My Oscar Picks For The 90th Annual Academy Awards

It’s almost time for the Oscars! I love/hate them so much!! 🙂

I’ve seen quite a few nominees, but have missed out on some that I do badly want to see. Oh I hate it when so few cinemas show the “worthy” or indie films! Of the nominees I’ve not managed to see yet, the only ones I really want to watch are:

Call Me By Your Name
The Florida Project
All the Money in the World
War For The Planet Of The Apes
Loving Vincent
The Silent Child

Of the Best Picture nominees, I must admit I have no interest in Dunkirk or Phantom Thread. I’ll watch The Post on Netflix or whatever at home.

**Post updated since I’ve now seen I, Tonya. Loved it.**

Nominees I’ve Seen (including everything with at least one nomination):

1. Star Wars: The Last Jedi
2. Blade Runner: 2049
3. Three Billboards Outside Ebbing, Missouri
4. Guardians of the Galaxy Vol. 2
5. I, Tonya
6. Baby Driver
7. The Shape Of Water
8. Lady Bird
9. Darkest Hour
10. Logan
11. The Greatest Showman
12. Coco
13. Mudbound
14. The Big Sick
15. Get Out
16. Kong: Skull Island
17. Beauty and the Beast
18. The Boss Baby

Other Nominees Seen (Shorts):
Garden Party
Heaven Is a Traffic Jam on the 405

Now onto the “predictions”! As usual, I’m not too bothered about who wins. For each category, I’ll put what I personally want to win & what I think will actually win. Here we go….


Best Picture:
Call Me by Your Name
Darkest Hour
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water (Also WANT – It’s close between this & Three Billboards)
Three Billboards Outside Ebbing, Missouri (WANT & WILL)

Christopher Nolan, Dunkirk
Jordan Peele, Get Out
Greta Gerwig, Lady Bird
Paul Thomas Anderson, Phantom Thread
Guillermo del Toro, Shape of Water (WANT & WILL)

Actor in a Leading Role:
Timothée Chalamet, Call Me by Your Name
Daniel Day-Lewis, Phantom Thread
Daniel Kaluuya, Get Out
Gary Oldman, Darkest Hour (WANT & WILL)
Denzel Washington, Roman J. Israel, Esq.

Actress in a Leading Role:
Sally Hawkins, The Shape of Water
Frances McDormand, Three Billboards Outside Ebbing, Missouri (WILL)
Margot Robbie, I, Tonya (WANT)
Saoirse Ronan, Lady Bird
Meryl Streep, The Post

Actress in a Supporting Role:
Mary J. Blige, Mudbound
Allison Janney, I, Tonya (WANT & WILL)
Laurie Metcalf, Lady Bird
Lesley Manville, Phantom Thread
Octavia Spencer, The Shape of Water

Actor in a Supporting Role:
Willem Dafoe, The Florida Project
Woody Harrelson, Three Billboards Outside Ebbing, Missouri (WANT)
Richard Jenkins, The Shape of Water
Christopher Plummer, All the Money in the World
Sam Rockwell, Three Billboards Outside Ebbing, Missouri (WILL)

Adapted Screenplay:
James Ivory, Call Me by Your Name (WILL)
Scott Neustadter and Michael H. Weber, The Disaster Artist
Scott Frank, James Mangold, and Michael Green, Logan
Aaron Sorkin, Molly’s Game
Virgil Williams and Dee Rees, Mudbound (WANT)

Original Screenplay:
Emily V. Gordon and Kumail Nanjiani, The Big Sick
Jordan Peele, Get Out
Greta Gerwig, Lady Bird (WANT)
Guillermo del Toro and Vanessa Taylor, The Shape of Water
Martin McDonagh, Three Billboards Outside Ebbing, Missouri (WILL)

Animated Feature Film:
The Boss Baby
The Breadwinner
Coco (WANT & WILL)
Loving Vincent

Foreign Language Film:
A Fantastic Woman (Chile) (WILL)
The Insult (Lebanon)
Loveless (Russia) (WANT)
Body and Soul (Hungary)
The Square (Sweden)

Documentary Feature:
Abacus: Small Enough to Jail
Faces/Places (WANT & WILL)
Last Men in Aleppo
Strong Island

Roger A. Deakins, Blade Runner: 2049 (WANT & WILL)
Bruno Delbonnel, Darkest Hour
Hoyte van Hoytema, Dunkirk
Rachel Morrison, Mudbound
Dan Laustsen, The Shape of Water

Film Editing:
Paul Machliss and Jonathan Amos, Baby Driver (WANT)
Lee Smith, Dunkirk (WILL)
Tatiana S. Riegel, I, Tonya
Sidney Wolinsky, The Shape of Water
Jon Gregory, Three Billboards Outside Ebbing, Missouri

Production Design:
Beauty and the Beast (Production Design: Sarah Greenwood; Set Decoration: Katie Spencer)
Blade Runner: 2049 (Production Design: Dennis Gassner; Set Decoration: Alessandra Querzola) (WANT & WILL)
Darkest Hour (Production Design: Sarah Greenwood; Set Decoration: Katie Spencer)
Dunkirk (Production Design: Nathan Crowley; Set Decoration: Gary Fettis)
The Shape of Water (Production Design: Paul Denham Austerberry; Set Decoration: Shane Vieau and Jeff Melvin)

Costume Design:
Jacqueline Durran, Beauty and the Beast
Jacqueline Durran, Darkest Hour
Mark Bridges, Phantom Thread (WILL)
Luis Sequeira, The Shape of Water (WANT)
Consolota Boyle, Victoria & Abdul

Makeup and Hairstyling:
Kazuhiro Tsuji, David Malinowski, and Lucy Sibbick, Darkest Hour (WANT & WILL)
Daniel Phillips and Lou Sheppard, Victoria & Abdul
Arjen Tuiten, Wonder

Original Score:
Hans Zimmer, Dunkirk
Jonny Greenwood, Phantom Thread
Alexandre Desplat, The Shape of Water (WILL)
John Williams, Star Wars: The Last Jedi (WANT)
Carter Burwell, Three Billboards Outside Ebbing, Missouri

Original Song:
“Mighty River,” Mudbound
“Mystery of Love,” Call Me by Your Name
“Remember Me,” Coco
“Stand Up for Something,” Marshall
“This Is Me,” The Greatest Showman (WANT & WILL)

Sound Editing:
Julian Slater, Baby Driver
Mark Mangini and Theo Green, Blade Runner 2049
Richard King and Alex Gibson, Dunkirk (WILL)
Nathan Robitaille and Nelson Ferreira, The Shape of Water
Matthew Wood and Ren Klyce, Star Wars: The Last Jedi (WANT)

Sound Mixing:
Julian Slater, Tim Cavagin, and Mary H. Ellis, Baby Driver
Ron Bartlett, Dough Hemphill, and Mac Ruth, Blade Runner 2049
Mark Weingarten, Gregg Landarker, and Gary A. Rizzo, Dunkirk (WILL)
Christian Cooke, Brad Zoern, and Glen Gauthier, The Shape of Water
David Parker, Michael Semanick, Ren Klyce, and Stuart Wilson, Star Wars: The Last Jedi (WANT)

Visual Effects:
Blade Runner 2049 (John Nelson, Gerd Nefzer, Paul Lambert, and Richard R. Hoover)
Guardians of the Galaxy Vol. 2 (Christopher Townsend, Guy Williams, Jonathan Fawkner, and Dan Sudick)
Kong: Skull Island (Stephen Rosenbaum, Jeff White, Scott Benza, and Mike Meinardus)
Star Wars: The Last Jedi (Ben Morris, Mike Mulholland, Neal Scanlan, and Chris Corbould) (WANT)
War for the Planet of the Apes (Joe Letteri, Daniel Barrett, Dan Lemmon, and Joel Whist) (WILL)

Animated Short Film:
Dear Basketball
Garden Party
Negative Space
Revolting Rhymes

Live Action Short Film:
DeKalb Elementary
The Eleven O’Clock
My Nephew Emmett
The Silent Child (WANT)
Watu Wote: All of Us (WILL)

Documentary Short Subject:
Edith and Eddie (WILL)
Heaven Is a Traffic Jam on the 405 (WANT)
Knife Skills
Traffic Stop


Oscar Nominated Movie Review Roundup

I have come here to hire billboards and kick ass… and I’m all out of billboards.

Thanks to the hubby for the Three Billboards Outside Ebbing, Missouri & They Live mashup. He loves doing those. 🙂 I can’t think of a better quote to go with this one. Hmm…

Well, the Oscars are on Sunday night (the middle of the night in the UK, which means I’ll be a zombie for work on Monday). I’ve managed to see way more Oscar nominees than last year, so I thought I should do a quick post with a roundup of all my reviews of the nominees. I’ll include everything that has at least one nomination. And, of course, I’ll rank them!

I’m gutted that I’ve not managed to make it to see I, Tonya this week with the crappy weather & snow in the UK. If I manage to see it over the weekend, I’ll review it before the Oscars air. It’s one I really want to see – I’ve always been fascinated by that story.

**Post updated since I HAVE now seen I, Tonya. Loved it! But no time to review it before the Oscars. I’ll review it next week.**

Ranked from favorite to least favorite movie, here are the links to my reviews of the 2017 Oscar nominated films I’ve seen so far:

1. Star Wars: The Last Jedi
2. Blade Runner: 2049
3. Three Billboards Outside Ebbing, Missouri
4. Guardians of the Galaxy Vol. 2
5. I, Tonya
6. Baby Driver

7. The Shape Of Water
8. Lady Bird
9. Darkest Hour
10. Logan
11. The Greatest Showman

12. Coco
13. Mudbound
14. The Big Sick
15. Get Out
16. Kong: Skull Island
17. Beauty and the Beast
18. The Boss Baby

Other Nominees Seen (Shorts):

Lou: Cute, like all Pixar shorts, and I liked the anti-bullying message. Not their strongest short, though.

Garden Party: Another animated short with Lou, which certainly won’t beat Pixar (I don’t know about the other nominees). The animation is impressive, especially as it was made by 3D animation students as their graduation film. The story is an odd one. I liked the somewhat surprising ending (don’t watch it with your young kids).

Heaven Is a Traffic Jam on the 405: This was an interesting short documentary about artist Mindy Alper, who has channeled her depression and anxiety from a traumatic childhood into her art. It’s worth a watch as it’s on YouTube (link HERE). 

Tomorrow I’ll post my Oscar Winner predictions. 🙂

Get Out (2017) Review

Get Out (2017)

Directed & Written by Jordan Peele

Starring: Daniel Kaluuya, Allison Williams, Bradley Whitford, Caleb Landry Jones, Stephen Root, Lakeith Stanfield, Catherine Keener

Plot Synopsis: (via Wikipedia)
Get Out follows a young interracial couple who visit the mysterious estate of the woman’s parents.

My Opinion:

Get Out was a pretty good and enjoyable film, especially for something from the “horror” genre (90% of modern horror movies suck). Then again, it’s not exactly your typical shitty, slasher-type crap. It had some thought put into it, a decent script & acting, and some likable characters. It also feels somewhat original compared to the usual stale horror movie crap that Hollywood pumps out. However, I don’t think it’s as groundbreaking as I’d expected from the little I had read of it. To be fair, I’m old & watch too many movies so I’m harder to impress but I do feel like I’ve seen this movie a few times already, just with a different spin.

Okay, I can’t do this completely spoiler-free. HUBBY – STOP READING HERE. (He hates even the tiniest spoilers). I’m not exactly going to spoil this movie but I AM going to name a few movies this film immediately brought to my mind as I watched it. So, if you’ve seen them, I guess that spoils this one for you. I’d already heard this movie compared to one specific film when skimming some reviews & it ruined it a bit as it meant the ending wasn’t really a surprise to me. So, SLIGHT SPOILERS NOW:




This is very much The Stepford Wives (with racism instead of sexism) and I wish I hadn’t read that beforehand. However, I think updating the concept behind The Stepford Wives was actually a good idea & it worked very well in Get Out. I’ve always liked The Stepford Wives (and, bizarrely, The Stepford Children, a cheesy 1987 TV movie that I was obsessed with at the time & reviewed HERE). The other two movies I was reminded of were two guilty pleasures: the body horror classic Society (which I sort-of-reviewed HERE) and the super cheesy but kind of fun The Skeleton Key (which unfortunately has Kate Hudson in it. Ew). Between those three movies, you have Get Out. But that’s not necessarily a bad thing as plenty of movies are influenced by others and Get Out is certainly a better film than The Skeleton Key, is probably better although less memorable than Society, and is a worthy homage to the Stepford films.

I’m not going to ramble on about this film. It’s had excellent reviews & a lot of people really loved it. I can understand why as it’s a well-written social commentary with some fun comic relief provided by the dog-sitting friend. The acting was better than you get in your standard sort of horrors (just Allison Williams was weak) and I really liked the tone & use of music. But I still feel like this story has been done before & the movie is probably getting a little more hype than is deserved just because of its message. And I prefer to think the message is “Rich people are assholes”. Right??? I think that’s something we can all agree on. Yeah. Rich people. Rich people suck. 😉

There is one very important life lesson that I gained from this film: Bangs (or a fringe as they call it in the UK) do NOT suit everyone. Allison Williams, you gotta grow that shit out. That was a very bad decision.

My Rating: 7/10