My Top Ten Movies Watched At Home In 2014

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Hi everyone! Crap – when did it suddenly become almost-2015?! Shouldn’t we be living on Mars by now or something? This isn’t the future I imagined back in 1984. What a disappointment.

Anyway! Where was I? Well, it looks like I have two days left of 2014 so I guess I better post my Top Ten Lists! Looks like I did this well into January last year but I’ll be busy this January with my Studio Ghibli Month starting next Monday. Woohoo! (Oh man, why did I decide to do that to myself?! I’m sooo not prepared!).

I’ll start with the list I actually enjoy the most: These are My Top Ten Movies Watched At Home In 2014. Tomorrow I’ll post My Top Ten Movies Of 2014 (going by UK cinema release date). Then I may do My Top Books Read In 2014 on New Year’s Day – that’s a pathetic list since I didn’t read much this year. I’ll stop rambling – here’s my list counting down from ten to my number one favorite. As always, these are the ones I enjoyed the most although there are others I watched that are probably more “worthy” and I’d give those higher ratings. I’ve included the links to the ones I’ve reviewed. 🙂

10. Spring Breakers

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This probably doesn’t deserve to be on the list, but… You know when you like a movie but you have NO idea WHY?? This is one of those movies for me.

9. TRON: Legacy

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I know it has its flaws but I don’t care – I had a lot of fun with this one. Plus: Garrett Hedlund! He’s so pretty… Also: DAFT PUNK SCORE!

8. Phantom Of The Paradise

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What’s not to like about Brian De Palma’s totally 1970s Faustian rock opera horror film?? Okay… Most of you went “WTF?” in the comments of my review but I do appreciate when a good discussion gets going on an interesting film like this one (thank you, Man In Black! I’ll get to the rest of your comments soon – I’ve just been taking a blog break over Xmas). 😉

7. The Cabinet Of Dr Caligari

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I’m surprised by how little I knew of this classic before watching it this year. Not only was the style of the whole film amazing but I thought the story was also ahead of its time. Every film lover should watch this movie.

6. Kiki’s Delivery Service

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This is one of several Studio Ghibli films I watched this year but I never got around to reviewing any of them, which is partly why I’m going to review a bunch of them together in January. I like the simplicity of this one. It’s the most “child-friendly” Ghibli I’ve seen so far and it’s one that really grew on me after watching it a couple of times.

5. Bernie

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I like doing these lists at the end of the year because I find that some movies really grow on me & end up much higher on the list than I would have expected. Bernie is one of these movies. I’ve always been a fan of Richard Linklater’s style and I’m not sure why I hadn’t checked this one out until this year. I’m also not sure why it seems to have not received as much attention as some of his other films considering that the story is quite fascinating, especially the ongoing story involving Linklater & the real-life Bernie. I’m still amazed by the whole situation…

4. Full Metal Jacket

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As I always say, I’m NOT a fan of war movies. However, I’ve worked my way through most of the war movies in the IMDB Top 250 and ended up loving a lot of them (The Bridge On The River Kwai and The Great Escape being my favorites). I didn’t love Full Metal Jacket as much as those and the first half was far better than the second half but I still really liked the film. I may have to stop saying I’m not a fan of war movies…

3. Daft Punk’s Electroma

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I like Daft Punk. And sci-fi. And cool robots. And “artsy fartsy”. I loved Electroma. So sue me. (Btw – thank you to the whole five commenters on the review for this! Lol! More than I expected… 😉 I’ll catch up on replying to comments on this blog soon!)

2. The Return Of The Living Dead

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I love zombies. And I especially love the 80s. I have no idea why I never saw this one before now but it’s certainly one that’s a new favorite I’ll re-visit every now & then.

1. Nausicaä Of The Valley Of The Wind

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Obviously, I’m a fan of Studio Ghibli films as I’m dedicating a whole month to them. But there are maybe four or five Ghibli films I LOVE (so far) while the rest I just “really like” so I still wouldn’t call myself the biggest Ghibli fan compared to other people out there. However, Nausicaä Of The Valley Of The Wind really blew me away. (Ha! “Blew” me away… Blow away? Wind? Get it? Okay, it really wasn’t that funny). This was like some weird sort of mash up of the later, more well known Ghibli stuff and 1981’s Heavy Metal. It’s post-apocalyptic and fairly violent for a Ghibli and very much not for young kids. I LOVED IT. It’s so very “me” and I can’t wait to review it for Studio Ghibli Month.

HONORABLE MENTIONS:

Like I said, the above are the ones I enjoyed the most but I watched a lot of other very good films that really deserve a mention as well:

City Of God
Marnie
Blue Is The Warmest Color
Night Of The Creeps
Rashômon
Howl’s Moving Castle

You can see my full list of movies watched in 2014 HERE. Sad, I know… 🙂

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Daft Punk’s Electroma (2006) Movie Review

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Daft Punk’s Electroma (2006)

Directed by Daft Punk

Written by:
Thomas Bangalter & Guy-Manuel de Homem-Christo (Daft Punk)
Paul Hahn
Cédric Hervet

Starring:
Peter Hurteau
Michael Reich

Music by:
Todd Rundgren
Brian Eno
Sébastien Tellier
Curtis Mayfield
Linda Perhacs
Jackson C. Frank
Mathieu Tonetti

Running time: 72 minutes

Plot Synopsis: (via Wikipedia)
Daft Punk’s Electroma is a 2006 film by French electronic music duo Daft Punk. The plot revolves around the quest of two robots (the band members, played by Peter Hurteau and Michael Reich) to become human.

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My Opinion:

I decided to finally watch this after reviewing the weird & wonderful Phantom Of The Paradise, Brian De Palma’s 1974 Faustian rock opera horror film (you can read my review of that HERE). Daft Punk were massively influenced by Phantom Of The Paradise so I loved seeing the masked Phantom and the resemblance to the Daft Punk “robots”.

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Just like with Phantom Of The Paradise, I’m not going to recommend Electroma to absolutely everyone who may be reading this. You’d love it or you’d hate it and, if you’re not a fan of Daft Punk and their whole robot persona thing, you may struggle to even make it through Electroma‘s 72 minute running time. I’ll say you don’t have to be a fan of their music, though, as none of their music is in the film. If you like “art”, you may appreciate this film. This is more like an extra long music video than a film and it has lots of great images I so desperately want to use in this review as I think it would sell the film to some of you. Unfortunately, some of the coolest images are also major plot spoilers so I’ll have to leave those out.

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What did I think of Electroma? I loved it. There are actually four other films I kept thinking of while watching this (two earlier than Electroma & two that were made later). I’ve reviewed three of them and really like them all so, if you like these films, you MAY like this odd combination of the four. One is 1971 road movie classic Vanishing Point, another is 1973’s Westworld, the third is the thoroughly strange French comedy horror Rubber about a car tire that kills people with its psychic powers (seriously – it’s awesome), and the final one is the recent naked Scarlett Johansson movie Under The Skin which really had a very similar look to Electroma, especially during this particular scene:

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I’d love to think I could actually talk at least one person into watching this but I better let you all know this: There’s no dialogue in this film. There are extended periods of silence. There are very long sequences of the Daft Punk robots driving… and driving… and driving… and then walking… and walking… and wwwwwwwwaaaaaaaaalllllllllkkkkkkkiiiiiiinnnnnnnggggggggggggggg……………….. Well, none of that bothers me but I know that some people would turn it off during these bits. As I said, this is more a piece of art than a movie. The plot really is as simple as the above plot synopsis makes it sound (two robots wish to be human). It’s an idea that has been explored more deeply in innumerable sci-fi movies but it’s still a great plot that I always enjoy seeing represented in different ways, especially as we’re getting closer & closer to things such as technological singularity becoming a reality. Not that that’s really the theme of this film – I’d say Electroma is possibly set in a future where the singularity has already happened? And now these two robots long to be the humans that no longer exist? Yeah, I kind of like the sound of that and it makes the movie sort of bittersweet…

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Those who know me will know that I’m also a big fan of music and I was surprised there wasn’t actually more of it in this film made by two very famous musicians (and no music of their own, although they have the movie Interstella 5555 for that, which I now plan to also watch very soon). I did enjoy the music I’m sure they will have very carefully chosen, especially the Todd Rundgren and Curtis Mayfield songs & sequences in which they were used. I’ll include the clip that uses Todd Rundgren at end of the review as it’s at the beginning of the movie and will give you a feel for the film if you’re at all interested. The clip of the Curtis Mayfield song is awesome but a massive plot spoiler that would ruin one of the best moments in the film if you watched it.

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Summary:

Daft Punk’s Electroma is weird. This is “art” that I’m sure some would brand as pretentious. But, hey – I love Daft Punk’s music & their whole image. Robots rock. The plot is simple but I think two robots wanting to be human is something that even humans can relate to as we ourselves don’t even really know what it means to be human. If nothing else, Electroma is a lovely film to look at with a collection of cool sci-fi imagery and the backdrop of a beautiful Californian landscape. Good job, Daft Punk – I really enjoyed Electroma. Domo arigato, Mr Robotos. (Sorry – I was dying to get that line in here somewhere!)

My Rating: 8/10

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Todd Rundgren – International Feel (actual clip from the movie):