CODA (2021) Review

CODA (2021)

Directed by Sian Heder

Based on La Famille Bélier by Victoria Bedos, Thomas Bidegain, Stanislas Carré de Malberg & Éric Lartigau

Starring: Emilia Jones, Eugenio Derbez, Troy Kotsur, Ferdia Walsh-Peelo, Daniel Durant, Marlee Matlin

Plot Synopsis: (via Wikipedia)
The film stars Emilia Jones as the eponymous CODA (child of deaf adults), the only hearing member of a deaf family, who struggles to balance her attempts to help her family’s struggling fishing business and her own life aspirations.

My Opinion:

Finally! After a week of watching a bunch of the films with Oscar nominations and getting really annoyed at how boring (Nightmare Alley), irritating & unwatchable (Spencer) most of them are, it was great to see something I thoroughly enjoyed. Why do the Oscars nominate so many films that feel like an absolute chore to watch? I’m surprised this was nominated for Best Picture, actually, as the Academy doesn’t often go for a sweet “feelgood” family film. They like dreary & depressing stuff so often but crowd-pleasing can be worthy too. I’m glad they recognised this one. Not sure of its chances but it would be lovely to see it win.

The performances were all great in this as well. Emilia Jones, Troy Kotsur, Daniel Durant & Marlee Matlin all would have been worthy nominees so it’s a shame it’s not up for more acting awards but I’m glad Kotsur was nominated at least. It’s also up for Best Adapted Screenplay so, again, not sure of its chances of winning Best Picture with only three nominations overall but I think Kotsur has a good chance. I really liked these characters & their strong family bond. Yes, it’s a heartwarming film but it’s not overly sentimental or saccharine. They got the balance right on that, which can be hard to achieve, and the film has some great funny moments too. Kotsur & Matlin were especially fun as horny parents still madly in love with each other. I’ve not seen Emilia Jones & Daniel Durant in anything else but this will hopefully get them more roles as they were both brilliant too. All four of them worked really well together & were believable as a family.

Oh, and I loved the setting too. I swear I want to be able to retire to a small East Coast America fishing village (this is set in Massachusetts). I blame Stephen King for that! I’ve just read too many of his stories set in Maine. And….. I can’t think of anything else to say! When I hate a movie, I can ramble on forever moaning about it. CODA is such a good & enjoyable film and there is absolutely nothing negative I could possibly say about it. It’s also not trying too hard to be something its not, which again is why I’m surprised it’s up for Best Picture. It’s a lovely film and I’m happy I got to watch it. (Thanks to my family gifting me that streaming service for Mother’s Day. They know exactly what kind of gifts I like!). Oh, and they both really enjoyed this movie too. It’s a great family film.

My Rating: 8/10

The Eyes Of Tammy Faye (2021) & Spencer (2021) Reviews

Here are two quick reviews in time for the shitty looking Oscars ceremony I really don’t want to watch but probably will. Figured I should check out two of the Best Actress contenders that just showed up on U.K. services. Bloody hell one of these movies was godawful.

The Eyes Of Tammy Faye (2021)

Directed by Michael Showalter

Based on The Eyes of Tammy Faye by Fenton Bailey & Randy Barbato

Starring: Jessica Chastain, Andrew Garfield, Cherry Jones, Vincent D’Onofrio

Plot Synopsis: (via Wikipedia)
The film tells the story of Tammy Faye Bakker (played by Jessica Chastain), from her humble beginnings growing up in International Falls, Minnesota through the rise and fall of her televangelism career and marriage to Jim Bakker (played by Andrew Garfield).

My Opinion:

I did NOT expect to far prefer this movie out of these two. I had zero interest in even watching this but stuck it on to see an acting Oscar nominee since I’ve only been able to watch half of the Best Picture nominees (I’ve not seen Belfast, CODA, Drive My Car, King Richard or Licorice Pizza). I’ll say that I knew nothing whatsoever about Tammy Faye Bakker other than, of course, remembering the religious lady with the crazy makeup at the height of her & her husband’s fame (or more like infamy, I guess).

I won’t get into religion as I avoid talking about religion or politics like the plague. I’ll just say it’s a topic I do have a very strong opinion about & I never understood the televangelist thing in America when I lived there. It must make other countries think we’re crazy for supporting what seem like cults but are these ministries as big of a deal as they seem? They must be as they managed to find people to give them millions, making them so damn rich. But who are these people? I never knew anyone who would give money to televangelists?

Anyway. I’m NOT going to get into that. I’ll just say again that I knew nothing about Jim & Tammy Faye Bakker as that kind of thing is utterly & completely foreign to me but this movie made me feel sympathy for her at least. It’s a Hollywood film & I’m not stupid – they can so easily make a person either look good or bad depending on their agenda so I’m not going to just assume it’s 100% accurate. I’m also not interested enough to go looking into its accuracy (sorry). But whether it’s true or not I really liked how genuine she seemed here in her love of God (despite my own beliefs) and embracing the true supposed meaning of Christianity (love & acceptance of everyone no matter their race, gender, sex, sexuality, etc). Yes, despite hiding behind a mask of makeup she seemed more genuine in her beliefs than all the powerful & intolerant men in this film who also became rich in the same way. Again, I’m sure it was exaggerated or more likely entirely fake but I loved the scene where she was just being her sweet self talking about her beliefs while the men her husband idolised clearly wanted this “woman with opinions” to shut the hell up.

Well, as I said I liked this movie and character more than I was expecting. It was probably easier for me to buy into as Bakker isn’t nearly as well-known as someone huge like Princess Diana but Jessica Chastain did seem to do a very good portrayal. There’s plenty to discuss here when it comes to the hypocrisy of rich & powerful “Christians” and there’s probably something psychological with Tammy Faye feeling the need to cover her face in all that makeup. I don’t think the movie really explores any of that at all, though, which is a shame. But it wasn’t a bad film & was a small entertaining look into something I know very little about. At least Tammy Faye, for all her & especially her husband’s obvious faults, embraced what I was always led to believe was the core Christian belief of love & acceptance (?!). In that way, she came across as quite lovely (in this Hollywood film, at least. I dunno). She was a fascinating person. While I don’t think the movie did much in terms of trying to help us to understand her as a person, at least it made us sympathize with her & accept her in the way she seemed to accept others.

My Rating: 6.5/10

Spencer (2021)

Directed by Pablo Larraín

Music by Jonny Greenwood

Starring: Kristen Stewart, Timothy Spall, Jack Farthing, Sean Harris, Sally Hawkins

Plot Synopsis: (via Wikipedia)
The film is about Princess Diana’s existential crisis at Christmas because she wants to divorce Prince Charles and leave the British royal family.

My Opinion:

What? What on Earth? Who? Why? Huh? Did… Did people actually like this movie? Am I just completely out of touch with film fans these days?! I honestly don’t know where I fit in now. “Regular” people I know in real life who aren’t movie-obsessed like me probably think I have weird & slightly snobby movie tastes (I do) and would hate a lot of the movies I’ve loved in recent years. But then I see Film Twitter & critics praise stuff like this, which I found annoying & pretentious and a chore to finish watching. And it had the most obnoxious & irritating score which just put me on edge the whole time. Which I hate saying as the score was done by Jonny Greenwood of Radiohead & they’re easily one of my Top Ten favorite bands ever but, hey, I guess it makes sense as plenty of their stuff from later years was fucking irritating. (But I still love them for having SO many songs I adore)

Is Kristen Stewart’s performance Oscar-worthy? For the most part, I don’t care that much about performances (unless they’re really bad). I care more about Best Picture & the overall film being one that I actually enjoy. So it was hard to judge the performance as I was distracted by hating this movie so much but it seemed awful to me? So over-the-top. It felt like a ridiculous caricature but what do I know about anything?! I think the performance was meant to be an exaggerated version of Princess Diana so maybe Stewart was amazing? Was it?? Was it meant to be hammy??? And I’m just dumb & uncultured???? And I moaned about this in my Being The Ricardos review but, if you’re gonna hire someone who looks nothing like a very well-known real person, at least make sure that actor/actress is DAMN good. So, yay, I just spent two hours watching Kristen Stewart being blonde, glancing sideways a lot, throwing up & talking about masturbating. It just felt insulting to the memory of Princess Diana.

I’m looking down & sideways! I’m Diana!

Screw it. I don’t feel like rambling on forever about hating a movie (for a change). This film, about one of the most interesting & beloved figures in recent history, somehow managed to be an absolute snoozefest. That’s quite a feat, I guess. I’m sorry if anyone reading this liked this film but I’d be very interested to know why as I’m starting to wonder why I like so few films in recent years, especially Oscar nominated ones…

My Rating: 4/10

Nightmare Alley (2021) Review

Nightmare Alley (2021)

Directed by Guillermo del Toro

Based on Nightmare Alley by William Lindsay Gresham

Starring: Bradley Cooper, Cate Blanchett, Toni Collette, Willem Dafoe, Richard Jenkins, Rooney Mara, Ron Perlman, Mary Steenburgen, David Strathairn

Plot Synopsis: (via IMDb)
A grifter working his way up from low-ranking carnival worker to lauded psychic medium matches wits with a psychiatrist bent on exposing him.

My Opinion:

Ugh. Okay, this is going to be a sucky review because I have very little to say about this movie. Well, all my reviews are sucky. So this will be more sucky than usual!

Man, this film was a drag. Guillermo del Toro’s output is kind of all over the place, though. I like some films, like Pan’s Labyrinth (brilliant) and The Shape Of Water. But other films of his are a bit meh. As always, though, I like the style of his movies & this one also has his great signature look to it. So, yay, it looked very pretty. But that didn’t make the movie any less boring. Nightmare Alley ended up like Crimson Peak: A great-looking but dull film. And I think I enjoyed Crimson Peak much more of these two.

How did he manage to make a movie set in an old-school carnival so boring?!? I think we just didn’t get enough of the carnival setting. Disappointingly, that’s only really at the start of the film. I LOVE a carnival/circus setting for movies & books! Freaks is very much a favorite film of mine & I’ve always found that whole lifestyle fascinating. So, when they moved away from that in this film, I really lost interest with the plot which wasn’t very compelling & certainly didn’t need to be dragged out for two & a half hours. Also, not to be rude but I’ve just never really been a fan of Bradley Cooper & he felt wrong for this role. I did think he was very good in A Star Is Born but he just felt out of place here, especially in scenes with Cate Blanchett. I think Blanchett has that true old Hollywood “star quality” so she does tend to outshine everyone in scenes with her but it was even more obvious with Cooper as he just doesn’t have that sort of “presence” at all. Which isn’t good when he’s the main character…

Also, I don’t mind this so much but the hubby complained about the amount of big name stars in this. I do agree it can throw you out of some movies, though, especially fantasies or ones that are meant to be mysterious. It just felt unnecessary to stick so many well known people in even the smaller roles here. Is that what helped it to get a Best Picture nomination? Probably! The Academy does have its favorites. Blanchett is certainly a favorite & they do seem to like del Toro. Hey – at least Nightmare Alley was maybe a little less boring than The Power Of The Dog. Maybe. It’s close.

I had more to say about this than I expected! I feel I’ve been way too harsh because, let’s face it, I’ve never made a movie & del Toro is obviously a good filmmaker. So I’ll end with some positives:

As already mentioned, this movie looks great. I also liked all the performances from the women: Cate Blanchett, Toni Collette (was sad her role was so small) & Rooney Mara. Hubby thinks I have a big girl crush on Rooney Mara. I think I kind of do but don’t know why as I don’t normally go for that tiny waif thing. She has lovely eyes but I think I’m more into Blanchett because she’s always so “sexy cool”. Yes, I liked seeing the two of them in this together briefly after they played lovers in Carol. Yes, I liked Carol and, yes, it kind of made me wonder what I see in men. And I think I just spent too long thinking about Cate Blanchett & Rooney Mara so the hubby is gonna read this and think I’m in love with them. Oh, and I also learned something new about old carnivals! I can’t believe I’d never heard of a geek show since I always watch anything to do with carnivals. Anyway, here’s a brief explanation of a geek show from Wikipedia: “The billed performer’s act consisted of a single geek, who stood in center ring to chase live chickens. It ended with the performer biting the chickens’ heads off and swallowing them.” Gross. It sounds like the geeks were treated horribly so it’s a good thing the “geek shows” & the “freak shows” disappeared. It was such a different world back then. (But I did like the thing in the jar in Nightmare Alley as it reminded me of a great episode of The Alfred Hitchcock Hour called The Jar. Loved that show as a kid!)

Here, I’ll be fairly nice with my rating as it obviously must be a good film since it’s an Oscar nominee?!?

My Rating: 6.5/10

Promising Young Woman (2020) Review

Promising Young Woman (2020)

Directed & Written by Emerald Fennell

Starring: Carey Mulligan, Bo Burnham, Alison Brie, Clancy Brown, Jennifer Coolidge, Laverne Cox, Connie Britton

Plot Synopsis: (via IMDb)
A young woman, traumatized by a tragic event in her past, seeks out vengeance against those who crossed her path.

My Opinion:

I honestly wasn’t sure how I’d feel about this film before seeing it. Movies are difficult nowadays. Many films have had strong beliefs throughout the years but I feel those from the past ten years or so (and especially in the past five years) present those beliefs in a very different way. I’ve never been against movies with strong or controversial opinions, even if I don’t agree with them. I’m just very against how forced this feels in so many films now. An important and worthy topic doesn’t automatically make a film “good”. I still want a good script, good characters, a gorgeous score & cinematography, and all that other good shit that makes the very best movies true works of art. It’s great if a film has all of that good shit and also manages to have a really good message. I admit that with Oscar nominees these days I always wonder if I’m going to see a strong message with a mediocre film written around it or a good film that also happens to have a strong message that works well within that film.

I did a horrible job explaining that. What I’m saying is that I wondered if Promising Young Woman would be a full-on “all men are evil and must die” movie. Hey, I’m a woman – I’m not gonna pretend I don’t like a good revenge film. Of course I feel strongly about this topic. I’ve always been uncomfortable with “rape revenge” films, though. Although I try to watch most every type of movie that I possibly can to have a fully informed opinion, this is one subgenre I haven’t explored much. I’m not going to look into it, either, as it’s something I don’t want to go searching for but I do wonder how many of these films were made by women? I admit that I probably watched the worst possible example of this subgenre (the 1978 I Spit On Your Grave), so I didn’t want some gory “kill all the men” bloodbath. Exploitation flicks have their place, I guess, but they’ve been done. And I especially didn’t want an extremely exploitative rape scene as in that film. Women don’t want to see that. Those films are made for the excuse to have a graphic rape scene. No thanks. It’s possible to empathise with the victim & want her to get revenge without seeing in graphic detail what happens to her.

Okay, I don’t want to say the word rape anymore. I hate it. Just trying to explain that I wasn’t sure what this movie was going to be. I liked Promising Young Woman a lot. I may have even kind of loved it a little. I’m still not completely sure of the rating I want to give it, though. I feel it’s one of those that I need to think about for a while before I know how I really feel as I can see my opinion of this either going up a lot or possibly going down ever so slightly. I’m really not sure! I felt this way about Mandy… I knew I liked it a lot after seeing it. But after a few months or so of thinking about it, I realised I loved that crazy ass movie & that it’s easily an absolute favorite from recent years. Anyone else ever feel that way about a movie?? I think it’s because I love a divisive film. They excite me. I see too many bland & totally forgettable movies. I’d rather see a slightly “bad” film that’s maybe a bit weird or has a very memorable scene or two than the hundreds of truly boring duds I’ve seen since starting this blog. (Not that Mandy or Promising Young Woman are bad – I think they’re both very good films that are just unconventional)

Carey Mulligan is great in this. We’re all so used to seeing her in “worthy” Suffragette type roles (although I did like that film). But it was fun seeing her like this & I liked her a lot. Although I don’t know if I exactly liked her character. And that’s what I liked! How many times can I say “like”?! I thought this movie did well with the balance I thought it wouldn’t get right. No, it doesn’t portray men in a great light. But it also didn’t have an “all men are bad & all women are good” message. I hate movies like that (unless you’re talking fun sci-fi or fantasy films – I do want straightforward good vs evil in something like Star Wars). But this movie is dealing with a serious real life issue & real life isn’t so black & white. Mulligan’s character is flawed & damaged. You feel for her and you’re on her side but you also don’t always necessarily agree with her & all her methods. You know what else was good? She wasn’t just some kick-ass bitch. I mean, I love a kick-ass bitch! Ellen Ripley rules. But we already have some great female characters like that to look up to so I liked seeing someone more real in this. It’s more relatable. And even when you think she may take some things a little too far, it’s helped by the fact that she’s avenging her best friend. Also, I loved how she fucked with peoples’ minds. That was great & more fun than some super violent revenge porn.

Mulligan is definitely the best thing about this but I also enjoyed the characters played by Bo Burnham & Laverne Cox and their relationships with Mulligan’s character. Clancy Brown & Jennifer Coolidge were also good as her frustrated parents. I was expecting more dark comedy than we got in this, though. I’d have liked much more of that as what we did get worked pretty well. I’d heard beforehand that this movie is sort of a mix of genres and I loved that (as I said, I like unconventional & unpredictable). It was probably hard to classify this film but I’m not sure if I’d agree with those who have included “comedy” in its description. I think some people were probably expecting something very different and can see some really hating this movie but I was pleasantly surprised with how the story played out & loved that it wasn’t at all predictable. I SO wish I hadn’t had the ending spoiled for me on Twitter. Oh, and I liked her colorful fingernails! I liked the use of girly colors in this film (it reminded me of the end of Waitress, a movie I absolutely love).

Well, I’ve rambled on long enough. I know I must have found this film interesting as I haven’t done one of these long rambling “reviews” where I try to sort out my thoughts on a film in a long time. I think the only long reviews I did in recent years were for Mandy, Midsommar & Deep Red. I really liked this film. I’m still thinking about it three days later, especially its unexpected ending. I keep going back & forth on what I want to rate it. 8 & up means I really loved a movie and/or I thought it was a really good film. Is Promising Young Woman worthy of being a Best Picture Oscar nominee? These days it is. It’s certainly my favorite of those nominees I’ve seen so far. But it wouldn’t have been nominated years ago. I’m curious what I’ll think of this one 20 years from now. I look back at some nominees & think “How the hell did that get nominated?”. Will I think that about this? I don’t think so. I’m glad something a little bit unusual & a film that I actually *wanted* to watch is nominated.

My Rating: 8/10

*I may edit this post later & give it 8/10. I don’t know!

**Okay, I did it!

Music Video Friday: Survivor – Eye Of The Tiger (1982 Oscar Nominee)

Today’s Oscar nominated song is Survivor’s Eye Of The Tiger from the film Rocky III.

I’ve ended up only doing three of these Oscar Song posts (I figured I better review Deadpool instead one Friday so I scrapped Eminem’s Lose Yourself). I’ve missed out on a lot of great nominees & winners. Oh well – I’ll post more at Oscars-time next year!

Last week I talked about Aimee Mann’s Save Me and the one I kicked things off with was Irene Cara’s Flashdance…What A Feeling. Let’s face it – Eye Of The Tiger is the equivalent of Flashdance… What A Feeling for boys so it made sense to talk about this one now. Plus, of course, Sylvester Stallone is up for an Oscar this Sunday for his role in Creed. No, I’ve not seen Creed since I’ve never even seen any of the Rocky films. Yeah, yeah – I know I should. Hey – at least I’ve seen Flashdance so I’ve seen the girl version of Rocky anyway! 😉 Without all the unnecessary hitting.

Eye Of The Tiger lost out to Up Where We Belong from An Officer And A Gentleman. That’s fair enough – that’s a good song and worthy winner. But it’s not as well-known and iconic today. Eye Of The Tiger may be a piece of 80’s cheese but who doesn’t know it and who doesn’t immediately think of Rocky when they hear it (even when they’ve not even seen the movies)?? I miss cheesy, uplifting 80’s songs like these. I can’t say this is an all-time favorite song but it usually puts a smile on my face and makes me want to punch something (in a happy way!).

Does he seriously train by punching meat? Lol! And people make fun of similar movies like Flashdance?! Hopefully the meat thing is in one of the non-Best-Picture-Winner sequels. And I really hope Eye Of The Tiger was used in one of those long, silly montages that only ever worked in 80’s films. God I love those! Push it to the limit!

Anyway, I read on Wikipedia that Stallone asked Survivor to do a song for the movie as he originally wanted Queen’s Another One Bites The Dust to be the theme song but they didn’t give their permission. That’s good – I like that song and think it would’ve been ruined for me being associated with a Rocky movie. Besides, Eye Of The Tiger ended up being the perfect fit.

Onto the video: Wow – no expense was spared! Are those garbage bags behind the band?? I like how they have fans blowing on them to make a cool effect. Ha! A+ for effort on what I assume was a very low budget. GOD I love the Eighties…. 🙂