Finding Dory (2016) Review

Finding Dory (2016)

Directed by Andrew Stanton

Starring: Ellen DeGeneres, Albert Brooks, Hayden Rolence, Ed O’Neill, Kaitlin Olson, Ty Burrell, Diane Keaton, Eugene Levy

Music by Thomas Newman

Production company: Walt Disney Pictures & Pixar Animation Studios

Plot Synopsis: (via Wikipedia)
Finding Dory focuses on the amnesiac fish Dory, who journeys to be reunited with her parents. Along the way, she is captured and taken to a California public aquarium, from which Marlin and Nemo attempt to rescue her.

My Opinion:

I adore Pixar. Any regulars here will know that by now but, just in case someone new is reading this, I LOVE PIXAR!!! And we always have to wait a couple of months to see them in the UK. I love Pixar so much that I’ve even contemplated travelling to other countries to see Pixar movies when the UK has a much later release date. 😉 Finding Nemo just makes it into my Top Five (I did rank the Pixar movies HERE but I’d re-arrange that a bit now) and Dory is probably still close to the top of a list of my favorite Pixar characters (which I posted HERE on my very first day on this blog – I’ll update that list too!). So, yes – I was very much looking forward to spending more time with characters I love. Was it worth the extra wait? Well, it certainly wasn’t worth a trip to another country to see it early so I’m glad I didn’t do that.

Baby Dory is one of the cutest things ever but all the cuteness still isn’t enough to make up for such a weak story. I was even a little bored throughout the film (as was my kid). It breaks my heart to say that about a Pixar movie other than Cars! I enjoyed seeing Dory but Marlin & Nemo almost felt unnecessary, which sucks. I know they’ve already had their own movie but Dory was just as big of a star in Finding Nemo as Marlin & Nemo were. In this, it felt a bit like “well, we have to have Marlin & Nemo tag along as it makes no sense to not have them in the film”. They also tacked on an appearance from Crush & Squirt that I’m not exactly going to complain about as those two are AWESOME, dude, but I just walked out of Finding Dory feeling like I’d watched an inferior version of Finding Nemo. It’s the exact same story again minus the creativity & imagination involved in the first film. The characters are far weaker and there are none of the special little moments that made Finding Nemo so great.

The biggest new addition is an octopus named Hank & I know he has some fans. Hank is okay but, for me, he’ll never be a favorite. In Nemo, even the tiniest roles were fantastic. I could happily watch an entire movie set just in that tank in the dentist’s office… Gill, Bloat, Peach, Bubbles, etc – every single fish in that tank was more memorable than any of the new characters in the sequel.

I always do this – I’m far more critical of the things that I love. I suppose I just have really high standards when it comes to Pixar because they’ve made so many movies that I consider to be perfection. I did enjoy Finding Dory and, to be expected, I enjoyed it more than any other recent animated kids’ films from other studios. To compare it to something like The Secret Life Of Pets, I definitely liked it more. But when compared to other Pixar films, it would be fairly low down the list. I think I feel similar to how I now feel about Monsters University. Both sequels just can’t live up to the originals but that’s because the originals are so damn good (I just checked my review of that, though – I was way too generous with an 8/10! I guess it was my excitement at seeing Mike Wazowski again). But the Toy Story sequels are great so, I dunno… I’ve realized that part of the problem is seeing Dory upset & not the same silly, optimistic, lovably forgetful fish from the first film. She’s almost become Marlin in this film, which works well for his character but not for hers. The story & the characters all just worked together so perfectly in the first film whereas it all feels a bit too forced this time around. But, hell – it’s still Pixar and I still love Dory & it’s still a million times better than Cars. Maybe it’ll grow on me when I see it more at home. But I’m sad to say that I don’t think the kid liked it all that much so I don’t think it’ll get a lot of repeat home viewings unlike the Toy Stories & Monsters, Inc.

My Rating: 7.5/10

Is There A Scene After The Credits?: Yes – at the very end. I found it worth staying for, especially as a fan of the first film.

How About The Short Beforehand?: Piper is freaking ADORABLE. Just as adorable as baby Dory in that above picture and actually better than the Finding Dory film. It was great to see such a good Pixar short after being disappointed with things like Lava. Good job, Pixar!

Advertisements

The Godfather: Part II (1974) IMDB Top 250 Guest Review

20140705-100138 am-36098825.jpg

Today’s IMDB Top 250 Guest Review comes from Zoe of The Sporadic Chronicles Of A Beginner Blogger. She reviewed The Godfather: Part I for us last week (see her review HERE). Now she’s tackling The Godfather: Part II. She’s also reviewed The Departed (HERE) and The Green Mile (HERE) and Big Fish (HERE). Thanks once again, Zoe – you’re truly awesome! 🙂 Now let’s see what she has to say about The Godfather: Part II, IMDB rank 3 out of 250.

There are still some movies up for grabs if anyone wants to do a guest IMDB Top 250 review. You can find the list of remaining films HERE. See the full list & links to all the reviews that have already been done HERE.

20140705-103516 am-38116212.jpg

20140705-100630 am-36390590.jpg

***WARNING: SPOILERS***

“There are many things my father taught me here in this room. He taught me: keep your friends close, but your enemies closer.” – Michael Corleone

So as the trilogy progresses, Michael Corleone has become a force to be reckoned with. Al Pacino reprises the mantle of Michael, and it is rapidly evident that he has completely taken up and embodied the role of being the head of the Corleone crime family. This movie was presented interestingly, different from the first in that it plays out the current state of affairs that Michael is dealing with as well as taking you back to Vito Andolini’s youth, and seeing how he ultimately lost his Andolini name, took on the Corleone name and rose to his prominent position.

20140705-100731 am-36451752.jpg
“If anything in this life is certain, if history has taught us anything, it is that you can kill anyone.” – Michael Corleone

This movie worked incredibly well. It is a long movie, clocking in at 200 minutes, but not once do you get too familiar with that, you are instead caught up in another time and whisked away. This speaks volumes about Coppola’s ability to rivet the audience, still. The time shift that worked its way in throughout the movie was truly brilliantly executed. In the present you see Michael (Al Pacino), and his antics, as well as the issues he is dealing with, ranging from his wife Kay (Diane Keaton) to his drama in court. Michael is progressively becoming more and more ruthless, which still resonates with the watcher seeing as we know how reluctant he was to become involved with the family business in the first place, and to watch him embrace it now in its entirety never fails to surprise and amaze. Al Pacino’s performance was again subtle, carrying with it a power that is palpable, a demand for allegiance and focus, respect and fear. I love the way Pacino captured Michael’s brooding, his shift, his stress, the way he worked to keep everything functioning, the way he dealt with betrayal from everyone, truly highlighting how ruthless he had become. His portrayal as Michael Corleone is definitely one of my favourite portrayals in movie history.

20140705-101156 am-36716118.jpg
“Don’t you know that I would use all of my power to prevent something like that from happening?” – Michael Corleone

Diane Keaton was really good in conveying her role as the wife of a mobster – not just any mobster, but the head of an extremely strong mob family. The splinters of the relationship are introduced at the end of The Godfather, where we see how unhappy Kay is about the fact that Michael is running things, as well as how he has changed towards her, too. Now, however, two kids along and all that, we see how she is starting to pull away from him, his violence, his dominance. She is seemingly alone, Michael has all the love and respect from everyone, and she is considered his wife, and is respected as such. Later we learn what extremely hard and rough decisions she made due to her growing hatred and resentment for Michael, which leaves you stunned that she would take such steps against him as well as admit it. Her desperation is palpable. Michael is cold and cruel, and he does not hide that from her. Kay is eventually on her own, from permanently fighting with Michael, egging him on and pushing him for legitimacy to being cast out, even being taken away from her children, completely cut off.

Robert Duvall steps up as Tom Hagen once again, delivering another fine performance as the family consigliere. Something that is extremely evident from the off is that Tom has become more involved with the family business as well as how things get done. A lot of responsibility and trust has been placed on him, and he has become colder. Still extremely calculated, and still doing some of the more horrendous jobs (remember the horse head?). He visits Frank Pentangeli (Michael V. Gazzo) in prison and informs Frank that he should recant, also promising that the Corleones will care for his family. Frank commits suicide later that night in the fashion discussed with the consigliere, and Tom seems to have no emotion for it as it was merely business. His performance was great, but it is becoming obvious that he is no longer just an incredibly educated outsider, but Michael’s right hand man, and that he loves the position.

20140705-101417 am-36857144.jpg
“When a plot against the Emperor failed… the plotters were always given a chance… to let their families keep their fortunes. Right?” – Tom Hagen

Vito Andolini’s (Robert De Niro) youth is addressed, and it is quite the enthralling tale. His father was murdered, his brother attempted to avenge him and was killed, and his mother was gunned down by Don Francesco Ciccio (Giuseppe Sillato) and Vito, who did not talk much and was considered to be a bit slow, ran for it, and was helped out by family friends to make passage to the United States of America. A struggling young man with a wife and a child, Vito sees how things are going in life, how the crime families are treated, and in a scheming way eradicates any competition he could have had, instantly making him the new man on the block, a man who definitely does things differently than the previous guy. He listens to the people, and is respected by the people. We get to explore the rise of Vito’s empire, as well as how he exacted his revenge that eradicated his family and swept him from his homelands. We see who he was and how he became what he did. He was smart and methodical, and in stages got everything just as he wanted it. The Corleone children serve as markers to see Vito’s progress, as well as indicating how the family did not always have everything, but that Vito built them up from scratch.

20140705-101603 am-36963484.jpg
“Do me this favour. I won’t forget it. Ask your friends in the neighbourhood about me. They’ll tell you I know how to return a favour.” – Vito Corleone

Fredo’s (John Cazale) bitterness at Michael is thinly veiled, something he struggles with constantly. Michael may have humoured it for the first while, but eventually that, too, becomes a serious problem, causing strife between the two brothers. I liked how the discord in the family was shown, that even though Michael is the one that stepped up, there was resentment and bitterness about it. Fredo took it as a personal failure that Michael ran the Corleone family, and that Michael was the one supporting Fredo and looking after him, even though Fredo is the older brother. His ultimately betraying Michael could be seen coming, but the reaction of Michael was intense, and it caused some tension within the family, too. Michael has many friends, but at the same time he is losing family and loyalty he thought he didn’t have to question faster than he suspected. As if Fredo is not enough for Michael to deal with, Connie (Talia Shire) is still bouncing off the walls, crazy and doing really stupid things, expecting Michael to pick up after her, to see how much she can push him. Initially she is not looked into much, and while she does not command a lot of screen time, it is eventually explained why she did what she did. This does not make it better, but the questions are no longer floating around and not making sense anymore. As fast as she broke herself away from the family, it seems that she is doing what she can to work her way back into Michael’s good graces at the very least.

20140705-101748 am-37068428.jpg
“Taken care of me? You’re my kid brother and you take care of me? Did you ever think about that?” – Fredo Corleone

So many aspects of this story come together at intervals, and it is a stunning work of art to get to the end result. The journey, the characters, the events are all just exactly what they need to be, and it is exceptionally impressive overall. The score used suited everything just right, and Coppola truly took this film in a direction to match its predecessor equally. The camera work was fantastic, and all the actors worked wonderfully in their roles. Movies are just not the same as they used to be, and The Godfather Part II is just further evidence of this. I don’t really have words to justify this movie, there is just so much to talk about (the scheming, the partnerships, the travels, the alliances struck up, etc), and I know many more people have discussed it in more detail than I have, but I am going to stop here now, The Godfather Part II is just one of those films that has to be experienced to be understood. My Spock Chop, I know you are not a fan and all, but really, this is something glorious!

The Godfather (1972) IMDB Top 250 Guest Review

20140630-095202 pm-78722867.jpg

Today’s IMDB Top 250 Guest Review comes from Zoe of The Sporadic Chronicles Of A Beginner Blogger. Zoe has already reviewed The Departed (HERE) and The Green Mile (HERE) and Big Fish (HERE). Now, as if all those reviews weren’t enough, Zoe was the first person brave enough to choose to review The Godfather I & II (stay tuned for her review of The Godfather: Part II at this same time next Tuesday). Thanks so much for being such a big part of this project, Zoe! 🙂 Now let’s hear her thoughts on The Godfather, IMDB rank 2 out of 250.

There are still some movies up for grabs if anyone wants to do a guest IMDB Top 250 review. You can find the list of remaining films HERE. See the full list & links to all the reviews that have already been done HERE.

20140630-092028 pm-76828256.jpg

***WARNING: SPOILERS***

Alright, so this is going to be quite the post here. I took The Godfather movies because I was horrified to see it just languishing there on Table 9 Mutant’s IMDB Top 250 challenge… alone and untaken. How could this possibly be?! This is one of the greatest film sets ever! Alright, Part III might be a little sketchy and all that, but Part I and Part II are just… wow. Naturally, there are the heathens out there that will slam it, which I just find heartbreaking (though I still love you Eric, don’t ever forget that…). I am one of those people, like a good war movie I love a good mob flick.

20140630-092107 pm-76867659.jpg

“There is more money potential in narcotics than anything else we’re looking at now. If we don’t get into it, somebody else will, maybe one of the Five Families, maybe all of them. And with the money they earn they’ll be able to buy more police and political power. Then they come after us.” – Tom Hagen

Synopsis: The story begins as “Don” Vito Corleone, the head of a New York Mafia “family”, oversees his daughter’s wedding with his wife Carmela. His beloved son Michael has just come home from the war, but does not intend to become part of his father’s business. Through Michael’s life the nature of the family business becomes clear. The business of the family is just like the head of the family, kind and benevolent to those who give respect, but given to ruthless violence whenever anything stands against the good of the family. Don Vito lives his life in the way of the old country, but times are changing and some don’t want to follow the old ways and look out for community and “family”. An up and coming rival of the Corleone family wants to start selling drugs in New York, and needs the Don’s influence to further his plan. The clash of the Don’s fading old world values and the new ways will demand a terrible price, especially from Michael, all for the sake of the family. – IMDB

20140630-092159 pm-76919278.jpg
“I’m gonna make him an offer he can’t refuse”. – Don Corleone

This movie is just amazing. Something that you can really just wax lyrical about. This is certainly a fantastic mob movie, no two ways about it. I mean just to look at how old this film is, for starters, you cannot help but appreciate how particularly stunning this is, how well it is put together, the actors, the camerawork, the story, the music… everything. But we shall gush about that all as this progresses.

This movie was a piece of pure genius. Marlon Brando was an amazing Vito Corleone… he was certainly not someone I would have messed with, at any rate. The movie progressed at a gradual pace, but it was never boring. From the beginning you know that Michael Corleone (Al Pacino) is definitely the Don’s favoured son, though he has three as well as one that Sonny (James Caan) brought in at a young age and is regarded as equal to his blood sons, and a daughter, Connie (Talia Shire), who has just gotten married to Carlo Rizzi (Gianni Russo). Vito Corleone is a powerful man, and such is evident at his daughter’s wedding. Michael arrives at Connie’s wedding dressed in his Marine Corps uniform and his girlfriend, Kay Adams (Diane Keaton) at his side. It is evident from the off that Michael is not like the rest of his Corleone brothers, though he is favoured by his father.

20140630-092341 pm-77021974.jpg
“My father is no different than any powerful man, any man with power, like a president or senator.” – Michael Corleone

A drug baron called Sollozzo (Al Lettieri) rolls into town and wishes to go into business with some of the families, and Vito is approached by a rivalling family, the Tattaglias, to take the deal. Vito, however, is not in for the drug trade, though it seems Sonny is. Tom Hagen (Robert Duvall), considered the up and coming family consigliere, brought up with the Corleone boys as one of them, advises Vito that taking the deal is the one was to keep the family in power, and not having it usurped over the years. Naturally, this is where the whole movie finally catches. An attempt is made on Vito’s life, and he is left for dead. The Corleone family bands together and Sonny heads it up in the meantime. Michael gets wind of his father’s predicament, and soon his life changes.

20140630-092458 pm-77098431.jpg

Watching the change in Michael is astounding. He starts off as reluctant, wary and insistent that he is not like his family, but when push comes to shove it is evident that the Corleone tendencies are well and truly there. Full scale crime family war breaks out, and it seems no one is safe. There is so much that is going on, so much traitorous betrayal and attempts to do one another in to protect themselves, but the Corleone brothers still stand. Michael gradually becomes harder, tougher and less forgiving, ultimately making the choice and assassinating the police chief and Sollozzo, taking cover in Sicily while things come right. Vito is not dead, but it seems that the family structure has changed drastically.

20140630-092552 pm-77152571.jpg
“What’s the matter? What’s bothering you? I’ll handle it. I told you I can handle it, I’ll handle it.” – Michael Corleone

Michael’s isolation changes him even more, and he takes a wife while over in Sicily, though it becomes evident that it will not be safe for him there for much longer. While he is away, he needs to deal with the fact that his brother, Sonny, is killed, and he in enraged. Due to Sonny’s assassination, Vito decides enough is enough. Too many people are dying at one another’s hands in an attempt to even the scales, and it must come to a close. It thrilled me to watch how pacts and truces were made, how the hierarchy fit together, how people understood their place and abided by it, not questioning too much. It amazed me to see the power that some of these people have. It is astounding to me that although you know what rackets the Corleone family is involved in, it is never thrown onto the screen, never made something that takes over the story. Primarily this movie depicts the familial ties, the organisation and the loyalty, keeping focus on it and demanding your attention.

20140630-092701 pm-77221949.jpg
“You talk about vengeance. Is vengeance going to bring your son back to you? Or my boy to me?” – Don Corleone

The Godfather also touts one of the best cast ensembles in ages, and cannot be faulted for it. I was doing some extra reading and was so shocked to see exactly how much drama there was involved of the making of this movie, how Paramount fought Coppola almost every damn step of the way on casting, decisions, attempts to have him fired, the whole shebang. They were adamant about not having Marlon Brando in there (who *cough cough* won a damned Oscar for his performance, although he declined it) as well as not wanting Al Pacino… I was like what?! Imagine Paramount had gotten as much say as they wanted… The Godfather is one of the most influential films of all time, and should be appreciated for what it is: a piece of genius.

20140630-092859 pm-77339849.jpg
“Only don’t tell me you’re innocent. Because it insults my intelligence and makes me very angry.” – Michael Corleone

I loved everything this film brought to us. This film was an excellent piece on the mob, not highlighting it as something evil and disgusting and something that should be taken down, but telling the story from the inside, which was fantastic. I loved how authentic everything was, how Italian, there are infinitely quotable lines from it, the camera work was fantastic, the score complemented every minute of it and the cast rounded it off perfectly. I still feel I haven’t done this film justice, but I just don’t know anymore. You are riveted for 175 minutes; there are no two ways about it.