Blade Runner 2049 (2017) Review

Blade Runner 2049 (2017)

Directed by Denis Villeneuve

Based on Characters from Do Androids Dream of Electric Sheep? by Philip K. Dick

Starring: Ryan Gosling, Harrison Ford, Ana de Armas, Sylvia Hoeks, Robin Wright, Mackenzie Davis, Carla Juri, Lennie James, Dave Bautista, Jared Leto

Music by Hans Zimmer & Benjamin Wallfisch (Blade Runner themes composed by Vangelis)

Cinematography Roger Deakins

Plot Synopsis: (via Wikipedia)
A young blade runner’s discovery of a long-buried secret leads him to track down former blade runner Rick Deckard, who’s been missing for thirty years.

My Opinion:

I don’t know how to go about reviewing this film plus there are loads of excellent reviews from actual writers already so I’ll try to keep this one short. Blade Runner 2049 is a brilliant film that will be (and, for many, already is) considered a classic years from now. Like the first film from 1982, it’s sadly a bit of a flop at the box office so far. And like that one, it will forever be revered by fans of serious, hardcore science fiction. If you haven’t seen or don’t like the first film, don’t bother watching this one. You won’t like it. If you’re a big fan of the first film, you’ll be very happy with this one (but I don’t need to tell you that since the hardcore fans have seen the sequel by now).

I do love serious sci-fi although I won’t admit to always understanding it. Science fiction is my favorite genre and the more it makes me think, the more I like it. Usually. Except with Primer… I don’t understand what the HELL was going on in that movie! But back to Blade Runner: The themes associated with artificial intelligence and “the Singularity” are always a favorite of mine within this genre so I do love the original. And I love Ex Machina. And I love WALL-E. And I love The Terminator. Hell, I even like stuff like Bicentennial Man. The thought of artificial intelligence developing human emotions and/or the thought of it far surpassing what the actual human brain could ever be capable of is both fascinating & scary as shit. Well, more scary as shit than fascinating – I think a Terminator future is more likely than a lovable robot WALL-E future. I just read that it’s been predicted that the Singularity will occur by 2045. Shit! That’s not that far away. I may still be alive! This was meant to be after I was long gone. I don’t want the machines to take over!

Holy shit – I’ve gotten very off track. Blade Runner isn’t even really about that. Well, sort of. Not really. God I hate reviewing thinky sci-fi. As I said, I do love the original film (Whichever of the 28 different versions I actually saw. I could do with rewatching it again but knowing which definitive version to watch sucks my will to live). But the Roy Batty “Tears in Rain” monologue is in all versions as far as I’m aware and I love it. It’s one of the all-time greatest cinematic scenes. I wouldn’t say any one scene in the sequel quite matches the emotion or intensity of the “Tears in Rain” scene but several come damn close. I still prefer the 1982 film overall but this is a fantastic sequel that poses even further questions on the issues of morality that are raised in the first film. It’s an impressive film and quite a feat to make a classic such as Blade Runner even better with the addition of a sequel. I mean, look at those Matrix sequels. I hated those & they ruined the first movie for me. Very few sequels make the first film even better so I’m very happy that Blade Runner 2049 managed to do exactly that.

I don’t want to ramble on incoherently for much longer so I’ll just finish by saying what else I loved about this movie besides its overall story & themes. First of all, it’s gorgeous. Director Denis Villeneuve & cinematographer Roger Deakins are in danger of becoming favorites of mine after this and the equally brilliant Arrival (which wasn’t Deakins) and Sicario (which was Deakins). Actually, they already are favorites of mine. Those guys kick ass! Arrival especially – that was a masterpiece in my opinion. Is Blade Runner 2049 as good as Arrival? Hmm… I wouldn’t say I loved it to the same degree and I certainly didn’t have the same emotional response that I did with Arrival but I think I’ll grow to like Blade Runner 2049 even more with time. It’s a grower. I’d like to see how I feel about it in a year but I can see it only going up in people’s estimations over time. Oh, and the effects are amazing. Amazing as in: “I didn’t notice any special effects so they must have been amazing as I’m sure there were shitloads of effects going on“. I know nothing about special effects – I just know that I find dodgy CGI really distracting and that never happened in this film, which meant I was never “thrown out” of the gorgeous world created by these filmmakers. And that sex scene was very well done. I can say that without sounding like a perv since I’m a girl. Bet guys loved that scene, though. Kinky.

Finally, the performances in Blade Runner 2049 are great & far better than I had expected. I admit I can be very fickle about actors – I went from totally loving Ryan Gosling around the time of Drive to becoming a bit bored with him & not really giving him much thought in the past few years. I think my crush is back! I loved him in this. He’s easily the best one in this film (luckily, as he’s in it far more than anyone else). His subtle sort of style works perfectly for his character in the same way I think Harrison Ford was perfectly suited to play Rick Deckard.

Speaking of Ford, he’s the best he’s been in a long time. I love Ford. He’s freaking HAN SOLO. But he’s been in some less than stellar films and, sometimes, well… He just seems bored in some of his movies. He’s very good in Blade Runner 2049. Phew. Yay for that! (He’s barely in it, though). Everyone did a very good job in this so I won’t go into each performance but the one other one that deserves a special mention is Ana de Armas as Joi. It’s an unusual role and she does an amazing job with it (I know everyone who’s going to see this probably already has but I’m still avoiding spoilers). And she’s pretty. Too pretty. Like Alicia Vikander in Ex Machina. It’s not fair.


Wait, I forgot about Jared Leto! How could I forget Leto?! He gets on my nerves sometimes and I hated him in Suicide Squad. He’s tolerable in this, I guess. Still a bit over-the-top but at least he’s not in loads of scenes. So, besides Leto being slightly annoying and the running time of 2 hours & 44 minutes admittedly being a little longer than necessary, I can’t really think of anything negative to say about Blade Runner 2049. But I still liked Arrival slightly more. If a third Blade Runner film manages to make the entire series even better as a whole in the same way that this sequel has made me even further appreciate the 1982 film, we may have a science fiction trilogy masterpiece.

My Rating: 9/10

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My Oscar Picks For The 89th Annual Academy Awards

I say this pretty much every year lately but I really don’t care about the Oscar nominees & winners anymore. The Academy is so out of touch with the general public’s opinion. Okay – I admit to being a film snob so, when I say “general public”, I mean us crazy fans of cinema. I mean people like you guys, my fellow movie bloggers. We should be the Oscar voters! 😉 If we left it up to only the general public & box office take, Oscars would go to shit like Fifty Shades. But that would still almost be better than going to undeserving movies that usually win because of behind the scenes Hollywood politics.

I’ll still watch the show, though, like I have for many many years now. I even continued watching it after moving to the UK, even though it means I have to stay up all night since it’s on in the middle of the night here. Why do I do it?! I dunno. Tradition, I guess.

I also do this post every year although, once again, I’ve seen hardly any of the nominees. Only two of the Best Picture nominees! Out of eight?? That’s pathetic, I know. To be fair, we were once again a bit screwed over in the UK. Hidden Figures & Moonlight have only been out for a week here and I’ve not had a chance to go to them. I badly wanted to see Manchester By The Sea & wanted to see Portman in Jackie but they had limited showings at a time I was too busy. As always, these Oscar-worthy films get pretty quickly replaced by more mainstream films so, if you don’t get to them right away, you’re out of luck. I like the sound of Lion so will watch it eventually and I’m kind of kicking myself for not watching Hell Or High Water after the hubby went to it & said it was really good. I may have the evening to myself so am tempted to rent it tonight…

I’ll give a quick list of links to my reviews of all the nominated movies that I’ve actually seen. Haha! Looking at it now, it’s a funny list. How obvious is it that, if you have kids, they rule your life?? And I wouldn’t change that for the world! 🙂 It just means that I’ve seen pretty much every kids’ film nomininated for anything. Including that stupid Trolls movie. Yeah. Trolls is up for an Oscar but Amy Adams isn’t. Screw you, Academy!

After that, I’ll list all the nominees for each category and what I WANT to win each Oscar and what I think WILL win each Oscar. And I’m certainly making no bets this year – I’m completely clueless and uninformed. Again, though, I just do this out of tradition I guess. And, as always, I pick my favorite sounding title from things like the documentaries & shorts because I know NOTHING about any of them. 😉 Especially this year. Yep – I fully admit it. If the Oscar clips make them look good, though, I’ll then look into them.

Here we go! And I’m happy to hear opinions from those of you who watched more than just kids’ films last year. 😉 And if Arrival wins EVERYTHING like it should, I may take back all my bitchy comments about The Academy. (It won’t)

All The Nominees I’ve Seen:

Arrival
La La Land
Nocturnal Animals
Rogue One: A Star Wars Story
Zootopia
Kubo and the Two Strings
Moana
Trolls
Fantastic Beasts and Where to Find Them
The Jungle Book
Piper

NOMINEES:

Best Picture:
Arrival (WANT!!!!!)
Fences
Hacksaw Ridge
Hell or High Water
Hidden Figures
La La Land (WILL)
Lion
Manchester by the Sea
Moonlight

Best Director:
Damien Chazelle, La La Land (WILL)
Barry Jenkins, Moonlight
Kenneth Lonergan, Manchester by the Sea
Denis Villeneuve, Arrival (WANT!!!)
Mel Gibson, Hacksaw Ridge

Best Actor:
Casey Affleck, Manchester by the Sea (WANT & WILL)
Denzel Washington, Fences
Ryan Gosling, La La Land
Andrew Garfield, Hacksaw Ridge
Viggo Mortensen, Captain Fantastic

Best Actress:
Emma Stone, La La Land
Natalie Portman, Jackie (WANT & hopefully WILL)
Meryl Streep, Florence Foster Jenkins
Isabelle Huppert, Elle
Ruth Negga, Loving

Best Supporting Actor:
Mahershala Ali, Moonlight
Jeff Bridges, Hell or High Water
Dev Patel, Lion (WILL)
Lucas Hedges, Manchester by the Sea
Michael Shannon, Nocturnal Animals (WANT)

Best Supporting Actress:
Viola Davis, Fences (WILL)
Michelle Williams, Manchester by the Sea (WANT)
Naomie Harris, Moonlight
Nicole Kidman, Lion
Octavia Spencer, Hidden Figures

Best Adapted Screenplay:
Moonlight
Arrival (WANT & hopefully WILL)
Fences
Lion
Hidden Figures

Best Original Screenplay:
Manchester by the Sea (WILL)
La La Land
Hell or High Water (WANT)
The Lobster
20th Century Women

Best Foreign Language Film:
Toni Erdmann (WANT & WILL)
The Salesman
Land of Mine
Tanna
A Man Called Ove

Best Documentary Feature:
O.J.: Made in America
13th
Fire at Sea
I Am Not Your Negro
Life Animated (WANT & WILL. Why? I like the name the most. I don’t know what any of these are about. Although I assume the first one is about O.J. Simpson??)

Best Animated Feature:
Zootopia (If this wins, I’m gonna throw something at the TV)
Kubo and the Two Strings (WANT)
The Red Turtle
My Life As a Zucchini
Moana (WILL)

Best Film Editing:
La La Land (WILL)
Moonlight
Arrival (WANT)
Hacksaw Ridge
Hell or High Water

Best Original Song:
“City of Stars,” La La Land (WILL)
“Audition (The Fools Who Dream),” La La Land
“How Far I’ll Go,” Moana
“Can’t Stop the Feeling,” Trolls (WANT, although the movie sucks ass)
“The Empty Chair,” Jim: The James Foley Story

Best Original Score:
La La Land (WILL)
Lion
Jackie
Moonlight
Passengers (WANT. Not seen it but Thomas Newman deserves an Oscar.)

Best Cinematography:
La La Land
Moonlight
Arrival (WANT & hopefully WILL)
Silence
Lion

Best Costume Design:
Florence Foster Jenkins
La La Land
Fantastic Beasts and Where to Find Them
Allied
Jackie (WANT & WILL)

Best Makeup and Hairstyling:
Star Trek Beyond
A Man Called Ove
Suicide Squad (WANT & WILL)

Best Production Design:
La La Land (WILL)
Fantastic Beasts and Where to Find Them
Hail, Caesar!
Arrival (WANT)
Passengers

Best Sound Editing:
Hacksaw Ridge
Arrival (WANT & WILL)
Deepwater Horizon
La La Land
Sully

Best Sound Mixing:
Rogue One: A Star Wars Story
Hacksaw Ridge
La La Land
Arrival (WANT & WILL)
13 Hours: The Secret Soldiers of Benghazi

Best Visual Effects:
The Jungle Book (WILL)
Rogue One: A Star Wars Story (WANT)
Kubo and the Two Strings (Also Want)
Doctor Strange
Deepwater Horizon

Best Short Film, Live Action:
Timecode (WANT & WILL. Yeah, I’ve just chosen the most interesting sounding title again.)
Silent Nights
La Femme et le TGV
Ennemis Interieurs
Sing

Best Short Film, Animated:
Piper (WANT & WILL) (Very unlikely it will but it’s the only one I’ve seen & it’s adorable.)
Pearl
Borrowed Time
Blind Vaysha
Pear Cider and Cigarettes

Best Documentary, Short Subject:
Joe’s Violin
The White Helmets
Extremis (WANT & WILL. And, again, I’ve just chosen a title I like…)
Watani: My Homeland
4.1 Miles

Sicario (2015) Review

Sicario (2015)

Directed by Denis Villeneuve

Starring: Emily Blunt, Benicio del Toro, Josh Brolin, Daniel Kaluuya, Maximiliano Hernández, Victor Garber, Jon Bernthal, Jeffrey Donovan, Raoul Trujillo, Julio Cedillo, Hank Rogerson, Bernardo Saracino

Music by Jóhann Jóhannsson

Cinematography by Roger Deakins

Plot Synopsis: (via Wikipedia)
The film is about a principled FBI agent who is enlisted by a government task force to bring down the leader of a powerful and brutal Mexican drug cartel.

My Opinion:

Ohhh… This movie was GOOD. And to think I wasn’t even necessarily planning on ever watching it! I never really like the crime drama type of genre so, no, this will never exactly be a personal favorite film of mine whereas I LOVE Villeneuve’s Arrival (It’s my favorite genre – So glad he’s going in a sci-fi direction with his movie choices now!!!). But it’s a damn good film even if it’s not usually my sort of thing.

It wasn’t until loving Arrival that I started taking a bit more notice of Villeneuve’s work. It’s why I finally decided to watch Sicario last month (my girl crush on Emily Blunt helped too). I’d already seen a couple of his films and I thought they were pretty good and beautifully filmed but they weren’t really my type of thing either. Wait – I take that back… Enemy was totally my type of thing. I wanted to like that one more than I did. I did appreciate it and think I’d like it more on a re-watch but it was a very slow film & it took a while to get into it. I preferred it to Prisoners, however, but that’s again probably due to me not liking the crime genre. I now really want his Incendies to be one of the next films that I watch for my IMDB Top 250 Project (it’s at #146). With his current popularity I’m hoping it’ll pop up on Netflix or something.

So! Here we are with Sicario – easily my second favorite Villeneuve film I’ve seen so far. I know nothing about filmmaking but this film was beautiful. Those shots of the landscape! It’s a shame that I saw this one on a TV instead of in the cinema. The cinematography & the score created such a rich atmosphere. This combination almost gave me the same sort of feeling as I had while watching Sergio Leone’s Spaghetti Western epics (I liked the Dollars Trilogy & Once Upon A Time In The West WAY more than I ever expected to, especially having no prior Western movie experience).

I can definitely say that I intend to watch everything made by Villeneuve from now on. This is what I like: Movies that feel like true art. It feels like we don’t get enough “epics” nowadays. And they don’t all have to be artsy fartsy – I’d call Mad Max: Fury Road epic & it’ll still be loved & respected years from now. I blame the general public for the lack of very few all-time great films now, though, not the filmmakers. The majority of people wouldn’t have the patience for a Leone film now – they’d rather go to the next Fifty Shades movie. The next Fast & Furious film will make more money than most of the Best Picture nominees put together (Maybe. I dunno. I’m pulling that statistic out of my ass). Sicario isn’t quite up there with the Leone films but it’s getting close. Arrival is at that level (for me, at least). Both Sicario & Arrival will be seen as all-time classics 20 years from now, which can’t be said of many current films. But the Leone films didn’t really get any respect until years later, right? I think these two Villeneuve films, though respected by the filmmaking community right now, will get more recognition in the future. Arrival won’t win Best Picture and, years from now, people will be all “Why didn’t Arrival win Best Picture that year?!”. Oh well – The Academy never gets it right anymore.

I’m rambling, as usual, so I’ll wrap this up by saying a bit more than “This film is pretty & has a great mood!”. I’m one of those weirdos who cares more about a movie’s director than its stars. If the director is awesome and the story is good, the actors probably won’t f*^k up the film. I mean, I suppose a good director isn’t going to let crappy actors be in their film anyway. However, some credit has to be given to the actors in Sicario. Emily Blunt & Benicio del Toro are especially strong in bringing these characters to life.

Blunt, who kicked ass in Edge Of Tomorrow, again plays a great “tough chick” with a believable vulnerability. Her character isn’t perfect, she doesn’t make all the right decisions, she’s not a machine, she does have emotions, but she stays true to her beliefs to the very end. This is actually a very similar character, belief-wise, to the one in Edge Of Tomorrow and I think Blunt plays these “strong yet vulnerable” roles perfectly. Can we have more roles like these for women, please??? Thank you, Villeneuve, for these strong & believable female roles (Btw – I’ll say it again – Amy Adams was ROBBED of an Oscar nomination for Arrival! Grr).

Benicio del Toro also gives his best performance since the dog-faced boy in Big Top Pee-wee (he must get so sick of people saying that). Seriously, though – I’ve always known he was a good actor but I’ve not paid much attention to him. He’s fantastic in this, especially at the end. He kind of blew me away. He plays this thoroughly complex character with such chilling subtlety. Josh Brolin & Daniel Kaluuya also do brilliantly in supporting roles and I loved how the film captured the strong bonds and sense of extreme loyalty between FBI partners.

Sicario’s slow & deliberate build-up of tension and the reveal of character motivations made for one of the most intense final acts I’ve seen in a while. I admit that it took me a while to get into the film as it’s a topic I certainly can’t relate to and a genre I don’t often choose to watch but it’s so well-made with such rich characters & performances and an ending that had me on the edge of my seat (well, couch). This is damn good filmmaking. I want more of this. Please let Blade Runner 2049 be at least this good!

My Rating: 8/10

**Speaking of the lovely Emily Blunt, it’s her 34th birthday tomorrow so I’ll be posting a list of My Top Ten Emily Blunt Movies. 🙂

Arrival (2016) Review

Arrival (2016)

Directed by Denis Villeneuve

Based on Story Of Your Life by Ted Chiang

Starring: Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg, Tzi Ma

Plot Synopsis: (via IMDB)
A linguist is recruited by the military to assist in translating alien communications.

My Opinion:

YES!!!! This is good sci-fi. This is what I wanted when I watched Interstellar & was left extremely disappointed. This is intelligent sci-fi that doesn’t feel the need to dumb things down for its audience but also isn’t up its own self-important arse (like, you know, Interstellar). I didn’t look at my watch once while watching this & wonder if the movie was in fact five hours long (like I did with, you know, Interstellar). Okay – I’ll shut up about the massively overrated Interstellar now (I promise!). I’m just happy that Arrival is a great high-concept sci-fi film that can easily stand alongside some of the best classics of its genre (unlike a 2014 Christopher Nolan-directed, Matthew McConaughey-starring sci-fi film that shall remain nameless).

Arrival is a movie of two parts (like all the very best science fiction films): The cool alien shit and how humanity deals with their arrival as well as the more personal “human story” (involving the character of Amy Adams) at its heart. I’m not one for overly-sentimental stories in films as they so often feel contrived but Arrival handles the story involving Adams and her personal life beautifully & I found it very moving and not at all cloying (like I may have found with another film I won’t mention but that starts with the letter I).

I’m not great at handling these emotional films! Between Arrival, Room & Nocturnal Animals (although that Amy Adams film, which I reviewed HERE yesterday, was emotional in the completely opposite way), 2016 has been quite a year for movies that had me reeling with their sheer intensity. By the way – Room was 2016 in the UK so don’t correct me. 😉

Anyway, my “reeling” comment sounded corny. Sorry! But I’m not sure how else to describe that feeling you get from those films that are so well-made, through I suppose a combination of great directing, acting, cinematography, story, atmosphere, music, etc etc, that you end up fully immersed in the world of the film. It’s weird – movies seem to be getting worse & worse in recent years but the GOOD ones are actually getting better & better. There’s a huge divide now between the (many) bad films and the (sadly far fewer) films that are so amazingly good that they almost transcend reality. Okay – that really did sound corny.

My point is this: Arrival is possibly one of the transcendent ones. I knew I’d struggle writing about it but I’ve thought about it a lot since seeing it a week & a half ago. With movies like these, I don’t like to write about them until I’ve had enough time to sort out my thoughts. I currently have this ranked just below Room on my 2016 list as it still didn’t manage to move me quite as much as Jacob Tremblay’s scarily good performance in that. However, Arrival is the better film overall. The look, the story, the relationships (particularly the main one involving Amy Adams), the message, the aliens(!)… There’s nothing I love more than a good alien film! I loved Arrival & movies like these are what keep me watching & loving them despite having to sift through so many bad ones.

I’m not great with words (making this blogging thing a massive struggle) so I’ll just leave it at this: Arrival is a damn good film. I’d love to hear from anyone who feels the same. Or even anyone who feels differently and prefers science fiction movies starring Anne Hathaway & directed by Jonathan Nolan’s brother. And, please oh please, will you discuss Nocturnal Animals with me in the comments of that review if you’ve seen it??? That movie absolutely floored me. You’ve had one hell of a month, Amy Adams!

My Rating: 9/10

Enemy (2013) Review

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Enemy (2013) Review

Directed by Denis Villeneuve

Based on The Double by José Saramago

Starring:
Jake Gyllenhaal
Mélanie Laurent
Sarah Gadon
Isabella Rossellini

Running time: 90 minutes

Plot Synopsis: (via IMDB)
A man seeks out his exact look-alike after spotting him in a movie.

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My Opinion:

I’d been wanting to see Enemy for ages & it appeared that it was going to be another one of these movies that would never come out in the UK for some reason. Luckily, it got a limited cinema release then was finally just released on DVD here. Was Enemy worth the wait? Hmm…

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I DO like movies that make you think. However, I’m old. And busy. I don’t have time these days to have to “research” something after watching it the way I used to read Lostpedia after every episode of Lost. Ain’t nobody got time for that! So Enemy ended & I went “WTF?” and immediately went online for an explanation because I’m too old & tired to think these days.

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There are a few different theories about the film but they’re all basically the same and do actually make sense if you think about it & perhaps watch the movie again. The problem with this movie is that it doesn’t really hold your attention on the first watch so the thought of re-watching it in order to piece everything together isn’t really all that appealing. I did something I never do and re-watched the very beginning of the movie once I’d finished it as there’s an important symbolic scene at the start that will possibly help you to understand what you’ve just watched. If you care enough to understand. I’m pretty sure most people won’t care, though, which is unfortunate as it’s a good story.

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I can’t help but compare Enemy to The Prestige in my mind, which is a movie I love. Both films give you a lot to think about but, with The Prestige, I wanted to think about it & discuss it afterwards. The Prestige was exciting from start to finish on the first watch & I was more than happy to watch it again. Enemy is so SLOW. I knew I should be paying attention but my mind kept wandering. Both movies are very atmospheric but it feels like Enemy is trying too hard to be that way through the use of muted colors & a suspenseful, almost Hitchcockian score. Enemy is like a weird sort of cross between Hitchcock’s Vertigo and some of David Cronenberg’s more serious dramas such as Crash or A History Of Violence. Oh, and I suppose a bit of David Lynch’s Mulholland Drive as well as far as the “mindfuck” plot (Enemy is far less confusing than Mulholland Drive, though). Hmm – I wonder if Isabella Rossellini was chosen to be in Enemy because of her role in Blue Velvet? Anyway, I’m a big fan of both Hitchcock & Cronenberg (not Lynch so much) so I appreciate the effort on the director’s part to try to make Enemy an “artistic” film. Unfortunately, it feels like more effort was put into being artistic than into making the movie an enjoyable watch and it ended up feeling much longer than its 90 minute running time. I actually think it may have been a better experience overall if the director had gone more “Cronenberg WEIRD” and made Enemy a little more freaky instead of artsy & borderline boring…

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Hey, is that the Saul Bass Vertigo poster in the background…?! I just spotted that! I feel smart now for comparing this movie to Vertigo! 😉

Summary:

I think I’ve done it again… I made it sound like I kind of hated a movie when I actually thought it was okay. Considering that I like the movies that it’s trying to be like (those directed by Cronenberg, Hitchcock, a little bit of Lynch), it’s my type of movie and I’ll always appreciate something like Enemy more than most braindead blockbusters that you forget about two months after watching them. I’ve written this review very soon after watching the movie since I’m trying to not fall as behind on reviews as I did last year but it means that I’m still kind of figuring out how I feel about it. I think I’m a little bit disappointed as the potential was there for Enemy to be great but, when compared to similar films that came before it, it really pales in comparison. It could have gone even more artsy or more weird (my vote is for weird) but instead it actually played it fairly safe, making it less memorable than the films from Hitchcock, Cronenberg & Lynch.

My Rating: 7/10

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Prisoners (2013) Review

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Prisoners (2013)

Directed by Denis Villeneuve

Starring:
Hugh Jackman
Jake Gyllenhaal
Viola Davis
Maria Bello
Terrence Howard
Melissa Leo
Paul Dano

Running time: 153 minutes

Plot Synopsis:
When two young girls go missing, the father of one of the girls (Hugh Jackman) feels he must take matters into his own hands while the police investigate but seem unable to find out what happened to his daughter & her friend.

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My Opinion:

This will be a quickie. I’ve been a terrible movie blogger lately! I’ve been busy so have done very few reviews & when looking at the list of films I’ve watched this year, I see I’ve not reviewed 24 of them. Pathetic! So I’ll try to crank out some short ones over the next few weeks. I’m too wordy anyway!

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The Story:

Prisoners is very highly rated & recommended but I couldn’t help but feel a little disappointed by the end of the film as I left with far too many unanswered questions. The investigation didn’t feel at all like how one would go in real life (not that I exactly know). The cop (Jake Gyllenhaal) did far too much on his own. Don’t they have partners in real life? Especially for potentially dangerous situations? And there were a few things that seemed so obvious to anyone watching the film yet this cop, who has apparently solved every case he’s ever been on, completely misses these clues or figures them out too late. Like with a lot of movies in this genre, some of the characters do things that don’t make sense and you can’t help but get annoyed when they do something stupid. All in all, there were just far too many loose ends for me to be able to leave the cinema feeling satisfied by the story.

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The characters:

Luckily, the movie is helped by some believable characters & good performances. Hugh Jackman is by far the best thing about the film. He’s very good as the desperate father who will do whatever it takes to find his daughter. His wife (Maria Bello) didn’t have much to do but the parents of the other missing girl (Viola Davis & Terrence Howard) were also very good as two parents going through their worst nightmare.

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The thing that probably annoyed me most about this movie, aside from the problems I had with some plot holes, was the underdevelopment of Jake Gyllenhaal’s character. His character felt like he had a very interesting backstory but this wasn’t explored at all and I left feeling like he must have more scenes that explained his character’s past but were left on the cutting room floor. Which is especially disappointing as, at a length of two and a half hours, you would think they could have devoted a little time to his past. Jackman’s character also suffered a bit from this lack of development. I don’t know. Seeing as the story just didn’t quite come together, getting to know a bit more about the characters & their motivations (what’s with the religion? being a survivalist? having nervous ticks & lots of tattoos?) would have been nice.

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Summary:

A tense thriller with some very good performances that’s unfortunately let down by an investigation that doesn’t stand up to close scrutiny & lack of character development. The film’s biggest strengths are the performances from its stars and some strong and (potentially) very interesting characters. However, these interesting characters deserved to have much more of the two and a half hour running time devoted to their development. I really felt like we were missing so much of whatever made Jackman’s and especially Gyllenhaal’s characters who they were. Had we learned more about these seemingly deep men with strong beliefs that aren’t explained, I’d have been able to overlook a few problems with the plot.

My Rating: 6.5/10

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That was still too wordy…