My Top Ten Books Read In 2020

Happy New Year! Here’s the first of my ranked lists for 2020.

As I read just 14 books, I’ll rank all of them. I also managed to do at least mini-reviews of everything this year, so I’ve added the links to those.

So counting down, here are My Top Ten Books Read In 2020:

14. Landline by Rainbow Rowell – 2.5/5

13. The Taking by Dean Koontz – 2.5/5

12. Red Queen by Victoria Aveyard – 3/5

11. Looking For Alaska by John Green – 3/5

Top Ten:

10. Gwendy’s Magic Feather by Richard Chizmar– 3/5

9. Love Letters To The Dead by Ava Dellaira – 3/5

8. Edgar Allan Poe Short Story Collection

7. Frankenstein by Mary Shelley – 4/5

6. Black Mad Wheel by Josh Malerman -3/5

5. Eleanor Oliphant Is Completely Fine by Gail Honeyman – 3.5/5

4. Flight Or Fright: 17 Turbulent Tales edited by Stephen King & Bev Vincent – 3.5/5

3. Final Girls by Riley Sager – 3/5

2. The Colorado Kid by Stephen King – 3.5/5

1. Dune by Frank Herbert – 4/5

Tomorrow I’ll be posting My Top Ten TV Shows Watched In 2020 followed by My Top Ten Older Movies Watched In 2020 then finally My Top Ten 2020 U.K. Movie Releases. Very disappointed with the movies I saw in 2020! But it’s obviously been a strange year.

Watched, Read, Reviewed: June 2020

Looks like June was the month when I watched some actual “new releases”. Must admit I’m missing my pretty-much-weekly trip to the cinema but I have no plans on going back to one anytime soon. So I better get used to crappy straight-to-Netflix movies…

MOVIES WATCHED IN JUNE (ranked best to worst):

Eurovision Song Contest: The Story of Fire Saga – Okay, I’m not going to pretend this is in any way a good movie. But I quite liked it. Am I just desperate for new releases?! I have to say that I can’t imagine Americans enjoying this movie in the same way. I think you have to see the real Eurovision every year to fully appreciate just how delightfully cheesy & ridiculous it is. It’s especially entertaining to live in the UK & watch the UK entry get almost no votes every year because all the other countries hate the UK (there’s a joke about this in the movie that gave us a good laugh).

I think this movie did the real contest justice. It seems like your usual over-the-top Will Ferrell comedy but, honestly, he hasn’t really exaggerated what the show is like. Ferrell is a big fan of Eurovision and I think the movie manages to show his love for it while at the same time lovingly making fun of it. In the end, it’s a sweet story and the final half of the movie makes up for a slow start. And, hell, the songs are pretty good! Maybe a little too good. Much better than most the shit in the real Eurovision. Ferrell is goofy as always (his films are hit or miss for me) and Dan Stevens & Pierce Brosnan are fun additions but I think Rachel McAdams is the best thing about the movie. Her more subtle comedy works well with Ferrell’s usual craziness (liked her in Game Night too). The movie is silly & it won’t be winning any Oscars but it’s one of the first-time watches from all of lockdown that I enjoyed the most. Jaja Ding Dong! – 7/10

The Vast Of Night – I really liked this movie as well, although I wanted to like it even more as I think they did a great job with it. I respect it. I always appreciate a good low-budget sci-fi where you can tell that the filmmakers have truly put their hearts into making the movie. Let’s give them credit: This movie was written by Andrew Patterson (under the pseudonym of James Montague) & Craig W Sanger. Based on this, I’d love to see what sort of a big budget film they could make in this genre. But, to be fair, the slow-paced low-budget indie-movie style perfectly suits this innocent 1950’s small American town setting. I don’t think a big, glossy Hollywood movie would have captured this town in the same way. I think I’m also a fan of “small town Americana” movies as I grew up in such a small town myself.

I thought they especially did a good job adding all the small details to make this one feel like it really was taking place in the 1950s. I have a lot of affection for that time period and that whole “UFO paranoia” thing as I grew up on the original The Twilight Zone. The movie is clearly influenced by that & introduces the story in a Rod Serling/Twilight Zone way that gave me warm fuzzies. I do think this is a very well made indie sci-fi with two strong main characters but also know it’s absolutely not going to be everyone’s cup of tea. Here’s the synopsis from IMDb if you’re interested: “In the twilight of the 1950s, on one fateful night in New Mexico, young switchboard operator Fay and charismatic radio DJ Everett discover a strange audio frequency that could change their small town and the future forever.” FYI: This movie is on Amazon Prime. I highly recommend this movie to old school ’50s sci-fi fans. But probably only to those people. It’s a shame the film may not get as much recognition due to being such a specific sub genre.

Also a quick mention of another good low-budget movie this reminded me of (not sure why) but in the horror genre: Pontypool. Bizarre movie but a great concept. It just gave me a similar vibe, but The Vast Of Night is a better film. I’m happy I happened to see TVON mentioned on Twitter (by Robert Englund – What?! Freddy Krueger?!?). Otherwise, I wouldn’t have known about it. Thanks, Freddy! – 7/10

Extraction – Not gonna lie: I 100% watched this for Chris Hemsworth. This isn’t my type of genre AT ALL so I wouldn’t have bothered if hottie Chris wasn’t in it. However, even though I don’t like this genre, I occasionally like the movies if they’re good enough. The likes of Arnold Schwarzenegger & Sylvester Stallone made plenty of this type of thing in my precious ’80s & I definitely liked some of those. But Extraction isn’t good enough. It’s… Forgettable. As in: I saw this only two months ago but don’t remember enough to write about it. Um… I think I remember Chris, like, sitting at the bottom of a lake & meditating (as you do)? And I remember the boy being likeable enough for you to want The Hems to save him. And I remember a ridiculous final scene (that I kind of liked as I thought this movie needed to be MORE ridiculous than it actually was – it would have made it more fun). Meh. At least I got to watch Chris Hemsworth in a new movie. – 6/10

My Spy – I shouldn’t be “reviewing” this as I slept through a good chuck of it. But it was so predictably predictable that sleeping through some of it made no difference. Anyway – I don’t know why but I’ve seen a lot of this weird genre (tough action movie guy doing a family film with a bunch of kids). When did this become a thing?? Because I kind of like these stupid films. I blame that on Kindergarten Cop. Kindergarten Cop rules. All I expect from these films is for them to have a few laughs, to have a cheesy heartwarming moment, and for the kid(s) to be somewhat likeable (or at least cheeky without being overly annoying). This movie fulfils the requirements well enough. Dave Bautista is fine as the latest big muscle-y dude to do this sort of film but the girl, Chloe Coleman, is the star. I can see her easily getting more roles after this. This movie is meh but at the better end of this genre. Not as good as Kindergarten Cop but thankfully much better than Tooth Fairy… – 6/10

As Above, So Below – This was disappointing. I have a fascination with the catacombs in Paris. I’ve been there and walking through row upon row of skulls & bones is a pretty freaky experience so I can see why it has inspired horror movies. But they have yet to make a good horror movie set there. There was a truly dreadful 2007 movie called Catacombs, starring Shannyn Sossamon & Pink, that I would never recommend to anyone. I actually bought that stupid DVD just because I’d been wanting a horror movie to be set in the catacombs. From what I remember, though, it did at least manage to be a little creepy.

As Above, So Below is certainly the better film of the two but it’s such a weird mishmash of genres that it just didn’t work for me. And it’s not creepy enough. I think a movie with this setting needs to be pure horror but this movie had a sort of Indiana Jones/Tomb Raider thing mixed in with the horror. And then some weird supernatural stuff which is something I normally love but was just too dumb in this case. And the characters were okay but extremely underdeveloped while our lead girl was a tad unlikeable (although the actress was fine). Oh, it’s also a “found footage” film, which not everyone likes (I don’t mind found footage). Here’s the Wikipedia synopsis: “It is presented as found footage of a documentary crew’s experience exploring the Catacombs of Paris and was loosely based on the seven layers of Hell.” Oh yeah – there’s some weird religious stuff going on & ancient artefacts & that kind of shit. I wanted to like this movie but the weird Lara Croft thing going on with the main girl was just awkward. I guess I was expecting a more straightforward horror film but I also give the movie credit for trying to do something a little different. – 5.5/10

Rewatched:

The Wedding Singer – This is a favorite of mine & by far Adam Sandler’s best movie. I know he has a lot of bad ones but The Wedding Singer is genuinely good. And he has great chemistry with Drew Barrymore (love her). I mean, my username comes from this movie. Still think I was brave to use an Adam Sandler reference on a movie blog! I obviously like this movie even more because of Drew but the ’80s setting & great soundtrack help a lot as well. Steve Buscemi is hilarious. Rapping granny is adorable. And don’t you talk to Billy Idol that way! Plus I’ll always love the mutants at table 9. – 8/10

Never Been Kissed – More Drew Barrymore! Rewatched this one with the kid. I’ve always found this movie very “sweet”. And Josie Grossy is still fun to say. And Michael Vartan was a cute “hot teacher”. And I like the ending because I DO occasionally like girly romantic stuff. – 7.5/10

Turner & Hooch – Rewatched this with the kid as well. It’s a fun family film & I miss the days when they made so many films in this genre. Where have all the decent family films gone?! Anyway – the movie has aged pretty well. I still love a good “dog buddy” comedy. – 6.5/10

BOOKS, TV, MUSIC, MISCELLANEOUS IN JUNE

MUSIC LISTENED TO

I’ve listened to no “new” music the past couple of months… Can anyone recommend a good new album??? Or, better yet, a good old album since 90% of current music sucks? I’m bored.

BOOKS READ

Dune by Frank Herbert – As I’ve said in every recent post, it took me months to read this but I finally finished in June. I said I’d review it in my June post but… I can’t do it! How the hell do you go about reviewing Dune?? It’s a loooong book and a lot happens. I enjoyed it very much, yes, but not enough to read the rest of the books (which I’ve heard aren’t as good anyway). I’m really looking forward to the Denis Villeneuve adaptation now, though, as I love his films. I’m especially wanting to see how Rebecca Ferguson does as Lady Jessica as she was my favorite character. I think she should do well as I thought she was great in Doctor Sleep. By the way – Lady Jessica kicks ass (for those wanting more strong female characters in books & film). Oh, and apparently the film is only covering half of this first book?? Bloody hell. Well, I don’t have time to continue reading these tomes but do like the story so am hoping for an epic series of films from Villeneuve. – 4/5

Black Mad Wheel by Josh Malerman – This was a strange one. I first read Malerman’s Bird Box, which I really enjoyed (so much more than the movie adaptation!). But I was absolutely blown away by his short story included at the end of that book (Ghastle And Yule). It was brilliant. I loved it so much that I tweeted the author to tell him that (I never really tweet “celebs” because that feels stalker-y & weird). But I think he appreciated the praise. Here’s the synopsis for Black Mad Wheel from Amazon, which sounded amazing so is why I chose it as the next book of his to read: “The Danes—the band known as the “Darlings of Detroit”—are washed up and desperate for inspiration, eager to once again have a number one hit. That is, until an agent from the US Army approaches them. Will they travel to an African desert and track down the source of a mysterious and malevolent sound? Under the guidance of their front man, Philip Tonka, the Danes embark on a harrowing journey through the scorching desert—a trip that takes Tonka into the heart of an ominous and twisted conspiracy.

Meanwhile, in a nondescript Midwestern hospital, a nurse named Ellen tends to a patient recovering from a near-fatal accident. The circumstances that led to his injuries are mysterious—and his body heals at a remarkable rate. Ellen will do the impossible for this enigmatic patient, who reveals more about his accident with each passing day.

A creepy supernatural story about a rock band? Totally my type of thing! I wanted to like this one more than I did, however. Only Philip Tonka, the band’s front man, gets any character development. The story also doesn’t give much of a resolution if that sort of thing bothers you (I don’t mind that so much, especially with supernatural stories, as I like to sometimes have things left to my own imagination). What the story does have, though, is a lot of originality. It also has a good “vibe”. I don’t know how else to describe that but, especially with his Ghastle And Yule short story, I felt like I was there & could easily picture everything that was happening. Based on what I’ve read of Malerman’s so far, I’ll definitely be reading more. His stories are unusual & completely unpredictable. I like that. I need more of that. I just want to like his characters a bit more. Likeable characters are always a big thing for me. By the end of Bird Box, I still didn’t like the main character. I want to care about the fate of at least one character… (I should point out that Ghastle And Yule aren’t likeable either but they’re not meant to be. They’re just great characters). – 3/5

TV SHOWS WATCHED

It looks like I watched no TV in June other than catching up on the latest season of annoying Grey’s Anatomy. Ugh.

BLOG PLANS FOR THE COMING MONTH

I’ll hopefully post my July roundup post by the end of August. Then post my August roundup in September. I have no blog plans beyond doing monthly roundup posts. Life is too busy at the moment, even with being stuck at home.

I should end this post with a song from Eurovision Song Contest: The Story of Fire Saga. But I’d rather post one from The Wedding Singer soundtrack. Woohoo! Eighties!! Here’s Musical Youth’s Pass The Dutchie:

Watched, Read, Reviewed: March 2020

Hi all. Hope everyone is well & keeping safe.

I haven’t posted any of these monthly updates since February. Obviously, it all seems a bit pointless at the moment. I’m not watching many “new to me” films anyway since I seem to be sticking with movies I’ve already seen & know that I like or think the kid would like. I’ve still kept these monthly lists in my drafts, though, so I might as well catch up on posting them. I’ll keep my thoughts brief (I can’t remember much after five months anyway). Here’s what I watched & read back in March 2020…

MOVIES REVIEWED IN MARCH

Onward – Last film I watched in the cinema. I reviewed it in full at the link. Enjoyed it but a weak entry from Pixar. – 7/10

MOVIES WATCHED IN MARCH (ranked best to worst)

This Boy’s Life – Been wanting to check this out for years to see the performances from Robert De Niro & a young Leonardo DiCaprio. Actually didn’t know beforehand that it was about author Tobias Wolff (played by DiCaprio). I then thought “Oh, I read his book The Electric Kool-Aid Acid Test!” But, never mind, that was written by Tom Wolfe. I know nothing about Tobias Wolff (except that his stepdad, played by De Niro, was a bit of an asshole). Well, they both delivered the expected good performances but biographical dramas have never really been my thing. It’s a good film but not one I’d watch again. – 7/10

Four Flies On Grey Velvet (4 mosche di velluto grigio) – Was excited to see this Dario Argento film available on Amazon Prime as I’ve been wanting to explore more of the Italian giallo horror thing since finding Phenomena interesting then thinking Deep Red was pretty damn great. Was super disappointed that Four Flies was only available dubbed in English. Argh! I hate when films are dubbed. It’s distracting & definitely ruins the film but, meh – I was in lockdown so I watched it anyway. It’s certainly nowhere near the level of Deep Red or Suspiria. As usual, there was some imagery I liked (like that doll thing up there – I love a creepy doll thing & Argento clearly does too). Shit, I dunno – I remember almost nothing about this five months later whereas I remember all of Deep Red plus its brilliant score. At least the story was ALMOST coherent in Four Flies, which I can’t say for all of Argento’s stuff (especially Inferno, which is later in this list). It also had a truly silly but fun way in which the killer got discovered so I guess I’ll give it an extra point for that. But if you’re new to Argento just watch Deep Red, which is his most accessible film. – 6.5/10

All The Bright Places – I liked this YA novel a lot. I admit I read waaaaaay too many YA books but this was definitely one of my favorites when it comes to the romance/drama side of the genre. It had very strong characters & it left me feeling emotionally drained in a way that many YA books don’t manage as so many of them feel a bit shallow. So I highly recommend the book to fans of YA along the lines of The Perks Of Being A Wallflower, etc. The film adaptation, though? Meh. Disappointing. I didn’t feel they captured the characters at all, especially the boy & it was extremely important to get him right. You can feel his pain & desperation in the book but the film character left me a bit cold. To be fair, I don’t think this is the actor’s fault as he’s such a complex character that they never would have been able to bring to the screen in the same way. Overall, it’s an okay film so I’m sure people like it but I know just how good the book is so I’m hoping people will read the book first. Then, yes, it’s worth seeing the adaptation afterwards if you’re interested. – 6.5/10

Dark Shadows – This was the ONLY Tim Burton-directed film I’d not seen so I finally checked it out. Ugh. I suppose I should update my Tim Burton Movie Rankings HERE but I’m too lazy at the moment. It’s probably second or third to last anyway. What a huge disappointment, especially after it started out okay. Then it all went to shit in the final third. I did enjoy the ensemble cast, though – I do love Michelle Pfeiffer & am happy that (I think?) we’re allowed to like Johnny Depp again (Are we?! Hard to keep track these days). Alice Cooper was also in this (as Alice Cooper). So, bonus points for that since I love Cooper (even though the cameo was stupid and felt forced into the story – it worked much better in Wayne’s World!). The story was just messy and the characters were hateful. Eva Green is sexy but her psycho slut character was just dumb. Meh. Whatever. I’ll give it an okay score since, as I said, it started out okay plus it had some style, as to be expected from Burton. And Alice Cooper is in it. – 6/10

Inferno (1980) – Again, I was excited to see a Dario Argento film was going to be showing on TV on Film4. I don’t have a way to record anymore so, as it was the start of lockdown & everything was shit, I was determined to stay up to watch this at its 1:30am showtime. Not worth it!! Damn. First of all, this was ALSO dubbed. What? Why?? Let’s be honest – only proper film nerds are gonna watch foreign films in the middle of the night and film nerds want subtitles. So, again, this will have hurt my enjoyment of this one. When I mentioned that Four Flies was somewhat coherent (as far as Argento films go)? Inferno was an incoherent mess. I don’t know what the fuck was going on, but of course it didn’t help that I was exhausted & worried about viruses at that point (well, I still am now). Anyway – I don’t think anyone watches Italian horror for a good story so I guess it doesn’t matter. It’s all about the imagery & bright red blood & supernatural weirdness. Again, there’s some good imagery in this one but not nearly enough to make up for how weak this movie is compared to Suspiria. Here’s a bit about it from Wikipedia: A thematic sequel to Suspiria (1977), the film is the second part of Argento’s Three Mothers trilogy, though it is the first in the trilogy to explore the idea of the Three Mothers. The long-delayed concluding entry, The Mother of Tears, was released in 2007. Yeah, so this is sort of a sequel to Suspiria. Too bad it sucks. But it doesn’t sound as bad as the third film! Released in 2007? I’ll skip that one. Give me good old Seventies/early Eighties horror. At least this one is worth a try if you like Argento’s style as it’s still almost a 70’s film but with a weird ass early 80’s prog score from Keith Emerson. But at least that gives it a cheese-factor that often works for me personally. I kind of hated yet liked the score – I think I’ll add it to my playlist now & I bet it grows on me along with all the other horror scores I like to have creepily playing in the background while I work from home. Give me a Goblin score instead, though! Goblin are a huge part of the reason for Deep Red & Suspiria being the superior Argento films I’ve seen so far. Watch those. Only watch Inferno if you absolutely love Suspiria and want another witchy Argento fix but go in with very low expectations. And don’t watch it dubbed. I’m just too broke to watch films in the way I prefer. – 6/10

Rewatched:

As I said above, a lot of the movies I’ve watched during lockdown have been ones I’ve already seen. Comfort movies, I guess. And some have been ones I’ve wanted to introduce my daughter to, like all the X-Men films (which she LOVED). I better point out that she’s not seen Logan, of course – too violent. I don’t have the energy to write too much about all the re-watches. If I happened to have reviewed them in full in the past, I’ll include the review link.

Jaws – A classic. Still love it but not to the same degree that others my age do. You HAVE to admit it takes a while for this one to pick up. It only becomes truly great once the three guys go out on the boat together. From there, yes, it becomes a brilliant & iconic film. – 8/10

The Hunger Games – I reviewed all but the first Hunger Games film in full as I started this blog just as the first one came out. I should try to review it in full some day as it’s the best of the four (although Catching Fire is very good too). I think these films get some very unfair treatment and it’s likely only because they are part of the YA genre. “Young Adult” is a dirty phrase to people who have become far too judgemental & seem to think art shouldn’t exist for anyone under 25. There’s awful YA & fantastic YA. These books are great reads and the films are very good adaptations while Jennifer Lawrence is perfect as Katniss. Okay, I didn’t like the final book but I think everyone felt the same way about that one. It was a disappointing conclusion. You can’t say it wasn’t well-written, though, and you certainly can’t accuse her of selling out to keep fans happy in the end. It’s a strong series & will be seen as a classic in its genre. And I say this as someone who has also read & loved Battle Royale & its film adaptation. The stories are very different, with The Hunger Games exploring some pretty complex political themes for stories aimed at such a young audience. I actually read Battle Royale after liking that adaptation so much as I wanted a more in-depth look into the reasons why they made those kids kill each other but unfortunately didn’t get much more of an explanation than you get in the movie. So don’t start talking shit about The Hunger Games. For this genre, it’s a very good series. If you don’t like the books or films, it may be because they weren’t written for you. It doesn’t make them bad and, as far as the films go, Lawrence acted her ass off and the characters were far more well-developed & empathetic than in many films – especially Woody Harrelson as Haymitch (why can’t we get his story as a prequel??). – 8/10

Coming To America – Still think this is a pretty damn funny 80’s classic. They don’t make decent fun-but-dumb comedy anymore. Comedy movies are just plain dumb nowadays. – 7/10

50 First Dates – I’m Generation X so I’m not an Adam Sandler hater. It was cool for anyone younger than Gen X to hate Sandler until Uncut Gems. You know what? You’re not allowed to like him if you didn’t like him before Uncut Gems. You can’t suddenly claim him like you tried to claim Keanu Reeves. Reeves is ours and so is Sandler, whether he’s in a good movie or a bad one (and, yes, he’s been in some very BAD ones). Sandler was good in Uncut Gems but it was a thoroughly unenjoyable film. I just wanted it to finish (I really liked Good Time, though, FYI). Give me his “dumb” old comedies instead. The Wedding Singer is great and would probably be more universally loved had it starred someone else (maybe Paul Rudd? He seems acceptable to younger people). I also happen to think Big Daddy & 50 First Dates are good so these are my top three Sandler films. Admittedly, the rest start to go downhill but he’s still had more successful films than many actors, especially in the comedy genre, so he’s clearly doing something right. And I love Drew Barrymore as well & think they’re adorable together in this, The Wedding Singer, and even Blended. Drew is especially sweet in 50 First Dates – she elevates this one quite a bit & is the true star of this film. You keep making films, Adam! I’ll watch them. Even when they suck. Just drag Drew into them when you can – they turn out much better than the ones you do with Jennifer Aniston. – 7/10

Click – Um, Click wasn’t as good. Its heart was in the right place (all about appreciating what you have in life & all that). But the comedy didn’t work as well & got too dumb at times. It also felt like it carried on for too long (too lazy to go check the runtime but it felt too long). However, Christopher Walken was a welcome kooky addition, as he is in everything he’s ever in. So I’ll give it an extra half a point for that. And also for the dog always humping that toy. Sometimes dumb comedy works, such as dogs predictably humping things. – 6/10

MUSIC, BOOKS, TV, MISCELLANEOUS THIS MONTH

MUSIC LISTENED TO

Joe Hisaishi – Dream Songs: The Essential Joe Hisaishi – What can I say? I ADORE Studio Ghibli. But I won’t go into that as I’ve gone on & on about Studio Ghibli so much on this blog. So of course I love this album as so much of it is the music he composed for Ghibli films. He’s a genius. He should be more well known (Well, he’s probably huge in Japan? What do I know!). Special shoutout especially to Hisaishi’s music for My Neighbor Totoro & Nausicaä Of The Valley Of The Wind. Gorgeous. Also my two favorite Ghibli films. The music in a film is very important to me, so it’s probably not a coincidence that they have the best scores as well. He’s to Ghibli what Morricone is to Leone’s films (to me, at least). Perfection.

Ice Nine Kills – The Silver Scream – This is a heavy metal album with each song being about a different horror film. It couldn’t be more perfect for me & my interests & this silly blog! I really like this album, although it’s heavier than the classic type of metal I tend to go for. I just wish I’d known about it last October when I did what will probably be my last ever October Horror Month on this blog. I don’t know if I’ll ever do a proper post on this blog again or if I’ll even post anything else at all after this but this album needs its own specific post. There’s too much to cover, as I’d like to discuss each song as well each of the movies the songs are dedicated to (many of them, such as A Nightmare On Elm Street, The Shining, The Crow & even the not-so-horror Edward Scissorhands being absolute favorite films of mine). So, I’ll make no promises but I’ll try to discuss this album in full sometime. Probably in October while everyone is watching horror movies. I recommend this album to heavy metal horror movie lovers. Thanks to the guy who recommended this album to me! It’s so me. (I thanked him in real life since he’s a real life person – I won’t pretend I discovered this album on my own).

BOOKS READ

Dune by Frank Herbert – I started this at the beginning of lockdown as I obviously wanted to finally read it before the Denis Villeneuve adaptation. It took me several months to finish as I couldn’t concentrate. I did really like it – Life is just very distracting at the moment. I’ll write a bit about it in June’s roundup post, as I think that’s when I finished it.

TV SHOWS WATCHED

Like reading books, I’m also finding it hard to concentrate on TV shows at the moment. I’ve still watched only an episode or two of each of these.

Locke & Key – Love Joe Hill’s books & especially his short story collections. Not read the graphic novel this is based on, however, but the story is intriguing. I’d like to read it first. So far, I’m liking the show but I find it far easier to watch a movie than to try to finish an entire series of something. How on earth do people manage to binge watch an entire show over a weekend?? I feel like I’m busier than I’ve ever been. I’m exhausted.

The Storyteller – This is weird as shit! It’s a Jim Henson show from the late Eighties narrated by the brilliant John Hurt and I’d somehow never heard of it. I watched only one episode (Hans My Hedgehog). It was bizarre & creepy and I’m pretty sure it gave me nightmares that night. I’d forgotten I’d watched this. I want to see the rest.

Parks & Recreation – Watched a couple episodes. It’s just okay? Am I the only person who doesn’t love TV shows from the last 20 years?

The Creeps – Watched a few episodes of this Goosebumps-like show with the kid. I’m a lover of weird & bizarre stories, especially with a twist, and I’m always trying & failing to get her to also fall in love with things like The Twilight Zone. She liked this show okay. Think Black Mirror but for kids. But it’s not great. And it’s certainly no masterpiece like The Twilight Zone.

Love, Death & Robots – Watched two or three episodes. Sounded like the EXACT thing the hubby & I would love (sci-fi & robots!!!). We weren’t impressed. And one episode was so over-the-top gory and unnecessarily sexual. Hubby said something along the lines of how it felt like it was made for horny 13-year-old boys (he’ll say I’ve misquoted him when he reads this). That’s accurate, though. Maybe the other episodes are better but what I’ve seen so far was a bit pathetic. How can they fuck up a show about robots?! Robots are awesome! Dammit.

BLOG PLANS FOR AUGUST

I’ll try to do a weekly post of my monthly roundups for April, May, June & July but I’m making no guarantees.

Upcoming Movies I Want To See (I made this list in February so I’m leaving it here for myself as I’ve still not seen even the ones that did get released. I can’t remember what half of these are now…):

The Invisible Man, Dark Waters, The Hunt, Swallow (looked interesting), VFW (what the heck is this?),The New Mutants (ha! will this ever see the light of day?), The Secret Garden, Trolls World Tour (oh god no – why is this listed?! the first one was bad enough), Antlers, Promising Young Woman (don’t remember this), Dream Horse (nor this), Proxima, Finding The Way Back (nor this), Antebellum (nor this), A Quiet Place Part II (still want to see this as really liked A Quiet Place)

Here’s Joe Hisaishi’s beautiful Path Of The Wind from My Neighbor Totoro: