I appear to have watched one too many horror films in the past year so I’m doing a special 2 for 1 deal for my dear readers. Today only! Get it while supplies last! I figured I’d put these two together as I don’t have a whole lot to say about either. I don’t mean that in a bad way – I really liked them both but, well, sometimes there’s just not a lot to say. This is why I’m not a writer… 😉 Let’s have two quickies, shall we?
Audrey Rose (1977)
Directed by Robert Wise
Based on Audrey Rose by Frank De Felitta
Starring: Marsha Mason, Anthony Hopkins, John Beck, Susan Swift
Plot Synopsis: (via IMDB)
A stranger attempts to convince a happily married couple that their daughter is actually his daughter reincarnated.
This is the kind of supernatural story that’s right up my alley PLUS it’s set in one of my two absolute favorite decades (the groovy Seventies, when everyone looked like an ugly porn star) so I jumped at the chance to finally see this when it popped up on Netflix a while back. I love the pulp novel feel to the film’s story and I found out after watching it that it is indeed adapted from a book (with a great pulpy cover, which appears to have been partially used on that cool orange poster up above).
I find reincarnation a fascinating topic & thought this film had a pretty strong story. I’d probably enjoy the book (has anyone here read it?). The movie is helped by some very good performances, especially from Marsha Mason as the young girl’s mother & Anthony Hopkins as the heartbroken stranger who is convinced that Mason’s daughter is the reincarnation of his own daughter, who died in a car crash at the same time this girl was born. Hopkins was very convincing as a man, understandably, slightly crazed with grief while the girl’s parents were very believable as a loving, close-knit family who would do everything possible to protect their daughter.
Unfortunately, and I feel super bad saying this, the girl (Susan Swift) is the film’s weakest link. Which isn’t good as she’s the character who links everyone together… I can handle this as I grew up on 70s & 80s movies but younger people who watch these older films nowadays have to remind themselves that the quality of acting from children wasn’t in the same league back then. It still almost freaks me out how amazing Jacob Tremblay was in Room! Or Sennia Nanua in The Girl With All The Gifts (a fantastic “zombie film with a brain” that I highly recommend, by the way). “Bad” child acting was common in older movies, though, and I don’t think it’s the fault of the kids – I think maybe they just didn’t know how to direct them back then. But other than the girl’s distracting acting… Ha! That could be a song. Like Conjunction Junction! What’s your function? Distracting Acting! What are you, um, lacking? That doesn’t quite rhyme. What rhymes with acting?? I’m off topic! Now back to your regularly scheduled review:
I think Audrey Rose is a decent psychological thriller (despite distracting acting!) that’s been forgotten about as it’s definitely not at the same level as others from the same decade such as The Exorcist, Don’t Look Now, The Omen, etc. With so many greats being released at the time, it’s easy to see why this gets overlooked. Audrey Rose is more psychological than a full-on “horror” like those, though, and I’d compare it more to something like The Changeling (1980), which had a similar feel. I really did enjoy it and want to give it a higher rating but I have to admit it’s not perfect & I was sadly disappointed with the ending. It’s worth your time if you’re a fan of this decade & genre, though. I’m happy that I finally saw it.
My Rating: 6/10
A Good Marriage (2014)
Directed by Peter Askin
Based on A Good Marriage in the short story collection Full Dark, No Stars by Stephen King
Starring: Joan Allen, Anthony LaPaglia, Kristen Connolly, Stephen Lang
Plot Synopsis: (via IMDB)
After 25 years of a good marriage, what will Darcy do once she discovers her husband’s sinister secret?
I’m a huge Stephen King fan. I’ve read almost every single one of his books (other than The Dark Tower series & Carrie for some strange reason – I love that movie). I think his short stories are just as fantastic & I recently reviewed one collection, The Bazaar Of Bad Dreams, in great detail HERE. That took me ages! And two people read that post. Thanks, you two! 😉 Anyway, you would think it would occur to me that I’d read the short story this film was based on but, nope, I totally didn’t remember reading it. Then, as I watched, I was like “Why does this seem familiar?”. What an idiot. I worry about my memory lately. I think it’s partly why I keep this blog going! Someday I’ll look back at that Bazaar Of Bad Dreams post to refresh my memory on what I read.
A Good Marriage is from King’s Full Dark, No Stars collection & it’s odd I didn’t really remember it as it’s a good, basic story of discovering that the person you married isn’t who you thought they were. This is one of those very “straightforward” King stories. I don’t want to give too much away but this isn’t in any way weird or supernatural, which may be why I didn’t remember it as I usually love his weirdest stuff the most.
Joan Allen gives a great performance as the wife who must decide what to do when she finds out the truth about her husband (Anthony LaPaglia, who perfectly plays a creepy horndog). Allen is the true star of this film and helps elevate it from something that otherwise had the potential to feel like a made-for-TV Lifetime movie. I’ve always thought she deserves more recognition than she seems to get. I also found her quite attractive in this… She has that “sexy older lady” vibe. She plays this character well, going from vulnerable & insecure to a woman determined to take charge of the situation in which she finds herself. And… I like the ending! I’m so rarely satisfied with the conclusions to films of this nature that I feel the need to point it out when I do like an ending. So, once again, good job on writing an enjoyable story Mr. King! Sorry I didn’t remember it. I think it’s just because I’m getting old. Old but with a sexy vibe, hopefully!
My Rating: 6/10
Okay, this is totally stuck in my head now…
**Starting Sunday, join me for Creepy Dolls Week! I’ll be reviewing some “creepy doll” movies, including a Blind Spot review for yet another Anthony Hopkins film released a year after Audrey Rose… 🙂