Happy Birthday to Francis Ford Coppola, who turns 77 today.
This is a part of my Coppola Week. I’ve been reviewing movies directed by Francis Ford Coppola & his daughter Sofia (ones that I’ve seen for the first time this past year). So far, I’ve reviewed The Bling Ring, The Outsiders & Marie Antoinette.
I was going to make this a Top Ten including all of the members of the Coppola family who are in the movie industry but, after looking into how many that would involve, I decided it would be a pain in the ass! Besides, I’ve already done My Top Ten Nicolas Cage Movies HERE. I’ve also never seen the Rocky movies, so there’s no point including Talia Shire. And Jason Schwartzman is mainly in those Wes Anderson movies I can’t stand so screw that. And then there are loads of other family members who do lots of behind-the-scenes stuff such as cinematography so, after researching the Coppola family more than my own ancestry, I decided to make this a list including only Francis Ford & Sofia.
So here are My Top Ten Movies Directed By Francis Ford or Sofia Coppola, counting down to my favorite:
**Updated April 2018 to add The Beguiled remake**
(I’ve seen a total of fourteen so here are 14-11):
12. Peggy Sue Got Married
11. The Beguiled (2017)
FYI: If they’re not listed, I’ve not seen them. No, I never even bothered to watch The Godfather: Part III. The one I really need to see is Rumble Fish now that I’ve finally watched The Outsiders…!
I’ll finish Coppola Week tomorrow with a review of The Conversation.
**I recently participated in Ruth from FlixChatter’sFive For The Fifth, in which she asks fellow bloggers five movie or TV-related questions. The fifth question is from a guest blogger & I was this month’s guest with the question “Which character would you most like to see killed off in a current TV show?“. I chose this question knowing I’d be seeing The Walking Dead season finale the next day & now I’d really love to bitch about that ending with fellow bloggers!! Grrr. Have a look at Ruth’s Five For The Fifth post HERE. Thanks again, Ruth! 🙂
It’s Day 3 of Coppola Week & I’ll be reviewing Sofia Coppola’s Marie Antoinette. I reviewed her film The Bling Ring on Monday and her father’s 80’s classic The Outsiders yesterday. Tomorrow will, as usual, be a Top Ten List (My Top Ten Coppola Movies, of course) and I’ll finish on Friday with a review of a 1974 film from Francis Ford Coppola. Now let’s talk about the lovely Marie Antoinette!
Marie Antoinette (2006)
Directed by Sofia Coppola
Based on Marie Antoinette: The Journey by Antonia Fraser
Starring: Kirsten Dunst, Jason Schwartzman, Judy Davis, Rip Torn, Rose Byrne, Asia Argento
Plot Synopsis: (via IMDB) The retelling of France’s iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen and ultimately the fall of Versailles.
It feels like I’d been wanting to see this movie for years. But as fellow movie bloggers will understand, I have a huge “To Watch” list & this one just kept getting put aside. I finally got up off my ass & watched it in preparation for a week of Coppola reviews when I realized that I’d already watched a few Coppola movies by coincidence. Well, damn… I think that I hyped it up too much in my mind while it sat on my To Watch list all these years. For the most part, I’m afraid to say that I found Marie Antoinette a bit boring.
There were three reasons why I really wanted to see this: 1) I think Sofia Coppola’s Lost In Translation & The Virgin Suicides are quite beautiful & brilliant and this appeared to have a similar look & feel. 2) It looked visually appealing from pictures I’d seen. 3) Coppola often chooses great music, such as the amazing Air score for The Virgin Suicides, so I was eager to hear what was on the soundtrack for this.
Well, I can confirm that this was indeed visually appealing and I really liked that about it. The costumes, the castle, all that CAKE! So I have no complaints there. I also liked Kirsten Dunst just fine – she’s not a favorite of mine but I’ve always liked her okay (although I assume she’s nothing like the real Marie Antoinette! Her Virgin Suicides role was more fitting). Sofia Coppola really has a thing for the female butt, though, doesn’t she? Didn’t Lost In Translation start with a shot of Scarlett Johansson’s butt? Well, you see Dunst naked from behind as she’s dressed to meet her future husband then you see plenty of her throughout the film as everyone gathers around to dress her every morning. Is that what they did with royalty in the old days? No thank you! I like my privacy.
As for the soundtrack, Coppola once again chose some great music. I’ll never complain about hearing The Cure or New Order! But, for some reason, I guess I thought we’d hear much more of the music. It’s mostly prominent in a couple of montages but, scattered throughout, I didn’t notice it all that much. It’s a small complaint – I think I was expecting loads of modern(ish) songs set in a time period from the past but, hey, this isn’t some Baz Luhrmann film. I prefer Coppola’s films to his anyway so I suppose I prefer the way she used the music. This would certainly be a good soundtrack to own.
I’ll admit that my knowledge of history is crap so I won’t pretend to know a thing about Marie Antoinette (or about any history – it’s not a subject that has ever interested me for some reason). I have zero clue how accurate this movie is meant to be. I mean, I’m pretty sure Marie Antoinette wasn’t a cute blonde American girl and that everyone in France spoke English, right?! I take it that this film is just meant to be a bit of fun and that Sofia really just wanted an excuse to play with pretty dresses, powdered wigs, and cake.
I found it interesting if the basic storyline is accurate, though. I did read a (tiny) bit about Marie Antoinette after watching the movie & the broad, overall story does sound correct. I was expecting a dumb & slightly annoying character as that’s how the real Marie Antoinette is portrayed somewhat with the “Let them eat cake” quote but that’s not at all how she’s portrayed in this film. She’s young & a bit naive but mostly is a “little girl lost” just doing as she’s told in her arranged marriage. In the film, she’s also unfairly hated by the general public and used as a sort of symbol for their negative feelings toward the monarchy. From the little I read of the real woman, this was true. I was also surprised to read that there is no evidence that she ever actually said “Let them eat cake” and that it’s very unlikely that she did. Talk about unfair!
Hey, maybe I’ll actually try to find some Marie Antoinette documentary to watch now. If you’re looking for that sort of thing, though, you probably wouldn’t watch Coppola’s film. I didn’t watch it for a history lesson – I watched it for the imagery & the soundtrack and I think that’s the whole reason it was made, with the Marie Antoinette story just happening to be the film’s backdrop. With that in mind, it was an enjoyable enough film & Coppola once again did a great job with the look & sound but it didn’t stop it from ultimately being a bit boring and feeling far longer than its actual runtime of just over two hours. I’m glad I saw Marie Antoinette and I liked it okay. I was just a little disappointed as I wanted to love it.
My Rating: 6.5/10
This is a good montage to watch if you want to get a feel for this movie. It features Bow Wow Wow’s I Want Candy:
And I have to include the New Order song, Ceremony, which is used in the film. Because I LOVE it:
Welcome to Coppola Week at Cinema Parrot Disco! I just so happened to watch several movies directed by both Francis Ford & Sofia Coppola in the past several months so I figured “What the hell – I might as well review them all in the same week and pretend I’m organized & shit and that I actually planned it that way!”. So, I set it for the week of Mr Coppola’s birthday (this coming Thursday).
Here we go! I’ll be reviewing two from each of them this week. Oh, and don’t go expecting big stuff like The Godfathers… I saw those years ago. These are all Coppola movies that I only saw for the very first time recently. Let’s start with a fairly recent one directed by Sofia:
The Bling Ring (2013)
Directed & Written by Sofia Coppola
Based on The Suspects Wore Louboutins by Nancy Jo Sales
Starring: Israel Broussard, Katie Chang, Taissa Farmiga, Claire Julien, Emma Watson, Leslie Mann
Plot Synopsis: (via IMDB) Inspired by actual events, a group of fame-obsessed teenagers use the internet to track celebrities’ whereabouts in order to rob their homes.
This had a lot of potential as the true story is rather fascinating. This could’ve been a deep & meaningful piece exploring the worrying way in which so many teenagers today are extremely shallow & are overly obsessed with celebrities and with possessions. But it’s not! The film feels as shallow as its asshole teenagers and the asshole celebrities they stole enough designer handbags from to feed a small country. (With, like, the proceeds had they sold the handbags. I’m bad with words… You know what I mean!)
To be fair, I don’t think it’s really Sofia Coppola’s fault. I can see why she’d want to make a movie about this story but I think it’s quite hard to make a movie where every character is so completely hateful (I need to see The Hateful Eight to see if this statement is still true!). Well, okay – the one male involved in the robberies isn’t entirely hateful, which was was good since this movie desperately needed that one person who seemed human. But I have to say that Emma Watson must be a really good actress because I hated her character with a passion! Her character is the perfect example of everything that’s wrong with spoiled, self-obsessed Western youth.
As for the true story, I’ve not read the original article this movie is based on & not looked into the real people and how closely this movie portrayed things. I just don’t care enough to bother. It’s hard to really feel anything for anyone in this story. It’s basically about the “haves” stealing from the “have-even-mores”. I don’t know if this is how it really was but I got the impression that they were able to rob Paris Hilton more than once as, when you have hundreds of designer bags & shoes & pieces of jewelry, you don’t even notice when some go missing. That’s really quite sad. What these teenagers did was of course very wrong & a crime in need of punishment but, with all the horrible stuff going on in the world, no one is exactly going to cry over some celebrities having been robbed of a few possessions.
But despite the subject matter, I didn’t hate this movie. I guess I just wanted a little something more from it but it was interesting seeing just how easily these teenagers broke into these celebrity houses. You would think there would be loads of alarms, locks, etc! Never mind their possessions – aren’t celebrities worried about their personal safety? I’ll say that it seemed these teenagers broke into these houses, especially Paris Hilton’s which they kept going back to, just as much to hang out & get a taste of living the celebrity lifestyle as to steal things and that’s the only time I almost felt a little sorry for them & was reminded that they’re really just kids.
I think I was just disappointed as I really love Coppola’s Lost In Translation and think The Virgin Suicides is quite a beautiful work of art. Those films have so much style (and fantastic soundtracks! I love when Coppola puts a lot of effort into the music used in her movies). The Bling Ring just tells its story in a very straightforward way and feels much different from other Sofia Coppola movies I’ve seen. There’s nothing actually wrong with the film and I have to say I somewhat enjoyed watching it as, like the teenagers, I think a lot of us are at least a little fascinated with celebrities and the lifestyles they lead. Hey, I admit that I used to watch Cribs on MTV! 😉 This movie is a bit like watching an episode of that, in a way, and I did like seeing inside the homes & wondered how close they made them to the actual homes that were robbed. Like, does Paris Hilton actually have her face plastered all over her walls & on her throw pillows?! Lol. Bizarre. I suppose I just can’t stand the type of people this movie portrays but, once it got past what felt like 45 minutes of the characters taking duckface selfies, the movie was half over anyway as it’s quite short. A shallow film about shallow people but worth watching if you’re interested in the story and bear in mind that you’re not going to get anything deep from it.