Happiest Season (2020) Review

Happiest Season (2020)

Directed by & Story by Clea DuVall

Starring: Kristen Stewart, Mackenzie Davis, Alison Brie, Aubrey Plaza, Dan Levy, Mary Holland,Victor Garber, Mary Steenburgen

Plot Synopsis: (via Wikipedia)
The film follows a woman who struggles to come out to her conservative parents while she and her girlfriend visit them during Christmas.

My Opinion:

First of all, can I just say that I hate watching Christmas movies during any month other than December?? Seems pointless. At least the U.K. did get this before Christmas (I think??) – I just didn’t have that streaming service at the time. So, I suppose it lost a tiny bit of that special “Christmas feeling” by watching this in May but it’s also not an overly Christmassy film anyway despite being set in that time period. So watch it now if you want! It’s still enjoyable. It looked like it could be decent so I didn’t want to wait until December.

I liked this one. I’m not one of these Kristen Stewart haters but I’m also not of the generation who seem to absolutely love her for some reason. I don’t have much of an opinion on her one way or another but she was good in this (and very good in the film Underwater that I watched the other day & will try to review this week – she carried that whole movie). I liked her relationship with Mackenzie Davis in this and wanted them to live happily ever after & all that but I didn’t really feel they had much chemistry. Stewart’s character was more likeable & sympathetic and I kept thinking she might be better off with Aubrey Plaza. Well, they were still fine as a couple but a lot of the other characters helped to make this a really enjoyable movie. It was a bit slow to start but picked up when the family of the Mackenzie Davis character showed up as well as Dan Levy, as Kristen Stewart’s friend.

Victor Garber & especially Mary Steenburgen were great as the parents of Mackenzie Davis, whose house the couple stay at for several days over Christmas. Steenburgen was hilarious as the type of mother who wants her family to be perfect and is always making snide bitchy comments. Her treatment of the, I think middle?, of the three sisters was especially funny – that poor girl is always pushed aside and never lives up to expectations like the other two sisters do. Besides Stewart, my favorite characters were the middle sister (played by Mary Holland), Steenburgen as the pushy mother, and Dan Levy as Stewart’s friend. Don’t think I’ve seen Levy in anything before (I’ve not seen Schitt’s Creek). He was funny & I was glad he ended up in the movie a bit more by the end. We also had some fun sibling rivalry between Davis and her “bitchy” sister Alison Brie plus Aubrey Plaza, as I mentioned earlier, who plays a family friend & former secret girlfriend of Davis. I find Aubrey Plaza hit or miss but this was a good character for her.

I especially enjoyed this movie because it was “pleasant”. That sounds like a horrible compliment but I do mean it in a good way as there have been FAR too many dreary & depressing drama movies during this pandemic. I think we could all use a break from that! Sometimes you just want a lightweight rom-com with good characters & a fun sense of humor. The characters are what really make this film & it’s great that they had so many good ones. And I want to read the book the middle sister is writing. Her painting was pretty good too. Stop being mean to Jane!

My Rating: 7/10

Sicario (2015) Review

Sicario (2015)

Directed by Denis Villeneuve

Starring: Emily Blunt, Benicio del Toro, Josh Brolin, Daniel Kaluuya, Maximiliano Hernández, Victor Garber, Jon Bernthal, Jeffrey Donovan, Raoul Trujillo, Julio Cedillo, Hank Rogerson, Bernardo Saracino

Music by Jóhann Jóhannsson

Cinematography by Roger Deakins

Plot Synopsis: (via Wikipedia)
The film is about a principled FBI agent who is enlisted by a government task force to bring down the leader of a powerful and brutal Mexican drug cartel.

My Opinion:

Ohhh… This movie was GOOD. And to think I wasn’t even necessarily planning on ever watching it! I never really like the crime drama type of genre so, no, this will never exactly be a personal favorite film of mine whereas I LOVE Villeneuve’s Arrival (It’s my favorite genre – So glad he’s going in a sci-fi direction with his movie choices now!!!). But it’s a damn good film even if it’s not usually my sort of thing.

It wasn’t until loving Arrival that I started taking a bit more notice of Villeneuve’s work. It’s why I finally decided to watch Sicario last month (my girl crush on Emily Blunt helped too). I’d already seen a couple of his films and I thought they were pretty good and beautifully filmed but they weren’t really my type of thing either. Wait – I take that back… Enemy was totally my type of thing. I wanted to like that one more than I did. I did appreciate it and think I’d like it more on a re-watch but it was a very slow film & it took a while to get into it. I preferred it to Prisoners, however, but that’s again probably due to me not liking the crime genre. I now really want his Incendies to be one of the next films that I watch for my IMDB Top 250 Project (it’s at #146). With his current popularity I’m hoping it’ll pop up on Netflix or something.

So! Here we are with Sicario – easily my second favorite Villeneuve film I’ve seen so far. I know nothing about filmmaking but this film was beautiful. Those shots of the landscape! It’s a shame that I saw this one on a TV instead of in the cinema. The cinematography & the score created such a rich atmosphere. This combination almost gave me the same sort of feeling as I had while watching Sergio Leone’s Spaghetti Western epics (I liked the Dollars Trilogy & Once Upon A Time In The West WAY more than I ever expected to, especially having no prior Western movie experience).

I can definitely say that I intend to watch everything made by Villeneuve from now on. This is what I like: Movies that feel like true art. It feels like we don’t get enough “epics” nowadays. And they don’t all have to be artsy fartsy – I’d call Mad Max: Fury Road epic & it’ll still be loved & respected years from now. I blame the general public for the lack of very few all-time great films now, though, not the filmmakers. The majority of people wouldn’t have the patience for a Leone film now – they’d rather go to the next Fifty Shades movie. The next Fast & Furious film will make more money than most of the Best Picture nominees put together (Maybe. I dunno. I’m pulling that statistic out of my ass). Sicario isn’t quite up there with the Leone films but it’s getting close. Arrival is at that level (for me, at least). Both Sicario & Arrival will be seen as all-time classics 20 years from now, which can’t be said of many current films. But the Leone films didn’t really get any respect until years later, right? I think these two Villeneuve films, though respected by the filmmaking community right now, will get more recognition in the future. Arrival won’t win Best Picture and, years from now, people will be all “Why didn’t Arrival win Best Picture that year?!”. Oh well – The Academy never gets it right anymore.

I’m rambling, as usual, so I’ll wrap this up by saying a bit more than “This film is pretty & has a great mood!”. I’m one of those weirdos who cares more about a movie’s director than its stars. If the director is awesome and the story is good, the actors probably won’t f*^k up the film. I mean, I suppose a good director isn’t going to let crappy actors be in their film anyway. However, some credit has to be given to the actors in Sicario. Emily Blunt & Benicio del Toro are especially strong in bringing these characters to life.

Blunt, who kicked ass in Edge Of Tomorrow, again plays a great “tough chick” with a believable vulnerability. Her character isn’t perfect, she doesn’t make all the right decisions, she’s not a machine, she does have emotions, but she stays true to her beliefs to the very end. This is actually a very similar character, belief-wise, to the one in Edge Of Tomorrow and I think Blunt plays these “strong yet vulnerable” roles perfectly. Can we have more roles like these for women, please??? Thank you, Villeneuve, for these strong & believable female roles (Btw – I’ll say it again – Amy Adams was ROBBED of an Oscar nomination for Arrival! Grr).

Benicio del Toro also gives his best performance since the dog-faced boy in Big Top Pee-wee (he must get so sick of people saying that). Seriously, though – I’ve always known he was a good actor but I’ve not paid much attention to him. He’s fantastic in this, especially at the end. He kind of blew me away. He plays this thoroughly complex character with such chilling subtlety. Josh Brolin & Daniel Kaluuya also do brilliantly in supporting roles and I loved how the film captured the strong bonds and sense of extreme loyalty between FBI partners.

Sicario’s slow & deliberate build-up of tension and the reveal of character motivations made for one of the most intense final acts I’ve seen in a while. I admit that it took me a while to get into the film as it’s a topic I certainly can’t relate to and a genre I don’t often choose to watch but it’s so well-made with such rich characters & performances and an ending that had me on the edge of my seat (well, couch). This is damn good filmmaking. I want more of this. Please let Blade Runner 2049 be at least this good!

My Rating: 8/10

**Speaking of the lovely Emily Blunt, it’s her 34th birthday tomorrow so I’ll be posting a list of My Top Ten Emily Blunt Movies. 🙂

Big Game (2014) Review

Big Game (2014)

Directed by Jalmari Helander

Starring:
Samuel L. Jackson
Onni Tommila
Felicity Huffman
Victor Garber
Ted Levine
Jim Broadbent
Ray Stevenson

Running time: 90 minutes

Plot Synopsis: (via IMDB)
A young teenager camping in the woods helps rescue the President of the United States when Air Force One is shot down near his campsite.

My Opinion:

I watched this last week but then I watched Mad Max: Fury Road which is a billion trillion times better than Big Game so I of course had to review that first (review HERE). Then I watched Pitch Perfect 2 yesterday which is also better than Big Game but, well, I had this review partly ready to go so let’s get this silly Samuel L Jackson movie out of the way.

I saw a trailer for this a while ago & thought it looked silly but fun. The trailer kind of made it look like Escape From New York but set in the wilderness in Finland with Samuel L Jackson playing the Donald Pleasence role & a little kid playing Kurt Russell. Ha! Well, that would have been kind of cool but Big Game isn’t quite as much fun as I was hoping. Silly, yes! Not very good. Kind of fun, I suppose. It’s not like it ruined my day or anything but it’s certainly not one you need to go to the cinema to see. Watch it at home if you’re a Jackson fan.

What I liked is that this movie said “screw it!” and just did all kinds of stupid & cliché things (oh! it’s the Secret Service guy’s final assignment before retiring? no way!) but the director & actors are clearly just enjoying making an almost “family friendly” film that’s almost done 80’s-action-movie-style. Almost. The silly side of 80’s action movies, at least. Things like Commando. Will I be in trouble for calling Commando silly? That’s the one with Alyssa Milano, right? I remember when I wanted to be cool like Alyssa Milano back in the Who’s The Boss days! Anyway – I have nothing against movies like that. Those were great! Not GREAT like in a Predator or Terminator way but, you know – more fun than most shit that gets made today. Hmm. Maybe Commando was actually awesome. I don’t remember. I should watch it again sometime. But I’m pretty sure it didn’t have the American President and a 13-year-old boy from Finland flying around all over the place in a freezer. Spoiler warning? Oops. Doesn’t matter. The flying freezer pisses all over the Kingdom Of The Crystal Skull fridge nuking! But it’s meant to be ridiculous. I think? I wouldn’t quite say this is a “so bad it’s good” movie because it’s really not that bad. If you just go into it with an open mind & in the right kind of mood, you might get a few good laughs out of it.

Summary:

I kind of had fun with Big Game. It’s ridiculous but it’s not like you’re meant to take it seriously. Remember the good old days (yeah, the Eighties) when we weren’t so judgmental & snobby about movies and just had fun with silly action movies that were violent but actually really tame and didn’t have blood & guts flying all over the place and we watched them even though we weren’t really meant to because we were a little too young? Big Game is like that. But who the hell cares now that MAD MAX: FURY ROAD is out?!?! THAT’S a great action movie just like the old days! Go to that! Don’t go to Big Game. Don’t go to Pitch Perfect 2 (did that seriously do better at the box office than Fury Road? seriously???). Go to Fury Road!

My Rating: 6/10

For those who don’t know it, there’s something called the Eurovision Song Contest every year where a bunch of countries perform an original song & try to win the contest and the songs are CRAP and everyone makes fun of the whole thing. Anyway, my favorite moment from it was the year that Finland’s entry by the band Lordi won. So I kept thinking of Lordi while watching Big Game since that’s pretty much the only thing I know about Finland. Because I’m American & Finland is outside of America. 😉 Here’s Lordi’s winning song Hard Rock Hallelujah! Lol

Argo (2012) IMDB Top 250 Guest Review

Today’s IMDB Top 250 Guest Review comes from Mark of Marked Movies. He also reviewed Heat for this project – you can read that review HERE. Thanks for the reviews, Mark! 🙂 Now let’s hear his thoughts on the movie Argo, IMDB rank 195 out of 250…

There are still some movies up for grabs if anyone wants to do a guest IMDB Top 250 review. You can find the list HERE. See the full IMDB Top 250 list & links to all the films that have been reviewed HERE.

Director: Ben Affleck.
Screenplay: Chris Terrio.
Starring: Ben Affleck, Bryan Cranston, Alan Arkin, John Goodman, Scoot McNairy, Rory Cochrane, Christopher Denham, Tate Donovan, Clea DuVall, Victor Garber, Kyle Chandler, Zeljko Ivanek, Richard Kind, Kerry Bishé, Chris Messina Michael Parks, Taylor Schilling, Titus Welliver, Bob Gunton, Keith Szarabajka, Philip Baker Hall.

After a great directorial debut with “Gone Baby Gone” in 2007 and a brilliant sophomore effort with “The Town” in 2010, all eyes were on Ben Affleck in his third outing as director. Questions were asked as to whether he could do it again. And the answer? The answer is a resounding, ‘Yes’. Argo completes Affleck’s hat-trick behind the camera and confirms that he’s definitely a director that has an abundance of talent and awareness.

Based on true events in a post-revolution Iran in 1979. A mob of Ayatollah supporters storm the US Embassy and take 56 American hostages. 6 officers managed to escape, however, and take refuge in the home of a Canadian Ambassador. After two months in hiding and their sanctuary becoming increasingly risky, the CIA hatch a plan to get them home and extraction officer Tony Mendez (Ben Affleck) is given that responsibility. His plan is to create a fake movie called “Argo” and pretend that the six officers in hiding are his crew, scouting for shooting locations within the country.

Before going into Argo, I admittedly expected a heavy-handed political thriller but that’s not exactly what it delivers. Apart from the first five minutes of a brief overview of the, questionable, political relations between the U.S. and Iran, it sidesteps any political agenda and gets down to capturing the thrilling, human drama at it’s core. I’m not adverse to political film’s at all. In fact, I thoroughly enjoy them but Affleck is wise not to get too bogged down in boardroom banter and bureaucracy when there’s an brilliantly exciting story to tell. It does share similarities with the great political tinged thrillers of the 1970′s like Alan J. Pakula’s “All The Presidents Men” or “The Parallax View“. The late 70′s and early 80′s style is captured to perfection by cinematographer Rodrigo Prieto and Affleck’s orchestration can sit comfortably beside any from that great decade of cinema.

Chris Terrio’s solid screenplay delivers many dialogue driven scenes but Affleck keeps things moving at a frantic pace and not for a second, does the film ever get dull or drawn out. The tension is almost unbearable at times. Why Affleck didn’t, at the very least, nab an Oscar nomination for his substantial and well-constructed direction here is beyond me. There’s no doubt that he’s in complete command of his material as he leaps from Tehran to Washington to Tinseltown and delivers completely satisfying environments and effortless shifts in tone for the whole film to gel and come to life. He has the ability to capture a politically ravaged country; the backroom jargon of the CIA and the dark humour of Hollywood (that shares more than a passing resemblance to Barry Levinson’s “Wag The Dog“). In order to capture this ludicrous, stranger-than-fiction story in it’s entirety, it demands a maestro at work and Affleck can certainly consider himself one.

This is the edge-of-your-seat tension that “Zero Dark Thirty” wishes it had. With only three film’s under his hat, you’d be forgiven for thinking that Affleck has been at this directing malarky for a very long time. The comparisons with actor, turned quality director, Clint Eastwood will rage on and if anyone thinks otherwise, then Affleck can tell them to “Argo fuck yourself“.

Mark Walker