Music Video Friday: Justice – D.A.N.C.E.

Continuing what is my least popular series so far, today’s music video is D.A.N.C.E. by Justice. Lol 😉

I don’t like a lot of current music but there are four albums I’ve loved above all others in the 21st Century. Okay – I’m totally cheating as one was released in 1998 but that’s still my definition of current. That one is Psyence Fiction by UNKLE and I really wanted to share the video for Rabbit In Your Headlights but I can’t find a full version to share (it’s probably banned). I’ll bore you all with my thoughts on the brilliant Psyence Fiction another day – I promise! Another one of the four is the much more current Random Access Memories by Daft Punk. I doubt I need to go into that one – some of you will already be fans (check out my review of their movie Electroma HERE. Woohoo!).

Finally, the other two albums of the new millennium that I can’t live without are two albums from French duo Justice. One is the pretentiously named (well, “symboled”? it’s a cross symbol…) album sometimes just called Cross & the other is Audio, Video, Disco. Here are the album covers:



(No, it’s not Christian rock)

Justice were at one point rumored to actually be Daft Punk & I can see why as it wouldn’t be hard to imagine Daft Punk making the music on their albums. Wikipedia lists “Electro house, electronica, nu-disco, electroclash, electronic rock, alternative dance” as the band’s genres. There’s a mouthful! I love their music as it really is a mish-mash of styles. The video I’ve chosen is for a song that was actually a hit (although less so than I thought – it looks like the D.A.N.C.E. single only got to number 48 in the UK charts in 2007 but did reach number 1 in the dance chart). However, it’s very unlike their far less radio-friendly songs. Their other hit single, We Are Your Friends, was a remix of Simian song Never Be Alone (and far better than the original). My personal favorite song is definitely On’N’On but I can’t post that because of the nudity in the video. I also highly recommend checking out their video for New Lands, which was clearly inspired by the 1975 film Rollerball. (Someone please click on that! It’s more me than D.A.N.C.E. but I’m going with the more commercial one for this post). 😉

I’ve rambled on about Justice for long enough so I’m going to just let Wikipedia tell you about the below video:

The music video for “D.A.N.C.E.” was shot by French directorial duo Jonas & François with animation by So Me. The video was nominated for the 2007 MTV Video Music Award “Video of the Year”; while winning the award at the MTV Europe Music Awards. The music video is shot in the style of pop art. In the video, Augé and de Rosnay walk and the images of their T-shirts constantly change and morph (cars, mouths, thunderbolts, lollipops, numbers, letters and the lyrics). The video includes a reference to the song “Video Killed the Radio Star” by The Buggles.

I love all the references to Michael Jackson songs in D.A.N.C.E. – this is a great dance tune that should’ve been a bigger hit:

*UK chart information from Wikipedia

Under The Skin (2013) Review

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Under The Skin (2013)

Directed by Jonathan Glazer

Starring:
Scarlett Johansson
Jeremy McWilliams
Joe Szula
Kryštof Hádek
Paul Brannigan
Adam Pearson
Michael Moreland
Dave Acton
Jessica Mance

Running time: 108 minutes

Plot Synopsis: (via Wikipedia)
Under the Skin is a 2013 British-American science fiction art film directed by Jonathan Glazer, and written by Glazer and Walter Campbell as a loose adaptation of Michel Faber’s 2000 novel of the same name. The film stars Scarlett Johansson as an alien seductress who preys on men in Scotland.

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My Opinion:

Finally! I finally managed to see this movie after looking everywhere for a cinema actually showing it when it came out and having no luck. I was intrigued because, first of all, it looked like “The Woman Who Fell To Earth“. Being a big David Bowie fan and loving The Man Who Fell To Earth way more than I should, I really wanted to see this. Plus, I found out that the director has made some of my favorite music videos (more about that later). So did Under The Skin live up to all the hype in my head? Yes and no.

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I mentioned this movie when I reviewed Lucy HERE on Monday and, yes, I think Under The Skin is the superior film of the two although I did really enjoy Lucy. Scarlett Johansson is indeed the true star of both films and, I think, makes both movies far better than they would’ve been with a different actress (and this is coming from someone who has never really been a fan of hers). Under The Skin is a very brave role for her to have taken on and I think, along with Her, it’s paid off and made her a far more respected actress. Under The Skin could have been a massive failure for her and, although there will certainly be plenty of people who hate the film, I think it’s a huge success as far as her professional career is concerned. As for the movie…

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Yes, it’s weird. Very very weird. It’s exactly what I expected, though, having seen The Man Who Fell To Earth (it does have plenty of similarities so it’s hard to not compare the two). I enjoyed it a lot although I don’t think it’s quite as iconic as the Bowie film (which is NOT a good movie but it’s hard to deny that Bowie is extremely fascinating and certain images from the movie will stay with you). In the same way, there are images from Under The Skin that will never leave my mind. I think that’s a good thing, though. I see that as a sign of a great piece of art. As a coherent and fully rewarding movie-watching experience, however, Under The Skin falls a little short. For as much of a mess as The Man Who Fell To Earth was, we at least had a backstory and knew what Bowie’s alien’s purpose was on Earth. If you’re the type of person who wants a movie with a proper storyline & a satisfying conclusion, Under The Skin may not be for you. If you want a nice piece of art to look at (like, weird & abstract art – not Norman Rockwell or Thomas Kinkade), you MIGHT enjoy Under The Skin.

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Summary:

Well, I don’t think I really need to say much more than I already have. Basically, Under The Skin is weird and you’ll either love it or you’ll hate it. I found it to be an interesting piece of art and, as the director has made music videos before, perhaps that’s why this feels a little like something in between a music video & a movie. If you want a straightforward movie or even something that has some deep meaning, you won’t get that here (but I may just be too stupid to figure out some “deeper meaning” to this film). You will, however, get a good performance from Johansson and some images that you’ll never get out of your mind. I really enjoyed the film.

My Rating: 7.5/10

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Here’s a list (thanks Wikipedia) of a few of the music videos made by the director of Under The Skin (Jonathan Glazer). I’ve included two of my favorites (FYI – the UNKLE one isn’t one to watch if there are kids around):

Karmacoma by Massive Attack
The Universal by Blur
Virtual Insanity by Jamiroquai
Karma Police by Radiohead

Plus my two favorites:

Street Spirit (Fade Out) by Radiohead:

Rabbit in Your Headlights by UNKLE ft. Thom Yorke:

**I’ve recently participated in the Alfred Hitchcock Blogathon being hosted by the robust Rob of MovieRob and the zany Zoe of The Sporadic Chronicles Of A Beginner Blogger. You can read my contribution, a review of Hitchcock’s 1964 film Marnie, starring Sean Connery & Tippi Hedren, HERE. Thanks, Rob & Zoe, for hosting this blogathon! 🙂

Trance (2013) Review

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After an art heist gone wrong & a gash on the head resulting in his memory loss, art auctioneer James McAvoy finds himself in a hairy situation with a group of criminals. Rosario Dawson is the hypnotherapist hired to unlock the mystery of a missing painting buried deep in McAvoy’s mind – to lay things bare & help him out of a close shave with the criminals.

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Okay – I’ll try to take this review seriously now…

I like most of Danny Boyle’s films but wouldn’t call myself a huge fan. 28 Days Later is by far my favorite and I also really like Shallow Grave, Sunshine & Trainspotting. I haven’t watched 127 Hours or Slumdog Millionaire (they don’t really appeal to me) but, obviously, Slumdog won lots of Oscars. So… Maybe I went to Trance with expectations that were too high as he’s an Oscar winning director with some films I’ve really enjoyed. What I’m taking ages to say is this: Trance was a huge disappointment.

The movie starts with an art auction & James McAvoy’s art auctioneer telling us in voiceover what you do in the event of an attempted robbery – you get the most valuable painting to a safe place & it’s his job to do this. I thought this movie started out GREAT. The art heist right at the beginning was very exciting and I liked the music and everything was all “slick and cool” and I was like “Yep, this is a Danny Boyle film”. If only the rest of the movie had lived up to the beginning…

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During the heist, McAvoy’s character is getting the main painting (Goya’s “Witches In The Air”, worth £25 million in the film if I remember correctly) to its safe place when he’s confronted by one of the thieves (Vincent Cassel) and, after a brief struggle, gets knocked unconscious and develops amnesia. The painting disappears and only McAvoy’s character knows the truth of what’s happened to it. Unfortunately, he now can’t remember. This is where, as said earlier, Rosario Dawson comes in as the hypnotherapist who tries to help McAvoy to recover the painting.

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Sounds like a great plot, doesn’t it? It is! But then it twists and turns and twists and turns some more and you get the whole “Who’s really the good/bad guy/girl? Who’s on whose side? Who’s being double-crossed? Who is lying? Who is telling the truth? What parts of this movie are real and which bits are just part of a hypnosis-induced trance???”. All of which are fine as long as the many twists & turns are handled well (and, more importantly, you CARE enough to follow all the twists & turns). This is where Trance failed for me. I just didn’t care.

The movie becomes a complicated mess. And I didn’t care enough about any of the characters to try to follow along. It’s like Inception done poorly (no trouble following that one – it was good enough to hold my interest). And the criminals were a bit like if those in Lock, Stock And Two Smoking Barrels had been completely uninteresting & humorless. Yeah – good description I think: Trance is like an inferior cross between Inception & Lock Stock.

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As for the actors in this, everyone was “fine”. Vincent Cassel was the only one I really felt was the right fit for the role. James McAvoy was okay but just not QUITE right. I don’t know who may have been better in the role, though – I think the decision to cast him wasn’t a bad one. Rosario Dawson also didn’t feel quite right. She did well enough. Meh. I just don’t care! I don’t think anything is the fault of the actors anyway – I think it’s the script that’s to be blamed.

Before I trash this too much (I’m feeling kind of bad – I really do love 28 Days Later!), here’s the good points:

The Art. I wish I had any sort of knowledge about art. I liked seeing the artwork in this. Obviously Goya’s “Witches In The Air” is the one the whole plot revolves around but there’s a good (trance) scene later on showing some other famous missing paintings. And the overall look of the movie is good (of course – it’s a professionally made Danny Boyle film). The only thing I hated was Rosario Dawson’s ORANGE apartment (at least I think it was her place? Saw this four days ago & already forgetting it – the sign of a not-very-good movie). Seriously, I hate the color orange! What does that say about me? Love green! Someone analyze me. Never mind – I’m sure I can just Google that. 😉

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The Music. Danny Boyle is known for good music in his films. I think the music in both 28 Days Later & Sunshine is especially fantastic. And, of course, Trainspotting! Once again, Boyle worked with Rick Smith of Underworld for Trance. The music in Trance isn’t quite as good or as memorable as in the other Boyle films I mentioned but it’s still pretty good. And there’s an UNKLE song in it! Yay!

Summary: Starts out great but then turns into a complicated mess. Slick, cool and stylish as to be expected from a Danny Boyle movie but it would be nice if that could go along with a good script and characters I care about in any sort of way. So… Meh. I hate saying that about a Danny Boyle movie but, unfortunately, that’s what it is. Other than that one part…

Holy full-frontal female nudity!!!!

Boom! WTF? That suddenly came out of nowhere! I’m not a prude (seriously – look at a couple of my posts over the last couple of weeks). But Bloody hell… Was that really necessary?! And then they gave a really pathetic “reason” for having that in there. Ha! Excuses excuses. So the movie starts with a gash on the head and then… Well. Yeah. Not going there. You want to see it now, though. Don’t you. 😉

My Rating: 6/10

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UNKLE – Hold My Hand