Directed by Lars von Trier
Running time: 136 minutes
Plot Synopsis: (via IMDB)
Two sisters find their already strained relationship challenged as a mysterious new planet threatens to collide with Earth.
Here’s one of the most-voted-for movies in my recent poll (I already reviewed the top two winners: Spirited Away & Grave Of The Fireflies). I wasn’t sure what to expect from a Lars von Trier film. They’re artsy fartsy & weird, right? I was thinking this was my first von Trier film but, oh yeah!, I actually saw Dancer In The Dark years ago. That was pretty good… I know that probably a good ten years ago I spent quite possibly the most I’ve ever spent on a set of DVDs when I bought something called Riget (The Kingdom – a Lars von Trier TV mini-series from 1994-1997) because I’d read about it & it sounded awesome & I didn’t know who the hell Lars von Trier was. Shit… what did I buy?! I’ve still not watched it all these years later. Has anyone seen it? I’m a little scared now – I hope no one mutilates their genitals in it. Anyway, after all the rambling I’m going to say that I actually liked Melancholia quite a bit! Huh. I was expecting it to be totally pretentious (which I suppose it is) but I also thought it was very beautiful.
Melancholia is pretentious and artsy fartsy and full of rich wankers with their first world problems & Kirsten Dunst is depressed even though she’s young and rich and beautiful and successful and has an amazing chest. So right away it’s very hard to feel for these people although, as we’re introduced to more of Dunst’s family, we do at least start to feel for her having had to deal with these people in her life (especially her bitch of a mother) and start to understand why she is the way she is. Her sister (Charlotte Gainsbourg) is also very supportive so, as the movie is about the two sisters, it doesn’t get too annoying as these two are bearable. It’s like Frozen with severe depression! Look – shit is shooting from Dunst’s fingers kind of like how ice shoots from Elsa’s!
This movie is divided into two parts: Part 1 focuses on Dunst & the evening of her wedding while part 2 deals with Gainsbourg’s fear of the strange new planet Melancholia, which she is afraid will collide with Earth. I think a lot of people may struggle with part 1 as you really just watch Dunst in a wedding dress growing more & more depressed but it’s necessary for the character development of the two sisters & seeing what their relationship is like. I have to say I loved the very beginning which was just full of strange & beautiful imagery while classical music played (from Richard Wagner’s opera Tristan und Isolde. I won’t even pretend I didn’t have to look that up – I like some classical music but I’m more of an Iron Maiden fan). So I liked the first half of this film just fine although I think more will prefer the second half in which we watch Melancholia come closer & closer to Earth and the sisters’ roles are reversed. Basically, part 2 is much better (or is more “exciting”, I suppose) as the characters face their impending doom. Yay! I’ve always wanted to say “impending doom“!
Melancholia isn’t for everyone – you’ll probably love it or you’ll hate it. I suppose it is kind of a part of one of my favorite genres: apocalyptic. I’m obsessed with anything apocalyptic so right away I had an interest in checking out this film. I also don’t mind a bit of artsy fartsy pretentiousness now & then (I love things like Daft Punk’s Electroma) so I had no problem with any of that here. Although, it’s a pretty straightforward story and any symbolism isn’t weird or confusing – it all made sense & I actually thought it was a very interesting way to explore depression. I mean, there’s nothing that makes you go “what the HELL is von Trier smoking?“, which is the impression I get about his other films that I haven’t seen. There’s no genital mutilation here or anything. You know, I’m just assuming everyone knows what I’m on about since we’re all movie bloggers but maybe I should point out that this happens in his film Antichrist so some people don’t think I keep mentioning the mutilation thing out of the blue for no reason. I think I probably prefer watching pretty rich people being a little sad to some of Lars von Trier’s other films from what I’ve read of them but I wouldn’t say no to watching some more of his stuff based on Melancholia.
My Rating: 7.5/10