Elysium (2013) Review

Elysium (2013)

Directed & Written by Neill Blomkamp

Starring: Matt Damon, Jodie Foster, Sharlto Copley, Alice Braga, Diego Luna, Wagner Moura, William Fichtner

Plot Synopsis: (via IMDB)
In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.

My Opinion:

I had a bit of a “Matt Damon sci-fi” weekend: I watched Elysium & The Martian (finally – I’ll review that on Wednesday). I did really like Blomkamp’s District 9 and was very much in the minority, I think, in quite liking Chappie. I missed out on Elysium but after it got such bad reviews I didn’t rush to watch it. I still planned to watch it someday, though, as I love sci-fi and am always far more forgiving of flawed films in that genre. Elysium was a tiny bit better than I was expecting (but my low expectations due to bad reviews probably helped). Don’t get me wrong, though – it’s a total mess.

Elysium actually started out quite promising but, man oh man, it really lost its way. It looked impressive so I enjoyed watching the sci-fi elements such as the robots (that looked a lot like Chappie) and the utopian space station Elysium (although it was very derivative). I thought Matt Damon did quite well and I liked the story involving his childhood friend. I didn’t read any reviews of this in detail as I knew I’d watch it someday but I assume the main complaints were about the “baddies” (Jodie Foster & Sharlto Copley). They’re godawful! There are some pretty big problems with the script but the one-dimensional bad guys (with some really weird accents) are what let this film down more than anything else. Atrocious.

This movie had a good concept so I wish Blomkamp had managed to actually explore the themes and issues he clearly had in mind. Instead, the story becomes a messy & predictable action film in the second half.  It was just disappointing as I wanted the film to be a bit “deeper” than it ended up being. There are loads of mediocre sci-fi action films like this – I wanted a “smart” sci-fi (something like Moon or Ex Machina). It’s just frustrating when a film has the right elements but can’t make things work due to a weak script.


I didn’t hate Elysium but it was certainly a disappointment. It “looked” good, though, and I liked the first half of the film plus I thought Damon did a good job. The movie showed a lot of promise until the second half when it totally lost the plot. A weak script that doesn’t at all explore the social & political themes as well as truly horrible, one-dimensional bad guys really let the film down. I’m glad I finally watched this but I’d only recommend it if you’re a big fan of sci-fi, otherwise you’ll probably feel like you’ve wasted two hours of your time. 

My Rating: 6/10

Chappie (2015) Review


Chappie (aka CHAPPiE) (2015)

Directed by Neill Blomkamp

Based on Tetra Vaal by Neill Blomkamp

Sharlto Copley
Dev Patel
Watkin Tudor Jones & Yolandi Visser (aka Die Antwoord)
Jose Pablo Cantillo
Sigourney Weaver
Hugh Jackman

Running time: 120 minutes

Plot Synopsis: (via IMDB)
In the near future, crime is patrolled by an oppressive mechanized police force. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think and feel for himself.


My Opinion:

I’m not sure if anyone has noticed but I’ve been on a real A.I. movie kick the past few months. This is a favorite topic of mine in films so, despite some very negative reviews, I still wanted to see Chappie as I’ve been looking forward to it for ages. I really liked Blomkamp’s District 9 but missed out on Elysium (and still haven’t watched it as we all know how well received that one was). I’ve not yet fully read any reviews of Chappie (other than a good one from Writer Loves Movies defending it HERE) but I’ve read just enough to get the general idea: most people hate Chappie almost as much as Elysium while a small minority are defending it. Well, I guess I’m in the minority. I really enjoyed Chappie and think it deserves more credit than it appears to be getting.


Remember that this is a favorite topic of mine within my favorite genre so I’m going to automatically like it more than some will. Plus, the last A.I. movie I saw was the disappointing Autómata. Chappie is a heck of a lot better than that one but certainly isn’t as good as Ex Machina, my favorite film of the year so far, or even Daft Punk’s Electroma (which is awesome. seriously. no one read that review – that movie should be more well known!). Yes, Chappie is basically Short Circuit except that Ally Sheedy & Steve Guttenberg weren’t South African rappers calling everyone “motherfuckers” all the time. Actually, that would’ve been hilarious. Who’s Johnny, motherfuckers?! (Sorry, Mike – I had to make the Short Circuit comparison as everyone is. At least I didn’t mention D.A.R.Y.L. or… Hardware). 😉


I found Chappie interesting in that it actually explores the morality issues involved in creating self-aware artificial intelligence in a slightly different way than other similar films. Okay – this topic has been explored so much now that it’s very hard to be truly unique but even Ex Machina is guilty of not really bringing anything “new” to the table in the A.I. debate. Chappie treats Chappie (the robot) as a child who needs to be nurtured just as a human child would be. There’s talk of consciousness and “souls” (and violence & how to deal with crime, etc, making this not only like Short Circuit but also RoboCop). Overall, there’s probably a bit too much going on as far as all the various morality issues involved in creating advanced crime-fighting A.I. that whatever Blomkamp’s overall point actually is gets lost. The bits with the film’s two biggest stars, Sigourney Weaver & Hugh Jackman, are the weakest parts and I think more focus on the “Chappie as child in its formative years” thing would have been better. These are the most “human” parts of the film and are oddly touching. Chappie (again, the robot) is done very well – he looks great & his character is very well developed to the point that you DO feel for him. He’s no WALL-E but he comes closer to achieving that than I expected (I adore WALL-E). He’s as likeable as Short Circuit‘s Johnny 5 but with much more personality (and swearing). The most important thing to get right, in my opinion, is the character of Chappie himself & I think the film did a very good job there.


I think the thing that may turn some off this film is the use of South African rap duo Die Antwoord (Watkin Tudor Jones & Yolandi Visser). I’ve known of them somewhat over the years through a couple of their songs & fucked-up videos and find them intriguing. When I heard they’d be in this film, I assumed it would be in smaller roles but they’re really the main stars. If you don’t take to their characters, you probably won’t like the film. Funny thing is, they end up being the best things about it (after Chappie, of course). These two crazy, swearing, “cartoonish” looking criminals end up feeling just as much if not more “human” than Dev Patel as Chappie’s “Maker”, while the film’s big stars (Weaver & Jackman) end up feeling like the cartoon characters. Or maybe that’s the point? I don’t think so… I think Weaver’s & Jackman’s roles are just very poorly written. It’s a shame, really, as it detracts from the more interesting central theme of A.I. consciousness & nurturing its development.



I thought Chappie was a solid sci-fi film and managed to explore the usual A.I. themes we’ve seen in countless other movies in a somewhat unique & quite entertaining way. It’s a weird kind of mish-mash of the heartwarming aspects of Short Circuit & WALL-E with the ultra-violent cartoonish-ness of RoboCop. This may be putting some people off, however, as the film seems a little confused as to what it wants to be. Sigourney Weaver’s & Hugh Jackman’s poorly written “baddies” aside, I enjoyed the over-the-top violent action film aspects but especially liked the more “human” aspects of watching Chappie become self-aware & start to develop his own personality. I know Chappie won’t work for everyone but it worked for me.

My Rating: 7.5/10


Gotta say this may be my favorite tattoo on Watkin Tudor Jones (aka Ninja) 😉


District 9 (2009) IMDB Top 250 Guest Review

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Today’s IMDB Top 250 Guest Review comes from Anna of Film Grimoire . This is her second IMDB review (you can read her review of horror favorite Rosemary’s Baby HERE). Thanks for joining in, Anna! 🙂 Now let’s see what she has to say about District 9, IMDB rank 210 out of 250…

There are still some movies up for grabs if anyone wants to do a guest IMDB Top 250 review. You can find the list of remaining films HERE. See the full list & links to all the reviews that have already been done HERE.

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IMDb Top 250 Challenge Blogathon: District 9 (2009)

District 9 (2009, dir. Neill Blomkamp) is a humorous yet thought-provoking filmic allegory that reflects the racism and segregation of South Africa’s apartheid era. In 1982, a giant spaceship parks itself above Johannesburg, and when humans go to investigate it, they find many malnourished aliens inside. Seeking a quick solution to this issue, the South African government allows them to seek asylum in a designated camp area outside of Johannesburg called District 9. Despite their new freedom on Earth, the aliens are subject to strict governmental and societal control. They are not exactly welcome, and are subject to discriminatory behaviour and derogatory names such as “prawn”, due to their scaly appearance. More recently, as the humans of Johannesburg start to get tired of living near them, the government decides to move the aliens further away.

In the film, Wikus van de Merwe (Sharlto Copley) is working as a higher-up in a privately owned military company called Multinational United (MNU). MNU is tasked with the responsibility of telling the aliens that they must relocate to a new internment camp. Wikus is in charge of organising the relocation, and ensuring that it occurs in an orderly manner. When persuading one of the aliens to relocate, Wikus is unwittingly exposed to a strange liquid that leads to a horrific, transformative experience. Along with his a new alien acquaintance named Christopher, and Christopher’s son, Wikus endeavours to fix the condition that he is faced with, as it grows worse and worse, and as his personal empathy for the aliens’ situation is also amplified.

I chose to review District 9 for T9M’s IMDb Top 250 series because I’d never seen it before, and thought it was just about time to finally give it a watch. I found that this film was not only entertaining as far as its story and world-building, but also in terms of its parallels with social issues such as racism, poverty, asylum seekers, bigotry, and the apartheid era; among many others. These issues smack you in the face from the get-go, and can be very confronting. It can be difficult to reconcile the behaviour we’re shown in the film with actual behaviours that occurred against real people in very recent human history. The humans in this film are incredibly blatant in their discrimination and resentment towards the “prawns”, both verbally and physically. The film also shows brief snippets of pro-alien rights groups attempting to fight for the rights of the occupants of District 9, but their voice is a minority against the power of the enforcers of MNU. The overall effect is sobering. The film is undoubtedly a work of science fiction, given that it involves aliens, but the issues within the story are incredibly human.

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The film has an excellent introduction with a sufficient explanation of the history of aliens in Johannesburg, in what seems to be initially a documentary format. This format is perfect for conveying a great depth of information, which at no point feels like unnecessary exposition. It also provides for some interesting hand-held camera work and comedic moments. At the beginning we see the issues purely from the human side, from the government’s and MNU’s point of view, as they seek to justify the relocation of the aliens in District 9. We learn all about the main human characters, particularly Wikus, who is shown to be a fairly ineffectual and silly man in an elevated position as a result of being married to the boss’s daughter. From the very beginning, there’s a dark cloud hanging over the interviews – they mention Wikus as having done something wrong, as having ended up somewhere bad. This builds a good amount of suspense from the beginning, particularly when contrasted with his daft moments on camera.

The film gets dark as the MNU soldiers enter District 9 and start threatening the aliens; treating them in a way that is unfitting of asylum seekers in need of support. We see that forcing the aliens to relocate will uproot a society that they’ve built, we see MNU soldiers being violent and swearing at the aliens, and we see alien children who are forced to grow up in horrible conditions. This is where the viewers begin to see the other side of the issue – the side of the aliens who are dependent upon this internment camp for survival.

What I loved during this part of the film was that the aliens’ dialogue was subtitled, rather than forcing them to have a strange human voice. It lent a more realistic quality to the film, and almost humanised them in a way; it further cemented the idea that this is an intelligent species with their own language and social identity. We learn that the aliens have names and family roles, they wear clothing like humans, and we learn about their preferred diet – delicious cat food. We also learn that some of the aliens engage in criminal activity, and are the target of criminal groups who want to exploit them. This element of the film was very interesting and the alien life in District 9 was very well explored.

Through Wikus’ budding friendship and interactions with a nice alien named Christopher, we learn more about the aliens’ side of life in District 9. However, this occurs alongside Wikus’ need to partner up with Christopher so that they can help each other. There are a number of gross-out scenes are you might expect in this type of sci fi, but it’s similar to Cronenberg’s The Fly (1986) in that the audience is meant to barrack for Wikus and simultaneously be completely repulsed by his transformation. Sharlto Copley plays the role of Wikus so believably that you can’t help but feel incredibly sorry for him.


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The film does turn into a bit of a regular science fiction thriller after Wikus’ transformation begins. It becomes less about the social issues, and more character-driven, although we do get to know Christopher and his child more, and learn about the ways in which anti-alien bigotry has affected them. The social issues are ever-present, but they are lessened in favour of more action, and conflict with a fairly clichéd antagonist.  The final ‘battle’ with this villain resorts to tropes of the genre, which can be slightly tiresome, and are at odds with the other more progressive elements of the film.

Although there were moments during the beginning of the film where the animation of the aliens seemed a bit blurry and computer game-ish, I noticed that the animation seemed to improve as the film went on. The visual construction of the film is excellent as the documentary format from the beginning of the film is mixed with the narrative of Wikus and Christopher, security camera footage, and news helicopter footage, all mixed together to construct a story that is seen from as many angles as possible. The score by Clinton Shorter is also excellent.

District 9 is quite a unique film in that it melds its distinctly serious social issues with a story that it at times humorous and irreverent, with the additional science fiction elements involved with introducing aliens to our world. It succeeds on many levels – an engaging story, captivating storytelling and acting, visual elements that get better as the film progresses, and a great score. It’s not without its drawbacks, such as the issues with the animation in the beginning, and the clichéd villain. But overall, this film is a stunner. It’s very entertaining but it will also cause you to reflect on deeper issues such as racism and bigotry. It is important to note that the big issues at the heart of District 9 are nowhere near resolved, which makes this a very poignant film indeed. Perhaps films like this will assist perpetrators of racial hate and violence to think on their beliefs a little more closely. Maybe in the future, this film will be a relic of once-held beliefs that have been overcome.

Watch the trailer here.

Die Antwoord Will be in Neill Blomkamp’s Sci-Fi Comedy Chappie

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Below news from this GeekTyrant article:

There’s hardly anything that’s been revealed for Neill Blomkamp’s next film Chappie. He’s not saying anything. At this point, all we know is that it’s a sci-fi comedy that centers on a “really ridiculous robot.” It will also be shot in the same visual style as his other films that include District 9 and his upcoming movie Elysium.

It was also recently revealed that the South African rap-rave group Die Antwoord are going to be in the film, and that they will play themselves. I don’t know if you are familiar with the group or not, but they fit right in with Blomkamp’s style.

The above link also includes one of Die Antwoord’s (inappropriate for children) videos. Ha! I don’t really know what to think… But I do love District 9.