Miss Peregrine’s Home For Peculiar Children (2016) & The Girl On The Train (2016) Reviews

Two quick reviews of two film adaptations of two books I read. My reviews of Miss Peregrine’s Home For Peculiar Children by Ransom Riggs can be found HERE & The Girl On The Train by Paula Hawkins HERE. Okay, one is a thriller but the other is close enough to being a “horror” so I’m doing these for October Horror Month. Let’s see what I thought of the movies…

Miss Peregrine’s Home For Peculiar Children (2016)

Directed by Tim Burton

Screenplay by Jane Goldman

Based on Miss Peregrine’s Home for Peculiar Children by Ransom Riggs

Starring: Eva Green, Asa Butterfield, Chris O’Dowd, Allison Janney, Rupert Everett, Terence Stamp, Ella Purnell, Judi Dench, Samuel L. Jackson

Plot Synopsis: (via IMDB)
When Jacob discovers clues to a mystery that stretches across time, he finds Miss Peregrine’s Home for Peculiar Children. But the danger deepens after he gets to know the residents and learns about their special powers.

My Opinion:

When I was in the middle of reading this book years ago, I said to the hubby “Tim Burton needs to make this into a movie”. Imagine my surprise when Hollywood did something right for a change! He was the absolute perfect choice to adapt this book & he did a very good job with it. The problem is that 1) I didn’t exactly love the book, although I loved the “gimmick” of the old photographs that were used throughout it and 2) Tim Burton hasn’t made anything truly fantastic in years, which still breaks my heart as I absolutely adored his oldest films. I’d say this was somewhat a return to form for Burton but, as I said, I didn’t love the source material so was unlikely to love the movie.

From what I remember of the book, it seems a faithful adaptation until the end. But I didn’t care enough to continue reading the books so it’s possible the movie continues a bit into the next book for all I know? I wouldn’t say it renewed my interest enough to read the remaining books but I’d certainly watch a sequel if Burton makes one. The performances were pretty strong and, like Burton being the perfect choice for director, I think Eva Green was a perfect choice for playing Miss Peregrine. The child actors also all did a good job (I think Burton always does well in casting his films), with the lead young roles (played by Asa Butterfield & Ella Purnell) as the standouts. Terence Stamp & especially Judi Dench weren’t given much to do, which was a shame. And I enjoyed Samuel L. Jackson as always (who doesn’t love Sam Jackson?!) but he’s phoning it in a bit with this baddie role. Sorry, Mr. Jackson! I apologize a trillion times!


Miss Peregrine’s Home For Peculiar Children is a good adaptation of a bizarre book thanks to its also bizarre director. And I liked the look & vibe of it, as I always do with Burton’s style. I wish I liked both the book and the film more than I do, though. I like “weird” so can’t really put my finger on why the story didn’t quite work for me. With the book, I think I just couldn’t connect with the characters. To be fair, I think Burton improved on this with the film and I’d say this is one of those cases where the movie might be slightly better than the book. It also helped that it got a proper ending, as opposed to the open-ended cliffhanger that just left me frustrated with the book.

My Rating: 6.5/10

The Girl On The Train (2016)

Directed by Tate Taylor

Based on The Girl on the Train by Paula Hawkins

Starring: Emily Blunt, Rebecca Ferguson, Justin Theroux, Haley Bennett, Luke Evans, Allison Janney, Édgar Ramírez, Lisa Kudrow

Music by Danny Elfman

Plot Synopsis: (via IMDB)
A divorcee becomes entangled in a missing persons investigation that promises to send shockwaves throughout her life.

My Opinion:

I thought this book, although fun in a pulp-y sort of way, was pretty horrible. This was mainly because the characters were all truly hateful. The story itself was okay and I found it a very quick read as I wanted to get to the resolution of its mystery but, wow, I didn’t give the slightest crap what would happen to any of the characters. Not even ONE likable person? Really?? I’ll never understand stories that choose to make us despise everyone in them. And the thing with the baby upset me too much (and kind of pissed me off).

Well, the movie is a faithful adaptation, so… What can I say? I didn’t like the book so I wasn’t going to like a faithful adaptation anyway. The fact that is stars Emily Blunt, who is kind of a girl crush of mine, is what made me even bother to stick this on one evening & half pay attention to it. Meh. I don’t know. I just didn’t care. The actors did what they could with the material but the material was weak. Hold on a second – in this double review, Danny Elfman did the music for this movie but not the Tim Burton movie?! Now that’s bizarre.

My Rating: 5/10

Advertisements

The Bourne Ultimatum (2007) IMDB Top 250 Guest Review

IMG_0728

Today’s IMDB Top 250 Guest Review comes from Niall of The Fluff Is Raging. Thanks so much for all the reviews, Niall! 🙂 Now let’s see what he has to say about The Bourne Ultimatum, IMDB rank 182 out of 250…

There are still some movies up for grabs if anyone wants to do a guest IMDB Top 250 review. You can find the list of remaining films HERE. See the full list & links to all the reviews that have already been done HERE. Also, if you’d like to add a link to your IMDB review(s) on your own blogs, feel free to use any of the logos I’ve used at the top of any of these guest reviews.

IMG_0727

The Bourne Ultimatum

*review written in shaky-cam*

“People, do you have any idea who you’re dealing with? This is Jason Bourne. You are nine hours behind the toughest target you have ever tracked.”

Pamela Landy

When I still watched TV the old-fashioned way, The Bourne movies seemed to be on all the time. They were on so much, in fact, that they began to blur for me and become one long, furiously-edited, shaky-cam mess of people speaking spy-jargon while looking at banks of computer screens, vicious hand-to-hand combat and incredible car crashes. Mostly, they provided a much-needed exciting jolt to the action genre.

There is a lot more to the Bourne movies than just action, of course, which is probably why they were so successful, touching as they do on ripped from the headlines topics like surveillance, rendition, sleeper agents, intelligence leaks, and torture. They are, in short, action movies for grown-ups and, if memory serves, they’re a lot better than the Robert Ludlum potboliers that are their source. They’re spy capers, but they are realistically grounded spy capers. After Wikileaks and Edward Snowden, the amount of eavesdropping going on in The Bourne Ultimatum is truly frightening.

To do justice to the third in the series, The Bourne Ultimatum, you really should watch the first two. A quick catch-up on The Bourne Identity: an unconscious man is rescued by fishermen in the Mediterranean. He has no idea who he is, nor why he has a microchip with a Swiss bank account number embedded in him. He heads to Europe to find out, meets a nice girl who helps him get to Paris, and then the baddies come after him.

Mayhem ensues. Wash, rinse and repeat.

The second film, The Bourne Supremacy, is both a retread and a continuation of the story, with Bourne cracking bones and crashing cars in Berlin and Moscow. The film has an added twist of vengeance – they kill his girlfriend, and we learn more about the secret government assassin programme, Treadstone.

You may recall that after a climactic car chase in Moscow, The Bourne Suprenacy ends with Pamela Landy (Joan Allen) in New York, speaking to Bourne on the phone, unaware he’s watching her from a rooftop. “Get some rest, Pam, you look tired.” The Bourne Ultimatum begins several weeks earlier, with Bourne still limping around Moscow, before stopping off in Berlin, London, Madrid and Tangiers. In real life Euro-railing is nowhere near as exciting as this.

The Bourne Ultimatum is a fitting end to the series. It’s a chickens coming home to roost story, as Bourne tries to find out who he really is and who started all this. I really don’t rate the follow-up The Bourne Legacy at all, and am dubious about the possibility of another Bourne film, even if it will reunite Matt Damon and Paul Greengrass.

Who started it all is Dr. Albert Hirsch (Albert Finney, seen in woozy flashbacks) as a psychiatrist who specialises in behaviour modification, and who erased the identity and personality of Capt. David Webb to create the hitman Jason Bourne as part of a secret project called Blackbriar. (except nobody would ever be so gauche to call him a hitman: in government-speak he is an asset – until, of course, he becomes a liability.) It’s inevitable that the two are going to end up in the same room together, so most of the film is about getting Bourne to New York.

Landy, meanwhile, is trying to help him, and playing office politics with a shadowy CIA operative Noah Vosen (David Strathairn). Their scenes together are every bit as thrilling as the chop-socky fighting stuff.

There are several exciting sequences including Bourne performing a brilliant piece of tradecraft in a crowded Waterloo Station; a rooftop chase in Tunis that ends with the most brutal fight in the entire trilogy; and a thrilling Manhattan car chase.

Okay, it’s still a big Hollywood movie, and even the smartest movie can have dumb moments. There are an awful lot of coincidences in The Bourne Ultimatum. It’s mighty convenient that the hunt for Bourne is actually a news item (would that really happen?) allowing for him to meet a Guardian journalist, Simon Ross (Paddy Considine) who provides some necessary exposition. Bourne finds a photo of Finney that accidentally falls out of a file.

And it really helps that Bourne`s old handler, Nicki Parsons (Julia Stiles) is now stationed in Madrid, where Bourne meets her at the CIA office. I`ve always liked Stiles as an actress, and she has never got the breakout role she deserves; she does very well in a small but important role. It’s heavily hinted that she’s in love with Bourne. There’s a moment in this film that a lesser movie would turn into a love scene, but the closest we get to romance is the following brief exchange:

Bourne: Why are you helping me?

Nicki: It was difficult for me … with you.

They stare at each other silently for a long moment.

Nicki: You really don’t remember anything.

Bourne: No

As for Damon, he’s great as always in the role. He looks weary and hollowed out, not the relatively spry youngster he was in the first film. He doesn’t smile once. He trained for months for the fight sequences, and he does look like he could handle himself in a scrap. The fights were choreographed by Jeff Imada.

Of course, one of the reasons why these films are so exciting is how they are shot and edited. An awful lot of information is crammed into two hours, and the film seldom stops for a breather. And it’s urged along by John Powell’s score. Even a mundane moment like Bourne picking the lock on a door is given urgency by how it’s filmed and edited (four shots in less than two seconds). There’s a fascinating interview with the film’s editor Christopher Rouse  here.

Spare a thought for Dan Bradley. He was the second unit director and stunt coordinator on the film, and many of the movie’s more memorable action moments are down to him, including the Tangiers rooftop chase and the Manhattan car chase.

Niall McArdle

http://www.ragingfluff.wordpress.com