The Unforgivable, The Last Duel & The Power Of The Dog Reviews

Squeezing out a few more reviews of 2021 releases before I post my December roundup & then will try to post my 2021 Top Ten lists. None of these are making it into my Top Ten Movies of the year…

The Unforgivable (2021)

Directed by Nora Fingscheidt

Based on Unforgiven by Sally Wainwright

Starring: Sandra Bullock, Vincent D’Onofrio, Jon Bernthal, Richard Thomas, Linda Emond, Aisling Franciosi, Rob Morgan, Viola Davis

Plot Synopsis: (via IMDb)
A woman is released from prison after serving a sentence for a violent crime and re-enters a society that refuses to forgive her past.

My Opinion:

I was clearly trying to squeeze in some final 2021 releases on streaming services in December or else I probably wouldn’t have bothered with this one so quickly (if at all). It was okay, though. And, yes, I enjoyed it much more than the next two I’m reviewing.

Bullock’s character has just come out of prison after serving many years for killing a cop when they came to take her much younger sister away from her. I believe it was because their parents had died and Bullock wanted to be left alone to raise her sister (massive age difference – the sister was five & Bullock looked well into her twenties in the flashbacks so I don’t know why she couldn’t raise her?!). Anyway, it took a while to get into this one & Bullock’s character was pretty unsympathetic to begin with.

With movies, I’ll sometimes rate & rank them when I’m still in the middle of watching them as I don’t want to forget to log them. This is one time where I had to move it up the list & up the rating slightly once it got to the end. I really liked the end of this one, including something I should’ve seen coming. Also, the film used a fantastic piano version of Radiohead’s Everything In Its Right Place toward the end & I thought it set the mood perfectly. So the film was a bit slow overall & certainly wasn’t perfect but from that bit on it got much better & really did redeem itself at the end.

My Rating: 6.5/10

The Last Duel (2021)

Directed by Ridley Scott

Based on The Last Duel: A True Story of Trial by Combat in Medieval France by Eric Jager

Starring: Matt Damon, Adam Driver, Jodie Comer, Ben Affleck

Plot Synopsis: (via Wikipedia)
Set in medieval France, the film stars Damon as Jean de Carrouges, a knight who challenges his former friend, squire Jacques Le Gris (Adam Driver) to a judicial duel after Jean’s wife, Marguerite (Jodie Comer), accuses Jacques of raping her. The events leading up to the duel are divided into three distinct chapters, reflecting the contradictory perspectives of the three main characters.

My Opinion:

WTF? Okay… I don’t know if I’m just super picky now or if I’m just finding it hard to enjoy films lately as life has been shitty but I feel like every single newly released movie (at least one perceived to be “worthy” due to its director or stars or its agenda) gets absolutely raved over by Film Twitter & I find myself agreeing with them less & less the past couple of years.

This movie was okay? I do love a few of Ridley Scott’s films (I ranked them here recently) but this certainly wouldn’t make my top ten list of his work. Once I got past the annoying haircuts (yeah, yeah – I know that’s not important) I thought I’d start caring about the story or the characters but I can’t say that I did. I thought the men were rubbish (acting-wise as well as the characters being super hateful). Jodie Comer was fine & I obviously was on her side through the whole thing & wish she could’ve just gone on a Kill Bill bloody rampage with those pricks but obviously that couldn’t happen back then since, you know, women were treated like nothing more than another piece of property in olden times (not that we’re treated much better now). I didn’t exactly think it was some “ohmygodOscarWORTHY!!!” performance or something, though. Are my standards too high or are everyone else’s too low?! The movie was okay. Yes, once it FINALLY got to the duel it got somewhat exciting. And, yes, I always like seeing multiple versions of the same story but this isn’t exactly up there with Rashomon, is it? I was stupidly looking at the IMDb Top 250 recently & it depresses me. All the older films are being replaced by everything new & current. Are people just going to completely stop watching movies that are more than ten years old?

Okay. I’ll stop bitching now. This movie was fine but Scott has far better films. And I really wish I could just watch all of Akira Kurosawa’s films instead of wasting my time on mediocre current releases.

My Rating: 6/10

The Power Of The Dog (2021)

Directed by Jane Campion

Based on The Power of the Dog by Thomas Savage

Starring: Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, Kodi Smit-McPhee, Thomasin McKenzie, Genevieve Lemon, Keith Carradine, Frances Conroy

Plot Synopsis: (via IMDb)
Charismatic rancher Phil Burbank inspires fear and awe in those around him. When his brother brings home a new wife and her son, Phil torments them until he finds himself exposed to the possibility of love.

My Opinion:

Another one sort of raved over on Film Twitter but this one bored the shit out of me. Sorry! Just… Ugh. I don’t know. I do appreciate some very worthy films but I also want to be entertained sometimes if possible. I’ll give it this: I think the acting was slightly better than in The Last Duel. No distracting haircuts, at least! Also……. I did really like the end! Yay! Once I actually realised what had happened and that there was a plan all along, I guess, and I was like “Ohhh… Nice one!”. The ending almost made me rank this just above The Last Duel but the rest of this film was so bloody boring that I guess I’ll keep this one below the mullet duel.

My Rating: 6/10

My Top Ten Kirsten Dunst Movies

Happy 36th Birthday (soon) to Kirsten Dunst.

Her birthday is next Monday but, since I’m watching that Avengers: Infinity War thingy tonight, I figured I better leave Monday free to review that instead. Sorry, Kirsten! You’ve been bumped by the Avengers! Hmm. I’d like to be bumped by Thor.

I like Dunst okay. I wouldn’t say she’s ever been a favorite of mine but she’s a decent actor and I wouldn’t avoid a film if she’s in it. But not that many actors make me avoid films (other than Gwyneth Paltrow, of course).

So here are My Top Ten Kirsten Dunst Movies, counting down to my favorite and ranked by film instead of performance. And including everything I’ve seen. Oh! And I’m kind of cheating again by including animated movies she has provided her voice for so, like with Saoirse Ronan, I can include my beloved Studio Ghibli. 😉

The Rest:

18. Small Soldiers
17. Elizabethtown
16. The Beguiled
15. Mona Lisa Smile
14. Crazy/Beautiful
13. Wimbledon
12. Bring It On
11. All Good Things

Top Ten:

10. TIE: Interview With The Vampire & Hidden Figures

9. Marie Antoinette

8. Midnight Special

7. The Spider-Man Movies

6. Jumanji

5. Eternal Sunshine Of The Spotless Mind

4. Melancholia

3. Anastasia

2. The Virgin Suicides

1. Kiki’s Delivery Service

Some I’ve Not Seen:

The Bonfire Of The Vanities, Greedy, Little Women, Wag The Dog, Drop Dead Gorgeous, Dick, The Crow: Salvation, On The Road, Upside Down, Anchorman 2, The Two Faces Of January

Also:

The Bling Ring (she was uncredited so I didn’t include it in the list)

Midnight Special (2016) Review

Midnight Special (2016)

Directed & Written by Jeff Nichols

Starring: Michael Shannon, Joel Edgerton, Kirsten Dunst, Adam Driver, Jaeden Lieberher, Sam Shepard

Plot Synopsis: (via IMDB)
A father and son go on the run, pursued by the government and a cult drawn to the child’s special powers.

My Opinion:

***I’ll remain spoiler-free. This is a good one to see without knowing much about it.

Once again, like when I reviewed 10 Cloverfield Lane, I’m reviewing this sooner than I’d like to as I normally like to wait a couple of days. But I only finished watching this a few hours ago so bear with me for another one of my rambling reviews while I try to sort out my initial thoughts on Midnight Special.

I couldn’t wait to see this one – it was one of my most-anticipated for the whole year. It’s my favorite sort of genre & sounded like the exact sort of thing that I love. And it’s good! It really is. Luckily, it’s far better than 10 Cloverfield Lane (for which I still haven’t fully sorted out my feelings – I either really liked it or I really did not… I’ve never felt quite so confused over my feelings for a movie!). Anyway, I think I just hype certain movies up in my mind too much as so many are so disappointing that when one my sort of thing comes along, I expect too much. I liked this a lot. I expected to love it. I think I loved parts of it but, overall, I’m not sure it will be an all-time favorite such as the brilliant films it’s reminiscent of (such as Steven Spielberg’s E.T. The Extra-Terrestrial or Close Encounters Of The Third Kind).

Don’t worry – I won’t say a thing at all about the plot. I think it’s widely known that there’s a sci-fi element to this film anyway but my comparison to those two Spielberg films are more because of Midnight Special’s tone & feel as well as its focus on the characters and their relationships. That’s what I care most about in a film. Yes, I love a great story (especially anything the slightest bit sci-fi) but I never really love a film unless it has strong characters that I care about. While I didn’t fully connect with the characters in Midnight Special as much as I was hoping, I do think the movie did a really good job with those who mattered the most in the film. The father/son relationship is the strongest and, luckily, is what works best as it’s the main focus of the film. I certainly can’t fault Shannon’s performance as a father who will do anything to protect his child. I guess I was just hoping for more of an emotional attachment, like I got with something like E.T. but, hell, to even have your movie bring Spielberg classics to mind is a pretty huge compliment to Jeff Nichols. Yes, this movie very much feels like something Spielberg would have made in his Close Encounters sort of days. That’s a very good thing. In fact, I wonder what he thinks of this movie! Hmm… I would imagine he loves it.

Jeff Nichols is certainly a writer/director I’ll be paying more attention to after this film. I did review both Take Shelter & Mud and it was interesting re-reading those to see what I thought of them. Seriously, though – don’t read my Take Shelter review as I’d only had this blog for two weeks at that point & didn’t even know why I’d started a blog. Basically, I was clearly paying very little attention to the movie as it was on in the background while I decorated the Christmas tree (I’m a parent – you’ll find you half-watch a lot of things when you get some rare “alone time”). 😉 Maybe I’ll give it another try someday but it was one of those films I think I appreciated more than actively liked. Shannon was good, though, as was the film’s theme plus I remember thinking the ending was very good. Mud was an improvement overall in that the film was a more enjoyable & entertaining watch but, now that I think about it more, I think Take Shelter had the far stronger story. I guess it depends on what you prefer from a movie but, if you liked both of those films, you’ll definitely like Midnight Special as it feels like Nichols got a better balance this time between making a good story as well as an entertaining film. Plus, I gotta say the ending is great. It can often go so wrong at the end with this type of thing but I was happy with this film’s finale.

I’m going to wrap this up before I ramble on too much or start spoiling things. Besides, I have a massive migraine & need to go to bed. Damn migraines! When it’s gone, I’ll hopefully be able to catch up on some of your Midnight Special reviews as I wanted to avoid them all until I’d seen it but I really am curious what you all thought of it. Plus, I keep wanting to call this Midnight Express… Anyone seen that? I’ve always wanted to see that but never have. Now I’m off topic. I can’t think when I have a headache.

Midnight Special is very good. I liked it a lot but only time will tell if I feel the same way about it as I do about some of Spielberg’s sci-fi classics that have a similar feel. I’ll say that, partially because of the Dunst connection, I was also reminded somewhat of Melancholia (which I liked quite a bit). I suppose Jeff Nichols is somewhere in the middle – not as weird as Lars von Trier but not as mainstream as Steven Spielberg. It’s a cool combination but I’m not sure if it’ll work for everyone. It worked for me and I’d like to see Nichols do more of this same genre.

My Rating: 8/10

Marie Antoinette (2006) Review

It’s Day 3 of Coppola Week & I’ll be reviewing Sofia Coppola’s Marie Antoinette. I reviewed her film The Bling Ring on Monday and her father’s 80’s classic The Outsiders yesterday. Tomorrow will, as usual, be a Top Ten List (My Top Ten Coppola Movies, of course) and I’ll finish on Friday with a review of a 1974 film from Francis Ford Coppola. Now let’s talk about the lovely Marie Antoinette! 

Marie Antoinette (2006)

Directed by Sofia Coppola

Based on Marie Antoinette: The Journey by Antonia Fraser

Starring: Kirsten Dunst, Jason Schwartzman, Judy Davis, Rip Torn, Rose Byrne, Asia Argento

Plot Synopsis: (via IMDB)
The retelling of France’s iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen and ultimately the fall of Versailles.

My Opinion:

It feels like I’d been wanting to see this movie for years. But as fellow movie bloggers will understand, I have a huge “To Watch” list & this one just kept getting put aside. I finally got up off my ass & watched it in preparation for a week of Coppola reviews when I realized that I’d already watched a few Coppola movies by coincidence. Well, damn… I think that I hyped it up too much in my mind while it sat on my To Watch list all these years. For the most part, I’m afraid to say that I found Marie Antoinette a bit boring.

There were three reasons why I really wanted to see this: 1) I think Sofia Coppola’s Lost In Translation & The Virgin Suicides are quite beautiful & brilliant and this appeared to have a similar look & feel. 2) It looked visually appealing from pictures I’d seen. 3) Coppola often chooses great music, such as the amazing Air score for The Virgin Suicides, so I was eager to hear what was on the soundtrack for this. 

Well, I can confirm that this was indeed visually appealing and I really liked that about it. The costumes, the castle, all that CAKE! So I have no complaints there. I also liked Kirsten Dunst just fine – she’s not a favorite of mine but I’ve always liked her okay (although I assume she’s nothing like the real Marie Antoinette! Her Virgin Suicides role was more fitting). Sofia Coppola really has a thing for the female butt, though, doesn’t she? Didn’t Lost In Translation start with a shot of Scarlett Johansson’s butt? Well, you see Dunst naked from behind as she’s dressed to meet her future husband then you see plenty of her throughout the film as everyone gathers around to dress her every morning. Is that what they did with royalty in the old days? No thank you! I like my privacy.

As for the soundtrack, Coppola once again chose some great music. I’ll never complain about hearing The Cure or New Order! But, for some reason, I guess I thought we’d hear much more of the music. It’s mostly prominent in a couple of montages but, scattered throughout, I didn’t notice it all that much. It’s a small complaint – I think I was expecting loads of modern(ish) songs set in a time period from the past but, hey, this isn’t some Baz Luhrmann film. I prefer Coppola’s films to his anyway so I suppose I prefer the way she used the music. This would certainly be a good soundtrack to own.

I’ll admit that my knowledge of history is crap so I won’t pretend to know a thing about Marie Antoinette (or about any history – it’s not a subject that has ever interested me for some reason). I have zero clue how accurate this movie is meant to be. I mean, I’m pretty sure Marie Antoinette wasn’t a cute blonde American girl and that everyone in France spoke English, right?! I take it that this film is just meant to be a bit of fun and that Sofia really just wanted an excuse to play with pretty dresses, powdered wigs, and cake.

I found it interesting if the basic storyline is accurate, though. I did read a (tiny) bit about Marie Antoinette after watching the movie & the broad, overall story does sound correct. I was expecting a dumb & slightly annoying character as that’s how the real Marie Antoinette is portrayed somewhat with the “Let them eat cake” quote but that’s not at all how she’s portrayed in this film. She’s young & a bit naive but mostly is a “little girl lost” just doing as she’s told in her arranged marriage. In the film, she’s also unfairly hated by the general public and used as a sort of symbol for their negative feelings toward the monarchy. From the little I read of the real woman, this was true. I was also surprised to read that there is no evidence that she ever actually said “Let them eat cake” and that it’s very unlikely that she did. Talk about unfair!

Hey, maybe I’ll actually try to find some Marie Antoinette documentary to watch now. If you’re looking for that sort of thing, though, you probably wouldn’t watch Coppola’s film. I didn’t watch it for a history lesson – I watched it for the imagery & the soundtrack and I think that’s the whole reason it was made, with the Marie Antoinette story just happening to be the film’s backdrop. With that in mind, it was an enjoyable enough film & Coppola once again did a great job with the look & sound but it didn’t stop it from ultimately being a bit boring and feeling far longer than its actual runtime of just over two hours. I’m glad I saw Marie Antoinette and I liked it okay. I was just a little disappointed as I wanted to love it.

My Rating: 6.5/10

CAKE!!!!!!!!

This is a good montage to watch if you want to get a feel for this movie. It features Bow Wow Wow’s I Want Candy:

And I have to include the New Order song, Ceremony, which is used in the film. Because I LOVE it:

Eternal Sunshine Of The Spotless Mind (2004) IMDB Top 250 Guest Review

Today’s IMDB Top 250 Guest Review comes from Kelechi of Confessions From A Geek Mind. Thanks for the review, Kelechi! 🙂 Now let’s see what he has to say about Eternal Sunshine Of The Spotless Mind, IMDB rank 75 out of 250…

There are still some movies up for grabs if anyone wants to do a guest IMDB Top 250 review. You can find the list of remaining films HERE. See the full list & links to all the reviews that have already been done HERE. Also, if you’d like to add a link to your IMDB review(s) on your own blogs, feel free to use any of the logos I’ve used at the top of any of these guest reviews.

**I’ve received 3 remaining IMDB guest reviews to post but have a lot still outstanding. Let me know if you still wish to review the movie(s) you’ve signed up for. If not, I’ll add them back to the list of available films. Thanks!**

“How happy is the blameless vestal’s lot! / The world forgetting, by the world forgot / Eternal sunshine of the spotless mind! / Each pray’r accepted, and each wish resign’d.” – Mary

I have nothing but good memories about Eternal Sunshine of the Spotless Mind.  See what I did there?

Eternal Sunshine of the Spotless Mind is not your usual and conventional romantic film.  The ‘boy meets girl’ concept is a familiar and overused trope in the film world. But with the added sci-fi twist involving memories, Eternal Sunshine of the Spotless Mind ignores the trend and takes the audience on a mind bending and surreal experience that is full of charm, wit and most importantly, sentiment.

Eternal Sunshine of the Spotless Mind stars Jim Carrey and Kate Winslet as Joel and Clementine.  After spending two years together as a couple, the relationship turns sour. They undergo a procedure that erases their memories of each other.  Trouble is, as impulsive they were in committing themselves to the procedure, they rediscover what they had in the first place.

“Random thoughts for Valentine’s day, 2004. Today is a holiday invented by greeting card companies to make people feel like crap.” – Joel

The unique quirks in this film are displayed in its brilliant visual concept.  It taps into the surreal nature of the mind where it’s never consistent or logical.  Its visual complexity and how each scene transitions unto the next are handled seamlessly.  Most scenes don’t contain any CGI effects, just clever camera movements!  It may feel jarring at first but once your mind gets to grip with the concept, it’s a rewarding experience.

There’s something very low key about the technology used in the film by Lacuna Inc.  2015 and swiping on everything that has a screen size over four inches has become the norm.  With its ease of use and simplicity, you can’t imagine how we coped before!  But for a film that came out in 2004, the technology is a little clunky with CRT monitors straight out of the 80s or 90s, a time capsule reminder of the evolving past we use to belong to…and it wasn’t that long ago!  It never looks sleek, state of the art or high tech – there are many functional parts in order to make it work and it does its job. The film doesn’t dwell on how the procedure works except for acknowledging that the effects are on par with a night of heavy drinking.  It gives us as the audience a basic understanding of what it does, mapping personal items with emotional connections, which form as part of the erasure development process.  Because of this, the essence of the business by Lacuna Inc. is small scale and experimental.  It’s not seen as a global attraction like something out of Total Recall with its tongue-in-cheek advertising.  In fact, it’s the opposite where the experience is a more personal and intimate, like visiting your local doctor.

While the film doesn’t explore in great detail about Lacuna’s operations, the film does raise some ethical questions. There’s never a feeling over who is held accountable for its practices.  The characters of Patrick (Elijah Wood), Stan (Mark Ruffalo) Mary (Kirsten Dunst) and Dr. Mierzwiak (Tom Wilkinson) are quirky individuals who have used the memory erasure technology for their own gain and advantages.  A great example of this belongs with Patrick who steals Joel’s personal items to make a good impression with Clementine.  It completely backfires on him but what he essentially does is commit identity fraud.  The actual procedure happens at night in the comfort of your home while you’re asleep.  So is it right that the technicians raid your fridge or dance on your bed with great freedom while you’re undergoing your treatment?  You will wake up without any recognition that they were there the night before but there’s a certain level of trust to be had to accept the strange and intrusive circumstances.

In essence it is a clandestine and artificial relationship of convenience.  Someone from your inner circle will be informed about the procedure and you (or them) are expected to live with that knowledge, such as Joel’s friends. While the Doctor or any of his team can preach about how wonderful the process is, the real issue is the aftercare.  At times there’s a lack of professionalism within the group and if they’re not accepting their responsibilities and the consequences from their actions, would you want to undergo an experiment like this?  I certainly wouldn’t.

Clementine: “You know me, I’m impulsive.”

Joel: “That’s what I love about you.”

However, the sci-fi element is secondary to the actual plot because its main focus is on Joel and Clementine.  When they are first introduced, they are complete opposites both in personality and character.

Joel acts more like an introvert.  He’s quiet and unadventurous.  He’s comfortable within his own head.  He’s clearly talented and likes to draw but otherwise his life is pretty mundane.  Clementine on the other hand is more of an extrovert – outspoken, forward and defiant.  It’s a relationship that probably shouldn’t work but their qualities make them attractive.  Clementine brings excitement for Joel, allowing him to do something out of his comfort zone.  Joel brings stability and reassurance, accepting Clementine’s personality for what it is without compromise.

The greatest strength of the film is that their relationship is presented as honest and real.  Nothing feels clichéd or predictable.  When their relationship does fall apart, you can’t help but go through the motions with them and the actual reason for the break up will seem silly as an outsider.

Cleverly, Joel’s erasure of his memory occurs backwards from the time of the break up, ending to where he met Clementine for the first time.  You see Joel’s world literally falling apart, a visual representation of the hurt and anger he was experiencing – a scene helped with brilliant visual effects.

But are all memories bad?  Eternal Sunshine of the Spotless Mind says no and over the course of the film, Joel changes his mind despite being physically powerless to do so.  With the help of Clementine (the dream version in his head) he runs and battles against the deletion by creating scenarios in his mind where the machine couldn’t find him.  On the flip side, the real Clementine who already had the procedure is not the vibrant, confident girl that you witnessed at the beginning of the film.  She’s lost, manic and feels disconnected.  Her new boyfriend Patrick might be saying all the right things to her but it fails to put her mind at ease.  Something is missing in her life but she can’t remember what.

That’s what special about Eternal Sunshine of the Spotless Mind.  Memories both good and bad can define a person.  It shapes your personality and character.  What this film has in abundance is the acknowledgement of sentiment, living and embracing your life.  The negative memories will hurt, as they should do but it portrays the positives ones as something you should hold onto and treasure.  It makes life worth living.

For Joel and Clementine, being together is what made them whole. The film does strike a chord even if this is not your type of movie.  There are plenty of identifiable and personal moments that you as the audience can relate to.  Lacuna Inc. may have perfected a procedure to erase your thoughts but there is no perfect formula for love and at times, it can’t be explained.  If your relationship is based on a lie (e.g. Patrick and Clementine), then the foundations will crumble.  What Joel and Clementine have is something magnetic that kept pulling them together in every bizarre situation without them realising it.  That is something that Lacuna Inc. didn’t count on.  They were so busy fulfilling a misguided duty that in the end it exposed their own hypocrisy and business practice.  To them everything was a quick fix without addressing the real problem.

“Come back and make up a good-bye at least. Let’s pretend we had one.” – Clementine

Kate Winslet and Jim Carrey are fantastic and once again it proves that Jim Carrey is a man of many talents.  He’s not limited to comedy and can do something dramatic.  For me, this is up there with his performance in The Truman Show.  It’s great to see him as an everyman character.  He’s famous for playing eccentric characters, but in Eternal Sunshine of the Spotless Mind, he underplays it.  He is often reacting to the dream scenarios around him rather than being the direct cause of it.  The technicians from Lacuna Inc. deliver the eccentricity and humorous nature of film.  Joel and Clementine deliver the heart.

Aided with a beautiful soundtrack by Jon Brion, Eternal Sunshine of the Spotless Mind is a deep and emotional exploration on the nature of relationships.  It breaks down each moment of Joel and Clementine’s relationship into sizable chunks because in the end, you don’t know what you’ve got until it’s gone.  The ending is left up to the audience to interpret which can be viewed as optimistic or pessimistic but it’s a film worth watching again and again because of the underlying messages it conveys.  It’s a wonderful, unique and enjoyable movie.

Or as Joel would say, it’s nice.

Melancholia (2011) Review

Melancholia (2011)

Directed by Lars von Trier

Starring:
Kirsten Dunst
Charlotte Gainsbourg
Alexander Skarsgård
Brady Corbet
Cameron Spurr
Charlotte Rampling
Jesper Christensen
John Hurt
Stellan Skarsgård
Udo Kier
Kiefer Sutherland

Running time: 136 minutes

Plot Synopsis: (via IMDB)
Two sisters find their already strained relationship challenged as a mysterious new planet threatens to collide with Earth.

My Opinion:

Here’s one of the most-voted-for movies in my recent poll (I already reviewed the top two winners: Spirited Away & Grave Of The Fireflies). I wasn’t sure what to expect from a Lars von Trier film. They’re artsy fartsy & weird, right? I was thinking this was my first von Trier film but, oh yeah!, I actually saw Dancer In The Dark years ago. That was pretty good… I know that probably a good ten years ago I spent quite possibly the most I’ve ever spent on a set of DVDs when I bought something called Riget (The Kingdom – a Lars von Trier TV mini-series from 1994-1997) because I’d read about it & it sounded awesome & I didn’t know who the hell Lars von Trier was. Shit… what did I buy?! I’ve still not watched it all these years later. Has anyone seen it? I’m a little scared now – I hope no one mutilates their genitals in it. Anyway, after all the rambling I’m going to say that I actually liked Melancholia quite a bit! Huh. I was expecting it to be totally pretentious (which I suppose it is) but I also thought it was very beautiful.

Melancholia is pretentious and artsy fartsy and full of rich wankers with their first world problems & Kirsten Dunst is depressed even though she’s young and rich and beautiful and successful and has an amazing chest. So right away it’s very hard to feel for these people although, as we’re introduced to more of Dunst’s family, we do at least start to feel for her having had to deal with these people in her life (especially her bitch of a mother) and start to understand why she is the way she is. Her sister (Charlotte Gainsbourg) is also very supportive so, as the movie is about the two sisters, it doesn’t get too annoying as these two are bearable. It’s like Frozen with severe depression! Look – shit is shooting from Dunst’s fingers kind of like how ice shoots from Elsa’s!

This movie is divided into two parts: Part 1 focuses on Dunst & the evening of her wedding while part 2 deals with Gainsbourg’s fear of the strange new planet Melancholia, which she is afraid will collide with Earth. I think a lot of people may struggle with part 1 as you really just watch Dunst in a wedding dress growing more & more depressed but it’s necessary for the character development of the two sisters & seeing what their relationship is like. I have to say I loved the very beginning which was just full of strange & beautiful imagery while classical music played (from Richard Wagner’s opera Tristan und Isolde. I won’t even pretend I didn’t have to look that up – I like some classical music but I’m more of an Iron Maiden fan). So I liked the first half of this film just fine although I think more will prefer the second half in which we watch Melancholia come closer & closer to Earth and the sisters’ roles are reversed. Basically, part 2 is much better (or is more “exciting”, I suppose) as the characters face their impending doom. Yay! I’ve always wanted to say “impending doom“!

Summary:

Melancholia isn’t for everyone – you’ll probably love it or you’ll hate it. I suppose it is kind of a part of one of my favorite genres: apocalyptic. I’m obsessed with anything apocalyptic so right away I had an interest in checking out this film. I also don’t mind a bit of artsy fartsy pretentiousness now & then (I love things like Daft Punk’s Electroma) so I had no problem with any of that here. Although, it’s a pretty straightforward story and any symbolism isn’t weird or confusing – it all made sense & I actually thought it was a very interesting way to explore depression. I mean, there’s nothing that makes you go “what the HELL is von Trier smoking?“, which is the impression I get about his other films that I haven’t seen. There’s no genital mutilation here or anything. You know, I’m just assuming everyone knows what I’m on about since we’re all movie bloggers but maybe I should point out that this happens in his film Antichrist so some people don’t think I keep mentioning the mutilation thing out of the blue for no reason. I think I probably prefer watching pretty rich people being a little sad to some of Lars von Trier’s other films from what I’ve read of them but I wouldn’t say no to watching some more of his stuff based on Melancholia.

My Rating: 7.5/10

Kiki’s Delivery Service (1989) Review

Kiki’s Delivery Service (1989)
Majo no takkyūbin
Japanese: 魔女の宅急便

Directed by Hayao Miyazaki

Based on Kiki’s Delivery Service by Eiko Kadono

Starring:
Minami Takayama
Rei Sakuma
Kappei Yamaguchi

(English Dub Voice Cast: Kirsten Dunst, Phil Hartman, Janeane Garofalo, Matthew Lawrence, Brad Garrett, Debbie Reynolds, Edie McClurg)

Running time: 102 minutes

Plot Synopsis: (via IMDB)
A young witch, on her mandatory year of independent life, finds fitting into a new community difficult while she supports herself by running an air courier service.

My Opinion:

Version Watched: Japanese with English subtitles & English dubbed version

Well, I already reviewed My Neighbor Totoro on Tuesday so I figured I’d do this one today & will try to review Ponyo tomorrow. I guess this will then be the week of the most “child friendly” Studio Ghibli films (of what I’ve seen so far). 🙂

Kiki’s Delivery Service is one that has really grown on me. Like I mentioned in my Totoro review, I often like a movie even more when I get to see it through a child’s eyes & see how much they enjoy it. Kiki’s is fun and very innocent – it’s a great film for young kids (especially girls). It’s easily the most “Western” of the Ghiblis I’ve seen so, for those of you who’ve been reading these reviews and are still not sure about watching a Ghibli film due to some of them being a little strange, this movie may be a good introduction. It’s not the best Studio Ghibli movie if you’re comparing it to the more “worthy” films they’ve made but I know some bloggers here on WordPress have a lot of affection for it as I think it’s one that some of you youngsters grew up with. I know that I’d absolutely adore it if I’d seen it at a young age.

The story is very simple: a 13-year-old witch must go out on her own for a year to make a life for herself & gain independence. Kiki takes along her talking cat Jiji & ends up living above a bakery where she helps the owner by flying on her broomstick to quickly deliver the goods to customers. She makes several new friends, all of whom help Kiki to find herself & to fit in.

The story is about girls growing up & gaining independence and confidence as well as dealing with feelings of self-doubt. These are great themes for young girls but it’s also such a fun movie that the very young will enjoy just watching Kiki fly around on her broomstick and talk to her adorable cat. Kiki is another strong female role model from Ghibli but as she’s so young she’s unsure of herself at times unlike other characters such as Nausicaä & Princess Mononoke. It makes her feel more human & realistic. In looking for pictures for these Ghibli reviews, I of course see loads of cosplay photos and I’ve seen more girls dressed as Kiki than any other character so far so she’s obviously very popular. I do love her look of a simple black dress, big red bow, broomstick & cute black cat. 🙂

Subtitled vs Dubbed:

I figured I’d mention this like I did in my review of Howl’s Moving Castle as I’d have to say that the English dubbing for Kiki’s Delivery Service is my least favorite of the dubbed Ghiblis I’ve seen. The majority of the characters aren’t too bad and Kirsten Dunst’s Kiki is tolerable, I guess – she just talks way too fast and doesn’t really suit the character that well. However, my main issue was with the cat! I watched the subtitled version first and absolutely loved the cat. He’s funny & has a little bit of an attitude (in a good way). In the dubbed version, he’s voiced by Phil Hartman and he ad-libbed a lot. I found the cat much less likeable and with a little TOO much attitude in this version. Hartman did add some pretty funny lines and I’m sure kids really like his version fine but it just didn’t work for me. Plus I think, as Kiki’s is a far less strange film and has a very straightforward story & characters unlike other Ghibli films, the one thing that keeps it feeling at all Japanese is the original language. In English, Kiki’s Delivery Service almost feels like a Disney movie. Which isn’t necessarily a bad thing… These are small complaints, though – I think it’s a very sweet film but, if you don’t have kids and want to watch this one yourself, I highly recommend the subtitled version over the dubbed.

Summary:

Kiki’s Delivery Service is probably the most kid friendly of all the Studio Ghibli films and a great one for young girls as it has a very realistic female role model. It’s for the young as well as the young at heart. It is aimed more at girls than some of the other films but certainly worth a watch for true Ghibli fans of all ages. It doesn’t have the “magic” of My Neighbor Totoro but it’s still a lot of fun. Do yourself a favor if you’re an adult watching it without a kid, though, and watch the far superior subtitled version.

My Rating: 8/10

All Good Things (2010) Review

All Good Things (2010)

Directed by Andrew Jarecki

Starring:
Ryan Gosling
Kirsten Dunst
Frank Langella
Kristen Wiig
Philip Baker Hall
Diane Venora
Lily Rabe

Running time: 101 minutes

Plot Synopsis: (via Wikipedia)
Inspired by the life of accused murderer Robert Durst, the film chronicles the life of the wealthy son of a New York real estate tycoon, and a series of murders linked to him, as well as his volatile relationship with his wife and her subsequent unsolved disappearance.

My Opinion:

Earlier in the year, I decided to start a Ryan Gosling Project where I’d watch all his films. But then… I don’t know, I just sort of fell out of love with him. So I haven’t continued that project but I guess I can add All Good Things to the list HERE.

I thought this was a decent “based on a true story” (suspected) murder mystery movie. It’s not a genre I really go for but occasionally I’m in the mood for this kind of thing. I have to admit that I sometimes miss those (horrible) true story made for TV Lifetime movies in America. All Good Things is that exact sort of thing – It’s a Lifetime movie with a bigger budget & better actors. Okay, those Lifetime movies do get played in the UK but I just don’t have time for those (horrible) wonderful movies anymore. I miss Nancy McKeon, though – is she still doing that type of stuff?? And Valerie Bertinelli! And Meredith Baxter-Birney!

So, anyway – this film is based on the story of wealthy Robert Durst, whose wife went missing in 1982. The case remains unsolved but Durst is suspected of two other murders 20 years later (and was tried for one, in which he claimed self-defense). Gosling plays Durst (but with the character name changed to David Marks) and Kirsten Dunst plays his wife Katie.

I’ve never really liked Kirsten Dunst but I have to say she really did a very good job in this film. She was the highlight of the movie for me & I thought her performance was even better than Gosling’s. Obviously, it’s not a spoiler to say she disappears & we never see her again but, luckily, the film spends the majority of the time focusing on the marriage so she’s in the film a lot. After she disappears, the film goes through the next 20 years or so very quickly (maybe a little too quickly considering that this is when things got REALLY interesting & f%*ked up!).

Ryan Gosling also does a good job but I kind of feel like we’ve seen too many similar performances from him before. He plays the character as a quiet, deeply troubled man (the type of role he plays so often). He plays it very subtle & it’s nice not seeing some over-the-top psycho but, again, we’ve seen this from him before. My very favorite Gosling movie is Lars And The Real Girl – he plays the role of Marks the same sort of way as he played Lars (but with a crazy anger underneath the surface – Lars was crazy but just sweet). He was great as Lars – if I hadn’t already seen that film, I’d probably be more blown away by his performance in this one. He is good in this – I’m not saying he isn’t. I just thought that Dunst felt like the true star in this one.

Summary:

All Good Things is a very intriguing mystery based on the real life 1982 disappearance of the wife of a wealthy businessman. Gosling & especially Dunst give very good performances and a lot of time is spent exploring their characters & their relationship. Then she disappears & things get REALLY odd. I liked this movie quite a bit considering it’s not my favorite sort of genre. It really is an interesting case so I can see why they made a film out of it. I recommend this if you like “true crime” dramas.

My Rating: 6.5/10