Phantom Of The Paradise (1974)
Directed by Brian De Palma
Running time: 91 minutes
Plot Synopsis: (via IMDB)
A disfigured composer sells his soul for the woman he loves so that she will perform his music. However, an evil record tycoon betrays him and steals his music to open his rock palace, The Paradise.
This movie started getting a bunch of attention this year for its 40th anniversary and I’d never even heard of it before then. When I read reviews and saw that it was some weird sort of “rock opera horror” directed by Brian De Palma and starring the great Rainbow Connection Paul Williams and that it, basically, may be responsible for giving us DAFT PUNK… Well, I had to see it! I can’t believe I’d never even heard of this now-cult-classic before. Apparently, though, it was a major flop at the time everywhere other than Paris and for some reason Winnipeg, where they worship this film and have organized Phantompalooza. I’m not sure why the movie is suddenly getting so much attention but I suppose that it’s probably down to Thomas Bangalter and Guy Manuel de Homem-Christo (Daft Punk) declaring their love for it when collaborating with Paul Williams for their Random Access Memories album. Having watched it now, it’s obvious what a huge influence it had on them. Check out William Finley as the Phantom in the title:
I finally saw this movie a couple of months ago and I still can’t quite decide if it’s a brilliant masterpiece or a big pile of shit. What a way to start a review, huh?! Maybe it’s just brilliantly horrible. Horribly brilliant? Either way, although I just called this a possible pile of shit, I’ll be giving it a 7.5/10 rating (so you can stop reading & just yell at me now, Brian). 😉 I sort of feel the same way about this movie as I did about David Bowie’s The Man Who Fell To Earth. I know that, in a lot of ways, that movie was “bad” but I couldn’t help but be fascinated with it and it’s certainly one of the most memorable movies I’ve watched in the last couple of years and one I seem to come back to a lot when reviewing other movies that I liked yet can’t fully explain why. Phantom Of The Paradise was the same for me and totally worth being the only full price Blu-ray I’ve purchased for myself in ages, even if I WAS thinking to myself “what the fuck?!” the entire time I was watching it.
Phantom Of The Paradise is a combination of The Phantom Of The Opera (obviously), Faust, and The Picture Of Dorian Gray. I’m not sure why it never achieved the success of two other similar films that both came out a year later – Tommy and The Rocky Horror Picture Show. It certainly feels a lot more ambitious than either of those, which I suppose may have been the problem? There’s a lot going on in Phantom and it maybe tries to be too many things at once. The other two aren’t really any less strange than Phantom, though. Unfortunately, the biggest problem may just be that the songs aren’t as good. Sorry, Paul Williams! I think you’re awesome and I love what you did with Daft Punk and Rainbow Connection is my favorite Muppets song. But, unlike in Tommy or Rocky Horror, there’s nothing really memorable in this when it comes to the music other than maybe the main ballad which is pretty but not exactly catchy like Time Warp or even Pinball Wizard.
I suppose I was a little upset that I was left unsure of how I felt about this movie once it finished as I’d hyped it up in my mind to possibly be some kind of undiscovered gem that I’d absolutely love. Well, there ARE things I really liked about it. Images such as the one above are what helped to convince me to watch this. The band is known as The Undeads, which is their third and best incarnation in the film as they keep changing their style to suit whatever record producer Swan (Paul Williams) thinks the public wants. This is in contrast to composer Winslow Leach, played by William Finley, who cares only about the music itself instead of fame and who (obviously) ends up the “Phantom” of the film. Paul Williams’ Swan is an evil & greedy record producer and owner of “The Paradise” concert hall. Williams is great as some sort of satanic little brother to David Cassidy. Check him out:
The best thing about this film is the main story between Williams’ Swan & Finley’s The Phantom. I loved the cause of The Phantom’s disfigurement and, of course, THE scene that is clearly the one that turned those lightbulbs on above Daft Punk’s heads. (Slight spoiler but not really if you know Phantom Of The Opera): The Phantom’s vocal chords have been destroyed along with his face so he not only needs to wear the strange silver helmet but also must use an electronic voice-box to talk (and sing). I wish I could find a clip of the scene to share here but can only find some images:
I should also give a quick mention to Jessica Harper, of Suspiria fame, who plays The Phantom’s muse à la The Phantom Of The Opera and Gerrit Graham as a camp glam rocker. Both were really good in two fairly big roles and the below shower scene was pretty cool:
I know this review was far longer than my usual reviews but if I’ve talked at least ONE person into checking out this movie, I’ll be very happy. Is it good? Is it shit? I’m honestly still not sure. I’ve said it a few times recently but these are the types of films that actually make me want to run a movie blog. I’ll always watch & review loads of mainstream films but they rarely excite me in the same sort of way that the more “unusual” or artistic films do. I’d rather watch something extremely memorable like this than just another cookie cutter film made with a profit in mind. The main theme (of many) in Phantom Of The Paradise is timeless – art over profit. We need more Phantoms in this world but, unfortunately, there will always be more Swans.
My Rating: 7.5/10
You know I have to end this with Touch, the Daft Punk/Paul Williams collaboration on Random Access Memories: 🙂