it a new all-time favorite film of mine? No, I’ll admit it’s not. If I’m honest, I’ll put Splendor In The Grass just above it on my list. I enjoyed it more. I told you I’d probably change my mind! But nothing can top the artistry of Metropolis.
My Rating: 8.5/10