Monster Hunter (2014), Lifeforce (1985) & The Forest (2016) Reviews

Three quickie reviews of two dreadful movies & one that was decent…

Monster Hunter (2014) (aka US Title: Dark Was The Night)

Directed by Jack Heller

Starring: Kevin Durand, Lukas Haas, Bianca Kajlich

Plot Synopsis: (via IMDB)
An evil is unleashed in a small town when a logging company sets up shop in the neighboring woods.

My Opinion:

This is the movie that was decent. It’s now almost a year ago that I watched all three of these films so that’s why I’m doing quickie reviews as I can’t say they were all that memorable. I remember this one the most, though. The look of the creature was done well and there was some decent acting, which is more than can be said for a lot of mainstream horrors that have bigger budgets.


Little Lukas Haas is in this. Aww. Remember him? It’s so weird that I still think of him as a little kid like when he first started out in movies such as Witness, which is stupid as he’s actually the same age as me. He plays a New York City cop who is now deputy to the sheriff (Kevin Durand) in a small town logging community. I liked the characters and thought Kevin Durand did well as a father grieving the accidental death of one of his sons. Decent characters in a horror movie! Yay!

There’s nothing in this movie that’s exactly groundbreaking. The story is fairly predictable and the characters behave as you’d expect in this sort of genre. However, I found the film enjoyable and really liked the “isolated small town” atmosphere, which is a setting I’ve often gone for in horror films (maybe being from a tiny isolated town myself). The onset of winter also added to the isolated feel, which is another horror cliché that I really like. I’m okay with some horror clichés as long as a decent film comes out of it and I’d say that this movie is quite good for one that doesn’t seem to have any big names attached to it or to be that well known (I’d only heard of it thanks to this good review at Vic’s Movie Den).

If you’re a fan of “creature” movies and not too picky, this is one I’d definitely recommend. It’s a very straightforward but fun monster movie that isn’t too silly or too serious. I’ll end with this bit from Wikipedia if you’re interested in checking the film out:

“The film is loosely based on the real-life events that unfolded in Topsham, England in 1855, known as The Devil’s Footprints. The small town woke to find freshly fallen snow and biped hoof prints tracing the landscape. Dark Was the Night is said to tell the story of a present-day community’s reaction to a similar event.”

My Rating: 6.5/10

Lifeforce (1985)

Directed by Tobe Hooper

Screenplay by Dan O’Bannon & Don Jakoby

Based on The Space Vampires by Colin Wilson

Starring: Steve Railsback, Peter Firth, Frank Finlay, Mathilda May, Patrick Stewart

Plot Synopsis: (via Wikipedia)
The film portrays the events that unfold after a trio of humanoids in a state of suspended animation are brought to Earth after being discovered in the hold of an alien space ship by the crew of a European space shuttle.

My Opinion:

Ugh!!! This movie was so bad. Why does it have a decent IMDb rating of 6.1 out of 10?! Oh. That’s right. It’s because the woman is fully nude for, like, 90% of the movie….

I was kind of excited about this one. Directed by Tobe Hooper (RIP), who did do a lot of dodgy stuff but also did the awesome Poltergeist & Salem’s Lot. Screenplay by Dan O’Bannon (also RIP), who wrote things like The Return Of The Living Dead & a decent little thing called ALIEN(!!!). And, of course, Patrick Stewart was in this and I love Patrick Stewart. Sounds like a recipe for success to me! Ugh. Hell no. And Stewart was terrible.

I can’t be bothered. This movie sucked. I’m sure it has its fans but I do wonder if they’re all male. Feel free to speak up if you’re a fan! I promise I won’t be rude. I’m genuinely curious to know what it is that people like about this movie. To be fair, I may not have been in the right mood since I wasn’t feeling well when I watched this. I watched it in bed on a small iPad while lying on my side, giving me a backache. My backache and the movie’s full frontal nudity are all that I really remember now.

My Rating: 3/10

The Forest (2016)

Directed by Jason Zada

Starring: Natalie Dormer, Taylor Kinney, Yukiyoshi Ozawa, Eoin Macken

Plot Synopsis: (via Wikipedia)
The Forest follows a young woman who travels to Aokigahara (the suicide forest) to find her sister.

My Opinion:

Crap. Seriously. Surely Game Of Thrones star Natalie Dormer can be in movies better than this boring & cliché horror tripe. I mean, she got to make out with Chris Hemsworth in the surprisingly good Rush. Hot DAMN he was hot in that. How can you go from that to starring in this???

Where’s a movie starring Chris Hemsworth fully nude for 90% of the movie like Mathilda May in Lifeforce? Hmm???? Equal rights, dammit! Anyway. Where was I? Oh yeah. The Forest. Um. I don’t remember this one AT ALL. I watched it almost a year ago. Natalie Dormer goes into a creepy forest to find her possibly suicidal twin sister, who went missing there. Weird shit happens. There’s a potential love interest. It doesn’t end well if I remember correctly (as to be expected from this predictable sort of supernatural type of horror). How stuff like this gets a major mainstream release in loads of cinemas is beyond me. Unless you’re absolutely in love with Dormer, don’t bother with this one unless you’ve never watched another horror film in your entire life. If you have, you’ve seen this all before.

My Rating: 3/10

**Here’s my review of a (comedy) horror that I actually did enjoy, which makes fun of horror movie clichés: The Final Girls (2015). I had problems scheduling it last week & don’t think it posted correctly. I do like horror movies sometimes! There are just way too many bad ones.

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The Pianist (2002) IMDB Top 250 Guest Review

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Today’s IMDB Top 250 Guest Review comes from Natalie of Writer Loves Movies. Thanks for the review, Natalie! 🙂 Now let’s see what she has to say about The Pianist, IMDB rank 49 out of 250…

There are still some movies up for grabs if anyone wants to do a guest IMDB Top 250 review. You can find the list of remaining films HERE. See the full list & links to all the reviews that have already been done HERE. Also, if you’d like to add a link to your IMDB review(s) on your own blogs, feel free to use any of the logos I’ve used at the top of any of these guest reviews.

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Arriving in cinemas just nine years after Steven Spielberg’s Schindler’s List, Roman Polanski’s Holocaust drama The Pianist had a lot to live up to.

Spielberg’s film is a sweeping historical epic but Polanski takes a different approach, narrowing his focus on Polish Jewish musician Wladyslaw Szpilman (Adrien Brody). The Pianist is based on Szpilman’s real life experiences during the German occupation of Poland and takes in the first days of the Warsaw ghetto, the ghetto uprising and the subsequent Warsaw uprising made by the wider Polish resistance against the Nazis in 1944. It’s powerful subject matter handled effectively by screenwriter Ronald Harwood (Australia, The Diving Bell & The Butterfly), who took home an Oscar for Best Adapted Screenplay.

Where the plight of the Jewish people can be observed in the background of Spielberg’s Schindler’s List which is centred primarily on German industrialist Oskar Schindler and concentration camp commander Amon Goeth, Polanski’s The Pianist is told directly from a Jewish perspective. It’s a huge risk, but one that pays off, enabling Polanski to take us into the very centre of the Jewish ghetto.

Polanski excels in attention to detail. Szpilman’s family and friends are the film’s main emphasis but every aspect of The Pianist’s mise-en-scene delivers the ghetto’s difficult politics and its impact on the masses forced to live there. Emaciated people scrabble for crumbs of food and corpses lie in the street virtually unnoticed: death is a familiar sight. Remarkably, these abhorrent visual details echo those described by first-hand witnesses in Claude Lanzmann’s landmark holocaust documentary, Shoah.

The dividing ghetto wall is, itself, a recurring point of focus. Polanski’s stark camera lingers on it, giving us space to reflect on its significance. Within the wall’s confines the scenes are claustrophobic. Polanski makes frequent use of the ghetto crossing (the Warsaw ghetto was divided by a main German thoroughfare), as another strong visual indicator of the segregation. Waiting in line to cross from one half of the ghetto into the other, Jewish humiliation is compounded by Nazi goading and belittlement. Much of The Pianist is centred on these simple means of degradation, observed and endured by Szpilman whose entire family share a single caramel while awaiting deportation: a symbol of their rapidly encroaching hunger and malnutrition.

Clearance of the Warsaw ghetto (deportations to the Treblinka concentration camp of which the audience but not the film’s characters are well aware) marks a division in The Pianist. From here, the pace slows and the film’s focus shifts away from Jewish persecution to the impact of war on wider Poland. The ghetto uprising is viewed from the windows of a nearby apartment, shortly followed by the Warsaw uprising. This second half of Polanski’s film hones in on Wladyslaw Szpilman’s struggle to stay alive in the increasingly devastated country. Adrien Brody manages this portion of the film almost single-handedly, observing the crippling war while searching for food and shelter. Unsurprisingly, Brody took home an Oscar for his performance here, beating Jack Nicholson (About Schmidt) and Daniel Day-Lewis (Gangs Of New York).

Why you should see it: Polanski’s The Pianist unites a muscular character study and compassionate portrayal of the human spirit with an intricate study of the politics of the Warsaw ghetto and the city’s wider uprising. While it lacks the historical scope of Spielberg’s Schindler’s List, The Pianist offers audiences a more intimate viewing experience that should not be overlooked.