Border (2018) Review

Border (2018) (Swedish: Gräns)

Directed by Ali Abbasi

Based on Border by John Ajvide Lindqvist

Starring: Eva Melander, Eero Milonoff, Jorgen Thorsson, Ann Petrén, Sten Ljunggren

Plot Synopsis: (via IMDb)
A customs officer who can smell fear develops an unusual attraction to a strange traveler while aiding a police investigation which will call into question her entire existence.

My Opinion:

Er. Um. What the fuck did I just watch?! Well. Huh. This was an interesting film…

First of all, this was personally recommended to me by an old high school acquaintance so I thought “What the hell, I’ll check it out” when a local cinema actually showed this one last week. THIS is why I don’t listen to “real life” people. I only trust my fellow movie blog nerds! To be fair, she was right in that this movie is kind of right up my alley. I love foreign films and I appreciate weird. I watch so many films that I get bored with the same old predictable storylines. I want to see a film I’ll remember. Something like Mandy! And, yeah – I suppose Border too. I’ll certainly always remember it, at least. Not gonna lie, though – it’ll mostly be the sex scene and that penis that I remember.

Eva Melander plays the customs officer who can smell fear and she was very good in this film. You could feel her loneliness and how she feels like an outsider. Her performance is the best thing about the movie overall and, without that performance and character, I don’t think this would have as high of a rating as it does (7.1 on IMDb). I do think people rate foreign films a bit too highly sometimes – not all foreign films are good. I did like the creepy animal attraction she had with the mysterious stranger and did enjoy the overall story. For once I can say that I truly had no idea what the hell was going on in a movie.

I’ll keep this short as I think this is one of those films where you’re better off not knowing too much about it beforehand. If you like weird and you like the unexpected and you like bizarre graphic sex and you like foreign films and you like indie films and you like Frozen, you might like this truly strange Swedish film. There’s even a mention of Ikea at one point. YES! I’d have been disappointed if they hadn’t mentioned Ikea. And, yes – I meant the Anna & Elsa Frozen when I said Frozen. This has small Frozen vibes but is most definitely NOT child-friendly. There’s also mention of disturbing things involving children (though thankfully not shown), so be aware of that beforehand. And if you do watch this based on my half-assed review and end up scarred for life, I take no responsibility. Watch at your own risk! You might love it or you might hate it but I promise that you won’t forget it. I’d like to give it a higher rating based mostly on Melander’s performance but don’t think the film itself is as good as it could’ve been.

My Rating: 6.5/10

Advertisements

Watched, Read, Reviewed: February 2019

Oh, look! I’m late with another one of my monthly roundup posts! Oh well. Happy March, everyone! Here’s the stuff I watched & read in February…

MOVIES THIS MONTH

MOVIES REVIEWED (ranked best to worst):

Alita: Battle Angel – 7.5/10
The Kid Who Would Be King – 7/10
The Lego Movie 2: The Second Part – 6.5/10
Happy Death Day 2U – 6.5/10

MOVIES WATCHED (ranked best to worst):

In The Heat Of The Night – This is a 2019 Blind Spot choice of mine so I’ll do a full review at some point. I selected it as I want to see more Sidney Poitier movies. Loved him in this. – 7.5/10

Alita: Battle Angel – 7.5/10

Belle de Jour – I’ve always wanted to watch this so was happy when it appeared on Amazon Prime. Kinky Pretentious French Shit! Oh man, this was so tame. I suppose it was saucy for 1967. But, hey, I’ve now watched my first Luis Buñuel movie so I can pretend I’m all smart and arty & shit. And I’d rather watch kinky shit than that Un Chien Andalou eyeball film of his. Here’s the synopsis from Wikipedia if you don’t know this movie: “Based on the 1928 novel Belle de jour by Joseph Kessel, the film is about a young woman who spends her midweek afternoons as a high-class prostitute, while her husband is at work.” Catherine Deneuve is lovely and very good as the frigid housewife who turns out to be a masochist who wants mud (or was it pig shit?) chucked at her like in that photo up there. She’s unsatisfied in her marriage since her hubby is so perfect and so damn nice. He’s actually quite a hottie (played by Jean Sorel) and a doctor and a total catch so you can’t help but feel sorry for the way his wife is unable to return his affections. It’s a good film, yes. It’s a classic. But it’s a bit boring by today’s standards. And if you’re a Fifty Shades fan (I’ve avoided those books & films like the plague), you’re unlikely to go for the artsy fartsy kinkiness in this. Deneuve can actually act, though, unlike what I’ve managed to see of Dakota Johnson’s work. – 7/10

The Kid Who Would Be King – 7/10

A Silent Voice – I’ve been trying to watch more anime beyond just Studio Ghibli so I checked this out as it’s available on Netflix. I have to say that this one was just “okay”. It’s certainly not up there with the Ghiblis or with the work of directors such as Mamoru Hosoda or Makoto Shinkai. It’s most similar to Shinkai’s work in that the story was a little too “YA” for me but, unlike Shinkai’s films, this one didn’t have the same level of beautiful animation to distract you from the, er, “YA-ness” (I made up a new word!). The story revolves around a teenage boy who befriends a deaf girl he had previously bullied at school when they were younger. The girl and her sister were fairly strong characters but the boy was a little hard to like. Overall, though, the characters weren’t as well developed as they have been in the other anime works I’ve mentioned. Considering that this film is actually quite long, I expected to buy into the characters more. The story also dragged and didn’t seem to really go anywhere until it just suddenly ended. This film was okay but I’d only recommend it to anime fans and certainly not as an introduction for someone new to this genre. – 6.5/10

The Lego Movie 2: The Second Part – 6.5/10

Happy Death Day 2U – 6.5/10

Truth Or Dare – I did NOT expect to like this AT ALL. Why do I watch so many horror movies I expect to be shitty?! Oh yeah – because my husband doesn’t get mad at me when I watch shitty movies without him. 😉 Anyway, this is a pretty typical cheesy slasher film filled with twenty-something twats. But as far as that sort of thing goes, I actually thought this was fairly decent example of the genre. A good bad horror movie! Here’s the synopsis from IMDb: “A harmless game of Truth or Dare among friends turns deadly when someone — or something — begins to punish those who tell a lie or refuse the dare.” I’m a sucker for supernatural horror so was happy about that aspect of the film but know this doesn’t work for everyone. The story actually gave me a Final Destination vibe as this “curse” comes after these characters one by one and there’s seemingly no way out as they are forced to play along or die. The characters were somewhat better than your usual twenty-something horror twats, too. Most were even likable! Only two were assholes. I want to want characters to survive and will never understand why horror films often make absolutely everyone hateful. The overall story is a little predictable and it doesn’t exactly feel like we’re seeing anything new here. However, some of the truths & dares were fairly original and I had a decent enough time watching this knowing it’s slightly silly. The ending was also a bit stupid but, hell, what movie like this doesn’t have a stupid ending?! I’ve seen plenty of twenty-something twat supernatural horrors far worse than this one. – 6/10

Breaking In – This film also wasn’t too bad as far as lightweight “PG-13-Style” home invasion movies go. Is it a bit cheesy? Of course! But are the family likable and do you want them to survive? Yep! Good enough. What more do you need from this sort of movie? I wasn’t expecting something Oscar-worthy here. Gabrielle Union was good and I loved that she was pretty kick-ass for a mother but also not unrealistically so. I actually hate movies like this where a character makes no mistakes whatsoever – that’s unrealistic as we’d all fuck things up in this sort of situation in real life. Wow – Union looks young, though. I had to look up her age and she’s actually a bit older than me. Damn. Lucky her! Well. I don’t know what else to say. This movie is flawed. It’s ridiculous at times. It’s far from perfect. But I liked it. It’s the sort genre we saw a lot more of in the 80’s & 90’s. I miss this kind of straightforward cheesy thriller sometimes. It’s not trying to be anything more than that. – 6/10

Race To Witch Mountain – Almost forgot to add this one because I forgot I’d watched it. That’s because it’s… Forgettable. My kid is obsessed with The Rock, though, so we’ve been working through his movies. I wish I’d seen the original 70’s Disney film, Escape To Witch Mountain, as I’d probably prefer it. I thought this was a remake but it’s actually a continuation of the original story? Is that right? Oh well. The two original kids did have cameos in this, which is cool. Oh! And Meredith Salenger had a small cameo as a reporter named Natalie Gann. Excellent! I love The Journey Of Natty Gann! So I loved Disney’s nod to their other films but, meh, this movie was nothing special. I’m sure some kids who grew up with it like it but I think my own kid was a bit bored. It’s bland, wholesome, live-action Disney. Oh, but the girl (AnnaSophia Robb) was good and was in a lot of these family films when younger. She was also in the excellent Bridge To Terabithia, which I’d recommend over this one. – 5.5/10

Life Of The Party – Meh. I’m not a big fan of Melissa McCarthy or of this sort of comedy. But the kid likes McCarthy (like The Rock!) so I let her watch some of the less saucy bits of this. Which means I saw all of this. I suppose I maybe had a small chuckle. Maybe even two! They both revolved around McCarthy & her character’s friendship with Maya Rudolph. Those two are good together. I kind of feel the way I always feel about these sort of stupid comedies: it’s no more stupid than the stupid comedies with males in the lead roles. They’re equally stupid but the ones with female comedic leads receive unfair treatment that I’ll never understand. But I won’t get too far into that discussion within a review for this particular movie since, overall, this one is a bit shit. But McCarthy and Rudolph are fun to watch together. – 5/10

Re-Watch: Single White Female – God, this movie is so shit. The acting is atrocious. Goddamn I thoroughly enjoyed re-watching this pile of shit all these years later while stuck in a hotel with nothing else to watch. This is the kind of cheesy thriller I was talking about in my Breaking In review. We had so many films like these in the 80’s and especially the early 90’s. I kind of miss these shitty thrillers with bad acting! Remember the movie Malice with Nicole Kidman & Alec Baldwin? That was early 90’s too. I loved that movie for some odd reason. Oh! And how about The Hand That Rocks The Cradle?! I kind of liked that piece of shit too. Man, early 90’s movies were crap. Anyway – Single White Female is kind of in the “So bad it’s good” territory. I love Jennifer Jason Leigh and her overacting here and Bridget Fonda’s, I dunno, underacting? Does she have any emotions at all? And how crap is this movie title? And who the hell doesn’t remember the high heels in this film?! Classic cheese. I kind of feel like giving this a slightly higher rating but can’t in good conscience do that… – 6.5/10

BOOKS, TV, MUSIC, MISCELLANEOUS THIS MONTH

BOOKS READ

The Woman In The Window by A.J. Finn – I read this as it’s being made into a movie starring my beloved Amy Adams. It’s a “cheesy thriller” like I was talking about in my Single White Female review (though not as much fun). It starts out great and I loved the mystery and trying to figure out what the hell was going on. Unfortunately, like most of these sort of thrillers (other than Malice!), this one kind of craps out in the end. Disappointing as I was pretty into the story while reading it. It felt a lot like when I read The Girl On The Train – It’s a real page-turner but, by the end, I felt pretty “meh” about it. It’s better than The Girl On The Train, however, since the characters aren’t hateful as hell. I also loved the Rear Window aspect to this (my favorite Hitchcock film) and how the character had a thing for classic black & white Hitchcock-like films (I’ve added some movies to my Watchlist thanks to this book). Overall, it’s a fun read. It’s slightly forgettable but should make for a decent enough film. Here’s the plot synopsis from Amazon: “Anna Fox lives alone—a recluse in her New York City home, unable to venture outside. She spends her day drinking wine (maybe too much), watching old movies, recalling happier times . . . and spying on her neighbors.

Then the Russells move into the house across the way: a father, a mother, their teenage son. The perfect family. But when Anna, gazing out her window one night, sees something she shouldn’t, her world begins to crumble—and its shocking secrets are laid bare.”3/5

Now Reading: (I’m in the middle of both of these – I’ll review them next month)…

The Rats by James Herbert – I’ve actually never read a James Herbert book before, despite loving cheesy horror novels. Enjoying this so far. Pretty damn gruesome. Was this never made into a bad movie?! I’d totally want to see that…

The Knife Of Never Letting Go by Patrick Ness – I started this book as it’s been made into a movie that was meant to come out this month but it’s now saying it’ll be a 2020 release. Not a good sign! I have to say, so far, I can’t see how they could easily make this into a decent movie. It’s also yet another YA dystopian novel (why can’t I stop reading this genre?!). Here’s the film’s plot synopsis from IMDb, which had me very interested: A dystopian world where there are no women and all living creatures can hear each others’ thoughts in a stream of images, words, and sounds called Noise.

TV SHOWS WATCHED (ranked best to worst)

Kingdom – Again, have been too busy for TV so have still not watched this past the first episode. I really need to as I’m sure it’s SO much better than The Walking DREAD.

Grey’s Anatomy – God I hate/sort-of-love this stupid show. I wish it would end so I could stop watching it.

The Walking Dead – Fuck this show. Someone cancel this, please!!! I’m now forced to watch it to the end since I’ve wasted all these years on it! Help! I’ve fallen a few episodes behind, though – I hope they’ve killed off some more main characters.

BLOG PLANS FOR THE COMING MONTH

No blog plans! But lots of March releases I want to see. 🙂 And I’m desperate to find the time to watch The Love Witch, which was on Film 4 last weekend. Thank god for one channel actually showing films beyond just the mainstream stuff…

Upcoming March Releases I Want To See:

Fighting With My Family – Saw it! It was surprisingly good!

Captain Marvel – Saw it! Enjoyed it much more than I was expecting.

Border – Saw this too. Huh. It’s odd as shit! I’ll review it at some point.

The Kindergarten Teacher – Meh. I’ll wait for Netflix.

The Prodigy – A shitty supernatural horror about a creepy kid? That’s so ME. But I’ll wait for Netflix since I’m sure it’s bad.

Under The Silver Lake – Intriguing synopsis and from the writer & director of It Follows, which I loved. But the reviews are meh so far.

Us – This looks intense. Looking forward to this (and hoping it’s better than Get Out, which I thought was just “okay”).

Five Feet Apart – More YA romance crap. Sounds like The Fault In Our Stars. Barf. (I’ll totally watch this when it’s on Netflix)

At Eternity’s Gate – Will check this out on Netflix for Dafoe’s Oscar-nominated performance as Vincent van Gogh.

Lords Of Chaos – This sounds interesting as hell. Not had the greatest reviews, though.

Dumbo – I’m SO sick of live-action Disney remakes. And how bloody AWFUL does Aladdin look from the trailer?! But I’m a hypocrite and will definitely go to this because, well, it’s Tim Burton and Dumbo looks cute as hell (those big blue eyes!).

Captive State – When I saw the trailer for this, I thought it looked like it would either be a massive turd or massively awesome. The IMDb rating now suggests it’s a massive turd. Oh well.

There wasn’t a lot of great music in the movies I watched in February. I’ll end with a song featured heavily in Breaking In. It’s not normally my kind of thing but I do like this song. It’s a classic. And there’s something weirdly menacing about it, which is why it worked quite well in the film. I SWEAR this song has been used in countless other films. It’s perfect for movies…

The Flamingos – I Only Have Eyes For You

Fighting With My Family (2019) Review

Fighting With My Family (2019)

Directed & Written by Stephen Merchant

Based on The Wrestlers: Fighting with My Family

Starring: Florence Pugh, Lena Headey, Nick Frost, Jack Lowden, Vince Vaughn, Dwayne Johnson

Plot Synopsis: (via IMDb)
A former wrestler and his family make a living performing at small venues around the country while his kids dream of joining World Wrestling Entertainment.

My Opinion:

Wow. I enjoyed this film waaay more than I was expecting! First of all, I better point out that I’m not a wrestling fan whatsoever and have zero knowledge in that field. So I enjoyed this as a really fun piece of entertainment, however close to the true story this movie may be. I have no idea but I’m sure the rise to fame wasn’t quite as simple as portrayed (but movies always exaggerate that). I see this is based on a documentary about the same people (The Wrestlers: Fighting with My Family) so I’m sure that’s worth watching if you’re a wrestling fan and want something that’s going to be more factual.


I have to say that I was never a fan of The Rock but, for some odd reason, my daughter loves him. So he’s really grown on me as I’ve now been forced to watch so many of his movies. Well, FYI: He’s hardly in this but that doesn’t hurt the film in the slightest. This story is about the female pro wrestler (Saraya “Paige” Knight) and her (very British!) wrestling family. The Rock does have a (quite cheesy) cameo but the family are a riot and their story was so bizarrely heartwarming (for a family that regularly bodyslam the shit out of each other). Seriously – as someone who’s very rarely a fan of comedy in movies these days, I have to say I laughed (or at least smiled) quite a lot throughout this film. Especially during scenes involving the parents, played by Lena Headey & Nick Frost. They were hilarious. Give me Headey’s character in this over Cersei! I’d love to see her two characters in the ring together. I think Cersei would have her ass kicked.

I really think this is one of those movies that has something for everyone. It’s a great family film, though not for kids too young due to some saucy language (which isn’t something that bothers me since I have a potty mouth). The family are funny yet lovable and you can tell that they’re very close. There’s some jealousy when one of them becomes a big star but the family never come across as fake and nothing feels over the top: They feel like a slightly bonkers but real family who could be living next door to you. You can tell they have a true passion for what they love, which any viewer can relate to whether or not they share that same interest in wrestling. Lovers of sports as well as haters of sports (like me) should all get something out of this movie. It was also great seeing a typical British community portrayed in the film and seeing how wrestling brought them together. I had no knowledge of this film beforehand so the English setting (in the beginning) was a pleasant surprise. What can I say? I really enjoyed this film! About a family of wrestlers!!! Huh.

My Rating: 7.5/10

Captain Marvel (2019) Review

Captain Marvel (2019)

Directed by Anna Boden & Ryan Fleck

Based on Captain Marvel by Stan Lee & Gene Colan & Carol Danvers by Roy Thomas & Gene Colan

Starring: Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Djimon Hounsou, Lee Pace, Lashana Lynch, Gemma Chan, Annette Bening, Clark Gregg, Jude Law

Plot Synopsis: (via Wikipedia)
Set in 1995, the story follows Danvers as she becomes Captain Marvel after Earth is caught in the center of a galactic conflict between two alien worlds.

My Opinion:

I’m short on time & haven’t even done my February Roundup post of movies I’ve watched but figured I better say a little something about Captain Marvel. After all the weird controversy and all the whining and all the sad losers down-voting it online before even seeing it, I didn’t know what the hell to expect. I’ve really enjoyed all the Marvel films although I’d never call them personal favorites and I feel that they’re all the same story and follow the same formula. I’d happily live without more superhero movies for a while. However, the Marvel ones are thoroughly entertaining and have a fun sense of humor that I appreciate (they’re popcorn movies – superhero films should be fun!).

Anyway, I thought I’d do a quick review of Captain Marvel since it’s had such unfair treatment and I wanted another positive review out there in the world. I thoroughly enjoyed this film and, dare I say, I liked it even more than several other MCU films. I thought it was actually stronger as far as story & character development than some of the other standalone origin films (it’s way more fun than Thor, for example, as much as I lust over Hemsworth). I’ve added Captain Marvel to My Marvel Cinematic Universe Movie Ranking (HERE). I’m still on a high after seeing it so, yes, I may have it a little too far up the list but it’ll be obvious that my favorite movies are the “funny” ones and I’m happy to say that Captain Marvel has way more humor than I was expecting. Pretty ironic after all the “why can’t she smile on the poster?” idiocy, huh? Samuel L. Jackson was especially hilarious (I adore that badass motherfucker) and it was a delight seeing him with Larson: Their real-life friendship gives them a great on-screen chemistry.

Wait. No. Goose was the most humorous character! Who the hell doesn’t love Goose after seeing this movie?

Is Captain Marvel a perfect film? No. Does it break Marvel’s formulaic superhero mold? No, other than its superhero lead being female. The movie does drag at the start but I feel the same about most other origin films. I thought they could’ve done much more with the characters played by Bening, Law & even Lashana Lynch as they were very underdeveloped. The young girl was sweet – I’d like to see more of her if they were to ever do another film (Oops – I just Googled her character! We’re likely to see her…).


Larson was really good in this role so I’m happy she’s proven everyone wrong (not that haters would ever admit it). I’ll be honest & say that I wasn’t sure of the casting choice either as she’s so good in serious dramas such as Room & Short Term 12 and I couldn’t picture her as a superhero. And as I said earlier, the Larson/Jackson duo was great. Seeing SO much of Nick Fury was fantastic. It’s about time! I loved him and the de-aging thing was scary good.

Will this movie be speaking to me more, though, since I’m female and was a similar age in 1995 so of course loved the references and the music? Probably. (No Doubt! Garbage! Hole! Blockbuster!!). So what? We all like different things and this movie won’t speak to everyone in the same way. I get that. But to trash it (without even seeing it) makes no sense to me. There’s a bit of “girl power” stuff but it’s not over-the-top or annoying (there’s actually a good message about never giving up, which is a message for everyone). In fact, this film is far less “political” than a lot of other superhero films. It’s a typical MCU film but actually more fun than a lot of them. And as for DC, I actually sort of enjoyed Captain Marvel as an overall film a little more than Wonder Woman. Sorry! I do think Wonder Woman is a stronger character. I’m a total sucker for the Eighties more than the Nineties, though, so I’ll probably prefer the next Wonder Woman. Give me 80’s music over 90’s! It feels a little sexist to compare the two but it’s hard to not make a comparison. Both these female-led films are really good examples of the superhero genre and are undeserving of backlash. But I honestly don’t give a shit when it comes to the genders of a film’s stars: I just want a good, entertaining movie. That’s what I got.

My Rating: 7.5/10

Stan Lee Cameo: First of all, there’s a lovely Stan Lee tribute at the start of the film which I’m sure has left everyone very teary-eyed. Then his cameo, fairly early in the film, was easily one of my favorites (and so adorably 90’s!). They even made a very small change to this cameo after his death, which made it even more meaningful (you can read about it HERE but it’s obviously a spoiler).

End Credits Scenes: There are two end credits scenes. The mid-credits scene has me very excited for Endgame (and got a very big reaction from an equally excited audience in my cinema). Don’t miss this scene. There’s also a funny post credits scene that got a lot of laughs from the clued-up people who stuck around (seriously, people – how do you not know by now that there are scenes after the Marvel end credits start rolling?!). Oh – and not only did the mid-credits scene get a huge reaction, all the funny bits in the film got lots of big laughs from my packed audience. So much for the “predictions” that this film would be a flop & that no one wanted to see it…

Number of people using their phones during this movie: Three. STOP LOOKING AT YOUR FUCKING PHONES IN CINEMAS, PEOPLE! It’s a bright fucking screen in a dark fucking room! Do you really think that the eyes of everyone sitting behind you don’t immediately go to your goddamn bright screen when you look at your phone?! SO FUCKING DISTRACTING. So fuck you very much to the woman who ruined the Stan Lee tribute as well as a very important moment of backstory explanation during this film by flashing her stupid phone. *Rant over*

Here’s No Doubt’s Just A Girl. I’ve always loved this song.

The Kid Who Would Be King (2019) Review

The Kid Who Would Be King (2019)

Directed & Written by Joe Cornish

Starring: Louis Ashbourne Serkis, Dean Chaumoo, Tom Taylor, Rhianna Dorris, Rebecca Ferguson, Angus Imrie, Patrick Stewart, Denise Gough, Noma Dumezweni, Nathan Stewart-Jarrett, Mark Bonnar, Alexandra Roach, Genevieve O’Reilly, Nick Mohammed, Adam Buxton

Plot Synopsis: (via Wikipedia)
The plot follows a young boy who finds King Arthur’s legendary sword Excalibur, and must then use it to stop an ancient enchantress from destroying the world.

My Opinion:

Yes, I’m a grown woman but I still get excited when fun family films get made. I’ll always be a nerd. I was seriously looking forward to this one as I thought Joe Cornish’s previous film (Attack The Block) was pretty damn great. Unfortunately, this one doesn’t quite live up to Attack The Block but it’s still an enjoyable film. It’s also aimed younger so is more appropriate for the whole family if your kids aren’t old enough for Attack The Block.

Louis Ashbourne Serkis does a good job as the protagonist (son of Andy, of course. Ah, showbiz nepotism!). But the best part about this film is Angus Imrie as a young Merlin. He’s silly and likable and makes the film a lot more amusing as, without him, there isn’t a lot of humor plus the pacing is a bit slow at times. Oh, and OF COURSE the scenes involving Patrick Stewart are AWESOME since Patrick Stewart RULES. Stewart plays the old version of Merlin and we unfortunately don’t get to see enough of him. But young Merlin is so much fun that you don’t mind the movie switching back & forth between the two of them.

I don’t have a lot to say about this movie. It’s fun and, as always, I really appreciate when decent family films get made. As a lifelong movie nerd, I want to be able to take my kid to movies that I can get some enjoyment out of as well! I think I hyped this one up too much in my mind because of Attack The Block, though. Overall, this movie felt a lot longer than it was and it definitely dragged in places (I’m afraid it didn’t hold my daughter’s attention very well). I never warmed up to the two bullies that eventually team up with our heroes. Also, all the characters could have been stronger and lacked development. But, hey – it was cool getting a unique twist on the King Arthur legend and it’s great to think that it might get some kids interested in further exploring that story. Some kids will enjoy this more than others will but I’m sure that it could end up being a favorite childhood film for kids who really buy into the story. Joe Cornish is still one to watch – I’d be happy to see him direct another film.

My Rating: 7/10

Happy Death Day 2U (2019) Review

Happy Death Day 2U (2019)

Directed & Written by Christopher Landon

Based on Characters by Scott Lobdell

Starring: Jessica Rothe, Israel Broussard, Rachel Matthews, Phi Vu, Suraj Sharma, Sarah Yarkin, Ruby Modine

Plot Synopsis: (via IMDb)
Tree Gelbman discovers that dying over and over was surprisingly easier than the dangers that lie ahead.

My Opinion:

Here’s a quickie review for yet another “meh” modern horror film. I don’t know why I keep watching modern horrors. I guess I’m a bigger horror fan than I like to admit. If scrolling through Netflix, I’ll always choose a horror over a comedy or a girly romance. However, as much as modern horror sucks, I didn’t hate these Happy Death Day films (my “meh” review of the first film is HERE). They’re fine for a bit of fluffy, PG-13-level-horror fun. In fact, I preferred this sequel to the first one, although I can definitely see some absolutely hating this one as it takes a weird sci-fi direction and really ups the comedy to make this a horror comedy (even though it’s not labelled as that, which will be misleading to straightforward horror fans).

I suppose the main reason I enjoyed this one more was because the main character is no longer a bitch. I know the whole point of the first film was that her experience made her a better person but I never enjoy watching a hateful protagonist. Why should I care about the fate of someone who’s an absolute twat? This role is played by Jessica Rothe and the only praise I’ve really seen for this film is for her performance. She does carry both of these movies and does do a good job. The rest of the actors are very weak in comparison and I can’t decide if the comic relief of a rival girl in this one was annoying as hell or kind of funny. Her character is certainly cheesy but really gave the movie a 1980’s slasher comedy vibe and I’m a sucker for that decade.

That’s probably another reason why I don’t hate these movies: they’re clearly trying for a fun 80’s slasher comedy thing. I’m thinking of things like April Fool’s Day (which, by the way, is awesome and a million times better than Happy Death Day so I’d recommend that over these films). I’m happy that there’s some love for the silly 80’s horror that I grew up on so I appreciate that films such as these two and The Final Girls are being made as an homage to that era. The Final Girls is superior to the Death Day films but none of them manage to fully capture the spirit of the slasher classics and I can’t say that the Death Day films aren’t quite flawed overall. The story gets far too messy in this sequel and is really just a copy of the first film but with added (fun but unnecessary) sci-fi and way more silliness. It’ll definitely be hated by some people. My hubby thought it was abysmal while I thought it was cheesy but had some fun moments and, thankfully, a main character that I didn’t hate this time. It wasn’t worth the cost of going to see it in the cinema, though. We had some time to kill and it’s the only option we had. Wait for Netflix on this one.

My Rating: 6.5/10

Alita: Battle Angel (2019) Review

Alita: Battle Angel (2019)

Directed by Robert Rodriguez

Based on Gunnm by Yukito Kishiro

Starring: Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali, Ed Skrein, Jackie Earle Haley, Keean Johnson

Plot Synopsis: (via IMDb)
A deactivated female cyborg is revived, but cannot remember anything of her past life and goes on a quest to find out who she is.

My Opinion:

I went into this with zero expectations or knowledge of the source material. I really enjoyed this film! It’s actually my favorite 2019 cinema release so far (but I’ve not managed to go to many movies so far this year). It’ll be interesting to see where it ranks for me by the end of the year.


First of all, this movie succeeds where so many others spectacularly fail: it has likable and fairly well-developed characters that the audience will actually care about. Okay, it’s a fun action sci-fi movie so there are plenty of one-dimensional characters but the writers clearly put some time & effort into the ones that really matter (they just could’ve spent a little more time on the male love interest). The female cyborg (Rosa Salazar) and the father-figure man who “revives” her (Christoph Waltz) are great characters and their relationship is the best thing about the film. I wasn’t sure how I’d feel about the look of Alita herself but I thought they did a fantastic job with her. They got a good balance between making her look different from the humans while still seeming human emotionally (especially through her extra big eyes that you quickly get used to) and never entering into creepy uncanny valley territory. She’s more likable than the majority of “human” characters in films these days. I also loved that she’s this kick-ass warrior while at the same time having the feelings and innocence of a sweet teenage girl. This could have come across as really cheesy if not handled right but it works perfectly in this film and I can’t see anyone not getting some enjoyment out of this movie, especially lovers of fun sci-fi action.

I think it’s hard to make a sci-fi film these days that doesn’t feel derivative as there have been so many brilliant stories in this genre. Does the story in Alita feel totally original? No, I suppose it doesn’t. Yet I felt like I was watching a sci-fi film I haven’t really seen before despite it borrowing from so many other films. It’s a cross between Rollerball (1975) & Blade Runner with elements of Bicentennial Man and Ellen Ripley’s Aliens “female kick-ass” action crossed with a good coming of age teen flick. It’s an odd combo that somehow works, making the film a lot of fun and making it feel more unique than it actually is. As for Rollerball, it takes the only good thing about that overall somewhat boring movie: the violent & thoroughly entertaining sport itself. It’s only one small part of Alita, though, as there are so many other storylines going on but it did add some extra fun and action to the film.


I’ve not read reviews so don’t know how others feel about this film but I hope that sci-fi lovers enjoyed it as much as I did, whether male or female. I know there’s sometimes backlash when there’s a female lead in what’s seen as a more male-dominated genre. I’ll never understand that. A good movie is a good movie and the characters are far stronger in Alita than in a lot of sci-fi films, which often lack character development. The amount of action in this should keep fans happy as well. There’s loads of action with some great fight scenes involving all kinds of funky-looking cyborgs that you really want to see Alita kick the shit out of.


Now to give this movie my rating… I struggled with this one! I’d almost up my rating to 8, actually. I might. I often come back to reviews later and adjust my rating. Bear in mind that sci-fi is my favorite genre and this movie is very much my type of thing. The film isn’t perfect. It could’ve been better. It could’ve gone deeper into Alita’s story and her feelings and the meaning of being human (explored more in things such as Ex Machina). The “baddies” were weak and we didn’t get to know enough about their motivations (the characters played Jennifer Connelly and especially Mahershala Ali, who felt a bit wasted in this). Well, sort of played by Ali… I won’t get into that (spoiler). I wouldn’t call this film shallow but it could’ve been more of a “thinky” sci-fi. However, it was a lot of fun to watch and I loved the characters. Sometimes we expect a bit too much from movies. I’d happily watch this one again, which I can’t say for a lot of movies I’ve watched in recent years. I’d love to see this one get a sequel.

My Rating: 7.5/10

The Lego Movie 2: The Second Part (2019) Review

The Lego Movie 2: The Second Part (2019) Review

Directed by Mike Mitchell

Based on Lego Construction Toys

Starring: Chris Pratt, Elizabeth Banks, Will Arnett, Tiffany Haddish, Stephanie Beatriz, Charlie Day, Alison Brie, Nick Offerman, Maya Rudolph

Music by Mark Mothersbaugh

Plot Synopsis: (via IMDb)
It’s been five years since everything was awesome and the citizens are facing a huge new threat: Lego Duplo invaders from outer space, wrecking everything faster than they can rebuild.

My Opinion:

Damn. What a massive letdown after The Lego Movie, which I thought was one of the best and most original animated family films of these past several years. I think they need to stop with all the freaking sequels for EVERY animated family movie that’s EVER been made. Pixar, Disney, DreamWorks, whatever the hell studio made this (Warner?), etc etc etc. STOP! Just stop it, dammit! Surely they now know they’ve gone too far after the huge negative reaction to the atrocious-looking Will Smith Aladdin Genie?!?! Stop it with the sequels and the reboots and the remakes and especially the pointless live-action versions of animated classics! Latest rumor I saw online was a live-action version of A Nightmare Before Christmas. OMG. Don’t touch that! It’s perfect as is! I’ll boycott! I’ll march! I’ll go on a hunger strike! (Okay, maybe not a hunger strike)


Oh. Yeah. Back to The Lego Movie 2. After all my ranting & raving, I can’t quite put my finger on why this one was so bad compared to the first. It just lacked the heart of the original. It felt stale and unoriginal. It felt soulless. It felt like a cash-grab (as do the majority of these animated sequels). The story felt forced to fit in with the ending of the original & the sort of values that movie was promoting. The jokes weren’t as funny and there weren’t as many fun surprises & cameos. It wasn’t clever in the same way the first one was with things like the Kragle and the “Piece of Resistance”; the script for the first film was smart & truly funny. And Tiffany Haddish has quite a big voice role in the sequel, which is not fun to listen to if you find her as obnoxiously annoying and unfunny as I do (If you love her, you’re in luck!). Also, Emmet’s naive & charming cluelessness got less and less charming as this movie went on, but I’m wondering if that’s just me finding the real life Chris Pratt less and less charming lately as well. Man I’m a bitch! I think I need “unknown” celebs to be in movies since there are far too many that get on my nerves. I have to say that I appreciate Ralph Breaks The Internet a bit more now, which I found very disappointing at first. What I realised is that I still loved the characters in that sequel just as much as in the first film, which made up a bit for the story being weak. I found I didn’t care about the characters in The Lego Movie 2, although it was nice getting to know a little more about Wyldstyle (I still like her).


Okay, this movie wasn’t all bad. It just had a lot to live up to. What did I like? I loved the adorable kiddie voices of the Duplo toys. Those smiley stars and hearts with the sweet little voices were cute as shit. There were still plenty of funny jokes – I guess I’m comparing this to the first movie, which was hilarious, but this sequel was still a lot better than most of stuff made by other studios such as DreamWorks (Sorry – I’m not a DreamWorks fan). My daughter and I still got some giggles out of this one, which I always love to see. There’s also a song that’s almost as good/catchy/annoying as Everything Is Awesome so it’s great that they were almost able to match the joy of that song (it’s called, of course, Catchy Song). In the end, though, this sequel was all just a bit forgettable and disposable, which I’d never say about the first film. Oh well. They can’t all be the Citizen Kane of family-friendly animation.

My Rating: 6.5/10

Not sure if I’ll have time this week but I’ll try to review a film I went to just after this one and did really enjoy – Alita: Battle Angel. It was a pleasant surprise.

Watched, Read, Reviewed: January 2019

Yes!!!! January is OVER! Okay – it’s been over for a while – I’m just behind on my monthly update as usual. I f*^king hate January. And I spent it watching loads of shit! WTF? So much for my resolution to watch fewer movies this year and to try to watch more “quality” films. Pfft. Oh well. Let’s see what utter shit I wasted my time on during dark, dreary January 2019…

MOVIES THIS MONTH

MOVIES REVIEWED (ranked best to worst):

Aquaman – 7/10
Mary Poppins Returns – 6.5/10
A Dog’s Way Home – 6.5/10
Glass – 6.5/10

MOVIES WATCHED (ranked best to worst):

Paprika – This is one of my 2019 Blind Spot choices so I’ll review it in full soon. It was okay but I didn’t love it. – 7/10

Black Mirror: Bandersnatch – This was okay but it didn’t exactly change my life. I’m starting to wonder if I’m too damn picky (or bitchy) since a lot of people loved this film/game thingy. Maybe it’s because I’ve never been big on video games and this felt more like a game than a proper film to me. As far as the story goes, it’s weaker than a regular Black Mirror episode. The characters were fine but I didn’t care enough to bother trying out various different choices. Who has time to watch something multiple times?! I just read about the other options online afterwards instead. Apparently the ending I got is the hardest one to get to. Hmm. Sounds like the best one anyway. – 6.5/10

Every Day – I kind of liked this. If I was honest, I’d put it above Bandersnatch but I’m always a little embarrassed by the fact that I still read & watch YA stuff. Guilty pleasure! I read the book last year (review HERE) because I loved the concept. Here’s the book synopsis from Amazon: “Each morning, A wakes up in a different body. There’s never any warning about who it will be, but A is used to that. Never get too attached. Avoid being noticed. Do not interfere. And that’s fine – until A wakes up in the body of Justin and meets Justin’s girlfriend, Rhiannon. From that moment, the rules by which A has been living no longer apply. Because finally A has found someone he wants to be with – every day . . .” This is one of those rare occasions where I think the movie is slightly better than the book. It’s very faithful to the book so it might be down to its star (the girl – played by Angourie Rice) being quite likable. I remember thinking she was great alongside Ryan Gosling & Russell Crowe in The Nice Guys, considering they’re big stars & she was unknown. Anyway, this is a simple & sweet teen romance with an interesting story. If you like that sort of thing, you’ll like this one. 6.5/10

A Dog’s Way Home – 6.5/10

Glass – 6.5/10

Murder On The Orient Express – Had to check this out since I read the book in 2017 when I heard they’d be adapting it again (and that Daisy Ridley & Michelle Pfeiffer would be in it). It’s the first & only Agatha Christie book I’ve read (and one of the only crime/mystery thrillers I’ve read – I stick to horror and sci-fi). It’s a great story and I enjoyed the book but this adaptation was weak. The casting felt very wrong, although I like most of the actors in it. Johnny Depp was the worst. I loved him back in the Edward Scissorhands days. I want that Johnny Depp back! The movie also gets off to a very slow & boring start. It does pick up once they’re on the train (and the murder happens) but, if you’ve read the book and already know the conclusion, it’s not that exciting watching the mystery unfold. They managed to make a murder mystery very dull in this. There are some references to other Christie novels (I think), which fans will probably appreciate but which went over my head. If you love the book and the actors, you still might want to check this film out one rainy afternoon. But I’d definitely recommend the novel over this adaptation if you’re interested in the story. – 6.5/10

2:22 – This sounded so good from the plot synopsis on IMDb: A man’s life is derailed when an ominous pattern of events repeats itself in exactly the same manner every day, ending at precisely 2:22 p.m. Sci-fi weirdness! Totally my type of thing! But it has a really low IMDb rating and bad reviews. This wasn’t great but the reviews are way too harsh. The story was intriguing and a bit romantic if you’re into that. The execution of the story is far from perfect but the people calling it boring clearly haven’t seen that pretentious snoozefest Comet (a somewhat similar genre film involving two lovers). If you like full-on mind-bendy sci-fi weirdness, I highly recommend Coherence or Circle or Predestination over this. If you’re in the mood for more of a romance with a simple story that happens to have a small twist of sci-fi, you may like this one okay. I think I just have some weird thing for Theresa Palmer because I always seem to watch her movies even though she’s rarely in very good ones… – 6/10

Roma – Okay… I’m one of those people who found this film boring. Very boring. Guess I just have no class. I’m sorry but I’m always 100% honest when it comes to my opinion on things and I never pretend to like something that I didn’t enjoy. I actually found it a chore to make it through this one and don’t know how I managed to stay awake. I was exhausted. I deserve a medal! It’s a beautiful looking film, I get that. Alfonso Cuarón is a great filmmaker and I think Gravity and Children Of Men are fantastic. But this? I don’t get it. I hated the family. The main girl was good (the family’s maid, played by Yalitza Aparicio, who is up for an Oscar). Not sure it’s an “Oscar worthy” performance but she’s the only sympathetic character in this. I still didn’t connect with her, though. That may be due to her lack of emotion throughout all that happens but you do feel for her character and want a better life for her. Roma isn’t a bad film, obviously. I just can’t see it sitting alongside Best Picture Oscar winners from the past, which are some epic, all-time classics. But I’d say the same for a lot of Oscar nominees from the past decade or so. The Academy is completely out of touch. I’d love to hear from people who genuinely enjoyed this, though. Honestly – I do want to understand what all the fuss is about. But I know that not one real-life person I know (I know no obsessive movie nerds like me) would like Roma, let alone be able to sit through the whole thing. – 6/10

Dreamscape – This is another 2019 Blind Spot choice so I’ll review it at some point. Worst Blind Spot film I’ve ever chosen… – 6/10

Unsane – This is that Steven Soderbergh movie he filmed on an iPhone. The gimmick doesn’t really work if the movie is boring, though. I wasn’t distracted by the iPhone thing but the story and characters were very weak for a Soderbergh film. He’s not a favorite of mine but this film is certainly no Out Of Sight or Ocean’s Eleven. Sex, Lies, And Videotape had far more interesting characters & dialogue and, for a film of his with a somewhat similar theme, I’d definitely recommend Side Effects over this. This is the first thing I’ve seen Claire Foy in and everyone raves about her but I can’t see why based on this film. That’s probably the fault of the film, though. I didn’t care about her character and whether or not she was crazy. But, hey – Juno Temple rips her tampon out in this & chucks it at Claire Foy so I guess it at least deserves an honorable mention on My Top Ten Period Dramas list… – 6/10

Green Lantern – Why did I watch this?? I’m sick of superhero movies and this one is known to be bad. To be fair, it’s very silly but certainly not the worst superhero movie I’ve seen. I’ll be honest – I enjoyed it more than Man Of Steel and Batman v Superman: Dawn Of Justice. As I always say, I prefer superhero movies to be fun instead of dark & dreary like those two. So. Meh. This was silly but Reynolds was fun. I’ve seen worse. – 5.5/10

Pitch Perfect 3 – I won’t waste time saying much about this. It’s bad. Hollywood needs to stop milking the shit out of every idea. The first Pitch Perfect was fine. It was a fun concept and I got some laughs out of it (mainly thanks to the weird girl who whispers crazy shit and makes puke angels). There were very few funny moments in this one and a pathetic story. Time to move on! – 5.5/10

Ghost Stories – Wow. This was boring. I normally enjoy horror anthologies and this sounded good on IMDb: “Skeptical professor Phillip Goodman embarks on a trip to the terrifying after finding a file with details of three unexplained cases of apparitions.” The overall story was pretty good, in a Twilight Zone type of way, but the individual stories were bog standard ghost/demon stories and the ways they were presented weren’t at all scary (I’m never a fan of seeing too much, especially when the effects & make-up look cheesy). And the “twist” ending, which was okay, didn’t make up for the previous almost hour and a half of cheesy, boring hauntings. Modern horror is so often a huge disappointment for me. – 5/10

Bird Box – Ugh. I read the book by Josh Malerman (review HERE) and enjoyed it. Really good story only let down slightly by unlikable characters. I like Bullock but she was so wrong for this role. Not that it matters, I suppose, but the character in the book is half her age. Then the film changed the story so much until the very end. I don’t understand why films make changes when completely unnecessary and when it actually makes the story worse. This does pick up a little toward the end when the focus is on Bullock and the kids (and when it also isn’t straying so far from the book). Dreadful acting in this film, as well. Just read the book. – 5/10

Winchester – Bloody hell. Modern horror really does suck. What an utter snoozefest this was. Again, it sounded so good on IMDb: “Ensconced in her sprawling California mansion, eccentric firearm heiress Sarah Winchester believes she is haunted by the souls of people killed by the Winchester repeating rifle.” How did they manage to make an intriguing story so damn boring? And what a waste of Helen Mirren (I like that saucy lady) and Sarah Snook (absolutely brilliant in the fantastic Predestination). To be fair, I was paying zero attention by the end since I was playing on my phone out of sheer boredom. Maybe I missed something that made this good? Unlikely since it’s up for a bunch of Razzie Awards, I guess. – 5/10

BOOKS, TV, MUSIC, MISCELLANEOUS THIS MONTH

BOOKS READ (ranked best to worst)

I got these two short Stephen King novels for Christmas so of course read them immediately. I read everything King writes and I almost prefer his shorter stories to his full novels so I was excited about reading these. They’re fine but not his best.

Gwendy’s Button Box by Stephen King & Richard Chizmar – I liked the setup for this one. Here’s the synopsis from Amazon: “There are three ways up to Castle View from the town of Castle Rock: Route 117, Pleasant Road, and the Suicide Stairs. Every day in the summer of 1974 twelve-year-old Gwendy Peterson takes the stairs, which are held by strong (if time-rusted) iron bolts and zig-zag up the cliffside.

One day, while Gwendy catches her breath and listens to the shouts of the kids on the playground and the chink of an aluminium bat hitting a baseball, a stranger calls out to her.

On a bench in the shade sits a man in a small, neat black hat. He offers Gwendy a mahogany box with coloured buttons. The buttons will produce gifts, such as chocolate which can make you slimmer. But he warns her that the gifts will be small recompense for the responsibility.”

I liked the character of Gwendy and am a sucker for a 70s or 80s time period plus I like a story that spans many years so I enjoyed reading about Gwendy as she grew up throughout this short novel. However, not a lot happens. There’s also very little horror, which was fine by me as I’m just as happy with King’s less horrific books but I can certainly see not all King fans loving this one. I loved the concept and had fun with the story and like that the title sounds slightly dirty. – 3/5

Elevation by Stephen King I think this one really won’t be loved by all King fans. Like Gwendy’s Button Box, it’s not exactly a “horror”. Again, though, I really liked the concept. A guy starts losing weight very quickly, although his outward appearance never changes and his scales register the same weight even if he’s holding something heavy. I couldn’t wait to see where King was going with this odd story. Strangely, this felt more like a story his son (Joe Hill) would write. Hill does weird concepts more often than full-on horror. I love the style of both King & Hill. I maybe liked this one slightly more than Gwendy’s Button Box, actually – but I think that was a better novel overall. – 3/5

TV SHOWS WATCHED

None. Am thinking of starting on that South Korean zombie thing Kingdom on Netflix. Looks like something I’d like. Anyone seen it?

BLOG PLANS FOR THE COMING MONTH

I’ll again try to review whatever I watch in the cinema. I’ll also try to review one of my Blind Spot choices (probably Paprika).

February Movie Releases:

Burning – Not a February release but, dammit, I want to see this. It was showing in limited cinemas recently. I need to live in London!

Destroyer – Looks okay but I’ll wait for Netflix.

Can You Ever Forgive Me? – Was hoping to see this for its Oscar-nominated performances but don’t think there are enough showings.

Escape Room – Cheesy teen horror. Can definitely wait for Netflix.

How To Train Your Dragon: The Hidden World – Going to miss this now as there are too many other films I want to see. Will probably send the hubby & kid to this while I go to Green Book.

If Beale Street Could Talk – Looks really good. Will try to check it out if I have time.

Alita: Battle Angel – Seen this already. Really enjoyed it! Will try to review it soon.

Boy Erased – Again, I’ll probably wait for Netflix. I can only take so many dreary dramas at once so I’ll focus on the ones up for Oscars first.

The Lego Movie 2: The Second Part – Saw this as well so will also review it soon. Was disappointing compared to the first film, which I thought was great.

Happy Death Day 2 U – Will check this out if reviews are good. I was a little underwhelmed by the first one, although it was a fun story.

Instant Family – Netflix film! Like most silly comedies.

The Kid Who Would Be King – I seriously want to see this because 1. I really liked Joe Cornish’s last film Attack The Block and 2. Patrick Stewart!!!!

On The Basis Of Sex – Another “wait for Netflix” film but I do really like Felicity Jones.

Cold Pursuit – Well, I kind of wanted to see this for its sheer ridiculousness but didn’t know it’s based on a Norwegian film, In Order Of Disappearance, which is currently on Amazon Prime. Now I want to watch THAT instead!

Oh yeah! I always try to end these roundups with music from one of the films I watched. I forgot the very best thing about Bandersnatch: Tangerine Dream! YES!!! 🙂

A Dog’s Way Home (2019) Review

A Dog’s Way Home (2019)

Directed by Charles Martin Smith

Based on A Dog’s Way Home by W. Bruce Cameron

Starring: Ashley Judd, Jonah Hauer-King, Alexandra Shipp, Wes Studi, Edward James Olmos, Bryce Dallas Howard

Plot Synopsis: (via IMDb)
A female dog travels four hundred miles in search of her owner throughout a Colorado wilderness.

My Opinion:

I can’t decide if this was pukey or lovely. Okay – all family films involving cute pets are pukey. But it’s kind of hard to not like them and feel all smooshy inside when you watch them. A cute puppy is a cute puppy! Who doesn’t love a cute puppy?! This film is sweet but it could’ve been better. It’s from the same guy who wrote A Dog’s Purpose, which overall was a much better film with a far more original idea. I’m not gonna lie – I really liked A Dog’s Purpose. My cold, black soul is capable of at least liking cute animals. A Dog’s Way Home is still fun, though, and certainly worth a family movie night at home on your couch.

Oh my god – I have nothing else whatsoever to say about this movie. I’m off to a great start with this blogging thing in 2019! I think I’m just bored. It’s been way too long since I’ve seen anything really good or, at the very least, interesting. I need to see something that can jumpstart my love of film again. Something epic like Arrival. Or something weird as shit like Mandy.

Okay – A Dog’s Way Home is sweet and you’ll enjoy it if you like dogs and have a young kid and like nice, innocent, pure, inoffensive, safe entertainment. Some slightly dodgy CGI ruins it a little and the story isn’t as strong as in A Dog’s Purpose (we’ve seen an animal’s “long journey home” SO many times in movies!). But it was an enjoyable if somewhat forgettable afternoon at the cinema. It was better than Glass, at least. I guess.

My Rating: 6.5/10

Glass (2019) Review

Glass (2019)

Directed & Written by M. Night Shyamalan

Starring: James McAvoy, Bruce Willis, Anya Taylor-Joy, Sarah Paulson, Samuel L. Jackson

Plot Synopsis: (via Wikipedia)
In the film, David Dunn gets locked in a mental hospital alongside his once-rival Mr. Glass, as well as the multi-personality “The Horde,” and must escape from a psychiatrist who is out to prove the trio do not actually possess super-human abilities.

My Opinion:

Well, this was disappointing. But I did expect it to be disappointing. Maybe I should stop watching movies I expect to be disappointing… I’d save a lot of money!

I like M. Night Shyamalan for the most part. I’ve watched almost all of his movies because I do enjoy his stories and, yes, I like a twist even though he’s known for them so it’s never exactly a big surprise. I can’t say I’ve truly loved any of his films but do think The Sixth Sense is pretty great, especially if you saw it at the time and he wasn’t yet known as “that guy who does twists” (I saw it when it came out and no one yet knew the ending). The Village is also pretty good, although a lot seem to hate it. The rest, however, are unfortunately the very definition of “meh”. But I still weirdly enjoy his movies while watching them. I just never feel the need to ever watch them again…

Okay, I’ve ranked all his movies I’ve seen from my least favorite to my favorite (only the bottom two truly suck):

Lady In The Water
The Happening
Devil
Split
The Visit
Glass
Signs
Unbreakable
The Village
The Sixth Sense

I guess I have Glass pretty high. To be fair, I didn’t hate it (my hubby did). I can see why it has such mixed reviews, though. For me, it was what I expected so I didn’t hate it. I’ve leaned to go into Shyamalan’s films with very low expectations! I think he should be given some credit for creating a whole new comic book/superpowers trilogy that feels unique & original compared to all the damn superhero movies that I’m getting very sick of. It’s just unfortunate that this trilogy doesn’t go out with the bang I was hoping. It’s more of a whimper. Shyamalan likes to go over the top so often – I wish he’d given this a crazy as fuck ending that we’d all remember in the same way we all remember the ending of The Sixth Sense.

Unbreakable is still the best in the trilogy by far but I did like this one more than Split. I loved seeing Bruce Willis and especially Samuel L. Motherfucking Jackson again and I far preferred seeing these three together than when it was just James McAvoy being a lone psycho killer (I’ve never been big on murder-y crime movies). Speaking of McAvoy, he’s great in both these films. He’s better than Willis & Jackson, who are kind of just phoning it in for this one (but they’re huge stars – that happens sometimes). I still love Jackson – he’s one of those actors who’ll make me watch a movie just because he’s in it.

Well, that’s it. I need to keep these “reviews” short anyway if I’m going to keep up on reviewing cinema releases this year. I just don’t have much to say about this one other than that it’s a shame that a good idea feels like a bit of a waste after how Glass ends. It feels a bit “So what?”. Good idea, actors I like, and a really good performance from McAvoy made it worth watching, at least. I continue to think Shyamalan has good story ideas and I respect that as it’s more than most of us will ever accomplish. But I wish the end products could be as good as his ideas – only The Sixth Sense has managed to accomplish this.

My Rating: 6.5/10

My 2019 Blind Spot Choices

I’m really late posting this but here are My 2019 Blind Spot Choices.

I have to admit that I’m not all that thrilled with these choices. There are way too many “worthy” films this time and not enough that just look like fun (like my Enter The Dragon choice last year!). I usually end up loving the worthy stuff but, man, it’s hard to force myself to watch them.

Here’s how I went about choosing these: From a loooooooong list of stuff I want to watch, these are the ones the husband said I’m allowed to watch without him (except for first one, so he better keep his promise to watch it with me!). 😉

Here are my Blind Spot choices for 2019 (in alphabetical order because I fucking love alphabetizing…)

Assault On Precinct 13 (1976)

Deep Red

Dreamscape

Gandhi

In The Heat Of The Night

The Killing Fields

Lawrence Of Arabia

Mississippi Burning

Paprika

Paris, Texas

Quadrophenia

The Wild Bunch

Alternates:

El Topo
Once Upon A Time In America
The Right Stuff
Fiddler On The Roof
Midnight Express
Solaris (1972)
Ip Man
Cat On A Hot Tin Roof
The Last Dragon (1985)

I’ll try to review one Blind Spot movie a month (although I certainly didn’t manage that last year). I have already watched two of my choices, though! Very disappointing so far…

My Top Ten 2018 Movie Releases

This is my final 2018 Year End List. This one is really annoying as so many good 2017 US films got released in the UK in early 2018. But it’s a huge pain in the ass to try to adjust this list each year according to the US release dates so, once again, I’ve based this list on the UK cinema release dates.

It was an okay year for films but pretty disappointing overall. I certainly won’t have any all-time favorites from 2018 (although I think number 1 was entertaining as hell, number 2 was pretty damn fantastic & number 3 was certainly unique).

So here are My Top Ten 2018 Movie Releases (based on UK release date). Oh, and I saw a shitload so I’ll actually count down from 30. I’ve listed the rest I’ve seen at the end…

Top Thirty

30. Lady Bird – 7/10
29. Rampage – 6.5/10
28. Skyscraper – 6.5/10
27. Tully – 7/10
26. Ralph Breaks The Internet – 7/10
25. Bumblebee – 7/10
24. Game Night – 7/10
23. Tag – 7/10
22. Deadpool 2 – 7/10
21. Ant-Man And The Wasp – 7/10

Top Twenty

20. The Meg – 7/10
19. The Secret Of Marrowbone – 7/10
18. Incredibles 2 – 7.5/10
17. Mirai – 7/10
16. Coco – 7.5/10
15. Bohemian Rhapsody – 7/10
14. Aquaman – 7/10
13. Darkest Hour – 7.5/10
12. A Simple Favor – 7.5/10
11. Hotel Artemis – 7.5/10

Top Ten

10. Ready Player One – 7.5/10

9. Solo: A Star Wars Story – 8/10

8. Avengers: Infinity War – 8/10

7. Three Billboards Outside Ebbing, Missouri – 8/10

6. The Shape Of Water – 8/10

5. A Star Is Born – 8/10

4. A Quiet Place – 8/10

3. Mandy – 7.5/10

2. Spider-Man: Into The Spider-Verse – 8/10

1. I, Tonya – 8/10

The Rest That I’ve Seen:

Love, Simon – 7/10, Halloween (2018) – 6.5/10, Hereditary – 6.5/10, The Guernsey Literary And Potato Peel Pie Society – 6.5/10, The House With A Clock In Its Walls – 6.5/10, The Nutcracker And The Four Realms – 6.5/10, Mary Poppins Returns – 6.5/10, The First Purge – 6.5/10, Ocean’s Eight – 6.5/10, Christopher Robin – 6.5/10, Annihilation – 6.5/10, Black Panther – 6.5/10, Blockers – 6/10, Mute – 6/10, Thoroughbreds – 6/10, The Nun – 5.5/10, Goosebumps 2: Haunted Halloween – 6/10, American Animals – 6/10, Roma – 6/10, Slaughterhouse Rulez – 5.5/10, The Christmas Chronicles – 5.5/10, Cam – 5/10, Winchester – 5/10, Bird Box – 4.5/10, The Grinch – 4.5/10, The Cloverfield Paradox – 4.5/10

I’ll do one more post sometime next week with my 2019 Blind Spot Choices. I’m then going to take a bit of a blog break (but I’ll catch up on replying to comments first!). Sorry I’ve fallen behind on that again.

Once again, Happy New Year everyone! 🙂

My Top Ten Books Read In 2018

My 2018 Blind Spot Movies: Ranked

My Top Ten Movies Watched At Home In 2018

My Top Ten Movies Watched At Home In 2018

Here’s my penultimate 2018 Top Ten List (I just wanted to use the word “penultimate”). This is the list I enjoy doing the most each year since I tend to watch more interesting stuff at home than whatever happens to get released in cinemas. I saw some great films at home this year (I love the Top Five). But I also watched WAY too much shit. I especially seem to watch way too many shitty horror films. I think I just keep hoping that one will actually be good but 90% of modern horror sucks so I don’t know why I keep trying. I’m going to try watching more worthy stuff this year!

As I watched so many films in 2018, I’ll make this a Top 30. Any not in the Top 30 were all pretty rubbish anyway. If you desperately want to see the full list of the 150ish (yikes!) movies that I watched in 2018, the full ranked list is HERE.

Here are My Top Ten Movies Watched At Home In 2018 (counting down from 30 but thanks to a tie it’s actually 31. God I’m annoying…)

Top Thirty

30. Elle – 6.5/10
29. Gleaming The Cube – 6.5/10
28. Hidden Figures – 7/10
27. The King’s Speech – 7/10
26. The Seven Year Itch – 7/10
25. Mudbound – 7/10
24. Personal Shopper – 7/10
23. Thief – 7/10
22. What If (aka The F Word) – 7/10
21. Timecrimes – 7/10

Top Twenty

20. Journey To Agartha (aka Children Who Chase Lost Voices) – 7/10
19. Charade – 7/10
18. The Light Between Oceans – 7.5/10
17. Good Time – 7/10
16. The Florida Project – 7/10
15. Gentlemen Prefer Blondes – 7.5/10
14. The Rose – 7.5/10
13. Citizen Kane – 7.5/10
12. Brigsby Bear – 7.5/10
11. The Theory Of Everything – 8/10

Top Ten

10. Fist Of Fury – 7.5/10

9. TIE: The Garden Of Words – 7.5/10 & 5 Centimetres Per Second – 7.5/10

8. The Handmaiden – 7.5/10

7. War For The Planet Of The Apes – 8/10

6. Colossal – 8/10

5. Mary And The Witch’s Flower – 7.5/10

4. Interstella 5555: The 5tory Of The 5ecret 5tar 5ystem – 7.5/10

3. Metropolis – 8.5/10

2. Splendor In The Grass – 8.5/10

1. Enter The Dragon – 8.5/10

See you tomorrow with my final Top Ten Of 2018: My Top Ten 2018 Movie Releases (based on UK release dates).

My 2018 Blind Spot Movies: Ranked

Day Two of my 2018 Year End Lists! This will be a short one as I didn’t manage to watch all 12 of my Blind Spot choices this year. I always enjoy doing this Blind Spot Project, though, so I’ll choose 12 more for 2019 soon (I’ve already watched Paprika as a 2019 choice). I have to say that my top three for 2018 were definitely worth finally getting around to – I loved them.

Here are My 2018 Blind Spot Movies: Ranked (from my least favorite to my favorite):

8. Tetsuo: The Iron Man

7. Atonement

6. Gleaming The Cube

5. The French Connection

4. Citizen Kane

3. Metropolis

2. Splendor In The Grass

1. Enter The Dragon

Tomorrow I’ll be posting my favorite list: My Top Ten Movies Watched At Home In 2018 (FYI – Enter The Dragon is the top of that list as well. That movie is f*%king awesome). Then I’ll finish on Friday with My Top Ten 2018 Movie Releases (UK release date).

My Top Ten Books Read In 2018

I’ll be posting all my 2018 Year End Top Ten Lists the rest of this week. I’m starting off with My Top Ten Books (And Short Stories) Read In 2018. I even managed to review them all, making this a very quick & easy post! Links to the reviews are below.

And as always, my “Top Tens” are often full lists of all I’ve seen, read, etc. I read 19 stories so I’ve ranked all 19. Here we go!

Nineteen – Eleven

19. The Grownup by Gillian Flynn – 2.5/5
18. You Were Never Really Here by Jonathan Ames – 3/5
17. Every Day by David Levithan – 3/5
16. Odd Hours by Dean Koontz – 3/5
15. Laurie by Stephen King – 3/5
14. Dark Places by Gillian Flynn – 3/5
13. Juliet, Naked by Nick Hornby – 3/5
12. They Both Die At The End by Adam Silvera – 3/5
11. The Loneliest Girl In The Universe by Lauren James – 3/5

Top Ten

10. The Sun Is Also A Star by Nicola Yoon – 3/5
9. The Outsider by Stephen King – 3/5
8. Brother Odd by Dean Koontz – 3.5/10
7. Simon Vs. The Homo Sapiens Agenda by Becky Albertalli – 4/5
6. Mortal Engines by Philip Reeve – 4/5
5. Eleanor & Park by Rainbow Rowell – 4/5
4. Bird Box by Josh Malerman – 4/5
3. Strange Weather by Joe Hill: Stories 1 & 2, Stories 3 & 4 – 4/5
2. Ghastle And Yule by Josh Malerman – 4.5/5
1. The Masque Of The Red Death by Edgar Allan Poe – 4.5/5

See you tomorrow with My Ranked Blind Spot Movies Of 2018. 🙂

Watched, Read, Reviewed: December 2018

Happy New Year, everyone! 2019. Holy shit. Well, I suppose I better post my December Roundup so I can finally get on with posting my 2018 Year End Top Ten Lists. I love lists!!!! I’ll be posting those the rest of this week. So first of all, here’s what I watched & read in December 2018.

MOVIES THIS MONTH

MOVIES REVIEWED (ranked best to worst):

Splendor In The Grass – 8.5/10
Metropolis – 8.5/10
Spider-Man: Into The Spider-Verse – 8/10
A Star Is Born (2018) – 8/10
A Simple Favor – 7.5/10
Aquaman – 7/10
Mirai – 7/10
Journey to Agartha (aka Children Who Chase Lost Voices) – 7/10
The King’s Speech – 7/10
Ralph Breaks The Internet – 7/10
Bumblebee – 7/10
The Nutcracker And The Four Realms – 6.5/10
Mary Poppins Returns – 6.5/10
American Animals – 6/10
Slaughterhouse Rulez – 5.5/10
The Grinch – 4.5/10

MOVIES WATCHED (ranked best to worst):

*l’m going to sound grumpy in my reviews below since I’ve already reviewed the stuff I actually liked. Spider-Man: Into The Spider-Verse was especially fantastic. Believe the hype! All my reviews are linked.

Spider-Man: Into The Spider-Verse – 8/10

Aquaman – 7/10

Journey to Agartha (aka Children Who Chase Lost Voices) – 7/10

Bumblebee – 7/10

The Guernsey Literary And Potato Peel Pie Society – This was my “Christmas present wrapping movie” this year. It wasn’t as much fun as watching Road House while wrapping presents – I’ll be going back to watching that one while wrapping next year. This was still a decent movie, though, and it continues to annoy me that Lily James is so damn cute. Here’s the plot synopsis from Wikipedia: “Set in 1946, the plot follows a London-based writer who begins exchanging letters with residents on the island of Guernsey, which was under German occupation during World War II.I enjoyed the story and the characters were well developed and the romance worked well even though I don’t normally go for that sort of thing. It probably deserves a higher rating but it was still a bit too “chick flick” for my tastes. – 6.5/10

Mary Poppins Returns – 6.5/10

Mute – Hmm. Okay – I’ve been meaning to watch this as I really liked Moon from Duncan Jones (plus he’s cool on Twitter and of course he’s David Bowie’s son and that’s awesome). But then it got pretty bad reviews so I waited. I can see why it got bad reviews. It’s certainly no Moon! The characters are really hateful (the main guy & his girlfriend were okay, I guess. And the young girl). The story was pretty silly and felt a bit pointless after how it ended. It felt like one of those movies where the director had a vision of the backdrop he wanted for the film then wrote a story around it, which didn’t really work. I did like some of the imagery and always love futuristic sci-fi so I didn’t totally hate the film. But I didn’t like it all that much, either. It’s a poor Blade Runner imitation. Overall, it was a big disappointment but I like that Jones got to make the film exactly as he’d wanted. – 6/10

Thoroughbreds – This movie was pretty disappointing as well. I was looking forward to it after hearing comparisons to things like Heathers. I do like a good teen angst movie! Okay – people need to stop calling every angsty teen movie the next Heathers. Nothing will ever live up to Heathers or any of the other 80’s teen movies. Heathers was witty with some of the most quotable dialogue ever and fantastic characters. Thoroughbreds was mostly just boring, which I didn’t expect since the story revolves around the girls planning to kill someone. I do like both these actresses fine and it was good seeing Anton Yelchin again (R.I.P.) so, like with Mute, I didn’t totally hate this. It just felt a bit pointless and a little “up its own arse”. Just because a plot is a little dark, it doesn’t automatically make something a brilliant film. – 6/10

Justice League – I finally watched this since I figured I better see it before watching Aquaman (which I really enjoyed!). Meh. I really can’t get into the DCEU movies, although I did like Wonder Woman & Aquaman. The Batman & Superman movies have been atrocious, though, and I can’t stand Ben Affleck. Like most superhero movies, this felt exactly the same as all the rest. Hell, I barely remember the stupid plot now and I only just watched this last week. These stories are getting boring as hell. However, Wonder Woman has a big role in this film and she’s easily the best thing about it. She saved the movie (somewhat). It’s far better than the Batman & Superman films, at least! But the MCU movies are still so much better overall. At least this one didn’t totally suck. – 6/10

The Christmas Chronicles – Well, this was silly as hell but it’s the sort of thing you’d expect from a family Christmas movie anyway. And who (my age) doesn’t love Kurt Russell?? He’s still awesome, even when old and with hair like 70’s Kenny Rogers. I was a bit like “I kind of want to f*^k this Santa”. Is that inappropriate? I mean, he was in The Thing! The Thing rules. We need a Kurt Russell Santa movie directed by John Carpenter. It wouldn’t have had those dumbass elf(?) rat-looking things. As for this movie, it was fine other than those weirdass elf things. Well, I’m also not so sure about Russell singing the blues in prison (the hubby & I both pointed out a few times that they seemed to be influenced by Adventures In Babysitting for this movie). The movie would’ve been better with less cheese as the story itself, although a thoroughly predictable “dead parent” story, was suitably heartwarming for Christmas. The two kids were quite likeable as well. Can we just have a little less cheese in our Christmas movies?? It’s A Wonderful Life is heartwarming with very little cheese. And no stupid elf rats. – 5.5/10

Amber Lake This was one of those movies with a decent story idea but so poorly executed thanks to a bad script and terrible acting. The clearly very low budget didn’t help either. It really was a wasted opportunity. Oh, and it also uses the Rashômon concept of telling the same story from different perspectives. But that of course worked in the hands of Akira Kurosawa as he was a genius and one of the greatest filmmakers of all time. Amber Lake is no Rashômon! Obviously. Um… I don’t actually know what to say about this. Here’s the plot synopsis from IMDb: “Three half-sisters, after being invited to their father’s lake house to meet him and each other for the first time, are each questioned by a local sheriff to explain the events that took place leading up to the discovery of their father floating dead in the lake.” It’s on Amazon Prime in the UK if you’re interested but do yourself a favor & watch Rashômon instead. Or any Kurosawa film. You won’t regret it. I kind of regret watching Amber Lake, though. – 5/10

Cam – I really need to stop trusting tweets from Twitter’s “horror community”. I’ve realized that they rave about every horror movie no matter how good or bad it really is. Cam is yet another Netflix film that everyone thinks is great, probably because they get to watch it at home as part of their subscription, which is a lot easier than dragging your butt off the couch to go the cinema to watch something that’s actually good. Netflix is the new equivalent of “straight to video” in the Eighties. Anyway, after all my bitching I can see why this would have some fans (especially horny guys). And, yes – it’s an original story so I definitely give it credit for that in this day & age of sequels and reboots. It’s a good concept but having a thoroughly annoying character as its focus didn’t really work. I don’t want to hate all the characters in a movie – it just means that I don’t care what happens to them. To be fair, this movie did have a good idea and I think I’d have liked it okay if they’d gone about it differently. Plus the porn thing didn’t work for me, I suppose, since I’m a girl. Hey – whatever happened to Babestation in the UK? Is that still around?? I haven’t been channel surfing at 3am in recent years… – 5/10

BOOKS, TV, MUSIC, MISCELLANEOUS THIS MONTH

BOOKS READ

Juliet, Naked by Nick Hornby – I like Nick Hornby & have read most of his books. The film adaptation of this came out a few months ago so I figured I better read the book before checking out the movie (Ethan Hawke is in it so I’ll be watching it at some point). The book was okay and very “Hornby” but definitely not one of his best. I like that there’s once again a music connection, as there often is with his stories. In this one, a guy is obsessed with an old rock star who had one big hit album then disappeared. His long suffering girlfriend (or were they married? I don’t remember!) ends up being contacted by the rock star after she posts a review online of his new album. Hey – I review stuff online! I’ve reviewed several Chris Hemsworth movies. Where’s my e-mail from him? Hey Chris – I’m totally up for a hot love affair! Anyway. Where was I? Oh, this book was fine but a little boring. The characters were weak compared to those in other Hornby novels but I sadly related to the pathetic guy in this & his obsession since I get kind of obsessed with stuff like that too. I mean, I obviously have a movie blog. The guy posted on a blog dedicated to the rock star. We’re obsessive nerds. Hornby does seem to write the “obsessive nerd” characters well. The book was a decent enough read but I didn’t love the ending. However, I do think it would make for a good movie so I’ll be watching that as soon as it’s available on whatever service. – 3/5

Currently Reading: Gwendy’s Button Box by Stephen King & Richard Chizmar

TV SHOWS WATCHED

Nothing. Well, Grey’s Anatomy. Ugh. And The Walking Dead. Ugh Ugh. Eagerly awaiting Game Of Thrones and Stranger Things!

BLOG PLANS FOR THE COMING MONTH

I’m going to take it easy this month. I actually watched too many movies last year and plan to cut down on that as well. Fewer movies but hopefully better movies. Although I do enjoy writing a bitchy review, obviously. I’ll continue with these monthly roundups and will try to review the movies I see in the cinema. I also plan to continue the Blind Spot Project. I’ll post my 2019 choices for that next week after I finish posting my 2018 Top Ten Lists.

Upcoming Movies I Want To See:

As usual, January is a weak month for movie releases in the UK. Of the below, I’m only really interested in going to see Glass. The Mule & Green Book also sound decent.

The Favorite – Will wait for Netflix. Not a fan of the director. Hated The Lobster.

Welcome To Marwen – Really liked the plot synopsis for this but it’s had bad reviews.

Colette – Looks like a good story but stars Keira Knightly. Yuck. So will wait for Netflix.

Glass – The one film I’ll definitely go to, even though I’m not a huge fan of this trilogy. But I do like Shyamalan for the most part.

Mary Queen Of Scots – Again, it looks okay but it’s a Netflix movie for me. I’m not big on historical dramas.

The Mule – This stars Clint Eastwood so I can guarantee that my dad will be watching this one…

A Dog’s Way Home – Actually, I’m likely to go to this as well. It’s a cute doggo story so I can guarantee that my daughter will be dragging me to it…

Green Book – I really like the sound of this one and it’s had great reviews. If it’s shown near me, I may go.

There wasn’t a lot of music in the movies I watched in December (other than Mary Poppins Returns, obviously, but those songs were pretty boring). So here’s one of the best songs from Bumblebee’s overuse of 80’s music to shove all its Eightiesness in our faces. Tears For Fears are underrated. Mad World is one of the best songs ever. But they of course didn’t use that one in Bumblebee…

Aquaman (2018) Review

Aquaman (2018)

Directed by James Wan

Based on Aquaman by Mort Weisinger & Paul Norris

Starring: Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Yahya Abdul-Mateen II, Nicole Kidman

Plot Synopsis: (via Wikipedia)
In Aquaman, Arthur Curry, the heir to the underwater kingdom of Atlantis, must step forward to lead his people against his half-brother, Orm, who seeks to unite the seven underwater kingdoms against the surface world.

My Opinion:

Well, this was fun! I wasn’t expecting to like this all that much since DC films tend to suck (other than Wonder Woman). I now like two DCEU movies! Why can’t the others be like this one? Superhero movies should be fun, not dreary and dark and depressing as shit. But maybe that’s just me: I prefer them to all be like Guardians Of The Galaxy.

Aquaman is a bit silly, though, so I’m sure it won’t be for everyone. I loved the silly. It gets a bit more bonkers as the movie goes on, which I also loved. Weirdass giant sea creatures were fun to see in a DC film and the whole underwater thing worked well and gave the movie a different feel from other superhero films, which are all becoming WAY too damn similar. Jason Momoa was also a lot of fun to watch, mainly because you can tell that he’s having a lot of fun playing this character. Okay – and he’s also hot. But my heart still belongs to Thor. Chris Hemsworth is still the ultimate hottie.

The two main female roles were also very strong, which is becoming more popular in movies. We don’t want wussy, useless women. Amber Heard & Nicole Kidman kick ass. Who ever though Kidman would kick ass?? And Amber Heard’s character was cool – I wasn’t sure how I’d feel about her as I’ve never thought she was the greatest actress. Hell, I even really liked the love story between Aquaman’s parents. I don’t normally go for that sort of thing but all the characters were so likeable in this that you wanted everyone to live happily ever after. I can’t say I give the slightest shit about either Superman or Batman in these DCEU films. The characters need to be likeable if we’re going to care about what happens to them! Hollywood still hasn’t quite figured this out.

Beyond that, I don’t know what else to say about this movie. I always struggle to “review” superhero movies. They’re fun & I enjoy them while watching them but it’s not a favorite genre of mine. I don’t expect anything Oscar worthy from them, though – I just want to switch off for a couple of hours & be entertained. Aquaman was definitely entertaining and I may have possibly liked it even more than a few of the MCU movies(!!). It was the final movie I went to in the cinema in 2018 and it was a good one to finish the year. I really enjoyed it (as did the hubby & the kid, so it was a good family movie too).

My Rating: 7/10

I’ll try to post my December Roundup next week followed by all my 2018 Year-End Top Ten lists. So I may sneak in a viewing of Roma this weekend in case it’s worthy of the top ten (I’ll just pretend I watched it in 2018!). For now, these are all the movies I watched in 2018. Yikes. I’m actually going to cut down in 2019…

Mary Poppins Returns (2018) Review

Happy New Year, everyone! I have a couple of leftover movies that I saw in the cinema in December but didn’t review: Mary Poppins Returns & Aquaman. I’ll try to review Aquaman tomorrow (enjoyed that way more than I was expecting!). Then I’ll try to post my December Roundup next week followed by my 2018 Year-End Top Ten Lists. Woohoo! I love lists! 🙂

Here’s my review of Mary Poppins Returns

Mary Poppins Returns (2018)

Directed by Rob Marshall

Based on Mary Poppins by P. L. Travers

Starring: Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer, Julie Walters, Dick Van Dyke, Angela Lansbury, Colin Firth, Meryl Streep

Plot Synopsis: (via Wikipedia)
Set in 1930s London, twenty-five years after the events of the original film, it sees Mary Poppins, the former nanny of Jane and Michael Banks, returning after a family tragedy.

My Opinion:

This was fine. Somewhat enjoyable. A bit “So what?”. Completely pointless. I’ve been getting very bored with sequels, prequels, reboots, etc etc etc. I want to see something new. We have a fantastic Mary Poppins film already with a practically perfect Julie Andrews (she’s actually perfect – Andrews IS Mary Poppins). I know reboots, etc, work occasionally and I admit that it can be fun to once again see beloved characters. I think I come across as grumpy too often on this blog! I like the continuation of stories with characters that I like sometimes. But I don’t like when they feel like cash-grabs and/or they feel pointless or just don’t work and feel like inferior copies. Mary Poppins Returns felt like an inferior copy to me.

The thing I disliked the most about this movie is what I thought I would most enjoy: I really didn’t like Emily Blunt as Mary Poppins. I normally love Blunt and thought she was the perfect choice when cast. The way she speaks in this got on my nerves (too posh – it sounded phoney) and this film actually made the character somewhat unlikeable. She seemed too stern whereas Andrews was also stern but there was a kindness and playfulness that Blunt didn’t manage to convey. To be fair, I’ve not read the books and Blunt’s version may be more faithful. But a lot of us grew up watching Andrews so I can’t help but compare Blunt to Mary Poppins in the original film. Andrews will always be the only Mary Poppins to me.

The other thing they were never going to live up to in this was the songs in the original film, which are some of the catchiest Disney songs ever. I saw this about a week ago and I can’t say I can immediately remember how any of the songs went. There were a couple that were okay but nothing very memorable, unlike things like A Spoonful Of Sugar or Supercalifragilisticexpialidocious. Okay – one final thing & then I’ll try to say something nice: The story in this was pretty dull as well. Not that anyone is watching this for some complex plot so this isn’t a huge complaint for me. It was just such a predictable & uninteresting story.

Now onto the good things about this movie! I thought some of the sets looked pretty great (I enjoyed the dance number with Lin-Manuel Miranda and the lamplighters as well as the lovely balloon bit at the end). The film was colorful and I loved the costumes, especially what Mary Poppins wore (I like her funky shoes). Speaking of Lin-Manuel Miranda, I liked his character. He was probably my favorite of the new main characters (I found most the others a bit dull, though, and Meryl Streep’s bit was a bit stupid and felt thrown in there just to add Meryl Streep to yet another movie). Oh, and my favorite bits of all: Dick Van Dyke and especially Angela F*^king Lansbury!

Lansbury rules! Love her so much. Have loved her since Murder, She Wrote, which is a totally awesome show (don’t you dare tell me otherwise). And she’s Mrs. Potts, people! And she sounds exactly the same now at 93 as she did in Beauty And The Beast! Lansbury is a national treasure, just like Julie Andrews. By the way – why didn’t Andrews have a cameo?? Perhaps it’s better she’s not associated with this version but giving Lansbury & Van Dyke cameos was the best thing this movie did and really added to my enjoyment. I briefly felt like a kid again thanks to them. I’ll give this movie half a point more just for the addition of Lansbury & Van Dyke…

My Rating: 6.5/10

Splendor In The Grass (1961) Blind Spot Review

Splendor In The Grass (1961)

Directed by Elia Kazan

Starring: Natalie Wood, Warren Beatty, Pat Hingle, Audrey Christie, Barbara Loden, Zohra Lampert, Fred Stewart, Joanna Roos, John McGovern, Jan Norris, Martine Bartlett, Gary Lockwood, Sandy Dennis, Crystal Field, Marla Adams, Lynn Loring, Phyllis Diller, Sean Garrison

Plot Synopsis: (via IMDb)
A fragile Kansas girl’s love for a handsome young man from the town’s most powerful family drives her to heartbreak and madness.

My Opinion:

First, these are the 2018 Blind Spot films I managed to watch this year, from my least favorite to favorite:

8. Tetsuo: The Iron Man
7. Atonement
6. Gleaming The Cube
5. The French Connection
4. Citizen Kane
3. Metropolis
2. Splendor In The Grass
1. Enter The Dragon

Splendor In The Grass was going to be a 2019 Blind Spot choice but it was on TV so I decided to take the opportunity to watch it this year instead. I’m glad I did. I loved it. In ranking these above, I kept changing the order around between this & Metropolis but, while Metropolis is the better and more iconic film, Splendor In The Grass is the one I enjoyed more. It’s quite a girly film for me but I love a devastating, heartbreaking love story. Love should be painful! And god I love some good sexual tension in movies. It was palpable in this. It reminded me a bit of Brief Encounter. So much sexual frustration!

A big reason I wanted to see this was because I wanted to explore more of Natalie Wood’s films. She’s fantastic in this and entirely to thank for this film being so raw and emotional. She makes this movie the classic that it is. Warren Beatty is fine (this was his very first movie role) and they had good chemistry but I think his and all the other roles in this movie could’ve easily been filled by other actors and it wouldn’t have made a difference. Natalie Wood is the true star here and your heart breaks for her and you seriously want these two to rip each other’s clothes off and just have some damn fun. She was so lovely. I mean, look how lovely she is in this mustard top. Who the hell looks good in mustard?!

I suppose there’s also the real-life mysterious drowning of Natalie Wood which now makes the film feel even more tragic. In her despair & heartbreak, her character tries to drown herself and it’s widely known now that she had a terrible fear of water and was dreading doing that scene. This is from IMDb trivia:

“For the scene in which Deanie tries to drown herself in the lake, Natalie Wood asked Elia Kazan if she could do it in a controlled studio tank because she had a great fear of water – particularly dark water. “I assured her it was a very shallow lake and that her feet would always be close to the bottom,” said Kazan. “She said that even if her feet were on the bottom, she’d be in a panic of fear about it. So I asked my assistant, Charlie Maguire, to get into the water with her, just out of camera range, while she played the scene of struggling to save herself. This didn’t entirely reassure her, but she did the scene and did it well – then clutched Charlie. ‘Cut!’ I cried. On dry land she continued to shake with fear, then laughed hysterically, with relief.”

This is one of those films that wouldn’t necessarily be loved by everyone nowadays. I think it depends on if you can watch an older film (this was made in 1961 but set in 1928) and judge it by the standards of its time and when it was set. I see too many people judge older movies based on today’s ideals & morals and it always annoys me. Times change and people change. This movie has very outdated ideas on sex and the roles of men & women but that’s just the way things were. Wood’s character is a “good girl” and expected to stay that way while Beatty’s character is frustrated by his desire to have sex with her but also knowing he can’t “spoil” her so is actually encouraged to have sex with someone else instead. Beatty’s character is quite an asshole, by today’s standards especially, and there are times when the men in this act in ways that aren’t tolerated anymore (as with Beatty’s sister, who is considered an embarrassment to the family as she’s very promiscuous).

As I said, though, it’s Wood’s heartbreaking performance that made this movie such an emotional experience plus I’m always a sucker for tragic romance over a traditional “and they lived happily ever after” fairytale. Give me pain & tragedy! It feels more real. If that’s your type of thing, I think you may enjoy this film and I’d certainly recommend it if you want to see Wood at her best. I loved this movie and it’s probably one of my favorite Blind Spot choices in the three years I’ve been doing the Blind Spot Project.

My Rating: 8.5/10

Metropolis (1927) Blind Spot Review

Metropolis (1927)

Directed by Fritz Lang

Based on Metropolis (1925 novel) by Thea von Harbou

Starring: Alfred Abel, Brigitte Helm, Gustav Fröhlich, Rudolf Klein-Rogge

IMDB Top 250 Rank: 89 as of 01/01/13

Plot Synopsis: (via IMDb)
In a futuristic city sharply divided between the working class and the city planners, the son of the city’s mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

My Opinion:

First, these are the 2018 Blind Spot films I managed to watch this year, from my least favorite to favorite:

8. Tetsuo: The Iron Man
7. Atonement
6. Gleaming The Cube
5. The French Connection
4. Citizen Kane
3. Splendor In The Grass
2. Metropolis
1. Enter The Dragon

Well, I didn’t manage to watch my 12 Blind Spot choices this year as life got too busy but at least I watched eight. Better than nothing! And five of them were well worth the time and definitely worthy Blind Spot picks. The best was indeed Metropolis, which I’ve weirdly been putting off seeing for years despite loving the look of it and liking plenty of silent films. I watched it months ago but also put off reviewing it as it’s one of those where I don’t feel I have enough knowledge to do it any sort of justice. What can I say about it that hasn’t been said? It’s a brilliant, gorgeous film and so eerily ahead of its time. Oh, and yes I loved Enter The Dragon so I have it at number one in the above list. Of course Metropolis is the superior film but I always rank according to what I enjoyed the most and I had more fun with Enter The Dragon. I also absolutely adored Splendor In The Grass and did have that at number two until now as it moved me in a way that Metropolis didn’t but putting Metropolis below it just didn’t seem right as it’s a damn masterpiece. But I may change my mind & switch the order again. I’m like that. (I’ll try to review Splendor In The Grass tomorrow)

Metropolis of course also counts as part of my IMDb Top 250 Project. As I started that in 2013, I’m still working off that list. It breaks my heart to see old films slowly being knocked off that list & replaced with modern ones. Since 2013, Metropolis has dropped from 89 to 110. I just looked now to see what’s higher and got thoroughly annoyed at six Christopher Nolan movies having higher ratings than Metropolis. No way! Am I seriously the only person who thinks Nolan is massively overrated? I’ve only truly liked one of his movies (The Prestige). And Avengers: Infinity War is a fun film but it sure as shit isn’t Top 250 material. Okay – I’ll shut the hell up since I’ve ranked Enter The Dragon above Metropolis so I guess people just like what they like.

What I find interesting is that Fritz Lang’s film M, which I reviewed HERE, is actually higher in the list than Metropolis. Although it’s also a visual masterpiece and a brilliant example of filmmaking done right, I don’t think it’s the better film of the two. I can see why it’s higher, though, as it’s a more “accessible” film for a modern audience. It’s not silent, which I know puts some people off. It’s also a fantastic crime thriller, which is a genre with lots of fans. It’s a genre I rarely like, though. Give me sci-fi and fantasy. Metropolis is right up my alley but I can fully understand why some would find it overlong and probably even boring, although that makes me a little sad. I mean, look at these amazing images! Look! WOW. This is from 1927! Did this not blow people’s minds back then?? It must have. Although, in reading about it, it had some very negative reviews at the time.

The most negative review I saw on Wikipedia was from H.G. Wells, “who accused it of “foolishness, cliché, platitude, and muddlement about mechanical progress and progress in general.” He faulted Metropolis for its premise that automation created drudgery rather than relieving it, wondered who was buying the machines’ output if not the workers, and found parts of the story derivative of Shelley’s Frankenstein.” A lot of reviewers at the time called the story silly & simplistic. I think it has stood the test of time pretty well, especially considering how long ago it was made, but it’s not as scarily prophetic as some later sci-fi films exploring similar themes and ideas involving the future of mankind. There’s still a huge divide between the rich and the poor but our world looks very different from Lang’s vision and he never could have predicted today’s technology and the way in which it controls us mentally more than physically. We’re living in a dystopian future as predicted but it’s a very different dystopia than Lang predicted. So, while this film is stunningly beautiful, I can’t say I connected with it quite as much as some other sci-fi classics when it came to the overall story.

Before I end this so called review, I figured I should also mention The Cabinet Of Dr Caligari as it’s another example of German Expressionism in film. That’s two silent German Expressionist movies I’ve seen! I’m, like, an expert now! Okay – I have zero knowledge on this topic. All I know is that it looks cool as shit and I could spend all day looking at the type of imagery used in these two films. It’s stark and haunting and a little bit creepy and I love it. I like my art a little bit creepy (H.R. Giger is the best). So, again, this is my type of thing but won’t be to everyone’s taste. I admit to being a sucker for great visuals in a film. Give me great imagery & cinematography and I’m happy. Add a beautiful score as well and I’m over the damn moon, such as in a Sergio Leone/Ennio Morricone Spaghetti Western. That’s epic filmmaking. That’s the type of thing I expect when I think “Top 250 Films Of All Time”. Metropolis is iconic, beautiful, and epic. To me, at least. To others, it’s probably boring as shit. Story-wise, it’s not perfect. It’s a little bit messy and I can see how those at the time probably found it pretentious. Would I stick a Metropolis poster up in my cinema room (if I was rich & had such a thing)? Hell Yeah! The film is a work of art. Is it a new all-time favorite film of mine? No, I’ll admit it’s not. If I’m honest, I’ll put Splendor In The Grass just above it on my list. I enjoyed it more. I told you I’d probably change my mind! But nothing can top the artistry of Metropolis.

My Rating: 8.5/10

The King’s Speech (2010) IMDB Top 250 Review

The King’s Speech (2010)

Directed by Tom Hooper

Starring: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce, Timothy Spall, Derek Jacobi, Jennifer Ehle, Michael Gambon

IMDB Top 250 Rank: 160 as of 01/01/13

Plot Synopsis: (via IMDb)
The story of King George VI, his impromptu ascension to the throne of the British Empire in 1936, and the speech therapist who helped the unsure monarch overcome his stammer.

My Opinion:

Happy Boxing Day! I love this day. I prefer this day to Christmas Day. Far less stressful! Which is why I’ve decided to do a mega quick & lazy review of The King’s Speech, which was one of only three movies I managed to watch for my IMDb Top 250 Project in 2018. I’m seriously slacking on that! (The other two were Citizen Kane & Metropolis, which I’ll review tomorrow).

I didn’t get around to this review as I don’t have much to say about this movie. I hate that. I mean, it’s a good film but I find my reviews only get wordy when I really love or really hate a film (I ramble on for ages when I really hate something). Too many films are somewhere in between: Enjoyable enough while watching them but somewhat forgettable. The King’s Speech is like that. And it won Best Picture at the Oscars! Hmm. Here’s what it beat:

127 Hours (not seen it – there’s that arm bit – ew)
Black Swan (certainly more memorable than The King’s Speech)
The Fighter (meh)
Inception (Nolan is overrated)
The Kids Are All Right (meh)
The Social Network (decent film but also meh)
Toy Story 3 (yeah, I prefer this to The King’s Speech)
True Grit (not seen it)
Winter’s Bone (meh)

Okay – it looks like it was a weak year for films. Now I’m wondering what wasn’t nominated at all that may have been better than these (I’m too lazy to bother looking into that).

I remember that I watched this just after watching Darkest Hour so it was interesting seeing that same time period in English history. Movies are the only way I gain any knowledge of history – I have such a Hollywood version of world history in my head. Pathetic, I know. What can I say? I prefer sci-fi & fantasy. I remember thinking Timothy Spall made for a terrible Winston Churchill in this compared to Gary Oldman’s brilliant performance. Not that it matters – it was a very small part since this movie is about King George VI. Colin Firth, Geoffrey Rush, and Helena Bonham Carter were all truly fantastic in their roles. That’s why it won Best Picture. Those Academy voters love historical dramas with English accents. Well, Rush isn’t English but Americans can’t tell the difference anyway…

Colin Firth won Best Actor for this, which I think was fair enough. He’s very good in this but I find him rather boring. He plays this stuffy sort of role so often (which is why I guess it was kind of fun seeing him in Kingsman: The Secret Service). I really enjoyed Helena Bonham Carter’s performance and think she deserved an Oscar as well instead of Melissa Leo in The Fighter. Hell, I don’t even remember Leo’s performance – I only remember her swearing in her acceptance speech. To be fair, Bonham Carter plays these stuffy sort of roles more often than Firth but I don’t find her boring. She’s damn good. I’ve never considered myself a fan but I think she always gives a great performance. Maybe I am a fan?? I’ve not watched her stuffiest stuff, though. Maybe I should check out some of that Merchant Ivory shit?? As for Geoffrey Rush, he’s fantastic in this too and also deserved an Oscar (instead of Christian Bale in The Fighter – I hate Bale). But I think Geoffrey Rush is the latest celeb in trouble for some sex stuff from the past so I’ll say no more. At this rate, I’ll have to delete half my blog if I have to get rid of any mention of certain actors…

I said I’d keep this short. The King’s Speech is a good film with fantastic performances. It’s one of those “one-time watch” movies, though. I’m glad I’ve seen it and I did actually enjoy it but I can’t imagine ever watching it again for any reason. It’s certainly weak compared to all the other Best Picture winners & nominees in the history of the Oscars. It’s certainly not the worst, though (I’m looking at you, The English F*%king Patient!). Since I’m a sad & pathetic list maniac, I did rank every Best Picture Oscar Winner I’ve seen HERE and I’ve now added The King’s Speech. It’s toward the bottom but I did enjoy it. I feel like I’m being too harsh on this one! It’s just not all-time classic “Best Picture” material. Or IMDb Top 250 material, which is why I think this has actually now dropped out of that list (I started this project in 2013 so I’m still working off the list from that time).

My Rating: 7/10

Spider-Man: Into The Spider-Verse (2018) Review

Spider-Man: Into The Spider-Verse (2018)

Directed by Bob Persichetti, Peter Ramsey & Rodney Rothman

Story by Phil Lord

Based on Miles Morales by Brian Michael Bendis & Sara Pichelli

Starring: Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Brian Tyree Henry, Lily Tomlin, Luna Lauren Velez, John Mulaney, Kimiko Glenn, Nicolas Cage, Liev Schreiber

Plot Synopsis: (via IMDb)
Miles Morales becomes the Spider-Man of his reality and crosses paths with his counterparts from other dimensions to stop a threat to all reality.

My Opinion:

Wow. This film was pretty damn great. I’d seen so much hype for this online so didn’t know what to expect as movies rarely live up to their hype for me. Plus, I’m not a huge comic book/superhero movie fan other than thinking they’re enjoyable but forgettable fun. This movie lives up to the hype. I can only imagine how Spider-Man comic fans feel, though – they certainly seem to be in love with this. As someone who isn’t a fan, I’m happy to hear that since I think I kind of loved this film as well. And I certainly have a new favorite version of Spider-Man himself! Well, a few favorites…

I’m going to keep this super short as it’s Christmastime and I’m sick and I have a lot going on. I never like to say too much about these superhero films anyway as I have zero knowledge of the source material. All I know is that I’ve seen all the movie adaptations they’ve done for this character and I easily had the most fun with this version. I adored Miles Morales and thought his relationships with all the other characters in this (such as his father, his uncle & Gwen) were very strong. This movie had far more heart than other adaptations and I bought into these characters far more than in other versions. Plus, seeing different versions of Spider-Man from different dimensions was cool as shit.

The humor all worked perfectly, the New York setting was amazing and I loved that Miles is a graffiti artist and this is yet another movie that made me want to visit New York, the unique animation style was a real treat, the Stan Lee cameo made me want to cry but it was beautiful, and the scene after the credits is BRILLIANT! Loved it. I thoroughly enjoyed absolutely everything about this movie and, as I said, I’m not even a big superhero fan. I’d highly recommend this movie to anyone.

My Rating: 8.5/10

Bumblebee (2018) Review

Bumblebee (2018)

Directed by Travis Knight

Based on Transformers by Hasbro

Starring: Hailee Steinfeld, John Cena, Jorge Lendeborg Jr., John Ortiz, Jason Drucker, Pamela Adlon

Plot Synopsis: (via IMDb)
On the run in the year of 1987, Bumblebee finds refuge in a junkyard in a small Californian beach town. Charlie, on the cusp of turning 18 and trying to find her place in the world, discovers Bumblebee, battle-scarred and broken.

My Opinion:

I’ll keep this review short: Bumblebee was fun. It’s a lot better than those stupid Michael Bay Transformers movies but, hell, it wouldn’t take much to top those. It’s not up there with Steven Spielberg’s family films of the Eighties, though, which I’ve seen Bumblebee compared to. No way. It’s a fun family “popcorn” movie but I wasn’t exactly blown away. (Sorry)

First of all, I’ll say that I’m not a Transformers fan in the slightest so this review is from someone with almost no Transformers knowledge whatsoever. Second of all, I’ll say that I’m damn old so I loved that this is set in 1987. I’m a sucker for anything set in the Eighties since that’s when I grew up. Thirdly, I’m now going to moan about the ways in which they got the Eighties wrong (although the director is my age but I’m assuming he didn’t have full say on all the 80’s stuff that got crammed in).

I liked Hailee Steinfeld’s character in this and of course loved that the lead was a teenage girl (like me in the Eighties). So I could relate to her at times but she’s also a bit too much “ideal Eighties girl” with all her heavy metal t-shirts & dark eyeliner. I was a metalhead in the late 80s (as were most Midwestern teens) but I didn’t own one metal t-shirt. That’s not how girls tended to dress. And we didn’t wear eyeliner in that way. And… I’m sorry but there’s no way a girl wearing a Motörhead t-shirt back then would also be listening to The Smiths. Not as a teen, anyway. The Smiths were the whiny shit you got into once you went to college. (For the record, I do like both metal & The Smiths but as a teen you tended to stick to one genre so you wouldn’t be an outcast).

And don’t even get me started on Rick Fucking Astley!!! News flash for non-80s kids: We didn’t like Rick Astley. He wasn’t some big thing. I know no one who bought a Rick Astley album. AND NO ONE WEARING A MOTÖRHEAD T-SHIRT WOULD BE CAUGHT DEAD WITH A RICK ASTLEY CASSETTE!!! There. Music rant over. The music choices for this soundtrack were mostly too damn obvious but I was pleased to hear some songs (Hooray for Tears For Fears). Oh, one more rant: The Smiths are okay but I can only take so much of their music so can we stop having moody teens listening to them in movies? Has Hollywood not gotten the memo that Morrissey is a bit of a twat now anyway? You know whose music doesn’t get annoying?? The Cure. The Cure are far superior and not so cliché so, hey Hollywood, how about having your moody teens be fans of The Cure instead? From someone who lived through that decade, this is actually more realistic.

As for the other 80’s clichés in this film, I guess it’s not as bad as I was thinking as I was so distracted by the music thing. Hailee Steinfeld really didn’t look at all like an 80’s teen despite them giving her some silly bangs (a fringe to you UK readers). I suppose they didn’t want her to look ridiculous. But the “mean girl bitch” looked so Eighties it hurt. No one really looked like her back then, either – normal teens were somewhere between these two girls. Maybe I should talk about the actual movie??

Bumblebee is a good character. I totally want him as a friend but I think I just prefer robots to humans as I also want to hang out with WALL-E & R2-D2. So I really enjoyed this friendship and, yes, it’s a feelgood family movie. We need more of those! There’s also plenty of action, which should keep Transformers fans happy (I assume). There’s actually more action than I expected from the trailers, which made it look like simply a warm & fuzzy friendship movie. There’s a full-out war on their home planet or whatever, though. There’s also a cute almost-romance with a neighbor boy (who doesn’t at all look like he’s living in the 80s). Meh. I don’t know. I have a terrible cold at the moment! God I hate winter. This movie was fine. It’s a popcorn movie. I’d probably enjoy it more in the summertime… I’m just super grumpy at this time of year.

My Rating: 7/10

I’m going to finally review Spider-Man: Into The Spider-Verse later today, which is a contender for my favorite film of 2018 (even though I saw it in cold weather). I never expected that!

Mirai (2018) Review

Mirai (2018)
未来のミライ
Mirai no Mirai

Directed & Written by Mamoru Hosoda

Starring: Moka Kamishiraishi, Haru Kuroki, Gen Hoshino, Kumiko Aso, Mitsuo Yoshihara, Yoshiko Miyazaki, Koji Yakusho, Masaharu Fukuyama

Plot Synopsis: (via IMDb)
A young boy encounters a magical garden which enables him to travel through time and meet his relatives from different eras, with guidance by his younger sister from the future.

My Opinion:

Mirai is the third film I’ve watched from director Mamoru Hosoda after Summer Wars & Wolf Children. Wolf Children remains my favorite by far as it has the most well-developed characters & lovely animation while Summer Wars has a unique story and style. Mirai was a little disappointing in comparison but there’s still a lot to like about it, not least of which was seeing how much my daughter enjoyed it (it’s her favorite movie of the year – I’m raising an anime fan!).

I’m always a big fan of any stories involving time travel so Mirai’s plot certainly appealed to me. The young boy in the story gets to visit relatives in the past, with the help of his newborn sister’s future self, in order to gain a better understanding of his family and his place within it. It’s a great concept that doesn’t work quite as well as it could have. The stories aren’t as moving as they could’ve been, other than one involving his great-grandfather (who is an animated hottie, by the way – what a stud). I loved that story and wanted more like it. Unfortunately, I don’t think we learn enough about the future selves of our two main brother & sister characters. We don’t know if the boy really changes his ways, either, based on the little we see of his future. I’d have liked to see more of a connection between the brother & sister as this relationship was the main focus of the story.

I think the biggest problem, which didn’t bother me so much but will get on some people nerves, is that the boy is, well, a brat at first. But that’s kind of the whole point of the movie. He’s young (not sure if they say his age – he seems to just be coming out of the toddler stage) and he becomes very jealous of his newborn baby sister and all the attention she receives. If you don’t like kids, as I’ve noticed many people don’t, you’re unlikely to fully enjoy this one. I had a toddler, although I never had to deal with sibling rivalry, and I know they can be a pain in the damn ass. Those tiny humans are insane. So the boy being a little bratty in this didn’t bother me as it felt realistic and having his new sister visit him from the future is a brilliant idea for a story.

Well, I did enjoy this film even though it’s not going to be a very favorite anime movie of mine. I’m sure it’ll grow on me as I’m likely to see it multiple times on DVD thanks to my kid. I feel kind of similar about this one as I did about Makoto Shinkai’s Journey To Agartha, which I reviewed earlier today. I just need something to be as good as all the Studio Ghibli stuff. Or Akira. That’s probably asking too much. I think I’m going through all the anime films too quickly since starting this blog. I’ve watched all the best! I’m afraid nothing will live up to those now. But I’ll still keep watching them just in case…

My Rating: 7/10