The Mitchells Vs. The Machines (2021) & Abominable (2019) Reviews

Here are two quickie reviews of two fun family films that I really enjoyed.

The Mitchells Vs. The Machines (2021)

Directed by Mike Rianda

Starring: Abbi Jacobson, Danny McBride, Maya Rudolph, Mike Rianda, Eric Andre, Olivia Colman, Fred Armisen, Beck Bennett, John Legend, Chrissy Teigen, Blake Griffin, Conan O’Brien

Music by Mark Mothersbaugh

Plot Synopsis: (via Wikipedia)
It follows a dysfunctional family that winds up having to save Earth from a robot uprising while on a road trip.

My Opinion:

This movie was surprisingly good! I’m a bit snobby when it comes to animated films if they’re anything other than Studio Ghibli, Pixar or Disney. This is from Sony Pictures Animation who, to be fair, have made a lot of fairly rubbish films (other than Spider-Man: Into The Spider-Verse which was absolutely brilliant – what happened there?!). Well, this obviously isn’t as good as that one as that would be really hard to beat but it was loads of fun & certainly better than most everything put out by DreamWorks (I’m really not a fan of DreamWorks most of the time either).

Now, I’m going to keep this super short but I just wanted to do a quick post to give this recognition outside of my monthly roundup post of up to 20 or so films to say: “Hey, this movie is quite good & and one of those family films aimed at all ages & not just kids so is one that the whole family can enjoy!. Because I love family movies that aren’t just dumb humor that only very young kids can enjoy. I mean, hell, this movie has a They Live reference! A John Carpenter reference in an animated family film! And it has robots and I love robots. And, for us movie blogging weirdos, the main teenage girl is a massive movie nerd going off to film school to make movies so I know that’s also really helped to make Film Twitter go “Hell yeah!” to this movie. Oh yeah – and Mark Mothersbaugh did the music (I love Devo!). The characters are fun & likeable misfits and my pre-teen laughed in a way I’ve not heard her laugh while watching a movie in AGES. I could do with seeing it again as I was exhausted that night & a bit snoozy so maybe this rating will go up on a rewatch. Good fun, though! Am glad they make stuff like this for everyone.

My Rating: 7/10

Abominable (2019)

Directed & Written by Jill Culton

Starring: Chloe Bennet, Albert Tsai, Tenzing Norgay Trainor, Eddie Izzard, Sarah Paulson, Tsai Chin

Music by Rupert Gregson-Williams

Production companies: DreamWorks Animation & Pearl Studio

Plot Synopsis: (via Wikipedia)
The film follows a teenage girl named Yi, who encounters a young Yeti on the roof of her apartment building in Shanghai, names him Everest and embarks on an epic quest to reunite the magical creature with his family at the highest point on Earth along with her mischievous friends Jin and Peng, but the trio of friends will have to stay one-step ahead of Burnish, a wealthy man intent on capturing a Yeti, and zoologist Dr. Zara to help Everest get home.

My Opinion:

Okay, this is a DreamWorks film and as I said above, I’m really not a fan most of the time. I don’t even like Shrek all that much. Looking at their list of films now, I honestly think the Kung Fu Panda ones are my favorites. That’s probably thanks to me loving Jack Black plus an amazing score from Hans Zimmer. Honestly – go listen to Oogway Ascends (HERE)! That’s some gorgeous music for an animated film! I don’t expect that from DreamWorks – it’s Pixar who normally have the beautiful scores (Inside Out, Finding Nemo & WALL-E are some of the all-time best film scores). Oh, and don’t even get me started on Joe Hisaishi’s Studio Ghibli scores! Absolute perfection.

Well, I think I may have a new DreamWorks favorite. I liked Abominable a lot! Maybe my expectations were low? It’s very much my vibe, though – I love this sort of setting & music (it’s set in Shanghai). I thought the Yeti was lovable & adorable (I want one!) and the main characters were really good (especially the teen girl who befriends the Yeti she names Everest). And speaking of music, yes, it also had some lovely music as well. Oh, and the animation was very pretty. The girl goes on a journey with two friends to return Everest to his home after he escapes from a research facility. I’ll keep this one short as well as I don’t have much to say other than: “Yay! This was so good & I really liked a DreamWorks movie for a change and I want my own adorable Yeti!” Oh – the pre-teen loved this one as well. So maybe go more by what she says because she can be even more picky than I am.

My Rating: 7.5/10

La La Land (2016) Review

La La Land (2016)

Directed & Written by Damien Chazelle

Starring: Ryan Gosling, Emma Stone, John Legend, Rosemarie DeWitt

Music by Justin Hurwitz

Plot Synopsis: (via IMDB)
A jazz pianist falls for an aspiring actress in Los Angeles.

My Opinion:

So, this movie got a record 1,582 Oscar nominations yesterday (roughly). I finally saw it over the weekend & knew instantly that it would get loads of Oscar noms as this is the type of movie that’s SO right up the Academy voters’ street (and butt). Don’t worry – I’m not going to be all “this is overrated!”. Those people who go around shouting “this is overrated!” are so overrated. This is a lovely film. It’s a good film. It’s not, in my opinion, up there with the all-time musical greats such as The Sound Of Music, The Wizard Of Oz, Singin’ In The Rain, etc etc etc. It’s good! I enjoyed it and really liked Gosling & especially Stone, who are as great together as always. But I think people will realize ten years from now that La La Land doesn’t come close to touching the all-time classic musicals. (It’s also far less of a “musical” than I was expecting!)

I found the movie a little uneven. It starts out with a big musical number that has such a different sound & vibe from the rest of the film that it feels like it’s from a different movie. It’s an okay number (not my favorite & I can’t even remember the music from it right now) but it sets things up to be this epic musical when all we get are a few more “big” song & dance numbers (I did really like two of these) and several smaller-scale musical scenes. I felt bad thinking that this movie was overlong and could’ve had at least 20 minutes shaved off of it (it’s 2 hours 8 minutes) but I don’t think I’d have been checking my watch if they’d had more scenes like the musical number with Gosling & Stone in the observatory. That one was lovely & it was one of the only times I thought the film came close to the standard I expect from a really good musical.

This movie didn’t seem to have a clear overall goal or, shit, I dunno… a clear aesthetic? Don’t get me wrong – I loved the bold, primary colors and I’m still trying to decide which dress of Stone’s I liked the most (probably the green dress in the above photo). But this didn’t always fit with the other imagery or with the music when the movie tried to be more “classic Hollywood” or tried to go with a jazz vibe. Damien Chazelle was possibly trying to cram in too many different artistic & musical styles he likes instead of sticking to one main theme or at least trying to make these different styles mesh together a bit better. Being a lover of film & classic Hollywood, I was naturally more attracted to the scenes such as the lovely observatory number that attempted to imitate this (although some of the classic Hollywood scenes were somewhat derivative) than I was to the brightly colored musical numbers that felt like some 1990’s Gap ad. Or, as my hubby put it, a Feist video. 

I think what’s possibly my biggest problem with the movie (this may get me into trouble to say but, hey, no one is reading this, right?) – La La Land is a bit too “Millennial Musical” for me to really see it as all-time classic. I can’t see me wanting to watch this 52 years from now the way I’ll still happily watch all 3 hours of The Sound Of Music. FYI – I did the math to find out that The Sound Of Music is 52 years old. Then I realized that I’m sounding like the grumpy old person that I am so I did some more math and realized that I’ll most likely be dead in 52 years anyway, so… Okay, I guess if you really love La La Land & I’ve offended you with my “Millennial Musical” statement, you’ll get the last laugh when I die of old age soon. 😉

Summary:

La La Land is a good film with Stone & Gosling just as lovable together as always. I’m very happy for their Acting Oscar nominations and think they’re well deserved. I know I often come across as negative but I’m perfectly fine with all the nominations this film has received as I do think it’s a very good and, at times, almost fantastic film. It’s not like I could make a better movie! What do I make? Stupid spreadsheets! (Although I do make them almost as colorful as La La Land).

I just feel like some absolute masterpieces have actually been made in the past few years with little or no rewards while La La Land will likely win all it’s up for mainly because it’s the Academy voters’ type of “thing”. They love a musical and anything that celebrates their way of life. I truly wanted to love this movie. I wanted to be moved by a film that celebrates a “love of cinema & the arts” the way I was by Cinema Paradiso. Or perhaps The Artist or Hugo – these three films capture the filmmakers’ love of cinema in a way that La La Land never quite manages. I wanted the powerful emotional response I had to Arrival & to Room (btw – Amy Adams was ROBBED!!!). For whatever reason, though, La La Land didn’t strike a chord with me. It’s a lovely movie to take your mind off the rest of the world for a couple of hours but I didn’t walk out of it with that feeling of elation that I (and other movie nerds) get from only the truly best pieces of filmmaking.

My Rating: 7/10

Here’s that Feist video. La La Land is an enjoyable film but if you really don’t fancy it, I suppose you can just watch this video to get a feel for one of the three main vibes going on in it.

Plus this Gap ad:

And this is easily my favorite theme from La La Land. I do think this is beautiful and wish all the music in the film was as simple & elegant as this piece. THIS feels timeless: