The Lost Daughter, Don’t Look Up & Pig Reviews

Another quick trio of reviews of 2021 releases before I do my December roundup post. Liked these a lot more than the three I reviewed earlier today. Two of these are also probably going to make my 2021 Top Ten list I’ll try to post later this week. I keep moving stuff around on that list a lot… We’ll see!

Don’t Look Up (2021)

Directed by Adam McKay

Starring: Leonardo DiCaprio, Jennifer Lawrence, Rob Morgan, Jonah Hill, Mark Rylance, Tyler Perry, Timothée Chalamet, Ron Perlman, Ariana Grande, Scott Mescudi, Himesh Patel, Melanie Lynskey, Cate Blanchett, Meryl Streep

Plot Synopsis: (via Wikipedia)
It stars Leonardo DiCaprio and Jennifer Lawrence as two astronomers attempting to warn humanity about an approaching comet that will destroy human civilization.

My Opinion:

Watched this yesterday (but I’m logging it as a 2021 watch!). Really glad I finished out the year with this one as I’ve found the 2021 releases on services to be very disappointing but I enjoyed this one a lot. Between this and The Lost Daughter, which I watched on the 31st, I’m happy to have two more movies probably making it into my 2021 Top Ten list.

Wasn’t sure what I’d think of this as I’ve not been big on any of Adam McKay’s other films but, for me, this is easily his best. I thought it would be extremely political & too far-left in that typical Hollywood way as, according to Wikipedia, “The comet is an analogy for climate change and the film is a satire of government and media indifference to the climate crisis.” There’s nothing I hate more than an overly preachy movie! But it didn’t feel preachy to me & I got some good laughs out of the comedy in this. I thought the satire was pretty clever and, although they say it’s about how how shit the governments & media are, I thought it also perfectly displayed what a bunch of fucking morons the entire human race has become. I always enjoy “humans suck” satire (also a fan of Idiocracy, although I wish that film was better). It was scary how accurate this film was on how the general population would react if told we’re all going to die when a comet hits Earth. There would be as many comet-deniers as there are Covid-deniers. I would have thought this film was exaggerating things just five years ago or so (but I also wrongly thought Idiocracy was exaggerated at the time). People being more bothered about a celebrity breakup than our impending doom is SO FUCKING ACCURATE.

I also really enjoyed all the performances in this. Movies with huge star ensembles like this don’t always work for me as I sometimes find so many big names to be distracting & can take away from the story but I thought everyone was perfectly cast in this. Leonardo DiCaprio was good, of course, but I liked that it felt like quite a different role for him. And I loved that his wife was, like, the same age as him! Also really liked Jennifer Lawrence’s character and loved how she became just another meme for media-obsessed society. Also loved her obsession with the free snacks… Meryl Streep was pretty damn hilarious as a hateful self-absorbed president & I thought Jonah Hill was funny (although I can see that one role being the most divisive). And Mark Rylance was fantastic as a typical billionaire genius/idiot. I can’t call if this movie will have any acting Oscar nominations or if it’ll be completely ignored as comedy often is by the Academy. Or if they’ll only nominate Streep as usual. I think it deserves recognition, though, and I enjoyed it far more than his Oscar-nominated The Big Short.

I’ve avoided reviews & discussion of this movie but get the impression that people are pretty divided? Not sure why as I thought it was easily one of the better films I’ve managed to see this year. Maybe the truth hurts?

My Rating: 7.5/10

The Lost Daughter (2021)

Directed by Maggie Gyllenhaal

Based on The Lost Daughter by Elena Ferrante

Starring: Olivia Colman, Dakota Johnson, Jessie Buckley, Paul Mescal, Dagmara Domińczyk, Jack Farthing, Oliver Jackson-Cohen, Peter Sarsgaard, Ed Harris

Plot Synopsis: (via IMDb)
A woman’s beach vacation takes a dark turn when she begins to confront the troubles of her past.

My Opinion:

I also liked this film a lot. I’d maybe say it’s actually better than Don’t Look Up but is obviously a much more serious film & I had more “fun” watching Don’t Look Up.

The acting is great in this, especially from Olivia Colman & Jessie Buckley. I’m not an Olivia Colman fan (I’m actually enjoying The Crown far less since it changed to her from Claire Foy) but have to admit she’s very good in this. And that horrible family who came to the beach gave me the absolute creeps! Absolutely cannot stand pushy, entitled people like that and there are far too many of them in this world. Why the fuck should Olivia Colman move from her spot on the beach, huh?!? Anyway – I guess the family were very good as they were menacing as hell just in the way they would look at Colman’s character. But I never really understood their problem with her. Was it only because she wouldn’t move on the beach or did I miss something else while trying to sneakily watch this in between doing stuff with the family on one of my last days off of work?? Dakota Johnson was also good as part of that horrible family (by marriage, I think – was never quite sure how they were all related) & the one who Colman connects with as her young daughter brings up painful memories from Colman’s past. Johnson is maybe growing on me – I couldn’t understand what people saw in her at first.

I think this movie does a fantastic job of portraying the fact that, for some women, there’s much more to them than “just being a mother” and that being a mother (and wife) can be very difficult. I think movies often portray motherhood as being beautiful & perfect. I’m not saying I could personally connect with Colman’s & Buckley’s character’s experience but I think it will probably speak to a lot of women. And I thought the building tension in this was done really well. I kept feeling more & more uneasy throughout this film as I didn’t know a thing about the story & didn’t know what would happen.


Hated this bitch so much!

I think Gyllenhaal has done a great job with this movie. I can’t say whether it’s a good adaptation as I’ve not read the book but I’d now be interested in possibly reading it to know even more about the characters’ motivations. Maybe I’ll read it. I don’t often read a book after seeing the movie but I’d like to know a bit more after seeing this one. It’s a very good film.

My Rating: 7.5/10

Pig (2021)

Directed by Michael Sarnoski

Starring: Nicolas Cage, Alex Wolff, Adam Arkin

Plot Synopsis: (via Wikipedia)
The film follows a truffle forager whose beloved truffle-finding pig is stolen.

My Opinion:

Had to of course see what all the fuss was about on this one so managed to pick up a really cheap DVD of it (£2.99!). Can’t afford this hobby anymore so I think the only movies I spent on in 2021 outside of streaming services were this & Willy’s Wonderland. You’d think I was a Nicolas Cage fan or something! I’m actually really not, although he’s grown on me in recent years thanks to his interesting film choices. Those choices are often bad & I’ve not watched those that had terrible reviews but things like Mandy & Color Out Of Space are right up my alley & this one sounded like it could be too.

It’s an interesting film & I do agree that Cage was good in it. As much as I enjoy Crazy Cage, I liked seeing him so restrained in this one. I think he and the movie portray loneliness & grief well. Was honestly expecting some John Wick type of revenge rampage so was surprised at there being very little violence in this. Although a John Wick rampage would’ve been fun too but we’ve had enough of that sort of thing from Cage so this was a nice change.

Pig is a movie I’m glad I managed to see before the end of the year but it’s not a “rewatcher” for me as I can’t see myself watching it again. But I can understand why many seemed to like it as they could probably identify with Cage’s character. I can also see why plenty of other people wouldn’t go for this movie at all & would probably call it boring as it’s very slow & far less happens than I was expecting. It’s certainly a “Film Twitter person” type of movie that I wouldn’t go around recommending to people I work with or something. You’ll love it or possibly hate it. Or just be a bit “That was okay” like me. The pig was very cute!

My Rating: 7/10

The Invisible Man (2020) Review

The Invisible Man (2020)

Directed & Written by Leigh Whannell

Produced by Jason Blum & Kylie du Fresne

Based on Characters and concepts created by H. G. Wells for The Invisible Man

Starring: Elisabeth Moss, Aldis Hodge, Storm Reid, Harriet Dyer, Michael Dorman, Oliver Jackson-Cohen

Plot Synopsis: (via Wikipedia)
It follows a woman who believes she is being stalked and gaslit by her abusive and wealthy boyfriend even after his apparent suicide, and ultimately deduces that he has acquired the ability to become invisible.

My Opinion:

I missed out on this one at the time. I think it was because it was at the start of the pandemic so I missed it in the cinema & then didn’t have the streaming service it went to just after that. I wasn’t that bothered anyway as it’s a Leigh Whannell & Blumhouse film and they’re both very hit or miss (but mostly miss, especially with the horror stuff). While I do like the story Whannell wrote for the first Saw movie, I hated the sequels as they became way too gross and it turned me off of liking Saw at all anymore. I’ll never understand that torture porn crap. And I’ve just looked up Blumhouse Productions to see the full list of their films and, wow, the quality is all over the place on those. How can you go from good stuff like Whiplash to a lot of very meh or absolutely rubbish horror such as Unfriended (god I hated that movie). I also have to admit one other thing: I really don’t like Elisabeth Moss, although I have no good explanation for that. So this movie had a lot against it but then Horror Twitter started raving over it. To be fair, Horror Twitter raves over every horror movie so I’ve learned to ignore that but it did make me a little curious.

Damn, I thought this movie was pretty great. At least, it’s pretty damn good when compared to all the rubbish modern horror that gets made and compared to a lot of the other Blumhouse horror output. This is my type of horror: supernatural, psychological, and none of that in-your-face gory crap. It’s pretty intense, as the guy is invisible (obviously!) and you never know when he’s there stalking Elisabeth Moss. That was all very effective with some cool reveals to show his presence. I also thought that using this story in the context of an abusive relationship worked really well without it feeling like it was just trying to be “woke”. Plenty of psychological thrillers have involved abusive relationships & the thought of an abuser having the ability to become invisible is terrifying. But I should admit now that I’ve never seen the first film made & don’t really know the original H. G. Wells Invisible Man story so I’m kind of just assuming it’s not about an abused woman but feel free to correct me if I’m wrong! I’d like to see the 1933 Claude Rains film now.

One other positive about this movie: The characters are pretty good (for a horror film). I even ended up liking Elisabeth Moss okay! It’s one of those movies where no one believes the main character & they think she’s going crazy, of course, which is super cliché in horror but that’s because these kind of stories require that. Of course no one is going to believe that some dude has made himself invisible. So that adds to the character’s feeling of isolation and having to find a way to fight this on her own. Oh! And I loved the ending. I usually hate horror endings! Her detective friend & his daughter were also strong & likeable characters (man, I was so worried about them). The abusive “Invisible Man” himself character was pretty one-dimensional, though – there’s really no character development there to explain why he does this. The character of the sister of Moss was also not great & kind of just there to be a “bitch” for not believing Moss but, hey, in horror I’m happy with three likeable characters and a main character who gets some good development going from an abused woman to someone ready to fight back.

The only slight negative about this movie, besides a pretty one-dimensional baddie (which doesn’t bother me that much – I don’t care to know why a bad guy is bad), is that I have to admit it’s a bit too long & is too slow to really get going. I don’t want to be one of those people who moans about the length of a film, though. I love some very long movies, such as Seven Samurai. This isn’t exactly an epic Kurosawa film though, is it? The Invisible Man is actually only just over two hours long but feels longer due to such a slow start so I think that could have been improved a bit.

The length & early pacing are just minor complaints as, overall, I liked this movie a lot. It won’t be an “all-time favorite” like the ’70s & ’80s horrors I grew up with and it isn’t quite up there with the very few rare modern horrors I loved such as The Babadook & It Follows. But it’s a very good psychological thriller that keeps you on the edge of your seat at times and I really enjoyed it. I’m always happy to see a good horror film. Hubby often asks me why I watch so many crappy horrors. I don’t want to watch crappy horrors – I want to watch good ones. I give them all a chance just in case I luck out & see a good one. The Invisible Man is a good one.

My Rating: 7.5/10