The Hunt (2020) Review

The Hunt (2020)

Directed by Craig Zobel

Produced by Jason Blum & Damon Lindelof

Written by Nick Cuse & Damon Lindelof

Starring: Betty Gilpin, Ike Barinholtz, Amy Madigan, Emma Roberts, Ethan Suplee, Hilary Swank

Plot Synopsis: (via IMDb)
Twelve strangers wake up in a clearing. They don’t know where they are, or how they got there. They don’t know they’ve been chosen – for a very specific purpose – The Hunt.

My Opinion:

I can’t believe I thoroughly enjoyed two Blumhouse Production films in a row! I reviewed The Invisible Man last week & explained how their films have been very hit or miss for me but I liked The Invisible Man a lot. Well, I liked this one a lot too. I think I actually liked this even more than that one, although I’d say the The Invisible Man is the better “film”.

Now I have to attempt to explain why I liked this but, to be honest, I don’t exactly know why. I’ll see if I can figure it out while I type my random thoughts! But it’s far more violent than I tend to go for (I’m a wuss). It’s very political (I hate politics). There’s loads of gun violence (I hate guns). Most of the characters are hateful except for the main woman (I hate hateful people). Umm. Yeah… What DID I like?!?

I think what I liked, and I may be completely wrong about this, but I felt like the movie didn’t really take sides (well, a little). It’s clearly about how, in America, there’s this huge divide between the left & the right and everyone is so extremely one-sided. There’s no common sense or middle ground. And it’s well-known that Hollywood tends to be quite far left so I was expecting the movie to be very pro-left but it seemed to show both sides as bad. At first I couldn’t figure out who the hunters were & who was being hunted (it was the opposite of what I expected). The movie actually shows the left more as the “bad guys” (but, more specifically, the liberal elite – so they’re having a good dig at most of rich Hollywood). Which is funny as the movie was super controversial & almost wasn’t released & the right misinterpreted it as an anti-right film before even seeing it. Which perfectly proves the film’s point of jumping to conclusions when you just assume someone’s political stance without attempting to find out any actual facts.

Enough about politics. Yuck. Basically, both sides suck. Everyone in this movie sucks. Only one person doesn’t suck, and that’s Betty Gilpin’s badass main character. She’s great in this & I loved her character. And what are HER character’s politics? That’s the best part: We don’t know! Because it doesn’t matter. She’s a mystery. All we know is that she’s being hunted and no one should be hunted like that. She kicks ass and she might have some dodgy past for her to be so capable of fighting back but, in the grand scheme of things, she’s less evil than everyone else. And I feel that’s all we have left in politics these days: doing our best to choose the lesser of two evils.

I think this movie had a great idea to try to be a smart satire on American politics but felt it didn’t quite manage to get its point across. I wish the script was a bit better as I do like this film’s idea & what I think they were trying to achieve. Are they trying to let the left & the right know that they both suck and are both flawed? Not sure. I don’t know exactly what the movie is trying to say but I give it credit for having the balls to try to say something during such unstable times.

Although it may not quite achieve being some super smart satire, it makes up for it by being a very entertaining horror thriller/horror comedy. As mentioned, Betty Gilpin is awesome as the main “hero” of those being hunted. There’s not much character development for anyone but this is a time I’ll let that slide as one point of this movie is to not make assumptions about people & we really know nothing about anyone in this. Doesn’t matter! They still don’t deserve to be murdered. I also thought Hilary Swank was fantastic as the big “baddie”. Swank is an odd one: two-time Oscar winner who seemed to then get ignored by Hollywood & ended up being in some really dodgy and straight-to-Netflix films. But I loved Million Dollar Baby and I liked seeing her in a very different role here & obviously having a lot of fun as an evil bitch. She was cool. Two cool, badass women who get a kick ass showdown. I enjoyed that a lot. Oh! And I also really liked the bits with Amy Madigan & whoever the actor dude was who ran the small gas station (think it was a gas station?). They were fun characters. Oh! And it was weird seeing Ethan Suplee as I’m watching so much My Name Is Earl lately and Randy is my favorite character (but he couldn’t be less like Randy here). So I guess there are quite a few specific things I really enjoyed about this movie even though I always feel uncomfortable “enjoying” a violent film. It helps that it’s satire and some of the violence is done in a comedic way (I think they should have upped the “horror comedy” to make that more obvious).

As I said, the film is still a bit too violent for me and I’d hesitate to recommend it to some who may find it upsetting. It will be uncomfortable for some people as I know the actual delay in releasing this was due to mass shootings that had just occurred in America, making them push the release date back since the film is about people being hunted & killed mostly by guns. How on Earth did it ever get released, then, since mass shootings are a daily occurrence there? Once again typical that a movie is more likely to get banned than the things that actually kill people but, whatever, we won’t go there! And again we also come to the argument of “is violence in film okay if the point of the movie is anti-violence?” Although in this case, I wouldn’t say that’s exactly the message of the film (it’s more of a “FFS, America – try to get along!” message). I thought about the ultra-violent “anti-violence” thing in some films a lot after finally watching and liking Natural Born Killers way more than I was expecting I would. I don’t know the answer. But I prefer violence in movies where there’s a message and it’s a shame that, with movies such as this and Natural Born Killers, some people seem to completely miss the point when it comes to satirical films. Don’t kill people, okay? This movie isn’t telling you to kill people with an opposing political opinion. It’s, like, telling you to NOT do that. Yeah? Okay. Don’t do that.

You know what? This is one of those times where I’ve talked myself into liking a movie even more after writing & thinking about it. I think there’s actually a pretty good film buried in here somewhere. It has a great idea. It just doesn’t do the satire thing as well as it wanted to and I wish it had as I love what (I think?!) its message is and Betty Gilpin is cool as shit and Hilary Swank is a fun ice cold bitch. And it’s also made me think about this movie quite a lot since seeing it and trying to decide what its main message is and that’s more than I can say for the majority of films these days.

My Rating: 7.5/10

The Invisible Man (2020) Review

The Invisible Man (2020)

Directed & Written by Leigh Whannell

Produced by Jason Blum & Kylie du Fresne

Based on Characters and concepts created by H. G. Wells for The Invisible Man

Starring: Elisabeth Moss, Aldis Hodge, Storm Reid, Harriet Dyer, Michael Dorman, Oliver Jackson-Cohen

Plot Synopsis: (via Wikipedia)
It follows a woman who believes she is being stalked and gaslit by her abusive and wealthy boyfriend even after his apparent suicide, and ultimately deduces that he has acquired the ability to become invisible.

My Opinion:

I missed out on this one at the time. I think it was because it was at the start of the pandemic so I missed it in the cinema & then didn’t have the streaming service it went to just after that. I wasn’t that bothered anyway as it’s a Leigh Whannell & Blumhouse film and they’re both very hit or miss (but mostly miss, especially with the horror stuff). While I do like the story Whannell wrote for the first Saw movie, I hated the sequels as they became way too gross and it turned me off of liking Saw at all anymore. I’ll never understand that torture porn crap. And I’ve just looked up Blumhouse Productions to see the full list of their films and, wow, the quality is all over the place on those. How can you go from good stuff like Whiplash to a lot of very meh or absolutely rubbish horror such as Unfriended (god I hated that movie). I also have to admit one other thing: I really don’t like Elisabeth Moss, although I have no good explanation for that. So this movie had a lot against it but then Horror Twitter started raving over it. To be fair, Horror Twitter raves over every horror movie so I’ve learned to ignore that but it did make me a little curious.

Damn, I thought this movie was pretty great. At least, it’s pretty damn good when compared to all the rubbish modern horror that gets made and compared to a lot of the other Blumhouse horror output. This is my type of horror: supernatural, psychological, and none of that in-your-face gory crap. It’s pretty intense, as the guy is invisible (obviously!) and you never know when he’s there stalking Elisabeth Moss. That was all very effective with some cool reveals to show his presence. I also thought that using this story in the context of an abusive relationship worked really well without it feeling like it was just trying to be “woke”. Plenty of psychological thrillers have involved abusive relationships & the thought of an abuser having the ability to become invisible is terrifying. But I should admit now that I’ve never seen the first film made & don’t really know the original H. G. Wells Invisible Man story so I’m kind of just assuming it’s not about an abused woman but feel free to correct me if I’m wrong! I’d like to see the 1933 Claude Rains film now.

One other positive about this movie: The characters are pretty good (for a horror film). I even ended up liking Elisabeth Moss okay! It’s one of those movies where no one believes the main character & they think she’s going crazy, of course, which is super cliché in horror but that’s because these kind of stories require that. Of course no one is going to believe that some dude has made himself invisible. So that adds to the character’s feeling of isolation and having to find a way to fight this on her own. Oh! And I loved the ending. I usually hate horror endings! Her detective friend & his daughter were also strong & likeable characters (man, I was so worried about them). The abusive “Invisible Man” himself character was pretty one-dimensional, though – there’s really no character development there to explain why he does this. The character of the sister of Moss was also not great & kind of just there to be a “bitch” for not believing Moss but, hey, in horror I’m happy with three likeable characters and a main character who gets some good development going from an abused woman to someone ready to fight back.

The only slight negative about this movie, besides a pretty one-dimensional baddie (which doesn’t bother me that much – I don’t care to know why a bad guy is bad), is that I have to admit it’s a bit too long & is too slow to really get going. I don’t want to be one of those people who moans about the length of a film, though. I love some very long movies, such as Seven Samurai. This isn’t exactly an epic Kurosawa film though, is it? The Invisible Man is actually only just over two hours long but feels longer due to such a slow start so I think that could have been improved a bit.

The length & early pacing are just minor complaints as, overall, I liked this movie a lot. It won’t be an “all-time favorite” like the ’70s & ’80s horrors I grew up with and it isn’t quite up there with the very few rare modern horrors I loved such as The Babadook & It Follows. But it’s a very good psychological thriller that keeps you on the edge of your seat at times and I really enjoyed it. I’m always happy to see a good horror film. Hubby often asks me why I watch so many crappy horrors. I don’t want to watch crappy horrors – I want to watch good ones. I give them all a chance just in case I luck out & see a good one. The Invisible Man is a good one.

My Rating: 7.5/10

Truth Or Dare (2018) & American Mary (2012) Reviews

For October Horror Month, I’ll be re-posting some mini-reviews of horror movies that I watched in the past year. Here are my reviews for Truth Or Dare & American Mary

Truth Or Dare (2018)

Directed by Jeff Wadlow

Produced by Jason Blum

Starring: Lucy Hale, Tyler Posey, Violett Beane, Hayden Szeto, Sophia Taylor Ali, Landon Liboiron

Plot Synopsis: (via Wikipedia)
Truth Or Dare follows a group of college students who play a game of truth or dare while on vacation in Mexico, only to realize it has deadly consequences if they don’t follow through on their tasks.

My Brief Opinion:

I did NOT expect to like this AT ALL. Why do I watch so many horror movies I expect to be shitty?! Oh yeah – because my husband doesn’t get mad at me when I watch shitty movies without him. 😉 Anyway, this is a pretty typical cheesy slasher film filled with twenty-something twats. But as far as that sort of thing goes, I actually thought this was fairly decent example of the genre. A good bad horror movie! I’m a sucker for supernatural horror so was happy about that aspect of the film but know this doesn’t work for everyone. The story actually gave me a Final Destination vibe as this “curse” comes after these characters one by one and there’s seemingly no way out as they are forced to play along or die. The characters were somewhat better than your usual twenty-something horror twats, too. Most were even likable! Only two were assholes. I want to want characters to survive and will never understand why horror films often make absolutely everyone hateful. The overall story is a little predictable and it doesn’t exactly feel like we’re seeing anything new here. However, some of the truths & dares were fairly original and I had a decent enough time watching this knowing it’s slightly silly. The ending was also a bit stupid but, hell, what movie like this doesn’t have a stupid ending?! I’ve seen plenty of twenty-something twat supernatural horrors far worse than this one.

My Rating: 6/10

American Mary (2012)

Directed & Written by Jen and Sylvia Soska

Starring: Katharine Isabelle, Antonio Cupo, Tristan Risk, David Lovgren, Paula Lindberg, Clay St. Thomas, John Emmet Tracy, Twan Holliday

Plot Synopsis: (via Wikipedia)
Isabelle plays a medical student desperate for money who begins taking clients from the extreme body modification community in an effort to solve her financial troubles.

My Brief Opinion:

This was pretty hardcore. I’d been meaning to watch this film for a while now to see if it would be a contender for My Top Ten Body Horror Movies list. I’m afraid to say I didn’t love the film but thought Katharine Isabelle did a good job in this crazy role. I thought the film started out pretty strong but it loses its way when Isabelle’s character goes so extreme. She starts out quite innocent (although practising surgery on turkey carcasses while wearing sexy lingerie was odd) but then she goes completely batshit crazy and it just didn’t feel realistic after she was set up as this poor, struggling student who loves her sweet grandmother. I have to say, though, that she seemed to have enough money for lingerie for someone so poor! Lingerie is expensive. If you’re poor, surely you should buy clothes that keep you warm?! But I guess she needed the lingerie for turkey surgery. Anyway! There’s a bit of a revenge plot going on in this film and I did enjoy that because I love some good vengeance. And this was some fucked-up vengeance! I just wish the final half of the film hadn’t fallen apart. We start out on Mary’s side but can’t relate to her anymore by the end (at least, I hope no one can relate to her at the end). Oh well. It’s certainly a memorable film! I give it credit for that. I far prefer a memorable film to something so bland that I won’t remember it in a year.

My Rating: 6/10