A Star Is Born (2018) Review

A Star Is Born (2018)

Directed by Bradley Cooper

Based on A Star Is Born by William A. Wellman, Robert Carson, Dorothy Parker & Alan Campbell

Starring: Bradley Cooper, Lady Gaga, Andrew Dice Clay, Dave Chappelle, Sam Elliott

Plot Synopsis: (via Wikipedia)
A Star Is Born follows a hard-drinking musician (Cooper) who discovers and falls in love with a young singer (Gaga).

My Opinion:

I’m way behind on reviewing 2018 movie releases I’ve seen (I have 9 more to go!). So I’ll post a bunch of quickies this week, starting with this one since you know it’ll be up for shitloads of Oscars. Is it Oscar-worthy? I’d say that the performances definitely are although the story itself is one we’ve seen loads of times. The characters are very strong in this film, though, which kept me fully interested for its 2 hour 16 minute running time despite the fact that dreary dramas aren’t at all my type of thing.

It was good seeing this after watching Bette Midler in The Rose a few months ago. Milder was great but that movie seems to have been forgotten even though she was nominated for an Oscar. It’s a similar story of a rock star in a downward spiral and also well worth a watch if A Star Is Born is your type of thing. As I said, though, this story has been done many times so it was important to get the characters right. I was surprised at how “real” Cooper & Gaga felt, especially when it came to their relationship and how they felt about each other. I’m not at all a fan of either of them, which is why I didn’t rush out to see this one. But by the end, I just wanted them to live happily ever after and make great music together (their characters, not them – Lady Gaga isn’t my type of music). And… Sam Elliott!!! Loved him as Cooper’s brother. Who doesn’t love that stud? I’ll forever love him thanks to Mask & Road House. The most surprising thing, though, was seeing Andrew Dice Clay’s name in the credits at the end and actually having to Google him to see who the hell he played. Her father?! That was a big role! That was him? He was… good. Huh.

Is this film good enough to possibly win Best Picture? It’s certainly not up there with some of the absolute Oscar classics but at least it’s not one I’d be annoyed to see win. At the very least, it does deserve Oscars in the acting categories. What it doesn’t deserve is some of the weird backlash it’s had. I had to read these words (which annoy the fuck out of me) too many times when seeing people discuss this movie on Twitter: “toxic masculinity“. Seriously? Fuck off with that phrase. Cooper is great in this film and his character is broken and he needs help. I didn’t find anything at all toxic about him or their relationship. They both fully supported each other’s careers (he only criticized hers a little when he felt she wasn’t being true to herself anymore). They never stopped loving each other despite their problems. How was he toxic? Had their characters’ roles been reversed, no one would be calling Gaga’s character “toxic”. No one called Midler “toxic” in The Rose. Sorry for the rant – I just get sick of self-righteous bullshit phrases being thrown around online these days. Guess I’m just old since I found this to be a strong love story and pretty damn heartbreaking. And it’s so not my usual type of film.

My Rating: 8/10

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Road House (1989) Review

Road House (1989)

Directed by Rowdy Herrington

Produced by Joel Silver

Starring: Patrick Swayze, Ben Gazzara, Kelly Lynch, Sam Elliott, Jeff Healey, Marshall R Teague, Kathleen Wilhoite

Plot Synopsis: (via Wikipedia)
Road House is a 1989 American action thriller film directed by Rowdy Herrington and starring Patrick Swayze as a bouncer at a newly refurbished roadside bar who protects a small town in Missouri from a corrupt businessman. Sam Elliott also plays a bouncer, the mentor, friend and foil of Swayze’s character. The cast also includes Kelly Lynch as Swayze’s love interest, and Ben Gazzara as the main antagonist.

My Opinion:

SPOILERS!! This is one of those movies where I HAVE to talk about what happens in it because it’s just so horrendously awesome and I want to chat with any Road House-loving bloggers. I know you’re out there because most of you stopped by when my “review” of Steve Jobs turned into a Road House discussion instead as I’d just seen this cinematic masterpiece for the first time ever while wrapping some Christmas presents. I did watch it a second time while doing more present wrapping and my newfound love grew even stronger. Where have you been all my life, Road House?? You are amazing. I needed a postcoital cigarette after watching this movie. And I don’t even smoke!

I’ve never been a big Patrick Swayze fan as I mainly saw him as the Dirty Dancing guy and, let’s be honest, that movie is pretty fucking lame. Okay, Point Break is a favorite of mine but it’s mainly Keanu Reeves who I think of in that one. So I suppose I never even thought about watching Road House as it looked pretty damn bad. And, boy oh boy is it bad! Good bad. Awesome bad. It’s fucking ridiculous. I love it! I should’ve listened to hubby sooner as he’s been telling me for years that I should watch it. He knows me so well. Poor bastard – he married such a weird girl…

Anyway! I love how Road House starts out silly and crazy but is still a pretty straightforward story of your typical sexy, well-educated, philosophical, not-as-big-as-expected master tai chi bouncer in the skankiest, filthiest, trashiest redneck & slut bar imaginable (but with good live music, provided by Jeff Healey. the Angel Eyes guy?!).

So it’s nuts from the start but THEN, from out of nowhere, shit is exploding Michael-Bay-style and monster trucks are driving over cars and women are stripping and people are being stabbed and there are giant stuffed animals (like, real ones – not teddy bears) and polar bears are falling on people and Kelly Lynch is wearing loads of hairspray and a gingham tablecloth from a small-town cafe (and, later, apparently no panties) and throats are being ripped out (I had to rewind that bit as it was so totally unexpected) and Sam Elliott is a fucking stud as always & I’d totally sleep with his character (oh yes) and Patrick Swayze is trying to find his inner peace throughout all this bullshit by doing sexy, shirtless, glistening tai chi.

I still can’t believe it took me this long to watch the movie that’s so hilarious it causes Bill Murray & his brothers to call up Kelly Lynch’s husband every single time the Road House sex scene is on TV to say “Kelly’s having sex with Patrick Swayze right now. They’re doing it. He’s throwing her against the rocks.” But her character is a DOCTOR. Swayze’s sensitive bouncer wants a smart girl, not the skanks who strip in the filthy Double Deuce bar. Look at them “meeting cute” – they’re SO gonna fuck!:

See??:

He was really turned on by her tablecloth dress:

I admit that, while I never found Swayze sexy, he’s almost sexy in this movie. This role was great for him. He’s way cooler here than in that silly Dirty Dancing movie. (Yeah, I far prefer Road House to Dirty Dancing. I really suck at being a girl!)

But, although I admit that Swayze was good in this and that the role did really suit him, it’s Sam Elliott who steals the show. What a fucking stud. I already loved him from one of my all-time favorite movies (Mask) and, yeah, he’s pretty much playing the same sort of character in this movie as well. But that’s okay – it’s the perfect role for him.


Fucking Stud.

As if these awesome main three characters aren’t enough, though, we also get a wide variety of rednecks, sluts, blind musicians, and a corrupt small-town businessman who likes to hunt big game (why wasn’t America freaking out about Brad Wesley killing polar bears?! This polar bear should’ve been projected onto the Empire State Building!):


I told you a polar bear fell on someone…

Then there’s the big ‘ol slut always trying to screw Swayze even though she’s the property of the corrupt businessman. She does a striptease all around Jeff Healey at one point (who is really likeable in this – I didn’t know he’d done any acting!) and I have to say she has a pretty great bod. And big 80’s panties under her ugly 1981 prom dress:

I looked her up & she went on to be a stuntwoman & it looks like she was that tough, fully nude chick in the shower in Point Break (also with Swayze!). Really?! Huh! Anyway, the sluts and rednecks are great:

But nothing beats this prick:

Earring dude prick has a big manly man fight with Swayze toward the end of the film, during which he says…

Wait. What did he just say?? Never mind nobody putting baby in a corner – nobody says THAT to Patrick Swayze because he’ll rip your fucking throat out! He does! He did! Ripped it right out, Temple-Of-Doom-style!! I wasn’t expecting that in this 1989 film, even after seeing the 18 rating in the UK. Awesome. He should’ve ripped the throat out of the guy who knocked up Penny in Dirty Dancing. Dirty Dancing would have been greatly improved with throat-ripping & monster trucks.


The bigger the truck, the smaller the penis…

Summary:

Classic. This is the perfect “so bad it’s good” movie. You hear that phrase a lot but very few movies achieve that perfect balance. Watching this movie was seriously the most fun I’ve had watching a movie in a long, long time. ROAD HOUSE!!!!!

My Rating: 8/10

Here’s the trailer, which I just watched with a big dumb grin on my face:

And here are all the Road House bits from an episode of Family Guy that Emma told me about. Haha! Thanks, Emma! 🙂

**FYI – I’ve quickly done this review as the next three days I’ll be posting my end-of-year Top Ten lists & this movie has made My Top Ten Movies Watched At Home In 2015 list. Come back tomorrow to see where it ranks! 🙂