The Lost Daughter, Don’t Look Up & Pig Reviews

Another quick trio of reviews of 2021 releases before I do my December roundup post. Liked these a lot more than the three I reviewed earlier today. Two of these are also probably going to make my 2021 Top Ten list I’ll try to post later this week. I keep moving stuff around on that list a lot… We’ll see!

Don’t Look Up (2021)

Directed by Adam McKay

Starring: Leonardo DiCaprio, Jennifer Lawrence, Rob Morgan, Jonah Hill, Mark Rylance, Tyler Perry, Timothée Chalamet, Ron Perlman, Ariana Grande, Scott Mescudi, Himesh Patel, Melanie Lynskey, Cate Blanchett, Meryl Streep

Plot Synopsis: (via Wikipedia)
It stars Leonardo DiCaprio and Jennifer Lawrence as two astronomers attempting to warn humanity about an approaching comet that will destroy human civilization.

My Opinion:

Watched this yesterday (but I’m logging it as a 2021 watch!). Really glad I finished out the year with this one as I’ve found the 2021 releases on services to be very disappointing but I enjoyed this one a lot. Between this and The Lost Daughter, which I watched on the 31st, I’m happy to have two more movies probably making it into my 2021 Top Ten list.

Wasn’t sure what I’d think of this as I’ve not been big on any of Adam McKay’s other films but, for me, this is easily his best. I thought it would be extremely political & too far-left in that typical Hollywood way as, according to Wikipedia, “The comet is an analogy for climate change and the film is a satire of government and media indifference to the climate crisis.” There’s nothing I hate more than an overly preachy movie! But it didn’t feel preachy to me & I got some good laughs out of the comedy in this. I thought the satire was pretty clever and, although they say it’s about how how shit the governments & media are, I thought it also perfectly displayed what a bunch of fucking morons the entire human race has become. I always enjoy “humans suck” satire (also a fan of Idiocracy, although I wish that film was better). It was scary how accurate this film was on how the general population would react if told we’re all going to die when a comet hits Earth. There would be as many comet-deniers as there are Covid-deniers. I would have thought this film was exaggerating things just five years ago or so (but I also wrongly thought Idiocracy was exaggerated at the time). People being more bothered about a celebrity breakup than our impending doom is SO FUCKING ACCURATE.

I also really enjoyed all the performances in this. Movies with huge star ensembles like this don’t always work for me as I sometimes find so many big names to be distracting & can take away from the story but I thought everyone was perfectly cast in this. Leonardo DiCaprio was good, of course, but I liked that it felt like quite a different role for him. And I loved that his wife was, like, the same age as him! Also really liked Jennifer Lawrence’s character and loved how she became just another meme for media-obsessed society. Also loved her obsession with the free snacks… Meryl Streep was pretty damn hilarious as a hateful self-absorbed president & I thought Jonah Hill was funny (although I can see that one role being the most divisive). And Mark Rylance was fantastic as a typical billionaire genius/idiot. I can’t call if this movie will have any acting Oscar nominations or if it’ll be completely ignored as comedy often is by the Academy. Or if they’ll only nominate Streep as usual. I think it deserves recognition, though, and I enjoyed it far more than his Oscar-nominated The Big Short.

I’ve avoided reviews & discussion of this movie but get the impression that people are pretty divided? Not sure why as I thought it was easily one of the better films I’ve managed to see this year. Maybe the truth hurts?

My Rating: 7.5/10

The Lost Daughter (2021)

Directed by Maggie Gyllenhaal

Based on The Lost Daughter by Elena Ferrante

Starring: Olivia Colman, Dakota Johnson, Jessie Buckley, Paul Mescal, Dagmara Domińczyk, Jack Farthing, Oliver Jackson-Cohen, Peter Sarsgaard, Ed Harris

Plot Synopsis: (via IMDb)
A woman’s beach vacation takes a dark turn when she begins to confront the troubles of her past.

My Opinion:

I also liked this film a lot. I’d maybe say it’s actually better than Don’t Look Up but is obviously a much more serious film & I had more “fun” watching Don’t Look Up.

The acting is great in this, especially from Olivia Colman & Jessie Buckley. I’m not an Olivia Colman fan (I’m actually enjoying The Crown far less since it changed to her from Claire Foy) but have to admit she’s very good in this. And that horrible family who came to the beach gave me the absolute creeps! Absolutely cannot stand pushy, entitled people like that and there are far too many of them in this world. Why the fuck should Olivia Colman move from her spot on the beach, huh?!? Anyway – I guess the family were very good as they were menacing as hell just in the way they would look at Colman’s character. But I never really understood their problem with her. Was it only because she wouldn’t move on the beach or did I miss something else while trying to sneakily watch this in between doing stuff with the family on one of my last days off of work?? Dakota Johnson was also good as part of that horrible family (by marriage, I think – was never quite sure how they were all related) & the one who Colman connects with as her young daughter brings up painful memories from Colman’s past. Johnson is maybe growing on me – I couldn’t understand what people saw in her at first.

I think this movie does a fantastic job of portraying the fact that, for some women, there’s much more to them than “just being a mother” and that being a mother (and wife) can be very difficult. I think movies often portray motherhood as being beautiful & perfect. I’m not saying I could personally connect with Colman’s & Buckley’s character’s experience but I think it will probably speak to a lot of women. And I thought the building tension in this was done really well. I kept feeling more & more uneasy throughout this film as I didn’t know a thing about the story & didn’t know what would happen.

Hated this bitch so much!

I think Gyllenhaal has done a great job with this movie. I can’t say whether it’s a good adaptation as I’ve not read the book but I’d now be interested in possibly reading it to know even more about the characters’ motivations. Maybe I’ll read it. I don’t often read a book after seeing the movie but I’d like to know a bit more after seeing this one. It’s a very good film.

My Rating: 7.5/10

Pig (2021)

Directed by Michael Sarnoski

Starring: Nicolas Cage, Alex Wolff, Adam Arkin

Plot Synopsis: (via Wikipedia)
The film follows a truffle forager whose beloved truffle-finding pig is stolen.

My Opinion:

Had to of course see what all the fuss was about on this one so managed to pick up a really cheap DVD of it (£2.99!). Can’t afford this hobby anymore so I think the only movies I spent on in 2021 outside of streaming services were this & Willy’s Wonderland. You’d think I was a Nicolas Cage fan or something! I’m actually really not, although he’s grown on me in recent years thanks to his interesting film choices. Those choices are often bad & I’ve not watched those that had terrible reviews but things like Mandy & Color Out Of Space are right up my alley & this one sounded like it could be too.

It’s an interesting film & I do agree that Cage was good in it. As much as I enjoy Crazy Cage, I liked seeing him so restrained in this one. I think he and the movie portray loneliness & grief well. Was honestly expecting some John Wick type of revenge rampage so was surprised at there being very little violence in this. Although a John Wick rampage would’ve been fun too but we’ve had enough of that sort of thing from Cage so this was a nice change.

Pig is a movie I’m glad I managed to see before the end of the year but it’s not a “rewatcher” for me as I can’t see myself watching it again. But I can understand why many seemed to like it as they could probably identify with Cage’s character. I can also see why plenty of other people wouldn’t go for this movie at all & would probably call it boring as it’s very slow & far less happens than I was expecting. It’s certainly a “Film Twitter person” type of movie that I wouldn’t go around recommending to people I work with or something. You’ll love it or possibly hate it. Or just be a bit “That was okay” like me. The pig was very cute!

My Rating: 7/10

Dune (2021) Review

Dune (2021)

Directed by Denis Villeneuve

Based on Dune by Frank Herbert

Starring: Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Stellan Skarsgård, Dave Bautista, Stephen McKinley Henderson, Zendaya, Chang Chen, Sharon Duncan-Brewster, Charlotte Rampling, Jason Momoa, Javier Bardem

Plot Synopsis: (via Wikipedia)
Set in the far future, it follows Paul Atreides as his family, the noble House Atreides, is thrust into a war for the dangerous desert planet Arrakis.

My Opinion:

I finally read the first Dune book last year during lockdown in preparation for this movie (pathetic review HERE). Then, obviously, the movie was massively delayed. So, being old & forgetful, I’ve forgotten half the book by now. And, of course, the movie only covers half of the book (if that), so I have no chance of remembering the rest of the book by the time the next movie comes out. Hey, that’s okay – everything can be a surprise when I see it! I’ll say this, though – Holy shit, I was saying NONE of the names, etc, right in my head while reading the book. Half the movie I was like “Ah, so that’s how that word is said”.

Seriously, though, I really did like the book. I’d had no intention of reading the rest as I’ve heard they aren’t as good as the first one but I kind of want to know the whole story now instead of waiting years for the movies. There are some storylines & characters I’m far more interested in than others but I really like the overall story & the world Herbert created.

There are, as with many stories like these, far too many characters to keep straight or fully care about but there are a few I liked enough to keep me interested. For me, I like Paul of course but it’s mainly Lady Jessica. LOVE her! People moan about lack of good female characters but this book is from 1965 & Lady Jessica is awesome & the star of the story for me. Was disappointed that things involving her were left out of the movie, such as the secret garden, which I felt were quite important to the story. But I admit that I love the whole Bene Gesserit thing (Boy, was I saying Bene Gesserit wrong!) & wanted to see all of that onscreen. I realize that they could never possibly cover everything in these books but quite a lot was still left out so I’m very glad I read it!

I was also very worried as Rebecca Ferguson seemed to barely be in the trailers, etc, but she’s just as important as Timothée Chalamet’s character. Although they sadly left out some things involving her, I was happy that she does get plenty of screen time. Phew. And I’ve had a girl crush on Ferguson especially since Doctor Sleep so was very happy when she was cast as Lady Jessica as she seemed perfect. She’s fantastic. Easily my favorite thing about the movie as well as the book, so I still have a girl crush. She’s so lovely. Here’s a closeup of these two. They’re so damn pretty. Well, I don’t fully get why young girls like Chalamet but whatever. He has amazing hair, though:

Um. Let’s see. I’ve talked enough about Lady Jessica and that was the main thing I cared about. Am very happy with all of that but was happy with most everything to do with this adaptation. Yes, I’m sad that plenty was left out but that was to be expected. Yes, some of the characters weren’t how I imagined them but I thought they all did well including Jason Momoa who I was most worried about as Duncan Idaho & thought he’d throw me out of the story but he didn’t. Was sad to get so little of Josh Brolin’s Gurney Halleck, who is a great character. Was also disappointed that they didn’t get into the whole Mentat thing at all as that was quite interesting in the book but also confusing & I really wanted a refresher on what the Mentat are. Wow, I don’t remember the character of Glossu Rabban, played by Dave Bautista, at all. Pretty sure he’s important! I clearly pay less attention when they aren’t focusing on my favorite characters plus I wasn’t really feeling Bautista in the movie & he did throw me out of the movie a bit for some reason. But I thought all the rest of the casting was good enough.

Oh! Damn. Not even mentioned Zendaya. If you’ve seen the movie, you’ll know she’s not in it much. She has a very important role but, as I expected, she wasn’t going to be in this much as she shows up later in the book. I think some people were very disappointed as they pushed her so much in the marketing (which was stupid but, you know, they always push “youth” & beauty). To be fair, they used her more than they needed to for the first half of the book & much more than I was expecting. She’s good – I think she’ll be very good in the role based on what we’ve seen so far. SO looking forward to seeing the next movie now & seeing more of her Chani with Chalamet’s Paul. And seeing more Lady Jessica & that freaky Bene Gesserit stuff!

I thought this would be a short review! While writing this, more of the book has come back to me and I’ve decided I really do like what I’ve seen of Villeneuve’s adaptation so far and it has renewed my interest in the story & wanting to continue reading it now. Especially as so many things were left out of the movie… Now I’m wondering how much I’ve missed by not reading Game Of Thrones!

As for Villeneuve, I’m definitely a fan. I’ve liked all I’ve seen of his work and Arrival is probably my overall favorite film of the past decade (and it’s still my favorite of his). So I was very eagerly awaiting this Dune adaptation & he again didn’t disappoint. The world looked fantastic, though a little too dark. Why do serious movies have to be so dark & grey these days??? I know it’s a sandy, dreary planet but still – I get enough grey living in England. But it did still look lovely & the cast was (mostly) great and it made me like the story even more.

My only other small complaint is that the Hans Zimmer score was very disappointing. As in, it was bland and I hardly noticed it except for when it suddenly sounded like some Scottish Braveheart thing WTF? Disappointing as I adored Jóhann Jóhannsson’s (RIP 😦 ) work on Villeneuve’s other films (and especially on the non-Villeneuve Mandy) but sadly he couldn’t work with him again. I know it seems like a small thing but an amazing score can make a good film a great film for me. I still think this adaptation of Dune was pretty great & I’m happy with the results but, man, a perfect score really would’ve pushed this one even higher for me. Maybe the score will grow on me. Bring on the next movie! I can’t wait.

FYI – Yes, I did see the David Lynch Dune but I can barely remember the book a year & a half later so let’s just say I remember nothing from a movie I watched a good 25 years ago. Might rewatch now, though! Will keep my expectations low. Wish the Jodorowsky Dune had happened…

My Rating: 8.5/10

Little Women (2019) Review

Little Women (2019)

Directed by Greta Gerwig

Based on Little Women by Louisa May Alcott

Starring: Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timothée Chalamet, Meryl Streep, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel, Chris Cooper

Plot Synopsis: (via IMDb)
Jo March reflects back and forth on her life, telling the beloved story of the March sisters – four young women each determined to live life on their own terms.

My Opinion:

I’m not on the Greta Gerwig bandwagon. Her movies are decent. But neither this nor Lady Bird are “Best Picture” material. Yay for a woman being recognised by the Academy finally, I guess? But why Gerwig? There are better films that have been made by women. Okay – I’ll shut up now before I get in trouble. At least her movies are more worthy than her male partner’s (I thought Marriage Story was a self-indulgent snoozefest). I also admit to not being able to stand Emma Watson. Saoirse Ronan is okay but will never ever be a favorite actress of mine. Yeah, I know – I’m old so these people aren’t my generation. I know they have their fans. I also don’t get the Timothée Chalamet thing. Fuck it – I like what I like! I’m not going to pretend to like movies or actors just because they’re currently popular. So I went into this with low expectations.

Well, hell. I quite enjoyed this movie. I have a huge embarrassing confession to make, though. Although I read a lot & do try to read some books before watching the film adaptations, I never read Little Women. More surprisingly, I have also never seen any other film adaptations. And even more surprising than that, I’ve managed to almost completely avoid spoilers for this story for over 40 damn years (other than about Beth). Honest to god, I didn’t know how this story would play out. And I loved that. I can’t believe how much I enjoyed this story. However, is that thanks to Gerwig & some actresses I don’t particularly like? No but I’m glad they made it a fun watch & I even managed to not hate Emma Watson despite her making her usual scrunchy “acting face”. I should’ve read this book. Why didn’t they make us read this one in school?! Damn American educational system! Because this is a good story and I loved it. These characters are great and I loved how different their personalities were. I can see how everyone will have a favorite character from this story. Not sure who my favorite is but I’m going to read the book to decide that as they could be quite different (Florence Pugh was a lot of fun as Amy but I’m guessing she’s the most unlikeable in the book).

Luckily, the British educational system did make my hubby read this one as a kid (he’s a Beth fan, though I’m sure he’ll correct me if I got that wrong). One thing I’ll say is that he absolutely hated how they messed with the linear narrative of the original story. The movie’s story jumps around a lot and some very big reveals are shown right away, which he thinks will have ruined the story for me and for anyone one else who may also be new to Little Women. I have to say the nonlinear structure didn’t work well and, yes – it did ruin what could have been some very big moments. What a shame. Why mess with such a classic? The time jumps also weren’t portrayed well as the characters didn’t look much different despite it sometimes being years later, making it slightly confusing if you weren’t paying close attention (we could hear the people in front of us talking to each other & often being confused as to what just happened). Oh, Amy has bangs/a fringe… We must be in the past again! It was a stupid way to try to be “clever” with a story that people have been perfectly happy with for years. So, what can I say? I enjoyed this movie but let’s be honest: The credit goes to Louisa May Alcott. It’s a brilliant story. I loved it. I’m sorry I haven’t yet read the book. Shame on me.

My Rating: 7/10

Lady Bird (2017) Review

Lady Bird (2017)

Directed & Written by Greta Gerwig

Starring: Saoirse Ronan, Laurie Metcalf, Tracy Letts, Lucas Hedges, Timothée Chalamet, Beanie Feldstein, Stephen McKinley Henderson, Lois Smith

Plot Synopsis: (via Wikipedia)
Set in Sacramento, California in 2002, it is a coming-of-age story of a high-school senior (Ronan) and her turbulent relationship with her mother (Metcalf).

My Opinion:

I enjoyed this. It’s indie, though, so I had to go to a fancy, snobby cinema to actually be able to see it. There were sofas & fucking cushions. People had tea delivered to them. I don’t drink tea. I just wanted to stuff my face with popcorn. So I just sat there hungry instead (but comfy!).

Here’s a funny thing: I sat next to what appeared to be a grandmother with her 20-something granddaughter. They were talking about films (Yay! My kind of people) and the grandmother was talking about drive-ins and what they’re like in America. She told the granddaughter she needs to go to America sometime. The girl scoffed & said “Ha. No thanks! I’m alright. Not at the moment!“. I smiled to myself. Ahh… My home country is well & truly fucked. British people used to dream of visiting America. Now the thought of going there seems insane and potentially dangerous. What the fuck has happened? You don’t know whether to laugh or cry.

Shall I actually talk about this movie, which is nominated for Best Picture, Best Director, Best Actress, Best Supporting Actress, and Best Original Screenplay? Does it deserve all the acclaim? Hmm. Yes & no. Maybe in the acting categories, at least. It’s a good coming of age film, a subgenre I love, but it’s not the absolute best of its kind that I’ve seen. I probably slightly preferred the previous  year’s The Edge Of Seventeen. Where were the nominations for that female-directed & written film??

The Oscars are going to get more interesting now & I’m very glad that they’re going to be more inclusive. But……. I dunno. Should Lady Bird be up for Best Picture & Director? I’m not sure about that but I don’t mind seeing it nominated for Best Picture. Lady Bird & Get Out do look like the odd ones out when looking at the more heavyweight nominees but not all movies have to be boring, heavy dramas to be good films. What I really want to see is the Oscars being more inclusive of ALL genres of films, regardless of who made them. A good movie is a good movie. The Oscars have always hated things like fantasy, science fiction, comedy, and horror. Brilliant films seem to be ignored if they’re not some boring ass historical drama that the majority of the public has no interest in seeing. The nominee I’m happiest about this year is The Shape Of Water. That’s slightly out of the Academy’s comfort zone. I want more stuff like that at the Oscars! Now if they can just accept science fiction… Arrival only getting ONE Oscar (Sound Editing) is a damn crime!!! Screw you, Academy!

Back to Lady Bird. I loved the tumultuous relationship between mother & daughter (Saoirse Ronan & Laurie Metcalf, both deserving of their nominations). Being both a mother & a daughter, I can confirm that it can be a complicated relationship at times & the film makes these characters feel real in their feelings & behavior. I’d have actually liked it to focus even more on the mother/daughter relationship than it did. I’d have liked slightly more time spent on Lady Bird’s relationships with her whole family, but the film does well with the character development in its hour & a half running time.

We get to see a lot of Lady Bird’s life at school with her best friend and with a couple of love interests. I loved her best friend (Beanie Feldstein). It made me wish I’d had a female friend in high school! But I went to school with a bunch of bitches. Lucas Hedges, from Manchester By The Sea, did well but there’s not a lot of time spent on him. And I finally got to see this Timothée Chalamet kid in a movie. He’s fine – it’s not a huge role and he’s an annoying rich boy so I’ll need to see him in more stuff. I still badly want to see Call Me By Your Name. Saoirse Ronan is the star of this, though, and I’m amazed that I never thought about the fact that she does NOT sound American in real life, so she must have done the accent well! Ronan & Metcalf make this film better. Without them, I’d have found it pretty average. But I kept hearing Andy’s mother from Toy Story… She didn’t have this much trouble with Andy!

Lady Bird is good but it’s indie and it’s definitely aimed more at females and at teenagers. Is it All-Time-Greatest-Best-Picture material? Not really. I’ve seen other coming of age films more worthy of Oscar nominations but I’m glad the Academy, through recognizing a wider variety of filmmakers, is probably going to end up giving us more variety in the film genres that receive nominations. Not all movies have to be The English Freaking Patient. (Lady Bird is far better than that one…)

My Rating: 7/10