Terminator: Dark Fate (2019) Review

Terminator: Dark Fate (2019)

Directed by Tim Miller

Based on Characters by James Cameron & Gale Anne Hurd

Starring: Linda Hamilton, Arnold Schwarzenegger, Mackenzie Davis, Natalia Reyes, Gabriel Luna, Diego Boneta

Plot Synopsis: (via IMDb)
Sarah Connor and a hybrid cyborg human must protect a young girl from a newly modified liquid Terminator from the future.

My Opinion:

Oh – I had no idea that this was released in the UK just over a week before the US?? Woohoo! We always get stuff last! Too bad this one sucked. Well, since it’s out in America today, I guess I better post a quick review.

Why can’t they just let things die?! Okay – I realize this review is starting out very negative. I didn’t HATE this sequel and did get a few moments of enjoyment out of it. But it’s just another completely pointless addition to a franchise that was perfect to begin with. Fuck all these sequels & reboots & remakes. Give us something original.

I’m a very big fan of The Terminator and thought Terminator 2: Judgment Day was great (and one of the all-time best sequels). Everything since has sucked. To be fair, the others didn’t damage the legacy as they were so forgettable. Honestly, I can’t now remember a damn thing that happened past T2. Which is fine as James Cameron has said those are part of an “alternate universe” and Dark Fate is a direct sequel to T2. Dark Fate is indeed better than the previous movies that followed T2. Unfortunately, being a direct sequel with both Linda Hamilton & Arnold Schwarzenegger, it DOES damage the legacy of the first two films. Especially Judgment Day. I’m so pissed off about a couple of things specifically that, any slight enjoyment I got out of seeing Sarah Connor & that kickass Terminator design once again, was completely ruined.

Well, we do indeed get to see Linda Hamilton & Arnold Schwarzenegger again. I admit that I loved that despite being pissed off and they’re by FAR the best things about Dark Fate. I still love the character of Sarah Connor and she still kicks ass, which is fantastic to see from a woman her age. Yes, I’m loving the increase in strong female characters lately, especially those who are over forty. I swear the world sometimes thinks we all cease to exist or be interesting after forty. I hate the strong female character thing when it’s forced, though. It wasn’t with Sarah Connor or Ellen Ripley or even Laurie Strode. Nowadays it doesn’t always come naturally as they try to force an agenda into everything. Let stories and characters just be the best they can be by putting whoever will be strongest into a role, no matter who they are or what they might look like. Hamilton & Schwarzenegger are perfection. The new girl, Natalia Reyes, was perfectly fine. I liked that she’s not some kickass female, just like Sarah Connor wasn’t at first. She felt more real that way. However, I thought Mackenzie Davis was extremely miscast, although I’ve liked her in some other roles. I was fine with the extra role for a woman in this one as I thought the friendship between the three worked well. I just don’t think they cast the right actress in her case.

Schwarzenegger, though cool as always and surprisingly funny (should a killer robot dude be funny?!), was a bit wasted. That was a shame. It took way too long for him to show up but luckily he did, as the movie was seriously dragging by that point and needed him to spice things up. Hamilton seemed a bit too cool with seeing him again, though. Remember how much she freaked out in T2?! Not that it matters since, as I said, this movie shits on T2‘s legacy. Oh, I didn’t mention the new Terminator dude (Gabriel Luna). Meh. Who cares? He can do one new very cool trick that I liked but I’m still too pissed off for that to impress me. Oh, and the action gets too far-fetched to be taken at all seriously near the end. I don’t want a Terminator film to be laughable. The first two are classics and should’ve been left the hell alone.

Oh well. As I said, we get to see Schwarzenegger & Hamilton again. I’ll forget this plot in a few years anyway. I’ll be generous with my rating but it’s thanks only to seeing these two reprising their very iconic roles. The rest of the movie wasn’t needed. We didn’t need this!!!

My Rating: 6.5/10

Let’s listen to Brad Fiedel’s awesome Terminator theme. They don’t make movies or music like this anymore…

2019 October Horror Month Roundup & My Top Ten

Happy Halloween! I’ve enjoyed doing Halloween Horror Month yet again but this was probably my last year. It’s too time consuming plus I’m now way behind on reviewing current non-horror movie releases. I’ve also once again watched WAY too many bad horror movies in the past year. Of those below, I only really loved the top two and thought the next few were quite good. The rest of the Top Twenty were decent enough to pass some time but my life would still be complete if I’d seen none of the rest (it might even be better!). I also have a few thrillers as well as full-on horrors on this list.

So, counting down to my favorite, here’s my ranked list of the 43 horrors & thrillers I’ve watched & reviewed since last October:

43-31:

43. Starry Eyes
42. In The Tall Grass
41. Better Watch Out
40. Winchester
39. Bird Box
38. Ghost Stories
37. Cam
36. The Love Witch
35. The Stuff
34. The Funhouse
33. Amber Lake
32. Unsane
31. Slaughterhouse Rulez

30-21:

30. Suspiria (2018)
29. The Sentinel (1977)
28. Shocker
27. The Monster (2016)
26. American Mary
25. The Legacy
24. The Addams Family (2019)
23. Happy Death Day 2U
22. Breaking In
21. Truth Or Dare

20-11:

20. Crawl
19. Curtains (1983)
18. Brightburn
17. Annabelle Comes Home
16. Repulsion
15. Greta
14. Zombieland: Double Tap
13. Pet Sematary (2019)
12. Maleficent: Mistress Of Evil
11. Searching

Top Ten:

10. Single White Female

9. Ma

8. Scary Stories To Tell In The Dark

7. Ready Or Not

6. Child’s Play (2019)

5. Us

4. Midsommar

3. It Chapter Two

2. Doctor Sleep

1. Deep Red (Profondo Rosso)

I did also do (very brief) reviews of Stephen King’s Doctor Sleep novel and King & son Joe Hill’s short story In The Tall Grass HERE.

I keep using Deep Red imagery in this post because it’s awesome. As is the fantastic Goblin score…

Now I can move onto reviewing the non-horror 2019 releases that I saw in the past two months. Here’s what I’ll try to review over the next month:

Hustlers – 7.5/10
Judy – 7.5/10
Joker – 7.5/10
The Farewell – 7.5/10
I Am Mother – 7/10
Terminator: Dark Fate – 6.5/10 (My review for this is written – I’ll post it tomorrow)

*Yeah, I finally got myself an Unlimited cinema card. I watch way too many movies…

Deep Red (Profondo Rosso) (1975) Blind Spot Review

Deep Red (1975)
Italian: Profondo Rosso
(aka The Hatchet Murders)

Directed by Dario Argento

Starring: David Hemmings, Daria Nicolodi, Macha Meril, Eros Pagni,Giuliana Calandra

Music by Goblin & Giorgio Gaslini

Plot Synopsis: (via Wikipedia)
Deep Red stars Macha Meril as a medium and David Hemmings as a pianist who investigates a series of murders performed by a mysterious figure wearing black leather gloves.

My Opinion:

Happy Halloween! I thought I better finally review one of my Blind Spot choices this year so it seemed like the perfect time for Dario Argento’s Deep Red. I do try to explore a little bit of most every genre of film but my knowledge of the Italian Giallo horror thing is severely lacking. This is my third Giallo horror and I’ve only seen Argento’s movies so far; Suspiria, which I saw years ago and should really watch again, and Phenomena as a Blind Spot a few years ago. While I still think Suspiria is the best mainly due to being so iconic (and having that amazing Goblin score), Deep Red may actually be the more “enjoyable” and certainly the more accessible film. If someone was entirely new to this genre and wanted a good film to start with, I’d probably recommend this before Suspiria just because it’s a much more straightforward murder mystery and far less strange. Both are absolute must sees for film fans, though – Deep Red is just an easier starting point.

I’ll start with the obvious things that made this such an enjoyable watch for me personally: The look & the imagery, the atmosphere, and the score. These are extremely important elements to me when it comes to all films but especially for horror. I admit that I’m old but there’s just something special about the look & feel of Seventies & early Eighties horror movies that very few modern horrors manage to achieve. We do occasionally get some good ones now but it’s interesting how often they try to copy the look of old films. It never quite works, though. I appreciate things like The House Of The Devil trying to look like a Seventies or Eighties film but no modern movies ever manage to fully capture that mood and it always just feels like modern actors playing dress up (true for non-horrors too, such as American Hustle). Deep Red has a brilliant Seventies vibe. The clothing! The awful hair! The ugly decor! A stunning & creepy old abandoned mansion! Then we also get some amazing imagery, some of which I’ve posted but others that I can’t due to spoilers. We get a couple of creepy dolls (I love creepy dolls!), lots of that super bright red blood they seemed to use in Italian horror, a big sharp knife in a famous spoiler image, funky artwork on the walls, and closeups of the killer’s eye and the killer’s strange trinkets.

The imagery is fantastic but the score is just as important for setting the mood in this sort of film. I don’t know why modern movies so often seem to care so little about the score. A great score can turn a movie I like into a movie I love. Hell, I know I rated The Good, The Bad And The Ugly much more highly than I would’ve without Ennio Morricone’s masterpiece score (Italians do it better! Wasn’t that on a Madonna t-shirt?!). Goblin did the Deep Red score and I already love it along with the soundtracks for Suspiria and Dawn Of The Dead (1978), an all-time favorite film of mine. Many of my favorite films also have brilliant scores so I do think the music is important. I’ve added a clip of this Goblin score at the end of this post. Goblin feature heavily on my phone’s playlist. I know the scores to these Argento movies better than I know the movies themselves. I now want to watch every single movie that has a Goblin score (but I think a lot of them are very obscure and I’m sure the music is much better than the films).

Atmosphere & music aside, Deep Red also has a decent murder mystery as well as some good characters. David Hemmings is good and I enjoyed watching him investigate these murders, especially when he explores a lovely old mansion as the main Goblin theme below plays. Daria Nicolodi is great as the female reporter who joins Hemmings in his investigations. The two had really good chemistry and I liked her sassy attitude. She added a bit of humor to the movie, which I wasn’t expecting in a Dario Argento horror. So, while I personally always prefer the supernatural and things like witches in Suspiria to murder mysteries, I can see plenty of people actually preferring Deep Red. I’m not sure why it doesn’t seem as popular or quite as well known as Suspiria? I think Deep Red (aka Profondo Rosso) is a brilliant horror classic and I’d recommend it to anyone curious about this genre. I’m glad I finally watched it as I’ve seen way too many bad horrors in 2019. Deep Red is by far my favorite of those I’ve watched in the past year.

My Rating: 8/10

Here’s part of the fantastic Goblin score. Love it. I wish movie scores were still as brilliant as they were in the Seventies & Eighties…

**As this posts, I’ll be watching Doctor Sleep. I’ll try to do at least a quick review by the end of today, although I may not have time. I love Stephen King and have very high hopes based on the trailer…

Good Time & Kong: Skull Island Movie Reviews

Two quickie reviews for two 2017 movies that I finally saw. Then I’m going to focus on reviewing movies with at least one Oscar nomination (Kong: Skull Island has one nomination so I guess I’m kind of starting today). Next week I’ll review The Shape Of Water, Darkest Hour, and hopefully both Lady Bird & I, Tonya if I manage to see them after they’re released tomorrow. Oh, and tomorrow I’ll finally review The Greatest Showman (nominated in the Best Song category).

Good Time (2017)

Directed by Ben Safdie & Josh Safdie

Written by Josh Safdie & Ronald Bronstein

Starring: Robert Pattinson, Jennifer Jason Leigh, Ben Safdie, Barkhad Abdi, Buddy Duress, Taliah Webster, Necro

Music by Oneohtrix Point Never

Plot Synopsis: (via IMDb)
After a heist goes awry, a bank robber spends a night trying to free his mentally handicapped brother from being sent to Riker’s Island prison.

My Opinion:

Good Time is one of those films that’s quite good but soooooo extremely “indie” that there’s absolutely no one in real life who I could recommend it to. Only you movie bloggers! 😉

So it appears this was directed by two filmmakers who are brothers & one also does the writing while the other also does the acting (in this case, playing the mentally handicapped brother of Robert Pattinson). This is certainly no Twilight! It’s good to see Pattinson in something so different. He does very well in this as a complete fuck-up who clearly loves & wants to take care of his brother despite not knowing at all what’s actually best for him.

I don’t really know what to say about this. You’ll either like its indie style or you won’t. Stuff happens but it’s the meandering sort of storyline that’s so common in indie films. The way that Pattinson’s character does absolutely everything wrong when it comes to his choices in life was amusing. I liked his brother (played by director Ben Safdie) and you really can’t help but kind of want things to work out for these two bumbling criminals. Oh! But, more than anything, I really liked the electronic score done by Oneohtrix Point Never. I’m a sucker for a good score & I know that really helped me to like this movie a little more than I otherwise might have. It kind of brought It Follows to mind. A good score is very important, filmmakers! Well done Safdie brothers & Oneohtrix Point Never.

My Rating: 7/10

**Forgot to say Jennifer Jason Leigh is barely in this. Damn. I like her.

Kong: Skull Island (2017)

Directed by Jordan Vogt-Roberts

Based on King Kong by Merian C. Cooper & Edgar Wallace

Starring: Tom Hiddleston, Samuel L. Jackson, John Goodman, Brie Larson, Jing Tian, Toby Kebbell, John Ortiz, Corey Hawkins, Jason Mitchell, Shea Whigham, Thomas Mann, Terry Notary, John C. Reilly

Plot Synopsis: (via Wikipedia)
Set in 1973, the film follows a team of scientists and a US Army unit recently withdrawn from the Vietnam War who travel to an uncharted island in the Pacific and encounter terrifying creatures and the mighty Kong.

My Opinion:

Speaking of good music in a film, Kong: Skull Island has this as well. This time, though, it was a kick ass soundtrack as opposed to the score (I can’t recall the score). The soundtrack was easily my favorite thing about this movie. What is it with Vietnam-era songs?? I love the angry songs from that time in history. Warning: I’m going to go off on a short non-movie-related rant here. Throughout history, the worst times for the human race have often resulted in fantastic music being made. People pour their hearts into their art during the most desperate times. So… Why does music FUCKING suck nowadays? Hmm?! The world is completely fucked up right now so where’s the great music as a result?????? I’ve wondered this for a while now.

Okay – let’s talk about this movie. It really kind of sucked. I hated it at first. I was mega tired & attempted to watch it & zonked out about 30 minutes in. I remember muttering something like “can’t they make a good monster movie….zzzzzzzz…..snore…….”. Then I tried again and still thought it sucked but kind of enjoyed it in a guilty pleasure sort of way. I think this was mainly thanks to (besides the soundtrack) John C. Reilly. Easily the best character. It took far too long to finally introduce him! No wonder I fell asleep the first time.

Oh. I suppose I should mention the monsters??? MonsterSSSS (plural). Was Kong not enough?! What’s with people these days? Never satisfied! I thought Kong was done quite well. And he was a far more developed character than all those random army guys who were there just to die in entertaining ways. Kong was cool – I think I could be friends with that dude. This movie really did improve in the second half (more Reilly & more Kong). So. I dunno. I enjoyed it yet thought it was a pretty bad film. Fun but bad. Like Road House! No. Wait. Road House is fucking awesome. That’s an 8/10 goodbad movie. Kong isn’t bad enough nor good enough to be goodbad. I’m making no sense. I’m mega tired again.

Awesome Vietnam songs! Black Sabbath & David Bowie! Holy shit! John C. Reilly great. Kong very good. Too many monsters spoil things (ONE other big monster to fight Kong is all we need). Rest of the characters extremely weak, especially all those random army guys. But I still always like having Samuel L. Jackson in a movie so that was a bonus. I enjoyed it more than Godzilla (2014). But I have to say that the best monster movie I’ve seen recently is definitely Colossal.

My Rating: 6/10

From the soundtrack: Time Has Come Today by The Chamber Brothers