Hi All! I’ve not been around as am having a difficult year. But I miss blogging & have still been watching & logging some movies. I do have a post ready to go with what I watched in January but I rewatched Suspiria recently & felt like doing a quick mini-review.
Okay – WHY are there no cool landscape posters for this film?! So I had to use that squished image above so this post doesn’t look crap in the preview & on Twitter. I like that image, though, and it’s the main one I always see for this movie so here’s the big version:
Based on Suspiria de Profundis by Thomas De Quincey
Starring: Jessica Harper, Stefania Casini, Flavio Bucci, Miguel Bosé, Barbara Magnolfi, Susanna Javicoli, Eva Axén, Alida Valli, Joan Bennett
Music by Goblin & Dario Argento
Plot Synopsis: (via Wikipedia) The film stars Jessica Harper as an American ballet student who transfers to a prestigious dance academy in Germany but realizes, after a series of brutal murders, that the academy is a front for a supernatural conspiracy.
I watched this once years ago but hadn’t seen it since. Then in the past few years I’ve tried to delve into the Giallo horror thing a bit & liked Argento’s Deep Red a lot, calling it the more “accessible” film compared to Suspiria. I’ve watched several other Argento films since as well, including the kooky Phenomena, but none of them have compared to Suspiria or Deep Red. I figured it was time to refresh my memory of this film & see how I really feel about it as I know its Goblin score FAR better than the film itself (god I love that bloody brilliant, loud & distracting score!!!).
I have to say that, on a rewatch, I think I may now absolutely love Suspiria. I still think it’s a mess story-wise, as most of Argento’s films (making Deep Red the most coherent in comparison). But I don’t really care about the story when it comes to films like these as I’m such a sucker for atmospheric films with stunning visuals & fantastic scores and this is one of the all-time greats in those regards. It’s gorgeous! I’m thinking of posting this mini-review separately just so I can add loads of images from the movie to the post (Okay – I’ve obviously decided to do that instead of just putting this in my monthly roundup post). Here are some more images:
And I’m still in love with the score. It was really hard to be sneaky & try to watch this one late at night when the Goblin music started BLARING in between the dialogue you can barely hear at all. Love it – it really adds to the film’s unsettling feel. I just love the overall vibe of horror movies from the ’70s. So few horror movies have style these days & even fewer are able to capture that eerie aura of classic horror. Am really happy I decided to rewatch this one as it’s definitely gone up in my estimation. Yay! Maybe I DO like Italian horror! Well, two of them anyway…
For the last Friday before Halloween, I thought I’d re-post my reviews of the only two Dario Argento movies I watched in the past two years. Certainly not up there with Deep Red, which I watched in 2019 & kind of loved.
I’m starting to feel like I’ve already seen all the best horror movies that have been made. And as I mainly only review movies that I watch for the very first time instead of revisiting old favorites, the majority of reviews that I posted for October Horror Month this year were for pretty rubbish films! Disappointing.
And I wanted to love these two but, meh……..
***DISCLAIMER: Hopefully I’ve grabbed images from the correct movies below as I don’t remember much of either of them now. Shit – the images are kind of impressive, especially for Inferno! I think the TV channel I saw it on had a dodgy copy or something because I don’t remember it looking that pretty. Maybe I need to give these another try?***
Four Flies On Grey Velvet(4 mosche di velluto grigio) (1971)
Plot Synopsis: (via Wikipedia) The film concerns Roberto Tobias (Michael Brandon), who accidentally kills a man and is then tormented by someone who witnessed the event.
Was excited to see this Dario Argento film available on Amazon Prime as I’ve been wanting to explore more of the Italian giallo horror thing since finding Phenomena interesting then thinking Deep Red was pretty damn great. Was super disappointed that Four Flies was only available dubbed in English. Argh! I hate when films are dubbed. It’s distracting & definitely ruins the film but, meh – I was in lockdown so I watched it anyway.
It’s certainly nowhere near the level of Deep Red or Suspiria. As usual, there was some imagery I liked (like that doll thing up there – I love a creepy doll thing & Argento clearly does too). Shit, I dunno – I remember almost nothing about this five months later whereas I remember all of Deep Red plus its brilliant score. And, damn, I saw later that this score was done by Ennio Morricone so I wish I’d been paying more attention because I love Morricone. I’ve added the score to my playlist to properly check it out sometime.
At least the story was ALMOST coherent in Four Flies, which I can’t say for all of Argento’s stuff (especially Inferno). It also had a truly silly but fun way in which the killer got discovered so I guess I’ll give it an extra point for that. But if you’re new to Argento just watch Deep Red, which is his most accessible film.
My Rating: 6.5/10
Directed by Dario Argento
Based on Suspiria de Profundis by Thomas De Quincey
Plot Synopsis: (via Wikipedia) The plot follows a young man’s investigation into the disappearance of his sister, who had been living in a New York City apartment building that also served as a home for a powerful, centuries-old witch.
Again, I was excited to see a Dario Argento film was going to be showing on TV on Film4. I don’t have a way to record anymore so, as it was the start of lockdown & everything was shit, I was determined to stay up to watch this at its 1:30am showtime. Not worth it!! Damn.
First of all, this was ALSO dubbed. What? Why?? Let’s be honest – only proper film nerds are gonna watch foreign films in the middle of the night and film nerds want subtitles. So, again, this will have hurt my enjoyment of this one. When I mentioned that Four Flies was somewhat coherent (as far as Argento films go)? Inferno was an incoherent mess. I don’t know what the fuck was going on, but of course it didn’t help that I was exhausted & worried about viruses at that point (well, I still am now).
Anyway – I don’t think anyone watches Italian horror for a good story so I guess it doesn’t matter. It’s all about the imagery & bright red blood & supernatural weirdness. Again, there’s some good imagery in this one but not nearly enough to make up for how weak this movie is compared to Suspiria. Here’s a bit about it from Wikipedia: A thematic sequel to Suspiria (1977), the film is the second part of Argento’s Three Mothers trilogy, though it is the first in the trilogy to explore the idea of the Three Mothers. The long-delayed concluding entry, The Mother of Tears, was released in 2007. Yeah, so this is sort of a sequel to Suspiria. Too bad it sucks. But it doesn’t sound as bad as the third film! Released in 2007? I’ll skip that one. Give me good old Seventies/early Eighties horror.
At least this one is worth a try if you like Argento’s style as it’s still almost a 70’s film but with a weird ass early 80’s prog score from Keith Emerson. But at least that gives it a cheese-factor that often works for me personally. I kind of hated yet liked the score – I think I’ll add it to my playlist now & I bet it grows on me along with all the other horror scores I like to have creepily playing in the background while I work from home. Give me a Goblin score instead, though! Goblin are a huge part of the reason for Deep Red & Suspiria being the superior Argento films I’ve seen so far. Watch those. Only watch Inferno if you absolutely love Suspiria and want another witchy Argento fix but go in with very low expectations. And don’t watch it dubbed. I’m just too broke to watch films in the way I prefer.
I haven’t posted any of these monthly updates since February. Obviously, it all seems a bit pointless at the moment. I’m not watching many “new to me” films anyway since I seem to be sticking with movies I’ve already seen & know that I like or think the kid would like. I’ve still kept these monthly lists in my drafts, though, so I might as well catch up on posting them. I’ll keep my thoughts brief (I can’t remember much after five months anyway). Here’s what I watched & read back in March 2020…
MOVIES REVIEWEDIN MARCH
– Onward – Last film I watched in the cinema. I reviewed it in full at the link. Enjoyed it but a weak entry from Pixar. – 7/10
MOVIES WATCHED IN MARCH (ranked best to worst)
– This Boy’s Life – Been wanting to check this out for years to see the performances from Robert De Niro & a young Leonardo DiCaprio. Actually didn’t know beforehand that it was about author Tobias Wolff (played by DiCaprio). I then thought “Oh, I read his book The Electric Kool-Aid Acid Test!” But, never mind, that was written by Tom Wolfe. I know nothing about Tobias Wolff (except that his stepdad, played by De Niro, was a bit of an asshole). Well, they both delivered the expected good performances but biographical dramas have never really been my thing. It’s a good film but not one I’d watch again. – 7/10
– Four Flies On Grey Velvet(4 mosche di velluto grigio) – Was excited to see this Dario Argento film available on Amazon Prime as I’ve been wanting to explore more of the Italian giallo horror thing since finding Phenomena interesting then thinking Deep Red was pretty damn great. Was super disappointed that Four Flies was only available dubbed in English. Argh! I hate when films are dubbed. It’s distracting & definitely ruins the film but, meh – I was in lockdown so I watched it anyway. It’s certainly nowhere near the level of Deep Red or Suspiria. As usual, there was some imagery I liked (like that doll thing up there – I love a creepy doll thing & Argento clearly does too). Shit, I dunno – I remember almost nothing about this five months later whereas I remember all of Deep Red plus its brilliant score. At least the story was ALMOST coherent in Four Flies, which I can’t say for all of Argento’s stuff (especially Inferno, which is later in this list). It also had a truly silly but fun way in which the killer got discovered so I guess I’ll give it an extra point for that. But if you’re new to Argento just watch Deep Red, which is his most accessible film. – 6.5/10
– All The Bright Places – I liked this YA novel a lot. I admit I read waaaaaay too many YA books but this was definitely one of my favorites when it comes to the romance/drama side of the genre. It had very strong characters & it left me feeling emotionally drained in a way that many YA books don’t manage as so many of them feel a bit shallow. So I highly recommend the book to fans of YA along the lines of The Perks Of Being A Wallflower, etc. The film adaptation, though? Meh. Disappointing. I didn’t feel they captured the characters at all, especially the boy & it was extremely important to get him right. You can feel his pain & desperation in the book but the film character left me a bit cold. To be fair, I don’t think this is the actor’s fault as he’s such a complex character that they never would have been able to bring to the screen in the same way. Overall, it’s an okay film so I’m sure people like it but I know just how good the book is so I’m hoping people will read the book first. Then, yes, it’s worth seeing the adaptation afterwards if you’re interested. – 6.5/10
– Dark Shadows – This was the ONLY Tim Burton-directed film I’d not seen so I finally checked it out. Ugh. I suppose I should update my Tim Burton Movie Rankings HERE but I’m too lazy at the moment. It’s probably second or third to last anyway. What a huge disappointment, especially after it started out okay. Then it all went to shit in the final third. I did enjoy the ensemble cast, though – I do love Michelle Pfeiffer & am happy that (I think?) we’re allowed to like Johnny Depp again (Are we?! Hard to keep track these days). Alice Cooper was also in this (as Alice Cooper). So, bonus points for that since I love Cooper (even though the cameo was stupid and felt forced into the story – it worked much better in Wayne’s World!). The story was just messy and the characters were hateful. Eva Green is sexy but her psycho slut character was just dumb. Meh. Whatever. I’ll give it an okay score since, as I said, it started out okay plus it had some style, as to be expected from Burton. And Alice Cooper is in it. – 6/10
– Inferno (1980)– Again, I was excited to see a Dario Argento film was going to be showing on TV on Film4. I don’t have a way to record anymore so, as it was the start of lockdown & everything was shit, I was determined to stay up to watch this at its 1:30am showtime. Not worth it!! Damn. First of all, this was ALSO dubbed. What? Why?? Let’s be honest – only proper film nerds are gonna watch foreign films in the middle of the night and film nerds want subtitles. So, again, this will have hurt my enjoyment of this one. When I mentioned that Four Flies was somewhat coherent (as far as Argento films go)? Inferno was an incoherent mess. I don’t know what the fuck was going on, but of course it didn’t help that I was exhausted & worried about viruses at that point (well, I still am now). Anyway – I don’t think anyone watches Italian horror for a good story so I guess it doesn’t matter. It’s all about the imagery & bright red blood & supernatural weirdness. Again, there’s some good imagery in this one but not nearly enough to make up for how weak this movie is compared to Suspiria. Here’s a bit about it from Wikipedia: A thematic sequel to Suspiria (1977), the film is the second part of Argento’s Three Mothers trilogy, though it is the first in the trilogy to explore the idea of the Three Mothers. The long-delayed concluding entry, The Mother of Tears, was released in 2007. Yeah, so this is sort of a sequel to Suspiria. Too bad it sucks. But it doesn’t sound as bad as the third film! Released in 2007? I’ll skip that one. Give me good old Seventies/early Eighties horror. At least this one is worth a try if you like Argento’s style as it’s still almost a 70’s film but with a weird ass early 80’s prog score from Keith Emerson. But at least that gives it a cheese-factor that often works for me personally. I kind of hated yet liked the score – I think I’ll add it to my playlist now & I bet it grows on me along with all the other horror scores I like to have creepily playing in the background while I work from home. Give me a Goblin score instead, though! Goblin are a huge part of the reason for Deep Red & Suspiria being the superior Argento films I’ve seen so far. Watch those. Only watch Inferno if you absolutely love Suspiria and want another witchy Argento fix but go in with very low expectations. And don’t watch it dubbed. I’m just too broke to watch films in the way I prefer. – 6/10
As I said above, a lot of the movies I’ve watched during lockdown have been ones I’ve already seen. Comfort movies, I guess. And some have been ones I’ve wanted to introduce my daughter to, like all the X-Men films (which she LOVED). I better point out that she’s not seen Logan, of course – too violent. I don’t have the energy to write too much about all the re-watches. If I happened to have reviewed them in full in the past, I’ll include the review link.
– Jaws – A classic. Still love it but not to the same degree that others my age do. You HAVE to admit it takes a while for this one to pick up. It only becomes truly great once the three guys go out on the boat together. From there, yes, it becomes a brilliant & iconic film. – 8/10
– The Hunger Games – I reviewed all but the first Hunger Games film in full as I started this blog just as the first one came out. I should try to review it in full some day as it’s the best of the four (although Catching Fire is very good too). I think these films get some very unfair treatment and it’s likely only because they are part of the YA genre. “Young Adult” is a dirty phrase to people who have become far too judgemental & seem to think art shouldn’t exist for anyone under 25. There’s awful YA & fantastic YA. These books are great reads and the films are very good adaptations while Jennifer Lawrence is perfect as Katniss. Okay, I didn’t like the final book but I think everyone felt the same way about that one. It was a disappointing conclusion. You can’t say it wasn’t well-written, though, and you certainly can’t accuse her of selling out to keep fans happy in the end. It’s a strong series & will be seen as a classic in its genre. And I say this as someone who has also read & loved Battle Royale & its film adaptation. The stories are very different, with The Hunger Games exploring some pretty complex political themes for stories aimed at such a young audience. I actually read Battle Royaleafter liking that adaptation so much as I wanted a more in-depth look into the reasons why they made those kids kill each other but unfortunately didn’t get much more of an explanation than you get in the movie. So don’t start talking shit about The Hunger Games. For this genre, it’s a very good series. If you don’t like the books or films, it may be because they weren’t written for you. It doesn’t make them bad and, as far as the films go, Lawrence acted her ass off and the characters were far more well-developed & empathetic than in many films – especially Woody Harrelson as Haymitch (why can’t we get his story as a prequel??). – 8/10
– Coming To America – Still think this is a pretty damn funny 80’s classic. They don’t make decent fun-but-dumb comedy anymore. Comedy movies are just plain dumb nowadays. – 7/10
– 50 First Dates – I’m Generation X so I’m not an Adam Sandler hater. It was cool for anyone younger than Gen X to hate Sandler until Uncut Gems. You know what? You’re not allowed to like him if you didn’t like him before Uncut Gems. You can’t suddenly claim him like you tried to claim Keanu Reeves. Reeves is ours and so is Sandler, whether he’s in a good movie or a bad one (and, yes, he’s been in some very BAD ones). Sandler was good in Uncut Gems but it was a thoroughly unenjoyable film. I just wanted it to finish (I really liked Good Time, though, FYI). Give me his “dumb” old comedies instead. The Wedding Singer is great and would probably be more universally loved had it starred someone else (maybe Paul Rudd? He seems acceptable to younger people). I also happen to think Big Daddy & 50 First Dates are good so these are my top three Sandler films. Admittedly, the rest start to go downhill but he’s still had more successful films than many actors, especially in the comedy genre, so he’s clearly doing something right. And I love Drew Barrymore as well & think they’re adorable together in this, The Wedding Singer, and even Blended. Drew is especially sweet in 50 First Dates – she elevates this one quite a bit & is the true star of this film. You keep making films, Adam! I’ll watch them. Even when they suck. Just drag Drew into them when you can – they turn out much better than the ones you do with Jennifer Aniston. – 7/10
– Click – Um, Click wasn’t as good. Its heart was in the right place (all about appreciating what you have in life & all that). But the comedy didn’t work as well & got too dumb at times. It also felt like it carried on for too long (too lazy to go check the runtime but it felt too long). However, Christopher Walken was a welcome kooky addition, as he is in everything he’s ever in. So I’ll give it an extra half a point for that. And also for the dog always humping that toy. Sometimes dumb comedy works, such as dogs predictably humping things. – 6/10
MUSIC, BOOKS, TV, MISCELLANEOUS THIS MONTH
MUSIC LISTENED TO
– Joe Hisaishi – Dream Songs: The Essential Joe Hisaishi – What can I say? I ADORE Studio Ghibli. But I won’t go into that as I’ve gone on & on about Studio Ghibli so much on this blog. So of course I love this album as so much of it is the music he composed for Ghibli films. He’s a genius. He should be more well known (Well, he’s probably huge in Japan? What do I know!). Special shoutout especially to Hisaishi’s music for My Neighbor Totoro& Nausicaä Of The Valley Of The Wind. Gorgeous. Also my two favorite Ghibli films. The music in a film is very important to me, so it’s probably not a coincidence that they have the best scores as well. He’s to Ghibli what Morricone is to Leone’s films (to me, at least). Perfection.
– Ice Nine Kills – The Silver Scream – This is a heavy metal album with each song being about a different horror film. It couldn’t be more perfect for me & my interests & this silly blog! I really like this album, although it’s heavier than the classic type of metal I tend to go for. I just wish I’d known about it last October when I did what will probably be my last ever October Horror Month on this blog. I don’t know if I’ll ever do a proper post on this blog again or if I’ll even post anything else at all after this but this album needs its own specific post. There’s too much to cover, as I’d like to discuss each song as well each of the movies the songs are dedicated to (many of them, such as A Nightmare On Elm Street, The Shining, The Crow & even the not-so-horror Edward Scissorhands being absolute favorite films of mine). So, I’ll make no promises but I’ll try to discuss this album in full sometime. Probably in October while everyone is watching horror movies. I recommend this album to heavy metal horror movie lovers. Thanks to the guy who recommended this album to me! It’s so me. (I thanked him in real life since he’s a real life person – I won’t pretend I discovered this album on my own).
– Dune by Frank Herbert – I started this at the beginning of lockdown as I obviously wanted to finally read it before the Denis Villeneuve adaptation. It took me several months to finish as I couldn’t concentrate. I did really like it – Life is just very distracting at the moment. I’ll write a bit about it in June’s roundup post, as I think that’s when I finished it.
TV SHOWS WATCHED
Like reading books, I’m also finding it hard to concentrate on TV shows at the moment. I’ve still watched only an episode or two of each of these.
– Locke & Key – Love Joe Hill’s books & especially his short story collections. Not read the graphic novel this is based on, however, but the story is intriguing. I’d like to read it first. So far, I’m liking the show but I find it far easier to watch a movie than to try to finish an entire series of something. How on earth do people manage to binge watch an entire show over a weekend?? I feel like I’m busier than I’ve ever been. I’m exhausted.
– The Storyteller – This is weird as shit! It’s a Jim Henson show from the late Eighties narrated by the brilliant John Hurt and I’d somehow never heard of it. I watched only one episode (Hans My Hedgehog). It was bizarre & creepy and I’m pretty sure it gave me nightmares that night. I’d forgotten I’d watched this. I want to see the rest.
– Parks & Recreation – Watched a couple episodes. It’s just okay? Am I the only person who doesn’t love TV shows from the last 20 years?
– The Creeps – Watched a few episodes of this Goosebumps-like show with the kid. I’m a lover of weird & bizarre stories, especially with a twist, and I’m always trying & failing to get her to also fall in love with things like The Twilight Zone. She liked this show okay. Think Black Mirror but for kids. But it’s not great. And it’s certainly no masterpiece like The Twilight Zone.
– Love, Death & Robots – Watched two or three episodes. Sounded like the EXACT thing the hubby & I would love (sci-fi & robots!!!). We weren’t impressed. And one episode was so over-the-top gory and unnecessarily sexual. Hubby said something along the lines of how it felt like it was made for horny 13-year-old boys (he’ll say I’ve misquoted him when he reads this). That’s accurate, though. Maybe the other episodes are better but what I’ve seen so far was a bit pathetic. How can they fuck up a show about robots?! Robots are awesome! Dammit.
BLOG PLANS FOR AUGUST
I’ll try to do a weekly post of my monthly roundups for April, May, June & July but I’m making no guarantees.
Upcoming Movies I Want To See (I made this list in February so I’m leaving it here for myself as I’ve still not seen even the ones that did get released. I can’t remember what half of these are now…):
The Invisible Man, Dark Waters, The Hunt, Swallow (looked interesting), VFW (what the heck is this?),The New Mutants (ha! will this ever see the light of day?), The Secret Garden, Trolls World Tour (oh god no – why is this listed?! the first one was bad enough), Antlers, Promising Young Woman (don’t remember this), Dream Horse (nor this), Proxima, Finding The Way Back (nor this), Antebellum (nor this), A Quiet Place Part II (still want to see this as really liked A Quiet Place)
Here’s Joe Hisaishi’s beautiful Path Of The Wind from My Neighbor Totoro:
Happy Halloween! I’ve enjoyed doing Halloween Horror Month yet again but this was probably my last year. It’s too time consuming plus I’m now way behind on reviewing current non-horror movie releases. I’ve also once again watched WAY too many bad horror movies in the past year. Of those below, I only really loved the top two and thought the next few were quite good. The rest of the Top Twenty were decent enough to pass some time but my life would still be complete if I’d seen none of the rest (it might even be better!). I also have a few thrillers as well as full-on horrors on this list.
So, counting down to my favorite, here’s my ranked list of the 43 horrors & thrillers I’ve watched & reviewed since last October:
Deep Red (1975) Italian: Profondo Rosso (aka The Hatchet Murders)
Directed by Dario Argento
Starring: David Hemmings, Daria Nicolodi, Macha Meril, Eros Pagni,Giuliana Calandra
Music by Goblin & Giorgio Gaslini
Plot Synopsis: (via Wikipedia) Deep Red stars Macha Meril as a medium and David Hemmings as a pianist who investigates a series of murders performed by a mysterious figure wearing black leather gloves.
Happy Halloween! I thought I better finally review one of my Blind Spot choices this year so it seemed like the perfect time for Dario Argento’s Deep Red. I do try to explore a little bit of most every genre of film but my knowledge of the Italian Giallo horror thing is severely lacking. This is my third Giallo horror and I’ve only seen Argento’s movies so far; Suspiria, which I saw years ago and should really watch again, and Phenomena as a Blind Spot a few years ago. While I still think Suspiria is the best mainly due to being so iconic (and having that amazing Goblin score), Deep Red may actually be the more “enjoyable” and certainly the more accessible film. If someone was entirely new to this genre and wanted a good film to start with, I’d probably recommend this before Suspiria just because it’s a much more straightforward murder mystery and far less strange. Both are absolute must sees for film fans, though – Deep Red is just an easier starting point.
I’ll start with the obvious things that made this such an enjoyable watch for me personally: The look & the imagery, the atmosphere, and the score. These are extremely important elements to me when it comes to all films but especially for horror. I admit that I’m old but there’s just something special about the look & feel of Seventies & early Eighties horror movies that very few modern horrors manage to achieve. We do occasionally get some good ones now but it’s interesting how often they try to copy the look of old films. It never quite works, though. I appreciate things like The House Of The Devil trying to look like a Seventies or Eighties film but no modern movies ever manage to fully capture that mood and it always just feels like modern actors playing dress up (true for non-horrors too, such as American Hustle). Deep Red has a brilliant Seventies vibe. The clothing! The awful hair! The ugly decor! A stunning & creepy old abandoned mansion! Then we also get some amazing imagery, some of which I’ve posted but others that I can’t due to spoilers. We get a couple of creepy dolls (I love creepy dolls!), lots of that super bright red blood they seemed to use in Italian horror, a big sharp knife in a famous spoiler image, funky artwork on the walls, and closeups of the killer’s eye and the killer’s strange trinkets.
The imagery is fantastic but the score is just as important for setting the mood in this sort of film. I don’t know why modern movies so often seem to care so little about the score. A great score can turn a movie I like into a movie I love. Hell, I know I rated The Good, The Bad And The Uglymuch more highly than I would’ve without Ennio Morricone’s masterpiece score (Italians do it better! Wasn’t that on a Madonna t-shirt?!). Goblin did the Deep Red score and I already love it along with the soundtracks for Suspiria and Dawn Of The Dead (1978), an all-time favorite film of mine. Many of my favorite films also have brilliant scores so I do think the music is important. I’ve added a clip of this Goblin score at the end of this post. Goblin feature heavily on my phone’s playlist. I know the scores to these Argento movies better than I know the movies themselves. I now want to watch every single movie that has a Goblin score (but I think a lot of them are very obscure and I’m sure the music is much better than the films).
Atmosphere & music aside, Deep Red also has a decent murder mystery as well as some good characters. David Hemmings is good and I enjoyed watching him investigate these murders, especially when he explores a lovely old mansion as the main Goblin theme below plays. Daria Nicolodi is great as the female reporter who joins Hemmings in his investigations. The two had really good chemistry and I liked her sassy attitude. She added a bit of humor to the movie, which I wasn’t expecting in a Dario Argento horror. So, while I personally always prefer the supernatural and things like witches in Suspiria to murder mysteries, I can see plenty of people actually preferring Deep Red. I’m not sure why it doesn’t seem as popular or quite as well known as Suspiria? I think Deep Red (aka Profondo Rosso) is a brilliant horror classic and I’d recommend it to anyone curious about this genre. I’m glad I finally watched it as I’ve seen way too many bad horrors in 2019. Deep Red is by far my favorite of those I’ve watched in the past year.
My Rating: 8/10
Here’s part of the fantastic Goblin score. Love it. I wish movie scores were still as brilliant as they were in the Seventies & Eighties…
**As this posts, I’ll be watching Doctor Sleep. I’ll try to do at least a quick review by the end of today, although I may not have time. I love Stephen King and have very high hopes based on the trailer…
– Wind River – This was really good. This was directed & written by Taylor Sheridan, who also wrote the brilliant Sicario and Hell Or High Water. Here’s the IMDb plot synopsis: “A veteran hunter helps an FBI agent investigate the murder of a young woman on a Wyoming Native American reservation.” As someone who isn’t normally a fan of “crime dramas”, I loved all three of these films. I think this is probably thanks to Sheridan’s writing as the characters are so strong and so real. You can feel the grief of the parents of the murdered girl and the conversations, especially between Renner’s character & the murdered girl’s father, come across as very genuine. I often find that movie dialogue feels phoney so I love that Sheridan’s characters in these three films feel so natural & are so well-developed. And, yeah, it was kind of fun seeing Hawkeye & Scarlet Witch together in this. I highly recommend this movie if you like a serious crime drama that takes its time focusing on the characters, which is always important to me. If you liked either of the other two Sheridan films I mentioned, you should like Wind River too. – 7.5/10
– The Hunt (Jagten) – Finally got around to watching this as I wanted to see Mads Mikkelsen‘s performance plus the film was nominated for a Best Foreign Film Oscar and is in the IMDb Top 250. It’s not a topic I’m comfortable with but it was handled well & Mikkelsen was fantastic. It takes place in a small community and focuses on how a little lie/misunderstanding goes too far & completely destroys Mikkelsen’s life. It’s a good film with great performances and I’d recommend it but you have to be in the mood for a serious drama. – 7.5/10
– Cold War – This was a very good but not a great film. I was hoping for a bit more when people raved about this last year (it was up for the Best Foreign Film Oscar along with Roma & Shoplifters (which is the one I want to see the most). Here’s the IMDb plot synopsis: “In the 1950s, a music director falls in love with a singer and tries to persuade her to flee communist Poland for France.” I did enjoy the story and the look of the film plus I love when a storyline spans so many years (especially when it involves lovers separated & reunited over those years). I think the biggest problem for me was that, unfortunately, I didn’t like the female character. She was very hard to like and I didn’t understand why she did what she did (I’ll leave it at that as I’m obviously avoiding spoilers). I at first liked how headstrong she was but it was frustrating as her personality caused so much pain by the end. It was still a good film and I did like the male lead – I was just hoping to like them both and to want them together. Oh well – At least Cold War was much better than that snoozefest winner Roma… – 7/10
– Repulsion – This film deserves to be higher on the list. It’s artsy fartsy & “worthy” but I can’t say I exactly enjoyed it. However, Catherine Deneuve was very good & it’s worth watching for her performance. I decided to watch this Roman Polanski film after liking Deneuve in a somewhat similar role in Belle de Jour. I haven’t seen her in much – I don’t know why she played a sexually repressed woman in both of these but she handles this type of character well. Here’s the IMDb plot synopsis if you don’t know anything about Repulsion: “A sex-repulsed woman who disapproves of her sister’s boyfriend sinks into depression and has horrific visions of rape and violence.” Obviously, having come out in 1965, it seems tame now but I would imagine this was a very shocking film at the time. The pacing is very slow & it does take a long time before much of anything happens, so bear that in mind if you choose to watch it. I have to say I preferred Belle de Jour. I was hoping this would be much weirder, based on that image I used at the top of this post of Deneuve in the hallway with all the hands coming out of the walls. It’s not, though – it’s a pretty straightforward story of a woman who may have experienced sexual abuse in the past (I think this is implied), which eventually drives her insane. Deneuve is great in these films, though, and I’d watch her in other movies based on what I’ve seen so far. – 7/10
– Eddie The Eagle – This was fine. It’s a pretty typical British feel-good family movie. I didn’t know a thing about the real life guy or his story so I found it interesting. He was certainly a character. The film itself is just okay, though. Yeah, it’s a little cheesy and I’d say the performances are a bit phoned-in but, hell, who cares? It’s a nice story and we could use more nice stories nowadays. If you liked Cool Runnings, it’s very likely you’d enjoy this one as well. And the final half hour makes up for the film being somewhat slow to get going. – 6/10
– Black Snake Moan – I’ve been on a Samuel L. Jackson kick lately. Love him! So I figured I’d finally check this one out. Well, this was an odd one. And, man, I didn’t think I’d ever see Christina Ricci naked, which was disturbing as she’ll always be a little kid to me (despite not being TOO much younger than me). I’m not sure what to say about this film. At least it wasn’t boring? It was hard to like the characters to begin with but Jackson’s & even Ricci’s do grow on you, especially as you get to know why Ricci’s is as messed-up as she is. I liked the strange friendship between these two and you do want everyone to find happiness at the end. Also, the music was really good. Was that Jackson really singing?! That was a treat. Overall, I did like the film and enjoyed that it was so “different”. But I can’t say it’s one I’d have the desire to watch a second time. – 6/10
– Must Love Dogs – This was dull. A lifeless & predictable rom-com. To be fair, this isn’t exactly a favorite genre of mine so I may not be the best judge. I tend to watch movies like these if I like the stars and I love both Diane Lane & John Cusack, although I’ve gone off of him slightly in recent years. I think I’ll always just see him as perfect boyfriend Lloyd Dobler in Say Anything. Anyway. Hmm. What can I say? The story goes exactly as you’d expect. What was disappointing was that Lane & Cusack had ZERO chemistry. Think this was more Cusack’s fault as he seemed bored while Lane was as charming as she usually is, even though she’s seriously typecast in this genre. Oh! And there weren’t enough dogs. Must Love DOGS. Where were the loads of cute fucking dogs?! False advertising! Meh. Whatever. I’ll forget this movie in a year. Oh – Stockard Channing was quite enjoyable in this, though. – 5.5/10
– Suspiria (2018) – What. The. Actual. Fuck. Okay, I admit I’ve only seen the original Suspiria once and don’t remember much other than the Goblin score, which I fricking love and listen to regularly. I know I liked the overall vibe. I really should watch the film again. Italian horror is one of the very few genres I’ve not yet really explored. This remake is an incoherent mess. It’s laughable, especially in the final half hour. At least I was “rewarded” with a good laugh over the ending’s absolute ridiculousness after suffering through this otherwise boring thing for HOURS (2 hours & 32 fucking minutes!!!).
Why do they keep remaking films that are considered classics?! WHY?!? I don’t get it. I understand that there are fans of the giallo horror thing but don’t understand why, if people want a 2018 giallo movie, filmmakers can’t just make an original film with the same characteristics???? I’d totally watch that. Why shit on a classic’s legacy? I think this was also disappointing as the trailer and especially the poster (which is great!) almost made this look promising despite it starring Dakota Johnson. As much as remakes & reboots piss me off, I admit that they occasionally work and have even liked a few. I’m a fan of 2004’s Dawn Of The Dead even though the 1978 film is one of my all-time favorite movies, probably because it wasn’t a straight remake but more of a respectful & enjoyable reimagining. It almost felt as if 2018 Suspiria had zero regard for what made the original such a beloved classic for many horror fans.
I’ve read no reviews of this version but am *assuming* that those who love the original hated this and those who loved this hated or probably didn’t even see the original. I’d like to hear from anyone who loves both versions of Suspiria – I’d love to know the reasons why. I saw so many people on Horror Twitter raving about this remake so I’m actually quite confused as I thought it was a dreadful mess. Give me Mandy instead of 2018 Suspiria! It’s hard to not compare the two as they’re both pretentious artsy horror films that came out the same year and are both extremely divisive. Mandy is weird as hell but has originality and style. Suspiria tries too hard and just comes across as desperate and phoney.
I should say something nice… Um. I think Thom Yorke was a great choice to do the music for this and was one of the reasons I wanted to watch the film. The music starts out promising in the very beginning but then I no longer noticed it. I don’t know if there was less music in the second half or if I just no longer noticed it as I slowly lost the will to live. But nothing will EVER beat the original’s Goblin score anyway so why bother. – 4.5/10
– The Grand Budapest Hotel – This is an IMDb Top 250 film so I might review it at some point with the others I’ve watched this year. I hated it. I got sick of people telling me I should watch it so I finally did. Just trust me when I say I hate Wes Anderson films! 😉 – 5/10
– Barely Lethal – Like Black Snake Moan, I mainly watched this because of Samuel L. Jackson. Also, the IMDb plot synopsis sounds quite fun: “A teenage special ops agent coveting a “normal” adolescence fakes her own death and enrolls in a suburban high school. She quickly learns that surviving the treacherous waters of high school is more challenging than international espionage.” See? That sounds like a great setup! Unfortunately, the movie is a bore. It could’ve been a great teen flick with dark humor but it’s unfunny with underdeveloped characters you don’t give a shit about. Whatever. I have no energy left to write about this and the next two films after my lengthy Suspiria rant. Let’s just say that it’s pretty bad that I have several films ranked BELOW Suspiria. At least parts of Suspiria were memorable. There! I said another nice thing about Suspiria! I’ve just said the word Suspiria way too many times. Anyway – I always prefer memorable, even when I hate a film, to one that’s just plain dull. – 5/10
– The Spy Who Dumped Me – Ugh. Not sure why I watched this as I hate the majority of modern comedies. I like the two actresses, though, and often find Kate McKinnon funny so gave it a chance. She’s funny at times but the film is so fucking bad that it didn’t matter. What a waste of time. Maybe I need a new hobby. – 4/10
– Baywatch – Good Lord. I can’t do this. I’m too tired for another rant. This is quite possibly the biggest pile of shit I’ve seen since Jennifer’s Body. It may even be worse than Jug Face. I’ve never seen a less funny “comedy”. I think I need to stop watching movies. Maybe I’ll become a food blog. I hate cooking and I hate food but I hate that shit like this gets made and widely distributed while indie & foreign films with rave reviews that I desperately want to see don’t show anywhere near me and often don’t show up on any of the many services I can’t afford but pay for anyway just to stand a chance of seeing ONE decent fucking film once in a blue moon!!!! – 2/10
– Save The Last Dance – I love that the kid is getting older and liking more films such as Save The Last Dance. We’ll be onto teen movies before too long. Can’t wait to start on the introduction of John Hughes movies! Okay – she’ll probably hate those since most teens seem to hate those these days. Oh well. I enjoyed watching Save The Last Dance again as I’d not seen it in years. It’s not my era (I’m clearly an 80s/early 90s teen) but it’s an enjoyable teen dance flick (the kid loves Honey as well). It’s a bit dated & cheesy but I’m sure it’s a favorite for many girls who were teenagers in 2001. I kind of miss the teen dance flick genre… – 6.5/10
Fell Asleep During:
– Dog Days – I think I need a new section for “Movies I can’t review because I slept through them“. This happens a lot. I’m old and I’m tired. I slept off and on through Dog Days. It seemed to be a perfectly fine, bland, wholesome family film. Needed more dogs. I might have stayed awake for a load of cute puppies. But at least it had way more dogs than Must Love Dogs!!!! I didn’t feel as cheated by a misleading title this time.
BOOKS, TV, MUSIC, MISCELLANEOUS THIS MONTH
Been too busy so haven’t been reading as much. Have started The Talisman by Stephen King & Peter Straub. Really good so far! Not sure why I never read this King novel as I try to read everything he writes…
TV SHOWS WATCHED
– Game Of Thrones – *Sigh*
This post is so damn long. I’m tired. I don’t have the energy to get into what a massive disappointment the final season of Game Of Thrones has been so far. I’m writing this after seeing the first four episodes of the final season so a lot has happened but it all feels very rushed. It feels like the writers said “Let’s just get this fucking thing over with”. Screw it – I’ll wait & maybe write more in next month’s post after the series has finished. Maybe the final episodes will turn everything around & make this show good again.
– Tales Of The Unexpected – Just after moving to the UK, I discovered Tales Of The Unexpected. As my favorite TV show EVER is The Twilight Zone, imagine my delight to discover a British show with similar weird stories & good twists. Years ago they did a marathon of these shows on New Year’s Eve into New Year’s Day & I spent hours watching them. Do I know how to party or WHAT?! My all-nighters tend to involve watching weird shit. Anyway – I noticed this was on Now TV so I’ve been watching these episodes off & on again. They’re good to stick on while using the exercise bike. I still love the show. Good job, Roald Dahl! Here’s the IMDb link to Tales Of The Unexpected for any Americans who may not know what the hell I’m talking about…
BLOG PLANS FOR THE COMING MONTH
No plans! Too busy. As always, I’ll try to review what I see in the cinema.
May Movie Releases I Might Watch:
– The Curse Of La Llorona – Will wait for Netflix like I do with most shitty horror. I watch too much shitty horror.
– Long Shot – Looks like a decent enough but probably predictable Seth Rogen rom-com. Might try to check it out (after payday – I’m broke!).
– Tolkien – Am interested in this as love Tolkien’s writing but will wait for Netflix. I’m not that into biographies.
– Vox Lux – Liked the sound of this Natalie Portman movie but reviews aren’t great. Damn. Will skip for now. As I said, I’m broke!
– A Dog’s Journey – I actually liked A Dog’s Purpose quite a bit (and it had lots of DOGS in it!!!) so I do want to see this sequel.
– High Life – Like Mandy & Suspiria, this sounds like another extremely divisive, artsy fartsy, highly pretentious film. PLUS it’s sci-fi, my favorite genre?! This is SO the type of thing I’ll watch and either love to death or hate with the same passion as Suspiria. Can’t wait!!!
– Pokémon Detective Pikachu – Saw this already. It’s, um… Well, it’s a Pokémon movie. I think you need to be a serious Pokémon fan to truly like this one. I fully admit to loving Pikachu, though. Pikachu is adorable and a great character.
– The Hustle – Nah. Fuck this. I’ve been burned by too many shitty comedies. I may never watch another modern “comedy” thanks to Baywatch.
– Destination Wedding – Keanu Reeves & Winona Ryder!!! You’d have to pay me to NOT watch this.
– John Wick: Chapter 3 – Parabellum – Keanu Reeves again!!! Love him so will of course watch this, despite these films not actually being favorites of mine. Oh that adorable dog from the first one!!!! I might cry now. Why have I mentioned dogs so much in this post?! I don’t even have a dog. I want a John Wick beagle…
– Aladdin – No. Fuck off with these live-action Disney remakes. I said Dumbo would be my last one & meant it. And this one looks awful from the trailer! Looks like a low budget straight-to-DVD mess.
– Rocketman – Yep. Will check this one out as I love a music biopic, even when I don’t necessarily love the artist. Would anyone admit to liking Elton John’s music?? It’s old fart music (I can say that since I’m an old fart). I think his life story will be fascinating, though.
– Booksmart – This sounds like it could be a fun teen flick.
– Godzilla: King Of The Monsters – Have there been trailers for this?? I’m very out of the loop at the moment. Hope this is a kick-ass blockbuster.
– Ma – This could be fun or utterly ridiculous. Will wait for reviews.
Here’s the brilliant Goblin theme music from the only version of Suspiria that should be watched…