The Girl With All The Gifts (2016) Review

The Girl With All The Gifts (2016)

Directed by Colm McCarthy

Based on The Girl with All the Gifts by M.R. Carey

Starring: Gemma Arterton, Paddy Considine, Glenn Close, Sennia Nanua

Plot Synopsis: (via Wikipedia)
The plot depicts a dystopian future following a breakdown of society after most of humanity is wiped out by a fungal infection and focuses upon the struggle of a scientist, a teacher and two soldiers who embark on a journey of survival with a special young girl named Melanie.

My Opinion:

First of all, I’ll point out that we’re dealing with a lot of my favorite things when it comes to this movie: Post-apocalyptic, dystopian, an infection that turns people zombie-like… So this movie is totally my type of thing but I have to say that I thought it was really good & quite an original take on a genre I never would have expected to become as mainstream as it has nowadays. I liked zombie movies before they were cool, dammit. 😉 lol

This is from the book of the same name by M.R. Carey & it’s a rare occasion that I haven’t read a novel in this genre before seeing the movie. I really want to read it now (but I hate doing it that way around). Has anyone here read it? It’s had very good reviews. But I have to say that it was nice to watch a movie like this where for once I didn’t know much about it beforehand & had no idea what would happen. So that probably helped but I really did enjoy everything about this film. I liked the story, I really liked the ending (I often complain about horror movie endings), and I thought it had a great overall atmosphere & very interesting score.

The characters are also really good in this, which is always extremely important to me. I’d have liked a little more character development & to know more about their pasts (maybe there’s more in the book?) but the movie still did well with them for its running time & I cared about what would happen to everyone. That’s more than can be said for most modern horror films (like Don’t Breathe, which I’ll review next week – hateful characters in that!).

Glenn Close plays a scientist trying to create a cure for the infection & Paddy Considine plays a soldier. They’re both good & have big roles in this story but the main characters are Gemma Arterton as a teacher & fantastic newcomer Sennia Nanua as her favorite student, Melanie. These two have a great mother/daughter type of relationship that kind of made me think of Ellen Ripley & Newt in Aliens. Being the mother of a daughter, I always enjoy that maternal instinct thing in movies (especially cool movies with aliens & zombies since I’m not a girly girl). Arterton did a very good job but Sennia Nanua was amazing. I immediately looked her up & she’s been in nothing else other than a short film (a ska film set in 1980 – I want to see it!). She’s certainly an actress to watch. What’s with young people being so damn good in movies nowadays? Between her & Jacob Temblay in Room, this has been quite a year for amazing performances from young people (btw – Room was this year in the UK before anyone corrects me).

I don’t want to get too detailed on the plot as, from what I can tell, this movie doesn’t yet have an American release date? That’s a shame – I do recommend it if it makes its way overseas (it’s an English film). If you liked 28 Days Later, this is worth a watch as it has a similar mood & vibe plus, of course, a deserted London thanks to a contagious infection that turns people zombie-like.

I think this is a good one to watch without knowing too much but I promise that it’s not “just another unoriginal zombie movie”. As there are so many now, it’s hard to bring something new to the table but I think this movie does manage to give us something a bit unexpected. It’s a serious film – almost more thriller than horror & more about the relationships between the characters & moral implications involving Glenn Close’s work as a scientist. So, yeah, it has people who want to feed on brains but it’s not a braindead film. I like a movie that makes you think & it’s a good one for discussion afterwards. I’m really glad I saw The Girl With All The Gifts – I hope it gets a wider release & that more people give it a chance. And Sennia Nanua is definitely one to watch.

My Rating: 8/10

**Here’s the trailer if you do want to know a bit more than what I’ve told you. I did see this trailer beforehand & it didn’t ruin anything for me.

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The Bourne Ultimatum (2007) IMDB Top 250 Guest Review

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Today’s IMDB Top 250 Guest Review comes from Niall of The Fluff Is Raging. Thanks so much for all the reviews, Niall! 🙂 Now let’s see what he has to say about The Bourne Ultimatum, IMDB rank 182 out of 250…

There are still some movies up for grabs if anyone wants to do a guest IMDB Top 250 review. You can find the list of remaining films HERE. See the full list & links to all the reviews that have already been done HERE. Also, if you’d like to add a link to your IMDB review(s) on your own blogs, feel free to use any of the logos I’ve used at the top of any of these guest reviews.

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The Bourne Ultimatum

*review written in shaky-cam*

“People, do you have any idea who you’re dealing with? This is Jason Bourne. You are nine hours behind the toughest target you have ever tracked.”

Pamela Landy

When I still watched TV the old-fashioned way, The Bourne movies seemed to be on all the time. They were on so much, in fact, that they began to blur for me and become one long, furiously-edited, shaky-cam mess of people speaking spy-jargon while looking at banks of computer screens, vicious hand-to-hand combat and incredible car crashes. Mostly, they provided a much-needed exciting jolt to the action genre.

There is a lot more to the Bourne movies than just action, of course, which is probably why they were so successful, touching as they do on ripped from the headlines topics like surveillance, rendition, sleeper agents, intelligence leaks, and torture. They are, in short, action movies for grown-ups and, if memory serves, they’re a lot better than the Robert Ludlum potboliers that are their source. They’re spy capers, but they are realistically grounded spy capers. After Wikileaks and Edward Snowden, the amount of eavesdropping going on in The Bourne Ultimatum is truly frightening.

To do justice to the third in the series, The Bourne Ultimatum, you really should watch the first two. A quick catch-up on The Bourne Identity: an unconscious man is rescued by fishermen in the Mediterranean. He has no idea who he is, nor why he has a microchip with a Swiss bank account number embedded in him. He heads to Europe to find out, meets a nice girl who helps him get to Paris, and then the baddies come after him.

Mayhem ensues. Wash, rinse and repeat.

The second film, The Bourne Supremacy, is both a retread and a continuation of the story, with Bourne cracking bones and crashing cars in Berlin and Moscow. The film has an added twist of vengeance – they kill his girlfriend, and we learn more about the secret government assassin programme, Treadstone.

You may recall that after a climactic car chase in Moscow, The Bourne Suprenacy ends with Pamela Landy (Joan Allen) in New York, speaking to Bourne on the phone, unaware he’s watching her from a rooftop. “Get some rest, Pam, you look tired.” The Bourne Ultimatum begins several weeks earlier, with Bourne still limping around Moscow, before stopping off in Berlin, London, Madrid and Tangiers. In real life Euro-railing is nowhere near as exciting as this.

The Bourne Ultimatum is a fitting end to the series. It’s a chickens coming home to roost story, as Bourne tries to find out who he really is and who started all this. I really don’t rate the follow-up The Bourne Legacy at all, and am dubious about the possibility of another Bourne film, even if it will reunite Matt Damon and Paul Greengrass.

Who started it all is Dr. Albert Hirsch (Albert Finney, seen in woozy flashbacks) as a psychiatrist who specialises in behaviour modification, and who erased the identity and personality of Capt. David Webb to create the hitman Jason Bourne as part of a secret project called Blackbriar. (except nobody would ever be so gauche to call him a hitman: in government-speak he is an asset – until, of course, he becomes a liability.) It’s inevitable that the two are going to end up in the same room together, so most of the film is about getting Bourne to New York.

Landy, meanwhile, is trying to help him, and playing office politics with a shadowy CIA operative Noah Vosen (David Strathairn). Their scenes together are every bit as thrilling as the chop-socky fighting stuff.

There are several exciting sequences including Bourne performing a brilliant piece of tradecraft in a crowded Waterloo Station; a rooftop chase in Tunis that ends with the most brutal fight in the entire trilogy; and a thrilling Manhattan car chase.

Okay, it’s still a big Hollywood movie, and even the smartest movie can have dumb moments. There are an awful lot of coincidences in The Bourne Ultimatum. It’s mighty convenient that the hunt for Bourne is actually a news item (would that really happen?) allowing for him to meet a Guardian journalist, Simon Ross (Paddy Considine) who provides some necessary exposition. Bourne finds a photo of Finney that accidentally falls out of a file.

And it really helps that Bourne`s old handler, Nicki Parsons (Julia Stiles) is now stationed in Madrid, where Bourne meets her at the CIA office. I`ve always liked Stiles as an actress, and she has never got the breakout role she deserves; she does very well in a small but important role. It’s heavily hinted that she’s in love with Bourne. There’s a moment in this film that a lesser movie would turn into a love scene, but the closest we get to romance is the following brief exchange:

Bourne: Why are you helping me?

Nicki: It was difficult for me … with you.

They stare at each other silently for a long moment.

Nicki: You really don’t remember anything.

Bourne: No

As for Damon, he’s great as always in the role. He looks weary and hollowed out, not the relatively spry youngster he was in the first film. He doesn’t smile once. He trained for months for the fight sequences, and he does look like he could handle himself in a scrap. The fights were choreographed by Jeff Imada.

Of course, one of the reasons why these films are so exciting is how they are shot and edited. An awful lot of information is crammed into two hours, and the film seldom stops for a breather. And it’s urged along by John Powell’s score. Even a mundane moment like Bourne picking the lock on a door is given urgency by how it’s filmed and edited (four shots in less than two seconds). There’s a fascinating interview with the film’s editor Christopher Rouse  here.

Spare a thought for Dan Bradley. He was the second unit director and stunt coordinator on the film, and many of the movie’s more memorable action moments are down to him, including the Tangiers rooftop chase and the Manhattan car chase.

Niall McArdle

http://www.ragingfluff.wordpress.com