Sicario (2015) Review

Sicario (2015)

Directed by Denis Villeneuve

Starring: Emily Blunt, Benicio del Toro, Josh Brolin, Daniel Kaluuya, Maximiliano Hernández, Victor Garber, Jon Bernthal, Jeffrey Donovan, Raoul Trujillo, Julio Cedillo, Hank Rogerson, Bernardo Saracino

Music by Jóhann Jóhannsson

Cinematography by Roger Deakins

Plot Synopsis: (via Wikipedia)
The film is about a principled FBI agent who is enlisted by a government task force to bring down the leader of a powerful and brutal Mexican drug cartel.

My Opinion:

Ohhh… This movie was GOOD. And to think I wasn’t even necessarily planning on ever watching it! I never really like the crime drama type of genre so, no, this will never exactly be a personal favorite film of mine whereas I LOVE Villeneuve’s Arrival (It’s my favorite genre – So glad he’s going in a sci-fi direction with his movie choices now!!!). But it’s a damn good film even if it’s not usually my sort of thing.

It wasn’t until loving Arrival that I started taking a bit more notice of Villeneuve’s work. It’s why I finally decided to watch Sicario last month (my girl crush on Emily Blunt helped too). I’d already seen a couple of his films and I thought they were pretty good and beautifully filmed but they weren’t really my type of thing either. Wait – I take that back… Enemy was totally my type of thing. I wanted to like that one more than I did. I did appreciate it and think I’d like it more on a re-watch but it was a very slow film & it took a while to get into it. I preferred it to Prisoners, however, but that’s again probably due to me not liking the crime genre. I now really want his Incendies to be one of the next films that I watch for my IMDB Top 250 Project (it’s at #146). With his current popularity I’m hoping it’ll pop up on Netflix or something.

So! Here we are with Sicario – easily my second favorite Villeneuve film I’ve seen so far. I know nothing about filmmaking but this film was beautiful. Those shots of the landscape! It’s a shame that I saw this one on a TV instead of in the cinema. The cinematography & the score created such a rich atmosphere. This combination almost gave me the same sort of feeling as I had while watching Sergio Leone’s Spaghetti Western epics (I liked the Dollars Trilogy & Once Upon A Time In The West WAY more than I ever expected to, especially having no prior Western movie experience).

I can definitely say that I intend to watch everything made by Villeneuve from now on. This is what I like: Movies that feel like true art. It feels like we don’t get enough “epics” nowadays. And they don’t all have to be artsy fartsy – I’d call Mad Max: Fury Road epic & it’ll still be loved & respected years from now. I blame the general public for the lack of very few all-time great films now, though, not the filmmakers. The majority of people wouldn’t have the patience for a Leone film now – they’d rather go to the next Fifty Shades movie. The next Fast & Furious film will make more money than most of the Best Picture nominees put together (Maybe. I dunno. I’m pulling that statistic out of my ass). Sicario isn’t quite up there with the Leone films but it’s getting close. Arrival is at that level (for me, at least). Both Sicario & Arrival will be seen as all-time classics 20 years from now, which can’t be said of many current films. But the Leone films didn’t really get any respect until years later, right? I think these two Villeneuve films, though respected by the filmmaking community right now, will get more recognition in the future. Arrival won’t win Best Picture and, years from now, people will be all “Why didn’t Arrival win Best Picture that year?!”. Oh well – The Academy never gets it right anymore.

I’m rambling, as usual, so I’ll wrap this up by saying a bit more than “This film is pretty & has a great mood!”. I’m one of those weirdos who cares more about a movie’s director than its stars. If the director is awesome and the story is good, the actors probably won’t f*^k up the film. I mean, I suppose a good director isn’t going to let crappy actors be in their film anyway. However, some credit has to be given to the actors in Sicario. Emily Blunt & Benicio del Toro are especially strong in bringing these characters to life.

Blunt, who kicked ass in Edge Of Tomorrow, again plays a great “tough chick” with a believable vulnerability. Her character isn’t perfect, she doesn’t make all the right decisions, she’s not a machine, she does have emotions, but she stays true to her beliefs to the very end. This is actually a very similar character, belief-wise, to the one in Edge Of Tomorrow and I think Blunt plays these “strong yet vulnerable” roles perfectly. Can we have more roles like these for women, please??? Thank you, Villeneuve, for these strong & believable female roles (Btw – I’ll say it again – Amy Adams was ROBBED of an Oscar nomination for Arrival! Grr).

Benicio del Toro also gives his best performance since the dog-faced boy in Big Top Pee-wee (he must get so sick of people saying that). Seriously, though – I’ve always known he was a good actor but I’ve not paid much attention to him. He’s fantastic in this, especially at the end. He kind of blew me away. He plays this thoroughly complex character with such chilling subtlety. Josh Brolin & Daniel Kaluuya also do brilliantly in supporting roles and I loved how the film captured the strong bonds and sense of extreme loyalty between FBI partners.

Sicario’s slow & deliberate build-up of tension and the reveal of character motivations made for one of the most intense final acts I’ve seen in a while. I admit that it took me a while to get into the film as it’s a topic I certainly can’t relate to and a genre I don’t often choose to watch but it’s so well-made with such rich characters & performances and an ending that had me on the edge of my seat (well, couch). This is damn good filmmaking. I want more of this. Please let Blade Runner 2049 be at least this good!

My Rating: 8/10

**Speaking of the lovely Emily Blunt, it’s her 34th birthday tomorrow so I’ll be posting a list of My Top Ten Emily Blunt Movies. 🙂

Dope, Comet & Me And Earl And The Dying Girl Movie Reviews

Three mega quickies for three movies I watched last year. I have a lot of these old reviews to catch up on so I’m going to keep these threesomes short. Here we go!

Dope (2015)

Directed by Rick Famuyiwa

Starring: Shameik Moore, Tony Revolori, Kiersey Clemons, Kimberly Elise, Chanel Iman, Tyga, Blake Anderson, Zoë Kravitz, A$AP Rocky

Plot Synopsis: (via IMDB)
Life changes for Malcolm, a geek who’s surviving life in a tough neighborhood, after a chance invitation to an underground party leads him and his friends into a Los Angeles adventure.

My Opinion:

I couldn’t wait to see this and the hubby & I immediately watched it the second it turned up on Netflix (or whichever service it was) instead of our usual “What should we watch?” deliberation which goes on for so long that we could watch an entire movie in the time we spend deciding what to watch. Probably one of the biggest disappointments that I’ve watched recently, I enjoyed very little about the movie Dope other than the fantastic soundtrack (which was great but also more predictable than I was hoping for). I think I’m just finally getting too old for certain teenage/twentysomething shit? Especially the quirky “indie-type” ones that try too hard (the next two are even more guilty of that than Dope).

I didn’t exactly hate this movie but no matter how many great artists you use in a film (Public Enemy! A Tribe Called Quest! Eric B. & Rakim!) it can’t disguise the fact that the story is weak & silly and only a couple of characters are likable. Shameik Moore is easily the best thing about the movie (after the music) so at least there was one character I cared about. Zoë Kravitz is also a decent character (with a much smaller role than I thought she’d have). Unfortunately, everyone else is an obnoxious asshole and the two “funny” best friends just annoyed me. Also, I suppose I’m showing my age & small town hickness but the only teenage parties I knew in the Eighties were, to quote Heathers, “keggers with kids”. Give me cheap beer in a field & some cow tipping! I can’t relate to you kids & your weird drugs. Okay – I’ve never actually tipped a cow. That seems cruel. Skip this movie & buy the soundtrack if you don’t already know all the songs. BUY the soundtrack. With actual money. That’s also how we did things in the old days!

My Rating: 6/10

Comet (2014)

Directed & Written by Sam Esmail

Starring: Emmy Rossum & Justin Long

Plot Synopsis: (from IMDB)
Set in a parallel universe, Comet bounces back and forth over the course of an unlikely but perfectly paired couple’s six-year relationship.

My Opinion:

What a load of pretentious bullshit. Feel free to give this one a go if you want to spend an hour & a half watching millennials whining about their first world relationship problems. Oh! And if you like that sort of thing, you’re really in for a treat since we get to see this couple whining in several slightly different scenarios since their relationship is shown in alternate realities. So clever!

I admit that I fell for the “parallel universe” thing in the synopsis so I put this on since I’m a sci-fi nerd. Don’t be fooled like I was! AVOID!!!!!! Do yourself a favor and go watch Arrival if you’re wanting a proper sci-fi drama. Or go watch anything other than this. Hell, just go watch a Nicholas Sparks movie if you’re wanting a bullshit melodramatic romance. At least you know what you’re gonna get with Nicholas Sparks movies since they don’t pretend to be anything other than silly & predictable. Hell, at least Nicholas Sparks characters usually have some goddamn chemistry unlike the two boring fuckers in Comet. And, most importantly, Nicholas Sparks movies know they’re stupid. Comet thinks it’s smart. You’re not smart just because you throw a “parallel universe” angle into a film to try to make it less boring. Comet is just a Nicholas Sparks movie minus any chemistry whatsoever between the characters and minus any good sex scenes.

My Rating: 4/10

Me And Earl And The Dying Girl (2015)

Directed by Alfonso Gomez-Rejon

Based on Me and Earl and the Dying Girl by Jesse Andrews

Starring: Thomas Mann, Olivia Cooke, RJ Cyler, Nick Offerman, Molly Shannon, Jon Bernthal, Connie Britton

Plot Synopsis: (via IMDB)
High schooler Greg, who spends most of his time making parodies of classic movies with his co-worker Earl, finds his outlook forever altered after befriending a classmate who has just been diagnosed with cancer.

My Opinion:

I’m sorry this threesome is turning into a bitchathon. I’m also sorry to say that I was very disappointed with Me and Earl and the Dying Girl. But, this time, I’m not exactly sure why since this is the type of movie that’s usually my sort of thing.

I like plenty of indie movies (whether they’re the true definition of indie or just the hundreds of wannabe indies nowadays – I’m too lazy to look into whether this was an actual independent film or not). But they can either be brilliant or they can cross that line into pretentious bullshit (like the movie Comet, which stays over that line the entire time). I think the problem with MAEATDG (stupid long title) is that it crosses that line just a little too much for me to have truly bought into it. It tries just a little too hard to be unique. And, once again, I found that I just didn’t like the characters very much. Why is it so difficult to make likable or, at least, interesting and/or memorable characters? With the sad setup to this story, I expected to feel at least a slight emotional attachment to someone. At least the dying girl, right?? We didn’t seem to get to know her well – we mostly spent time with the mopey boy who’s at first pretty much forced to befriend her when she’s diagnosed with cancer. We did have the added bonus of the two boys making amateur films, which is a big YES to us movie nerds watching. It was indeed fun to see bits & pieces of their spoofs of classic films but it didn’t make up for the fact that I didn’t really care about anyone and just found the film surprisingly slow & unengaging. There’s a slight redemption at the end as I liked the presentation of the final film made by our main character and the overall movie itself ended well (as in, it ended how I expected it to and I think it was handled well). MAEATDG was certainly not a bad film. I have respect for everyone involved in its making & can understand why it would have fans. Unfortunately, for whatever reason, it just didn’t resonate with me. And I actually feel kind of bad about that! I’m sorry I didn’t like it that much.

My Rating: 6/10

The Wolf Of Wall Street (2013) Review

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The Wolf Of Wall Street (2013)

Directed by Martin Scorsese

Based on The Wolf of Wall Street by Jordan Belfort

Starring:
Leonardo DiCaprio
Jonah Hill
Margot Robbie
Matthew McConaughey
Kyle Chandler
Rob Reiner
Jon Bernthal
Jon Favreau
Jean Dujardin
Joanna Lumley
Cristin Milioti
Christine Ebersole
Shea Whigham
Katarina Čas
P. J. Byrne
Kenneth Choi
Brian Sacca
Henry Zebrowski
Ethan Suplee
Barry Rothbart
Jake Hoffman
Spike Jonze

Running time: 179 minutes

Plot Synopsis: (via Wikipedia)
The Wolf of Wall Street is a 2013 American black comedy film directed by Martin Scorsese, based on Jordan Belfort’s memoir of the same name. The film stars Leonardo DiCaprio as Belfort, a New York stockbroker who runs a firm that engages in securities fraud and corruption on Wall Street in the 1990s.

(But DiCaprio’s character is a lot more fun to watch than Gordon Gekko and the acting is A BIT better than Daryl Hannah’s…)

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My Opinion:

I know I just did a list of my top ten Martin Scorsese films HERE but, the truth is, I’m not a huge fan. Is The Wolf Of Wall Street REALLY better than things like Goodfellas & Taxi Driver? Okay – probably not. But I can honestly say that I enjoyed this film the most out of all the Scorsese films I’ve seen & it’s my own personal favorite of his. Scorsese & DiCaprio make a great team and this three hour film felt about ten minutes long when compared to The Hobbit: The Desolation Of Smaug (I thought that damn thing would never end!).

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I’m not sure where to start. I’m really not sure what to say about this at all. I’m not even completely sure why I enjoyed it so much! It’s raunchy as hell. It’s all “fuck” this and “fucking motherfucker cocksucker” that and HOOKERS DRUGS HOOKERS DRUGS! It’s full of a bunch of disgusting, unlikeable, rich douchebags. What a bunch of horrible pricks. But, goddamn, this was funny as hell and just plain fun to watch! I’m still chuckling over Leo & Jonah Hill on quaaludes & fighting over the telephone.

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DiCaprio & even Hill (who I never liked before this movie) are absolutely incredible. LOVED them. Everyone in this was excellent – not one person seemed wrong for their part. I also especially loved Rob Reiner as DiCaprio’s dad (freaking HILARIOUS) and Matthew McConaughey in a small role played to absolute perfection. Brilliant. Every single person in this. And I’ve decided I have a thing for Jean Dujardin now (I’m growing up & liking the older, classy men now. Yum).

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Screw it. You know what? I really don’t know what else to say. My reviews are always too long anyway. This was out ages ago in America, right? Everyone has reviewed this by now & discussed it to death. I liked it. No… I loved it. I loved a Scorsese film where I didn’t have to worry about someone’s head being stuck in a vice (I’ve avoided Casino for years because of that). I’m not sure if there’s some kind of message to this film other than “rich people are assholes”. Who cares? It managed to keep my interest for THREE HOURS and made me laugh and made me happy, dammit. It’s full of some of the best acting I’ve seen in a long time. Great soundtrack, too! I really hope it wins some Oscars over the inferior American Hustle.

My Rating: 9/10

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