Tales From The Crypt – Forever Ambergris (1993) Review

**I’ve done this review as part of the Tales From The Crypt blogathon over at Channel: Superhero. Every day this month, someone will be reviewing a different episode of Tales From The Crypt so head on over there & check out all the participating entries! 🙂

My contribution below is a review of the episode Forever Ambergris, starring Roger Daltrey & Steve Buscemi.

Tales From The Crypt – Forever Ambergris (1993 – Season 5, Episode 3)

Directed by Gary Fleder

Starring: Roger Daltrey, Steve Buscemi, Paul Dooley, Marshall Bell, Lysette Anthony, John Kassir, Tim Ahern, Titus Welliver, Luis Antonio Ramos, Kevin Benton

Plot Synopsis: (via IMDB)
A jaded, has-been photographer plots the demise of his younger, talented protégé when they go on assignment in Central America.


No one knows what it’s like to be the bad man

My Opinion:

For some reason, I never saw many episodes of Tales From The Crypt although the stories are the type of thing that I like. They tended to have some sort of twist, right? Growing up, one of my first favorite TV shows was The Twilight Zone (it remains my very favorite now) so it seems like I should really try to check out more Tales From The Crypt episodes. I’d probably like the stories even though the “horror” side of things isn’t really for me so much. I’m really looking forward to reading all the other entries in Channel: Superhero’s blogathon this month! 🙂

So what did I, a bit of a wuss when it comes to gore, end up choosing as my episode to review? A thoroughly disgusting one that would give David Cronenberg’s body horror films a run for their money! Damn. And I only chose it because it starred Roger Daltrey & Steve Buscemi, which I thought was pretty damn cool.

As we’re meant to discuss the episode in its entirety as well as the tale’s “twist”, I’ll be doing that now & I’ll also be including the most gruesome images I could find. So, SPOILER & NASTY IMAGE WARNING! Here we go. 🙂


Steve Buscemi is a Happy Jack at first…

In this tale, Dalton (Roger Daltrey) & Ike aka Isaac (Steve Buscemi) are war photographers. Dalton was once the best but he’s lost his touch and the younger & more talented Ike looks set to achieve big success while Dalton becomes a has-been. It was funny that Buscemi was this “young guy” compared to Daltrey (but this was back in my generation of 1993 so I guess he was a lot younger then). Anyway, I love Buscemi and you can’t help but like his friendly & enthusiastic Ike.


The kids are alright

Ike is a big fan of Dalton’s work and invites him over one night to have dinner & meet his girlfriend Bobbi (Lysette Anthony). Dalton is immediately smitten with the gorgeous blonde Bobbi (especially after later that night when he peaks through the bedroom door to watch her having sex with Ike. With her fully naked & on top, of course. Sorry, guys – I couldn’t find an image of that). 😉


“Hey, baby. They call me The Seeker.”

Naturally, the already jealous Dalton becomes more & more obsessed with Ike’s life and, when they’re sent on an assignment to war-torn Central America, he devises a plan to get his career back (and hopefully become the substitute for Ike in Bobbi’s life).


He wants her squeeze box…

While on the plane to Central America, Dalton is visited by a (ghost??) played by Marshall Bell (a total “Hey, who are you?” guy who, to me, will always be Gordie’s asshole father in Stand By Me). He tells of a village in which the population was decimated by a disease caused by some sort of germ warfare. This is when Dalton’s evil plan fully takes shape.


How do you think he does it?

He convinces Ike, as he’s his “friend”, to go to the village because he’s heard rumors of devastation that will guarantee Ike the opportunity to capture some once in a lifetime photos & to achieve the level of fame that Dalton once had. Does the trusting Ike do as Dalton says & visit the village while Dalton remains at the camp? You better you bet!

As soon as Ike gets back & joins Dalton in their tent, it soon becomes obvious that something isn’t right with Ike. First this happens:


Dizzy in the head and I’m feeling bad

Then his eye pops right the hell out:


I can see for miles

Then the evil Dalton, not content with just stealing Ike’s roll of film which Dalton will pass off as his own once Ike has taken the magic bus to heaven, decides to put his cigarette out in Ike’s eyeball:


See me, feel me

Afterwards, back in America, Dalton visits Ike’s girlfriend Bobbi to give his condolences and, of course, to hopefully win her affections as they had some pretty strong sexual chemistry when they first met. But Bobbi has other plans as she knows the photos published after that fateful trip weren’t Dalton’s as claimed.


There has to be a twist

After smoking some weed together, Bobbi and Dalton have sex, during which Bobbi reveals that what they smoked was sent to her by Ike from that contaminated village in Central America. She’s given them both the virus as she doesn’t want to live without her beloved Ike and wants to ensure that Dalton pays for Ike’s death. So as they screw, the virus causes her spine to burst and she bleeds all over Dalton as her skin melts off. Dalton freaks out & runs to the bathroom just in time to see his nose drop off into the sink. Plop! He’ll no longer play by sense of smell…


He won’t get fooled again!

Thanks for letting me join in on this blogathon! 🙂 I’m going to go watch more Tales From The Crypt now. I suppose I should give this a rating like I do with my movie reviews. I can’t really compare it to other episodes as I’ve not seen many but I did enjoy it & loved that it starred Daltrey & Buscemi, who looked so young! Definitely a little too gross for me but I do love an occasional body horror film and the special effects on Buscemi, although of course dated, really looked just as good as a lot of older movies that probably had a much higher budget. Definitely an episode that should be seen by fans of the show if they haven’t seen it already.

My Rating: 6.5/10

Oh, by the way, I wondered what the heck “ambergris” was so I looked it up at Wikipedia:

Ambergris is a solid, waxy, flammable substance of a dull grey or blackish colour produced in the digestive system of sperm whales.

Freshly produced ambergris has a marine, faecal odour. However, as it ages, it acquires a sweet, earthy scent commonly likened to the fragrance of rubbing alcohol without the vaporous chemical astringency. Although ambergris was formerly highly valued by perfumers as a fixative (allowing the scent to last much longer), it has now largely been replaced by synthetics.

Hmm. Make of that what you will from the story.

Here’s the Crypt Keeper pretending to be a photographer during the episode. His model is a bit chubby by today’s standards. Of course, her head falls off anyway.


They’re all wasted!

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Argo (2012) IMDB Top 250 Guest Review

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Today’s IMDB Top 250 Guest Review comes from Mark of Marked Movies. He also reviewed Heat for this project – you can read that review HERE. Thanks for the reviews, Mark! 🙂 Now let’s hear his thoughts on the movie Argo, IMDB rank 195 out of 250…

There are still some movies up for grabs if anyone wants to do a guest IMDB Top 250 review. You can find the list HERE. See the full IMDB Top 250 list & links to all the films that have been reviewed HERE.

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Director: Ben Affleck.
Screenplay: Chris Terrio.
Starring: Ben Affleck, Bryan Cranston, Alan Arkin, John Goodman, Scoot McNairy, Rory Cochrane, Christopher Denham, Tate Donovan, Clea DuVall, Victor Garber, Kyle Chandler, Zeljko Ivanek, Richard Kind, Kerry Bishé, Chris Messina Michael Parks, Taylor Schilling, Titus Welliver, Bob Gunton, Keith Szarabajka, Philip Baker Hall.

After a great directorial debut with “Gone Baby Gone” in 2007 and a brilliant sophomore effort with “The Town” in 2010, all eyes were on Ben Affleck in his third outing as director. Questions were asked as to whether he could do it again. And the answer? The answer is a resounding, ‘Yes’. Argo completes Affleck’s hat-trick behind the camera and confirms that he’s definitely a director that has an abundance of talent and awareness.

Based on true events in a post-revolution Iran in 1979. A mob of Ayatollah supporters storm the US Embassy and take 56 American hostages. 6 officers managed to escape, however, and take refuge in the home of a Canadian Ambassador. After two months in hiding and their sanctuary becoming increasingly risky, the CIA hatch a plan to get them home and extraction officer Tony Mendez (Ben Affleck) is given that responsibility. His plan is to create a fake movie called “Argo” and pretend that the six officers in hiding are his crew, scouting for shooting locations within the country.

Before going into Argo, I admittedly expected a heavy-handed political thriller but that’s not exactly what it delivers. Apart from the first five minutes of a brief overview of the, questionable, political relations between the U.S. and Iran, it sidesteps any political agenda and gets down to capturing the thrilling, human drama at it’s core. I’m not adverse to political film’s at all. In fact, I thoroughly enjoy them but Affleck is wise not to get too bogged down in boardroom banter and bureaucracy when there’s an brilliantly exciting story to tell. It does share similarities with the great political tinged thrillers of the 1970′s like Alan J. Pakula’s “All The Presidents Men” or “The Parallax View“. The late 70′s and early 80′s style is captured to perfection by cinematographer Rodrigo Prieto and Affleck’s orchestration can sit comfortably beside any from that great decade of cinema.

Chris Terrio’s solid screenplay delivers many dialogue driven scenes but Affleck keeps things moving at a frantic pace and not for a second, does the film ever get dull or drawn out. The tension is almost unbearable at times. Why Affleck didn’t, at the very least, nab an Oscar nomination for his substantial and well-constructed direction here is beyond me. There’s no doubt that he’s in complete command of his material as he leaps from Tehran to Washington to Tinseltown and delivers completely satisfying environments and effortless shifts in tone for the whole film to gel and come to life. He has the ability to capture a politically ravaged country; the backroom jargon of the CIA and the dark humour of Hollywood (that shares more than a passing resemblance to Barry Levinson’s “Wag The Dog“). In order to capture this ludicrous, stranger-than-fiction story in it’s entirety, it demands a maestro at work and Affleck can certainly consider himself one.

This is the edge-of-your-seat tension that “Zero Dark Thirty” wishes it had. With only three film’s under his hat, you’d be forgiven for thinking that Affleck has been at this directing malarky for a very long time. The comparisons with actor, turned quality director, Clint Eastwood will rage on and if anyone thinks otherwise, then Affleck can tell them to “Argo fuck yourself“.

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Mark Walker

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