My Top Ten Robert Duvall Movies

Happy Birthday to Robert Duvall, who turns 86 today!

Robert Duvall has been in a lot of big films but he seems to be an actor who is often overlooked. To be fair, when I decided to do this Top Ten after watching THX 1138, I couldn’t have instantly named all the movies he’s been in & was like “Oh yeah – he was in that one too!” when looking him up at IMDB & seeing his full list of films. I think some of the films in this list are overlooked as well (I actually really like Falling Down, Colors & Deep Impact, which is why I have them fairly high & will probably be moaned at for having them above a couple of classics). 😉

As always, I’ve ranked these according to how much I personally like these movies (Not according to Duvall’s individual performances in each. But he’s good in them all!). Here are My Top Ten Robert Duvall Movies:

10. Network

9. Apocalypse Now

8. Crazy Heart

7. Deep Impact

6. Colors

5. Falling Down

4. To Kill A Mockingbird

3. THX 1138

2. The Godfather: Part II

1. The Godfather

The Rest That I’ve Seen:
Days Of Thunder
Four Christmases
Phenomenon
Gone In 60 Seconds

Saw These But No Longer Remember Them (sorry!):
The Natural
The Paper
M.A.S.H.

I Like These But His Role Was Uncredited (so I didn’t count them):
The Conversation
Invasion Of The Body Snatchers

A Few Big Ones I’ve Not Seen:
Bullitt
True Grit
The Apostle
The Road

My Top Ten Coppola Movies

Happy Birthday to Francis Ford Coppola, who turns 77 today.

This is a part of my Coppola Week. I’ve been reviewing movies directed by Francis Ford Coppola & his daughter Sofia (ones that I’ve seen for the first time this past year). So far, I’ve reviewed The Bling Ring, The Outsiders & Marie Antoinette.

I was going to make this a Top Ten including all of the members of the Coppola family who are in the movie industry but, after looking into how many that would involve, I decided it would be a pain in the ass! Besides, I’ve already done My Top Ten Nicolas Cage Movies HERE. I’ve also never seen the Rocky movies, so there’s no point including Talia Shire. And Jason Schwartzman is mainly in those Wes Anderson movies I can’t stand so screw that. And then there are loads of other family members who do lots of behind-the-scenes stuff such as cinematography so, after researching the Coppola family more than my own ancestry, I decided to make this a list including only Francis Ford & Sofia.

So here are My Top Ten Movies Directed By Francis Ford or Sofia Coppola, counting down to my favorite:

**(Okay, I’ve seen a total of thirteen so here are 11, 12 & 13):
13. Jack
12. Somewhere
11. Peggy Sue Got Married

10. Dracula

9. The Bling Ring

8. Marie Antoinette

7. Apocalypse Now

6. The Conversation

5. The Virgin Suicides

4. The Outsiders

3. Lost In Translation

2. The Godfather: Part II

1. The Godfather

FYI: If they’re not listed, I’ve not seen them. No, I never even bothered to watch The Godfather: Part III. The one I really need to see is Rumble Fish now that I’ve finally watched The Outsiders…! 

I’ll finish Coppola Week tomorrow with a review of The Conversation.

**I recently participated in Ruth from FlixChatter’s Five For The Fifth, in which she asks fellow bloggers five movie or TV-related questions. The fifth question is from a guest blogger & I was this month’s guest with the question “Which character would you most like to see killed off in a current TV show?“. I chose this question knowing I’d be seeing The Walking Dead season finale the next day & now I’d really love to bitch about that ending with fellow bloggers!! Grrr. Have a look at Ruth’s Five For The Fifth post HERE. Thanks again, Ruth! 🙂

My Top Ten Best Picture Oscar Winners (And Bottom Five!)

I’m continuing my Oscar-themed week with this list of my favorite (and least-favorite!) Best Picture Oscar winners.

The Academy does quite often get things very wrong (especially in recent years) but when looking at a list of all the winners, there are indeed a lot of true classics here that I’d highly recommend to everyone.

I have my little IMDB project where I’m trying to watch all the IMDB Top 250 Films so I’m not about to start attempting to watch all the Best Picture Winners. However, when making this list, I discovered that I’ve already seen 47 so I guess that isn’t too bad! So I ranked them ALL (because I’m sad like that). But I’ll of course focus on the top ten.

So now, counting down to My Top Ten Best Picture Oscar Winners, these are all of them that I’ve seen ranked from least favorite to favorite. My Bottom Five list will follow this one…

Chicago
Birdman
Oliver!
Out Of Africa
On The Waterfront
Driving Miss Daisy
Chariots Of Fire
Dances With Wolves
Unforgiven
A Beautiful Mind
Argo
Braveheart
My Fair Lady
All About Eve
The Best Years Of Our Lives
The Silence Of The Lambs
Rebecca
West Side Story
Gladiator
Amadeus
Forrest Gump
Ben-Hur
Rain Man
Casablanca
Gone With The Wind
The Sting

We’re getting there… 😉

15. Terms Of Endearment
14. Platoon
13. The Deer Hunter
12. The Departed
11. Titanic

My Top Ten Best Picture Winners:

10. American Beauty

9. Schindler’s List

8. Midnight Cowboy

7. The Lord Of The Rings: The Return Of The King

6. The Apartment

5. The Artist

4. TIE: The Godfather & The Godfather Part II (it made more sense to keep them together but I slightly prefer the first film)

3. The Bridge On The River Kwai

2. The Sound Of Music

1. One Flew Over The Cuckoo’s Nest

I absolutely love Cuckoo’s Nest – it’s very easily my number one favorite. 🙂

And now is when I’m going to be a bitch! Here are My Bottom Five Best Picture Oscar Winners (Counting down to the very worst):

5. Crash
4. Ordinary People (it beat Raging Bull & The Elephant Man!)
3. Shakespeare In Love (it famously beat Saving Private Ryan)
2. Slumdog Millionaire
1. The English Patient


*yawn!*

It was fun making this list! I really should try to watch more Oscar winners – I seem to especially have not seen many of the winners from the past decade or so. I’d love to hear all of your favorite & least favorite Best Pictures in the comments now! 🙂

My Top Ten Toilet Scenes In Movies

Yep, I’m going there! Sort of. I’m not normally a fan of “toilet humor”. I find the loads of poop scenes that Hollywood squeezes out to be gross & only occasionally funny. This was originally going to be My Top Ten Poop Scenes but I didn’t know how to go about ranking that. Would I rank them by humor or by gross-out factor? I found that, in the end, there just weren’t ten poop scenes that I enjoyed enough to compile into a list. So I decided to wipe that idea & start out fresh.

As a companion piece to my most-viewed post, My Top Ten Shower & Bath Scenes In Movies, this list will contain scenes that all involve a toilet in some way. As in, that thing you sit on (or stand in front of if you’re a guy). Outhouses also count as do public toilet stalls. In some cases, poop may be involved. I guess I should move onto sinks next & then I’ll have the whole bathroom covered! 🙂 (Hmm… that came out sounding a bit like another poop joke).

Anyway! Here are My Top Ten Toilet Scenes In Movies:

Honorable Mention:

Headhunters

This deserves a mention as, although I’ve been planning this top ten list for a while, I decided it was time to finally post it after reviewing Headhunters with Laura of Filmnerdblog on Monday (our review chat is HERE). Very good Norwegian movie with an extremely disgusting outhouse scene!

10. TIE: Dead Snow & Night Of The Creeps

There are so many horror movies with bathroom scenes! I guess I prefer the ones that are more horror/comedy. These are two of the first scenes I thought of when I decided to do this list and I have to say that the Dead Snow outhouse scene was hilariously gross (mainly for the finger-sucking as he’d JUST wiped himself. NASTY!)

9. TIE: Witness & Lethal Weapon 2

These both deserve to be much higher on the list so I’ll explain why they aren’t. I immediately thought of Lethal Weapon as it’s such a famous scene. In fact, it’s the only scene I remember from any Lethal Weapon movies & I had to Google which one the scene was actually in (number 2! how appropriate). As for Witness, this is the closest I’ve come to “cheating” on one of my lists as, in doing a search for toilet scenes online, I “re-discovered” this one. I didn’t remember this scene at all from when I saw this years ago but after watching it on YouTube I couldn’t leave it off the list. The scene is intense. And, holy shit, the whole movie is based on what happens in that bathroom. Plus… Danny Glover was in the Witness scene too! What?! Okay, I seriously need to re-watch both of these movies.

8. Arachnophobia

The shower scene in this gets all the attention, of course, but I think I was more disturbed by the spider under the lid of the toilet seat while the dad was sitting on it. To this day, I sometimes check under toilet seats for spiders. Seriously. Thanks a lot, Arachnophobia!

7. Full Metal Jacket

Disturbing scene but certainly memorable. (But I still prefer Vincent D’Onofrio as Thor in Adventures In Babysitting) 😉

6. Despicable Me

I adore this movie & certain scenes still crack me up every single time. This is one of them. I love when Gru is explaining his evil plan & turns the page to find the drawing the girls did of him on the toilet. I love those girls. 🙂

5. Monsters, Inc

And… Monsters, Inc! Another movie that I adore as much as Despicable Me. It’s cute when we see them all hiding in the toilet stall as Randall kicks the door open yet doesn’t see them all hiding there.

4. Jurassic Park

Again, this scene was one of the first that I thought of. I’ve realized that most in my list don’t involve actually using the toilets for their intended purpose! They’re clearly a good place to hide. Except from dinosaurs, I guess…

3. The Goonies

I was always confused by this scene. I mean, would it actually be possible for water pressure to cause a toilet to blow up into the air like that? Plus, the guy is clearly sitting on the toilet with underwear on. How do you poop through your underwear??

2. The Godfather

When I thought of toilets in movies, I thought of their different uses. Such as… Hiding things in or behind the tank. I swear there are several scenes like this (one movie has someone hiding money in the tank – is it Pretty Woman?? Not sure). Anyway, the gun hidden behind the toilet tank in The Godfather was the best one I could think of.

1. Trainspotting

Obviously. Ewan McGregor’s toilet swim is famous. Or infamous? Well, it’s super gross but no one who has seen the scene will ever forget it.

Some That Didn’t Make The List (but I did think of them):

Fast Times At Ridgemont High (since it’s already on my list of My Top Five Movie Scenes Of Self-Pleasure, of course)
The Big Lebowski
Nick & Norah’s Infinite Playlist
Slumdog Millionaire
Scream 2
Pulp Fiction
Saw

Now let’s end this with some scenes actually involving poop that I did find amusing:

Harold & Kumar Go To White Castle (“You sank my battleshit!” I love the Harold & Kumar movies)
Bad Grandpa (sorry, but the shart up the wall was pretty damn funny)
American Pie (not the best poop scene EVER but a pretty funny movie overall so I’ll give it some credit)
The Help (there’s a lot involving actual toilets in this movie but I saved it for the “poop list” as the actual “shit” scene is awesome – loved it!)
Caddyshack (okay, it’s not actually poop plus I already included it in My Top Ten Swimming Pool Scenes In Movies)

By the way, I don’t believe I ever actually saw all of Ghoulies

The Godfather: Part II (1974) IMDB Top 250 Guest Review

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Today’s IMDB Top 250 Guest Review comes from Zoe of The Sporadic Chronicles Of A Beginner Blogger. She reviewed The Godfather: Part I for us last week (see her review HERE). Now she’s tackling The Godfather: Part II. She’s also reviewed The Departed (HERE) and The Green Mile (HERE) and Big Fish (HERE). Thanks once again, Zoe – you’re truly awesome! 🙂 Now let’s see what she has to say about The Godfather: Part II, IMDB rank 3 out of 250.

There are still some movies up for grabs if anyone wants to do a guest IMDB Top 250 review. You can find the list of remaining films HERE. See the full list & links to all the reviews that have already been done HERE.

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***WARNING: SPOILERS***

“There are many things my father taught me here in this room. He taught me: keep your friends close, but your enemies closer.” – Michael Corleone

So as the trilogy progresses, Michael Corleone has become a force to be reckoned with. Al Pacino reprises the mantle of Michael, and it is rapidly evident that he has completely taken up and embodied the role of being the head of the Corleone crime family. This movie was presented interestingly, different from the first in that it plays out the current state of affairs that Michael is dealing with as well as taking you back to Vito Andolini’s youth, and seeing how he ultimately lost his Andolini name, took on the Corleone name and rose to his prominent position.

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“If anything in this life is certain, if history has taught us anything, it is that you can kill anyone.” – Michael Corleone

This movie worked incredibly well. It is a long movie, clocking in at 200 minutes, but not once do you get too familiar with that, you are instead caught up in another time and whisked away. This speaks volumes about Coppola’s ability to rivet the audience, still. The time shift that worked its way in throughout the movie was truly brilliantly executed. In the present you see Michael (Al Pacino), and his antics, as well as the issues he is dealing with, ranging from his wife Kay (Diane Keaton) to his drama in court. Michael is progressively becoming more and more ruthless, which still resonates with the watcher seeing as we know how reluctant he was to become involved with the family business in the first place, and to watch him embrace it now in its entirety never fails to surprise and amaze. Al Pacino’s performance was again subtle, carrying with it a power that is palpable, a demand for allegiance and focus, respect and fear. I love the way Pacino captured Michael’s brooding, his shift, his stress, the way he worked to keep everything functioning, the way he dealt with betrayal from everyone, truly highlighting how ruthless he had become. His portrayal as Michael Corleone is definitely one of my favourite portrayals in movie history.

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“Don’t you know that I would use all of my power to prevent something like that from happening?” – Michael Corleone

Diane Keaton was really good in conveying her role as the wife of a mobster – not just any mobster, but the head of an extremely strong mob family. The splinters of the relationship are introduced at the end of The Godfather, where we see how unhappy Kay is about the fact that Michael is running things, as well as how he has changed towards her, too. Now, however, two kids along and all that, we see how she is starting to pull away from him, his violence, his dominance. She is seemingly alone, Michael has all the love and respect from everyone, and she is considered his wife, and is respected as such. Later we learn what extremely hard and rough decisions she made due to her growing hatred and resentment for Michael, which leaves you stunned that she would take such steps against him as well as admit it. Her desperation is palpable. Michael is cold and cruel, and he does not hide that from her. Kay is eventually on her own, from permanently fighting with Michael, egging him on and pushing him for legitimacy to being cast out, even being taken away from her children, completely cut off.

Robert Duvall steps up as Tom Hagen once again, delivering another fine performance as the family consigliere. Something that is extremely evident from the off is that Tom has become more involved with the family business as well as how things get done. A lot of responsibility and trust has been placed on him, and he has become colder. Still extremely calculated, and still doing some of the more horrendous jobs (remember the horse head?). He visits Frank Pentangeli (Michael V. Gazzo) in prison and informs Frank that he should recant, also promising that the Corleones will care for his family. Frank commits suicide later that night in the fashion discussed with the consigliere, and Tom seems to have no emotion for it as it was merely business. His performance was great, but it is becoming obvious that he is no longer just an incredibly educated outsider, but Michael’s right hand man, and that he loves the position.

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“When a plot against the Emperor failed… the plotters were always given a chance… to let their families keep their fortunes. Right?” – Tom Hagen

Vito Andolini’s (Robert De Niro) youth is addressed, and it is quite the enthralling tale. His father was murdered, his brother attempted to avenge him and was killed, and his mother was gunned down by Don Francesco Ciccio (Giuseppe Sillato) and Vito, who did not talk much and was considered to be a bit slow, ran for it, and was helped out by family friends to make passage to the United States of America. A struggling young man with a wife and a child, Vito sees how things are going in life, how the crime families are treated, and in a scheming way eradicates any competition he could have had, instantly making him the new man on the block, a man who definitely does things differently than the previous guy. He listens to the people, and is respected by the people. We get to explore the rise of Vito’s empire, as well as how he exacted his revenge that eradicated his family and swept him from his homelands. We see who he was and how he became what he did. He was smart and methodical, and in stages got everything just as he wanted it. The Corleone children serve as markers to see Vito’s progress, as well as indicating how the family did not always have everything, but that Vito built them up from scratch.

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“Do me this favour. I won’t forget it. Ask your friends in the neighbourhood about me. They’ll tell you I know how to return a favour.” – Vito Corleone

Fredo’s (John Cazale) bitterness at Michael is thinly veiled, something he struggles with constantly. Michael may have humoured it for the first while, but eventually that, too, becomes a serious problem, causing strife between the two brothers. I liked how the discord in the family was shown, that even though Michael is the one that stepped up, there was resentment and bitterness about it. Fredo took it as a personal failure that Michael ran the Corleone family, and that Michael was the one supporting Fredo and looking after him, even though Fredo is the older brother. His ultimately betraying Michael could be seen coming, but the reaction of Michael was intense, and it caused some tension within the family, too. Michael has many friends, but at the same time he is losing family and loyalty he thought he didn’t have to question faster than he suspected. As if Fredo is not enough for Michael to deal with, Connie (Talia Shire) is still bouncing off the walls, crazy and doing really stupid things, expecting Michael to pick up after her, to see how much she can push him. Initially she is not looked into much, and while she does not command a lot of screen time, it is eventually explained why she did what she did. This does not make it better, but the questions are no longer floating around and not making sense anymore. As fast as she broke herself away from the family, it seems that she is doing what she can to work her way back into Michael’s good graces at the very least.

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“Taken care of me? You’re my kid brother and you take care of me? Did you ever think about that?” – Fredo Corleone

So many aspects of this story come together at intervals, and it is a stunning work of art to get to the end result. The journey, the characters, the events are all just exactly what they need to be, and it is exceptionally impressive overall. The score used suited everything just right, and Coppola truly took this film in a direction to match its predecessor equally. The camera work was fantastic, and all the actors worked wonderfully in their roles. Movies are just not the same as they used to be, and The Godfather Part II is just further evidence of this. I don’t really have words to justify this movie, there is just so much to talk about (the scheming, the partnerships, the travels, the alliances struck up, etc), and I know many more people have discussed it in more detail than I have, but I am going to stop here now, The Godfather Part II is just one of those films that has to be experienced to be understood. My Spock Chop, I know you are not a fan and all, but really, this is something glorious!

The Godfather (1972) IMDB Top 250 Guest Review

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Today’s IMDB Top 250 Guest Review comes from Zoe of The Sporadic Chronicles Of A Beginner Blogger. Zoe has already reviewed The Departed (HERE) and The Green Mile (HERE) and Big Fish (HERE). Now, as if all those reviews weren’t enough, Zoe was the first person brave enough to choose to review The Godfather I & II (stay tuned for her review of The Godfather: Part II at this same time next Tuesday). Thanks so much for being such a big part of this project, Zoe! 🙂 Now let’s hear her thoughts on The Godfather, IMDB rank 2 out of 250.

There are still some movies up for grabs if anyone wants to do a guest IMDB Top 250 review. You can find the list of remaining films HERE. See the full list & links to all the reviews that have already been done HERE.

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***WARNING: SPOILERS***

Alright, so this is going to be quite the post here. I took The Godfather movies because I was horrified to see it just languishing there on Table 9 Mutant’s IMDB Top 250 challenge… alone and untaken. How could this possibly be?! This is one of the greatest film sets ever! Alright, Part III might be a little sketchy and all that, but Part I and Part II are just… wow. Naturally, there are the heathens out there that will slam it, which I just find heartbreaking (though I still love you Eric, don’t ever forget that…). I am one of those people, like a good war movie I love a good mob flick.

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“There is more money potential in narcotics than anything else we’re looking at now. If we don’t get into it, somebody else will, maybe one of the Five Families, maybe all of them. And with the money they earn they’ll be able to buy more police and political power. Then they come after us.” – Tom Hagen

Synopsis: The story begins as “Don” Vito Corleone, the head of a New York Mafia “family”, oversees his daughter’s wedding with his wife Carmela. His beloved son Michael has just come home from the war, but does not intend to become part of his father’s business. Through Michael’s life the nature of the family business becomes clear. The business of the family is just like the head of the family, kind and benevolent to those who give respect, but given to ruthless violence whenever anything stands against the good of the family. Don Vito lives his life in the way of the old country, but times are changing and some don’t want to follow the old ways and look out for community and “family”. An up and coming rival of the Corleone family wants to start selling drugs in New York, and needs the Don’s influence to further his plan. The clash of the Don’s fading old world values and the new ways will demand a terrible price, especially from Michael, all for the sake of the family. – IMDB

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“I’m gonna make him an offer he can’t refuse”. – Don Corleone

This movie is just amazing. Something that you can really just wax lyrical about. This is certainly a fantastic mob movie, no two ways about it. I mean just to look at how old this film is, for starters, you cannot help but appreciate how particularly stunning this is, how well it is put together, the actors, the camerawork, the story, the music… everything. But we shall gush about that all as this progresses.

This movie was a piece of pure genius. Marlon Brando was an amazing Vito Corleone… he was certainly not someone I would have messed with, at any rate. The movie progressed at a gradual pace, but it was never boring. From the beginning you know that Michael Corleone (Al Pacino) is definitely the Don’s favoured son, though he has three as well as one that Sonny (James Caan) brought in at a young age and is regarded as equal to his blood sons, and a daughter, Connie (Talia Shire), who has just gotten married to Carlo Rizzi (Gianni Russo). Vito Corleone is a powerful man, and such is evident at his daughter’s wedding. Michael arrives at Connie’s wedding dressed in his Marine Corps uniform and his girlfriend, Kay Adams (Diane Keaton) at his side. It is evident from the off that Michael is not like the rest of his Corleone brothers, though he is favoured by his father.

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“My father is no different than any powerful man, any man with power, like a president or senator.” – Michael Corleone

A drug baron called Sollozzo (Al Lettieri) rolls into town and wishes to go into business with some of the families, and Vito is approached by a rivalling family, the Tattaglias, to take the deal. Vito, however, is not in for the drug trade, though it seems Sonny is. Tom Hagen (Robert Duvall), considered the up and coming family consigliere, brought up with the Corleone boys as one of them, advises Vito that taking the deal is the one was to keep the family in power, and not having it usurped over the years. Naturally, this is where the whole movie finally catches. An attempt is made on Vito’s life, and he is left for dead. The Corleone family bands together and Sonny heads it up in the meantime. Michael gets wind of his father’s predicament, and soon his life changes.

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Watching the change in Michael is astounding. He starts off as reluctant, wary and insistent that he is not like his family, but when push comes to shove it is evident that the Corleone tendencies are well and truly there. Full scale crime family war breaks out, and it seems no one is safe. There is so much that is going on, so much traitorous betrayal and attempts to do one another in to protect themselves, but the Corleone brothers still stand. Michael gradually becomes harder, tougher and less forgiving, ultimately making the choice and assassinating the police chief and Sollozzo, taking cover in Sicily while things come right. Vito is not dead, but it seems that the family structure has changed drastically.

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“What’s the matter? What’s bothering you? I’ll handle it. I told you I can handle it, I’ll handle it.” – Michael Corleone

Michael’s isolation changes him even more, and he takes a wife while over in Sicily, though it becomes evident that it will not be safe for him there for much longer. While he is away, he needs to deal with the fact that his brother, Sonny, is killed, and he in enraged. Due to Sonny’s assassination, Vito decides enough is enough. Too many people are dying at one another’s hands in an attempt to even the scales, and it must come to a close. It thrilled me to watch how pacts and truces were made, how the hierarchy fit together, how people understood their place and abided by it, not questioning too much. It amazed me to see the power that some of these people have. It is astounding to me that although you know what rackets the Corleone family is involved in, it is never thrown onto the screen, never made something that takes over the story. Primarily this movie depicts the familial ties, the organisation and the loyalty, keeping focus on it and demanding your attention.

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“You talk about vengeance. Is vengeance going to bring your son back to you? Or my boy to me?” – Don Corleone

The Godfather also touts one of the best cast ensembles in ages, and cannot be faulted for it. I was doing some extra reading and was so shocked to see exactly how much drama there was involved of the making of this movie, how Paramount fought Coppola almost every damn step of the way on casting, decisions, attempts to have him fired, the whole shebang. They were adamant about not having Marlon Brando in there (who *cough cough* won a damned Oscar for his performance, although he declined it) as well as not wanting Al Pacino… I was like what?! Imagine Paramount had gotten as much say as they wanted… The Godfather is one of the most influential films of all time, and should be appreciated for what it is: a piece of genius.

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“Only don’t tell me you’re innocent. Because it insults my intelligence and makes me very angry.” – Michael Corleone

I loved everything this film brought to us. This film was an excellent piece on the mob, not highlighting it as something evil and disgusting and something that should be taken down, but telling the story from the inside, which was fantastic. I loved how authentic everything was, how Italian, there are infinitely quotable lines from it, the camera work was fantastic, the score complemented every minute of it and the cast rounded it off perfectly. I still feel I haven’t done this film justice, but I just don’t know anymore. You are riveted for 175 minutes; there are no two ways about it.