What do we have today? Four (U.K. release date) 2023 films. One good, two mediocre, one a piece of shit.
Women Talking (2022)
Directed by & Screenplay by Sarah Polley
Based on Women Talking by Miriam Toews
Starring: Rooney Mara, Claire Foy, Jessie Buckley, Judith Ivey, Ben Whishaw, Frances McDormand
Plot Synopsis: (via Wikipedia)
Based on the Canadian 2018 novel of the same name by Miriam Toews, itself inspired by the gas-facilitated rapes that occurred at the Manitoba Colony, a remote and isolated Mennonite community in Bolivia, the film follows a group of American Mennonite women who discuss their future, following their discovery of the men’s history of raping the colony’s women.
My Opinion:
A worthy film with worthy acting & a worthy story that I have no clue how to review. The story? Not at all surprising but still shocking & heartbreaking. Great performances, especially from Mara & Foy (Foy was the angry one, right? I was on her side – Pissed OFF). Glad Polley was recognised with a deserved Best Adapted Screenplay Oscar. Good film that would make a great play.
My Rating: 7/10
Unlocked (2023) (Korean: 스마트폰을 떨어뜨렸을 뿐인데)
Directed & Written by Kim Tae-joon
Starring: Chun Woo-hee, Yim Si-wan, Kim Hee-won
Plot Synopsis: (via IMDb)
A woman’s life is turned upside-down when a dangerous man gets hold of her lost cell phone and uses it to track her every move.
My Opinion:
This was fine. I admit I was doing other things so I had the English dubbing on, which always ruins a movie a bit. Shame on me. The story was decent enough & shows how easily we could be taken advantage of through our reliance on our smartphones. The villain wasn’t very believable & those cops did a terrible job. Some things were also too far-fetched but it was still an enjoyable thriller.
My Rating: 6/10
The Killer (2023)
Directed by David Fincher
Based on The Killer by Alexis “Matz” Nolent & Luc Jacamon
Starring: Michael Fassbender, Arliss Howard, Charles Parnell, Kerry O’Malley, Sala Baker, Sophie Charlotte, Tilda Swinton
Plot Synopsis: (via Wikipedia)
It follows the titular assassin as he embarks on an international vendetta after a hit goes wrong.
My Opinion:
Man this was boring. Sorry. I watched it for Fassbender as I can take or leave Fincher (will this get me kicked out of the online film community?!) but his narration was too damn much. Blah blah blah! Shut up, man. And he’s usually great but his character was so bland. And The Smiths are okay but only in small doses. And the story was absolutely nothing special. What am I missing?
FYI Film Miasma – If you haven’t seen this yet, I can’t see you loving it since Fassbender never shuts the f*^k up and I know you hate too much talking in movies…
My Rating: 6/10
Beau Is Afraid (2023)
Directed & Written by Ari Aster
Starring: Joaquin Phoenix, Nathan Lane, Amy Ryan, Stephen McKinley Henderson, Hayley Squires, Denis Ménochet, Kylie Rogers, Parker Posey, Patti LuPone
Plot Synopsis: (via Wikipedia)
Its plot follows the mild-mannered but paranoia-ridden Beau as he embarks on a surreal odyssey to get home to attend his mother’s funeral, realizing his greatest fears along the way.
My Opinion:
What a load of bollocks. Literally.
Tromeo & Juliet did it first. And better.
Okay, the above two lines are all I wrote on Letterboxd. Because, honestly, sitting through this goddamn film was exhausting & I couldn’t be arsed to write anything about it after it had already wasted too much of my precious time.
I’ll say this: I find Ari Aster’s films interesting and, as I always say, I far prefer interesting to boring. Although I didn’t love them, I still appreciated a lot about Hereditary & Midsommar & wrote quite a lot about them in my reviews. I struggle to even write the short Letterboxd 8-line paragraph for most films now because, well, most movies these days aren’t worth saying much about. They’re bland.
So at least Beau wasn’t bland, I guess. But, unlike Hereditary & Midsommar, there’s nothing I appreciated about it. And I like weird. And I often like slightly pretentious. Hell, I think I love what I’ve seen of Alejandro Jodorowsky’s films (Santa Sangre & El Topo). Love them or hate them, you at least can’t say those two films aren’t entertaining! Weird & pretentious can be fine but I want a movie to also be watchable. Beau is like some kind of endurance test to see if you can sit through the damn thing just to get your film community cred on Letterboxd & shit. Do I win something?! It took me about six separate times but I suffered through all of this thing! Are you all happy now?!?!
Beau is afraid. Of what, I don’t know. Giant penises, I guess. I don’t care. Beau can go f*^k himself.
Okay, I thought of one thing I liked. I’m giving this an extra half a star for that guy hanging from the ceiling. Because of all the what-the-fuck moments in this, that one was the what-the-fuckiest for me for some reason. Oh, and I think there’s at least two head squishings, including one I think you see (I dunno, I looked away). Aster loves his decapitations & head squishings! I’m sure they all have some deep f*^king meaning, of course.
(Yet I’d probably still rank this above Under The Silver Lake. But maybe below the horse-fucking movie. Yes, below the horse-fucking movie. Oh my god – I just realised that all three are A24 films… I’m starting to seriously hate you, A24!)
My Rating: 4/10
*Added an extra half a star for the freaky mask during the play too. Ugh. Am I trying to talk myself into liking this piece of shit?! Oh – Minus half a star for ripping off Tromeo & Juliet, though. Wait… Also adding an extra half a star for having the young girl from Space Station 76 in this because that movie is kind of great. But minus half a star for now tainting that movie for me.
Oh! And you know what else is better than Beau Is Afraid? The movie about people disappearing up a guy’s butt. Seriously. I’d watch Butt Boy 100 times before I’d ever sit through Beau Is Afraid again. (maybe)
I’ll still probably watch Ari Aster’s next film. I hate myself.