Casablanca | Cinema Parrot Disco

Hello! Things are really shit at the moment. But I’m still watching movies. Because that’s what I do when things are shit!

I’m a bit behind on posting this but here’s what I watched & read in July…

MOVIES WATCHED IN JULY (ranked best to worst):

– Stalag 17 – This was really good. I’m still working on an IMDb Top 250 Project based on the 250 films on the list when I started back in 2013. This is one of many classics from the 2013 list to have now disappeared to be replaced with more current movies and far too many superheroes. Frustrating! Things like this should still be in the list.

I knew nothing about this beforehand but I’d have watched it sooner if I’d known it was a bit like The Great Escape. It has a blend of humor along with the dramatic situation these POWs are in and I really liked the two characters providing comedic relief although the humor didn’t fully work at times. The Great Escape is still the superior film with a much more even tone but there was a lot to like about this one too. The characters are strong & William Holden is great as a prisoner who looks out only for himself. Oh, and I really liked the traumatised flute-playing prisoner who needs to be played by Sean Gunn if they ever remake this (which I hope they don’t).

Good stuff. Glad I chose to start the Top 250 Project when it had a better selection of films. – 8/10

– Hustle – Why do I absolutely hate sports but pretty much always enjoy a feelgood sports movie? The real-life NBA stars were wasted on me as I didn’t know they were real players until the end credits but I still really liked this simple & admittedly predictable story. I’m not ashamed to admit that I’ve also always liked Sandler & enjoy him in these more serious roles as well as his comedies. He was great as the mentor & his relationship with his recruit, played by Juancho Hernangómez, worked really well. Oh – I also liked Queen Latifah as his wife. Maybe it’s just because I’ve watched so many movies with huge age differences recently (High Noon, Deep Water etc etc) but I’m sick of the wife being a good 20 years younger so hooray for these two being close in age. Felt like a real couple! – 7.5/10

– Don’t Make Me Go – I really liked this but I can see some people not liking the turn it takes toward the end. John Cho & Mia Isaac were very good as the father & daughter on a final road trip together. I liked their relationship & cared what would happen to them. That’s three John Cho films I’ve really liked in the past few years (this, Searching, and especially Columbus which I highly recommend). Can’t believe the MILF guy is this great father & father figure in movies now. And he’s kind of a DILF now. – 7.5/10

– Beyond The Infinite Two Minutes (ドロステのはてで僕ら) – Glad I checked this out (was on Film4 in the UK). Likeable characters & a fun sci-fi story about seeing two minutes into the future. I have no clue about the scientific accuracy of this film & felt a bit lost just like I did when watching Primer, although this movie is definitely more enjoyable than Primer. It also made me look up the Droste effect. So, hey, I learned something. Movies are educational. Also, not that I don’t like long movies but this movie is only 1 hour & 10 minutes. So check it out! You can squeeze it into your lunch hour. – 7.5/10

– But I’m A Cheerleader – Enjoyed this. Not sure why I didn’t see it at the time. Especially liked the use of color & satirical humor. The characters were fun and Natasha Lyonne & Clea DuVall were great together. Would have loved even darker humor but maybe that’s just me as I love stuff like Heathers. But was happy to find this film still had that sort of vibe, which I wasn’t expecting. Good stuff. – 7/10

– The Sea Beast – This was fine. Felt too long & had a very slow start but it did get better once the two main characters were alone with the sea beast. And I liked her little “sea pet” (I’m always a sucker for a cute droid or animal sidekick). One of the better straight-to-Netflix animated films with some lovely animation in a few scenes but still not up there with Pixar or Disney on that. Although, story-wise, I enjoyed this more than Luca & Turning Red so am starting to worry about Pixar. – 6.5/10

– Incantation – I know that not everyone is a fan of found footage horror but I’d recommend this to those who are as I thought it was a good example of the genre. It’s not the most original idea ever & gives Blair Witch vibes at times but it has a solid story with a slightly unique (but obvious) twist, a cute kid, and some effective creepiness. Was actually glad I watched this in the middle of the day as I think I’d have had the heebie-jeebies watching this one late at night. – 6.5/10

– Not Okay – Not okay was just okay. I liked the sound of seeing superficial social media twats getting their comeuppance but having to watch a company full of them for a couple of hours was a bit exhausting. This could have been a smart satire with some great dark humor but it didn’t quite work & I’m not sure what point it was trying to make? Mia Isaac was good as a true survivor of tragedy (and the only likeable character). Liked her in that Don’t Make Me Go movie above, which I far preferred to this. Not Okay wasn’t horrible but could have been a lot better. Current stuff like this just make me miss movies like Heathers. – 6/10

– Persuasion – First of all, I’m not a Jane Austen fan. I’ve never read anything of hers – how terrible am I?! What can I say? I like sci-fi & horror. So I didn’t have that to “ruin” this story as it was new to me. But I don’t really like Dakota Johnson & don’t understand the obsession with her. I’d say if you’re not precious about the original material being messed with & if you’re one of those who loves Johnson for whatever reason, you’d probably find this a perfectly enjoyable romcom. Johnson looking directly at the camera & saying stupid modern shit in this period drama was mildly irritating but I liked the story well enough to not be too bothered by that. A lot of the modern talk thrown in was a bit vomit-inducing but I feel the same way about the stuff they say in plenty of romcoms. And, man, her sisters were hateful. But Richard E. Grant was fun to watch as always & Henry Golding is adorable. Meh. This film is harmless & somewhat enjoyable but mostly just felt a bit pointless. – 6/10

– The Last House On The Left (1972) – I have no clue how to rate or review this. A Nightmare On Elm Street is a big favorite of mine so I’d been meaning to check out Wes Craven’s debut despite hating “rape-exploitation” flicks.

This is pure ‘70’s trash. It’s cruel & the acting is dreadful. It also has weird slapstick comedy bits & smooth easy-listening music playing over scenes of graphic violence, which was bizarre. Well, I’ve seen it now so I guess I can tick it off my watchlist. I’ll give it an extra half a point for (finally) getting onto the revenge I was waiting for & half a point for being so ‘70s it hurts. God I love the look of films from that ugly decade. But I’d never watch this one again. – 5.5/10

– See For Me – This wasn’t the greatest. Watched it as I think it was a 2022 U.K. release & I’m just desperate to log some current releases while missing out on going to the cinema.

I liked the simple concept, which is a home invasion while a blind girl is in the house catsitting. Been done before but in this case she has an app she can use, called See For Me, where you’re connected to someone who helps guide you via the camera on your phone. I really liked that idea & the girl who answered the call was good. But this is one of those films where they make the main character too unlikeable. Why do movies do that? Why would I root for someone I don’t like? Not the fault of the person playing the character, though (legally blind in real life from what I read, so did a very good job) – it’s just how this character was written so they could have done a better job with that. At least try to make me care a little bit about the main character!

Oh well. I do still like the idea & did enjoy the use of the app in the movie. The film was enjoyable enough to pass the time, I guess. – 5.5/10

Movies Rewatched In July:

– Top Gun – Rewatched this just in case we got a chance to see Maverick (that’s not happened). I grew up in the ‘80s so I of course loved this film as a kid. Still enjoyed it just as much on a rewatch & still desperate to see what Maverick is up to now & if he’s still as cocky. And I still miss Goose. And I miss ‘80s action movie music. Go Kenny Loggins! Of course I had this soundtrack. Good ‘ol cassette tapes… – 8/10

– Casablanca – I saw this as a kid & have been meaning to rewatch it for years as I couldn’t remember anything other than the quotable lines that everyone knows. Still great stuff & Ingrid Bergman was lovely. Loved Dooley Wilson as Sam, too. Not sure what all those gorgeous leading ladies saw in Humphrey Bogart in all his movies, though. – 8/10

Documentaries, Shorts, Etc:

– The Decline of Western Civilization Part II: The Metal Years – These are my people! Really enjoyed this documentary set during my early high school heavy metal years. Also always wanted to see this as I believe it’s what got Penelope Spheeris the job directing Wayne’s World, which I absolutely adore.

Must admit that I enjoyed this far more than the first The Decline Of Western Civilization, partly because I of course loved the music but I also thought the interviews were much better & it felt like more of a documentary than the first film. Some of the live performances they focused on weren’t the best but the interviews with the masters such as Alice Cooper & my beloved Ozzy Osbourne, calmly making breakfast & dumping orange juice all over the table, more than made up for the cheesier (and sexist) bands in the film. And at least they ended on Megadeth, which is the type of music I still like more than the glam side of things.

Good nostalgic fun. I want Ozzy to make me a heavy metal breakfast. – 7.5/10

BOOKS, TV, MUSIC, MISCELLANEOUS IN JULY

TV SHOWS WATCHED

– The Boys: S1 E3-4 – This is really good so far. Glad we decided to check this one out. A much more realistic take than Marvel on what superheroes would actually be like.

– Only Murders In The Building: S2 E3-6 – Been a fun show to watch as a family. Still think it has great opening titles & music too.

– Grey’s Anatomy: S18 E18-20 – This show is so bloody boring the past few years… But after 18 years I can’t stop watching it now!

TV Specials:

– Paul McCartney at Glastonbury – Good stuff! Thought McCartney was great. Especially loved seeing Dave Grohl join him. And the John Lennon duet. Checked out a few other acts but honestly can’t remember who now.

TV Rewatched:

– Stranger Things: S1 E1 – Tried to get my daughter into this show. It didn’t happen. Damn. Was hoping to catch up (I didn’t finish season 3) as season 4 actually sounds like it was pretty good? Had good music, at least!

BOOKS READ

– Elsewhere by Dean Koontz – Love Dean Koontz even though his stories are all so similar. Some are better than others & this is one of those that I think I’ll have no memory of years from now. Likeable father & daughter, as to be expected of all Koontz main characters, but maybe I’m just kind of bored with multiverse stories after recent Marvel films, especially the Doctor Strange one that I thought was pretty rubbish. – 2.5/5

I’ll end this with a song from Don’t Make Me Go. Gotta love Iggy Pop! Here’s The Passenger:

Today’s IMDB Top 250 Guest Review comes from Josh of JJames Reviews. He’s already done a review of Apocalypse Now (HERE) and Inglourious Basterds (HERE). Thanks so much for the reviews, Josh! 🙂 Now let’s see what he has to say about Casablanca, IMDB rank 25 out of 250…

Casablanca (1942)

Directed By: Michael Curtiz

Written By: Julius and Phillip Epstein, and Howard Koch

Starring

Humphrey Bogart
Ingrid Bergmann
Paul Henreid
Claude Rains
Conrad Veidt
Peter Lorre
Dooley Wilson

Running Time: 1 hour 42 minutes

Plot Synopsis

In the midst of World War II, a Jewish leader, Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergmann), come to the city of Casablanca, part of unoccupied France, hoping to escape Nazi influence and reach the United States. Standing in their way are Major Heinrich Strasser (Conrad Veidt), a Nazi military man, and Captain Louis Renault (Claude Rains), a corrupt French police officer. Even more troublingly for Laszlo and Ilsa is that they need Rick Blaine’s (Humphrey Bogart) help, but Rick is seemingly self-serving and withdrawn. That he has history with Ilsa complicates matters, as well.

My Take

Casablanca is one of the best movies ever made, which means listing its merits proves more difficult than detailing its flaws:

Rick’s final actions are cleverly foreshadowed and brilliantly executed, but Renault’s last decision makes less narrative sense. We can understand why he might help Rick, but why would he choose to leave Casablanca?
In the finale, Renault’s subordinates are so stupid as to be almost unbelievable. Even though their boss orders them to round up the usual suspects wouldn’t one of them ask, “Were you a witness? What happened?”
Um. Maybe. Peter Lorre doesn’t have enough screen time? Sure. Why not?

And that’s it. Even those flaws, of course, are terribly nit-picky, as the first two span the picture’s final thirty seconds and have zero impact on the preceding magic, while the third is not, in reality, a mistake.

Casablanca’s screenplay is its foremost merit. With much memorable dialogue that has become part of Western culture, it is one of the most quoted movies in history.

“Of all the gin joints in all the world she walks into mine.”
“Here’s looking at you, kid.”
“I’m shocked, shocked to find that gambling is going on in here.”
“(Yesterday) is so long ago, I don’t remember.”
“I think this is the beginning of a beautiful friendship.”
And so many more.

Yet, the script’s greatest strength is not quotability. It’s character development. Rick, Ilsa, Renault and Laszlo are complex individuals, about whom we care, no matter their flaws. Sam (Dooley Wilson), an African American pianist, is layered by loyalty to Rick and emotional acuity, while Major Strasser, the antagonist, is not a comic book villain. Because he’s a Nazi, we do not like the Major, but director Michael Curtiz and his writers are smart enough not to make him stereotypically evil, instead opting to develop him as determined and efficient. Because all of the characters are so genuine, the filmmakers earn our emotional investment, and thereby ensure that Casablanca’s limited action is not a flaw.

It helps that the movie is not predictable, despite being character centric. Rick’s final gambit surprises us, as does some of Ilsa’s behavior. Even more impressively, however, is how well Bogart, Bergmann and Curtiz sell Ilsa and Rick’s romance, in two short scenes, no less. The first: Ilsa asking Sam to play “As Time Goes By,” a request Sam reluctantly accepts, knowing that Rick will respond badly. The second: a ten-minute in medias res flashback. We don’t see the beginning of Ilsa and Rick’s relationship, but we don’t need to, as the flashback shows us their depth of feeling. Therein is why Rotten Tomatoes fittingly calls Casablanca “Hollywood’s quintessential statement on love and romance.”

Curtiz’s technical decisions are just as good as his writers’ screenplay. This black and white film is lit so well that it is never less than visually stunning. Moreover, the director’s establishing shots set tone in every scene, especially when Laszlo and Strasser have a sing-off in Rick’s bar, when Ilsa surprises Rick in his own home, and when Rick is left heartbroken at a train station. Additionally, Curtiz cuts the movie as to surprise us and increase our anxiety, especially in the film’s climax.

Finally, all of the performances are excellent. Without Humprhey Bogart and Ingrid Bergmann’s soulful performances, Casablanca would not be half as good as it is. Peter Lorre steals his two scenes, as does Dooley Wilson, who makes us wish Sam had a bigger role. Paul Heinreid, Claude Rains and Conrad Veidt are equally note perfect.